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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 229 196 it is the complementary color RGB 234 26 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 229 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 229 196 shade: RGB 26 229 191, RGB 43 247 210, RGB 60 255 229, RGB 77 255 248 and RGB 94 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 229 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 229 196 shade: RGB 21 229 196, RGB 4 211 177, RGB 0 193 158, RGB 0 175 139 and RGB 0 157 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 229 196 shade: RGB 21 228 195, RGB 21 228 139, RGB 21 228 83, RGB 21 228 27 and RGB 70 228 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 229 196 shade: RGB 21 228 195, RGB 21 205 228, RGB 21 149 228, RGB 21 93 228 and RGB 21 37 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 229 196 shade matches the following richer shades: RGB 21 228 195 and RGB 1 248 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 229 196 shade: RGB 21 228 195, RGB 41 208 181, RGB 61 188 168, RGB 81 168 154 and RGB 102 147 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 229 196 shade: RGB 21 228 83, RGB 21 228 138, RGB 21 228 194, RGB 21 207 228 and RGB 21 152 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 229 196 shade: RGB 14 153 131, RGB 17 190 163, RGB 21 228 195, RGB 54 236 207 and RGB 92 239 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 229 196 shade: RGB 21 229 196, RGB 28 21 228 and RGB 228 111 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 229 196 shade: RGB 21 229 196, RGB 194 21 228 and RGB 228 194 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 229 196 shade: RGB 21 229 196, RGB 28 21 228, RGB 228 21 55 and RGB 221 228 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 229 196 shade: RGB 21 229 196, RGB 90 21 228, RGB 228 21 55 and RGB 159 228 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 14 / 10

HEX #15E5C4

RGB 21 229 196

HSL 170.48, 0.83%, 0.49%

LAB 81.94, -52.86, 3.25

 

Complementary color

CMYK 0 / 89 / 75 / 8

HEX #EA1A3B

RGB 234 26 59

HSL 350.48, 0.83%, 0.51%

LAB 50.15, 73.55, 38.51

 

CMYK 89 / 0 / 17 / 10

HEX #1AE5BF

RGB 26 229 191

HSL 168.77, 0.8%, 0.5%

LAB 81.85, -53.91, 5.76

 

CMYK 83 / 0 / 15 / 3

HEX #2BF7D2

RGB 43 247 210

HSL 169.12, 0.93%, 0.57%

LAB 87.82, -55.24, 4.44

 

CMYK 76 / 0 / 10 / 0

HEX #3CFFE5

RGB 60 255 229

HSL 172, 1%, 0.62%

LAB 90.84, -52.2, -1.01

 

CMYK 70 / 0 / 3 / 0

HEX #4DFFF8

RGB 77 255 248

HSL 177.64, 1%, 0.65%

LAB 91.63, -45.34, -9.67

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 91 / 0 / 14 / 10

HEX #15E5C4

RGB 21 229 196

HSL 170.48, 0.83%, 0.49%

LAB 81.94, -52.86, 3.25

 

CMYK 98 / 0 / 16 / 17

HEX #04D3B1

RGB 4 211 177

HSL 170.14, 0.96%, 0.42%

LAB 75.94, -51.08, 4.67

 

CMYK 100 / 0 / 18 / 24

HEX #00C19E

RGB 0 193 158

HSL 169.12, 1%, 0.38%

LAB 69.9, -48.87, 6.24

 

CMYK 100 / 0 / 21 / 31

HEX #00AF8B

RGB 0 175 139

HSL 167.66, 1%, 0.34%

LAB 63.77, -46.51, 7.91

 

CMYK 100 / 0 / 24 / 38

HEX #009D78

RGB 0 157 120

HSL 165.86, 1%, 0.31%

LAB 57.53, -44.08, 9.65

 

CMYK 91 / 0 / 14 / 11

HEX #15E4C3

RGB 21 228 195

HSL 170.43, 0.83%, 0.49%

LAB 81.61, -52.72, 3.3

 

