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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 217 238 it is the complementary color RGB 234 38 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 217 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 217 238 shade: RGB 26 217 233, RGB 43 235 252, RGB 60 253 255, RGB 77 255 255 and RGB 94 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 217 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 217 238 shade: RGB 21 217 238, RGB 4 199 219, RGB 0 181 200, RGB 0 163 181 and RGB 0 145 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 217 238 shade: RGB 22 216 237, RGB 22 158 237, RGB 22 100 237, RGB 22 42 237 and RGB 60 22 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 217 238 shade: RGB 22 216 237, RGB 22 158 237, RGB 22 100 237, RGB 22 42 237 and RGB 22 22 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 217 238 shade matches the following richer shades: RGB 22 216 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 217 238 shade: RGB 22 216 237, RGB 42 200 217, RGB 63 184 197, RGB 83 167 176 and RGB 103 151 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 217 238 shade: RGB 22 237 140, RGB 22 237 198, RGB 22 219 237, RGB 22 162 237 and RGB 22 104 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 217 238 shade: RGB 12 150 165, RGB 15 185 203, RGB 22 216 237, RGB 60 223 240 and RGB 99 229 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 217 238 shade: RGB 21 217 238, RGB 83 22 237 and RGB 237 169 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 217 238 shade: RGB 21 217 238, RGB 237 22 219 and RGB 219 237 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 217 238 shade: RGB 21 217 238, RGB 83 22 237, RGB 237 40 22 and RGB 176 237 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 217 238 shade: RGB 21 217 238, RGB 147 22 237, RGB 237 40 22 and RGB 112 237 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 9 / 0 / 7

HEX #15D9EE

RGB 21 217 238

HSL 185.81, 0.86%, 0.51%

LAB 79.59, -35.61, -22.58

 

Complementary color

CMYK 0 / 84 / 93 / 8

HEX #EA2611

RGB 234 38 17

HSL 5.81, 0.86%, 0.49%

LAB 50.59, 70.41, 59.12

 

CMYK 89 / 7 / 0 / 9

HEX #1AD9E9

RGB 26 217 233

HSL 184.64, 0.82%, 0.51%

LAB 79.46, -36.93, -20.1

 

CMYK 83 / 7 / 0 / 1

HEX #2BEBFC

RGB 43 235 252

HSL 184.88, 0.97%, 0.58%

LAB 85.48, -38.49, -21.03

 

CMYK 76 / 1 / 0 / 0

HEX #3CFDFF

RGB 60 253 255

HSL 180.62, 1%, 0.62%

LAB 90.98, -44.35, -14.3

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 91 / 9 / 0 / 7

HEX #15D9EE

RGB 21 217 238

HSL 185.81, 0.86%, 0.51%

LAB 79.59, -35.61, -22.58

 

CMYK 98 / 9 / 0 / 14

HEX #04C7DB

RGB 4 199 219

HSL 185.58, 0.96%, 0.44%

LAB 73.54, -33.6, -21.58

 

CMYK 100 / 10 / 0 / 22

HEX #00B5C8

RGB 0 181 200

HSL 185.7, 1%, 0.39%

LAB 67.44, -31.18, -20.48

 

CMYK 100 / 10 / 0 / 29

HEX #00A3B5

RGB 0 163 181

HSL 185.97, 1%, 0.35%

LAB 61.25, -28.6, -19.33

 

CMYK 100 / 10 / 0 / 36

HEX #0091A2

RGB 0 145 162

HSL 186.3, 1%, 0.32%

LAB 54.93, -25.97, -18.17

 

CMYK 91 / 9 / 0 / 7

HEX #16D8ED

RGB 22 216 237

HSL 185.86, 0.86%, 0.51%

LAB 79.27, -35.41, -22.53

 

CMYK 91 / 33 / 0 / 7

HEX #169EED

RGB 22 158 237

HSL 202.05, 0.86%, 0.51%

LAB 62.29, -5.37, -48.88

 