CMYK 91 / 0 / 39 / 11

HEX #15E48B

RGB 21 228 139

HSL 154.2, 0.83%, 0.49%

LAB 80.47, -65.4, 30.9

 

CMYK 91 / 0 / 64 / 11

HEX #15E453

RGB 21 228 83

HSL 137.97, 0.83%, 0.49%

LAB 79.77, -73.83, 56.41

 

CMYK 91 / 0 / 88 / 11

HEX #15E41B

RGB 21 228 27

HSL 121.74, 0.83%, 0.49%

LAB 79.46, -77.77, 73.44

 

CMYK 69 / 0 / 91 / 11

HEX #46E415

RGB 70 228 21

HSL 105.8, 0.83%, 0.49%

LAB 80.09, -72.23, 75.2

 

CMYK 91 / 0 / 14 / 11

HEX #15E4C3

RGB 21 228 195

HSL 170.43, 0.83%, 0.49%

LAB 81.61, -52.72, 3.3

 

CMYK 91 / 10 / 0 / 11

HEX #15CDE4

RGB 21 205 228

HSL 186.67, 0.83%, 0.49%

LAB 75.71, -33.07, -23.12

 

CMYK 91 / 35 / 0 / 11

HEX #1595E4

RGB 21 149 228

HSL 202.9, 0.83%, 0.49%

LAB 59.21, -3.57, -48.77

 

CMYK 91 / 59 / 0 / 11

HEX #155DE4

RGB 21 93 228

HSL 219.13, 0.83%, 0.49%

LAB 43.64, 31.27, -73.85

 

CMYK 91 / 84 / 0 / 11

HEX #1525E4

RGB 21 37 228

HSL 235.36, 0.83%, 0.49%

LAB 32, 63.16, -93.07

 

CMYK 91 / 0 / 14 / 11

HEX #15E4C3

RGB 21 228 195

HSL 170.43, 0.83%, 0.49%

LAB 81.61, -52.72, 3.3

 

CMYK 100 / 0 / 16 / 3

HEX #01F8D1

RGB 1 248 209

HSL 170.53, 0.99%, 0.49%

LAB 87.85, -57.66, 4.97

 

CMYK 91 / 0 / 14 / 11

HEX #15E4C3

RGB 21 228 195

HSL 170.43, 0.83%, 0.49%

LAB 81.61, -52.72, 3.3

 

CMYK 80 / 0 / 13 / 18

HEX #29D0B5

RGB 41 208 181

HSL 170.3, 0.67%, 0.49%

LAB 75.4, -46.82, 1.78

 

CMYK 68 / 0 / 11 / 26

HEX #3DBCA8

RGB 61 188 168

HSL 170.55, 0.51%, 0.49%

LAB 69.32, -39.16, 0.02

 

CMYK 52 / 0 / 8 / 34

HEX #51A89A

RGB 81 168 154

HSL 170.34, 0.35%, 0.49%

LAB 63.42, -29.7, -0.78

 

CMYK 31 / 0 / 5 / 42

HEX #66938C

RGB 102 147 140

HSL 170.67, 0.18%, 0.49%

LAB 57.64, -16.85, -1.21

 

CMYK 91 / 0 / 64 / 11

HEX #15E453

RGB 21 228 83

HSL 137.97, 0.83%, 0.49%

LAB 79.77, -73.83, 56.41

 

CMYK 91 / 0 / 39 / 11

HEX #15E48A

RGB 21 228 138

HSL 153.91, 0.83%, 0.49%

LAB 80.45, -65.59, 31.38

 

CMYK 91 / 0 / 15 / 11

HEX #15E4C2

RGB 21 228 194

HSL 170.14, 0.83%, 0.49%

LAB 81.59, -52.98, 3.8

 

CMYK 91 / 9 / 0 / 11

HEX #15CFE4

RGB 21 207 228

HSL 186.09, 0.83%, 0.49%

LAB 76.31, -34.02, -22.22

 

CMYK 91 / 33 / 0 / 11

HEX #1598E4

RGB 21 152 228

HSL 202.03, 0.83%, 0.49%

LAB 60.08, -5.3, -47.39

 

CMYK 91 / 0 / 14 / 40

HEX #0E9983

RGB 14 153 131

HSL 170.5, 0.83%, 0.33%

LAB 56.6, -38.77, 2.09

 

CMYK 91 / 0 / 14 / 25

HEX #11BEA3

RGB 17 190 163

HSL 170.64, 0.84%, 0.41%

LAB 69.18, -45.69, 2.48

 

CMYK 91 / 0 / 14 / 11

HEX #15E4C3

RGB 21 228 195

HSL 170.43, 0.83%, 0.49%

LAB 81.61, -52.72, 3.3

 

CMYK 77 / 0 / 12 / 7

HEX #36ECCF

RGB 54 236 207

HSL 170.44, 0.83%, 0.57%

LAB 84.63, -50.56, 1.4

 

CMYK 62 / 0 / 10 / 6

HEX #5CEFD8

RGB 92 239 216

HSL 170.61, 0.82%, 0.65%

LAB 86.49, -44.48, -0.53

 

CMYK 91 / 0 / 14 / 10

HEX #15E5C4

RGB 21 229 196

HSL 170.48, 0.83%, 0.49%

LAB 81.94, -52.86, 3.25

 

CMYK 88 / 91 / 0 / 11

HEX #1C15E4

RGB 28 21 228

HSL 242.03, 0.83%, 0.49%

LAB 30.36, 68.86, -95.79

 

CMYK 0 / 51 / 91 / 11

HEX #E46F15

RGB 228 111 21

HSL 26.09, 0.83%, 0.49%

LAB 59.81, 40.96, 63.65

 

CMYK 91 / 0 / 14 / 10

HEX #15E5C4

RGB 21 229 196

HSL 170.48, 0.83%, 0.49%

LAB 81.94, -52.86, 3.25

 

CMYK 15 / 91 / 0 / 11

HEX #C215E4

RGB 194 21 228

HSL 290.14, 0.83%, 0.49%

LAB 49.02, 83.25, -64.43

 

CMYK 0 / 15 / 91 / 11

HEX #E4C215

RGB 228 194 21

HSL 50.14, 0.83%, 0.49%

LAB 79.12, -2.57, 78.05

 

CMYK 91 / 0 / 14 / 10

HEX #15E5C4

RGB 21 229 196

HSL 170.48, 0.83%, 0.49%

LAB 81.94, -52.86, 3.25

 

CMYK 88 / 91 / 0 / 11

HEX #1C15E4

RGB 28 21 228

HSL 242.03, 0.83%, 0.49%

LAB 30.36, 68.86, -95.79

 

CMYK 0 / 91 / 76 / 11

HEX #E41537

RGB 228 21 55

HSL 350.14, 0.83%, 0.49%

LAB 48.64, 72.62, 38.81

 

CMYK 3 / 0 / 91 / 11

HEX #DDE415

RGB 221 228 21

HSL 62.03, 0.83%, 0.49%

LAB 87.44, -22.51, 84.21

 

CMYK 91 / 0 / 14 / 10

HEX #15E5C4

RGB 21 229 196

HSL 170.48, 0.83%, 0.49%

LAB 81.94, -52.86, 3.25

 

CMYK 61 / 91 / 0 / 11

HEX #5A15E4

RGB 90 21 228

HSL 260, 0.83%, 0.49%

LAB 34.62, 71.5, -88.58

 

CMYK 0 / 91 / 76 / 11

HEX #E41537

RGB 228 21 55

HSL 350.14, 0.83%, 0.49%

LAB 48.64, 72.62, 38.81

 

CMYK 30 / 0 / 91 / 11

HEX #9FE415

RGB 159 228 21

HSL 80, 0.83%, 0.49%

LAB 83.4, -47.06, 79.28

 

Description

Color code: RGB 21 229 196 | qconv.com Color code: RGB 21 229 196 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 229 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 229 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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