CMYK 91 / 58 / 0 / 7

HEX #1664ED

RGB 22 100 237

HSL 218.23, 0.86%, 0.51%

LAB 46.18, 30.25, -74.78

 

CMYK 91 / 82 / 0 / 7

HEX #162AED

RGB 22 42 237

HSL 234.42, 0.86%, 0.51%

LAB 33.86, 63.7, -95.1

 

CMYK 75 / 91 / 0 / 7

HEX #3C16ED

RGB 60 22 237

HSL 250.6, 0.86%, 0.51%

LAB 33.24, 71.86, -96.08

 

CMYK 91 / 9 / 0 / 7

HEX #16D8ED

RGB 22 216 237

HSL 185.86, 0.86%, 0.51%

LAB 79.27, -35.41, -22.53

 

CMYK 91 / 33 / 0 / 7

HEX #169EED

RGB 22 158 237

HSL 202.05, 0.86%, 0.51%

LAB 62.29, -5.37, -48.88

 

CMYK 91 / 58 / 0 / 7

HEX #1664ED

RGB 22 100 237

HSL 218.23, 0.86%, 0.51%

LAB 46.18, 30.25, -74.78

 

CMYK 91 / 82 / 0 / 7

HEX #162AED

RGB 22 42 237

HSL 234.42, 0.86%, 0.51%

LAB 33.86, 63.7, -95.1

 

CMYK 91 / 91 / 0 / 7

HEX #1616ED

RGB 22 22 237

HSL 240, 0.86%, 0.51%

LAB 31.48, 70.85, -99.06

 

CMYK 91 / 9 / 0 / 7

HEX #16D8ED

RGB 22 216 237

HSL 185.86, 0.86%, 0.51%

LAB 79.27, -35.41, -22.53

 

CMYK 91 / 9 / 0 / 7

HEX #16D8ED

RGB 22 216 237

HSL 185.86, 0.86%, 0.51%

LAB 79.27, -35.41, -22.53

 

CMYK 81 / 8 / 0 / 15

HEX #2AC8D9

RGB 42 200 217

HSL 185.83, 0.7%, 0.51%

LAB 74.07, -32.83, -19.66

 

CMYK 68 / 7 / 0 / 23

HEX #3FB8C5

RGB 63 184 197

HSL 185.82, 0.54%, 0.51%

LAB 69.02, -28.81, -16.36

 

CMYK 53 / 5 / 0 / 31

HEX #53A7B0

RGB 83 167 176

HSL 185.81, 0.37%, 0.51%

LAB 63.84, -22.85, -12.45

 

CMYK 34 / 3 / 0 / 39

HEX #67979C

RGB 103 151 156

HSL 185.66, 0.21%, 0.51%

LAB 59.36, -14.78, -7.79

 

CMYK 91 / 0 / 41 / 7

HEX #16ED8C

RGB 22 237 140

HSL 152.93, 0.86%, 0.51%

LAB 83.25, -68.23, 34.07

 

CMYK 91 / 0 / 16 / 7

HEX #16EDC6

RGB 22 237 198

HSL 169.12, 0.86%, 0.51%

LAB 84.39, -55.51, 5.74

 

CMYK 91 / 8 / 0 / 7

HEX #16DBED

RGB 22 219 237

HSL 185.02, 0.86%, 0.51%

LAB 80.15, -36.81, -21.19

 

CMYK 91 / 32 / 0 / 7

HEX #16A2ED

RGB 22 162 237

HSL 200.93, 0.86%, 0.51%

LAB 63.45, -7.64, -47.05

 

CMYK 91 / 56 / 0 / 7

HEX #1668ED

RGB 22 104 237

HSL 217.12, 0.86%, 0.51%

LAB 47.22, 27.69, -73.09

 

CMYK 93 / 9 / 0 / 35

HEX #0C96A5

RGB 12 150 165

HSL 185.88, 0.86%, 0.35%

LAB 56.69, -26.99, -17.2

 

CMYK 93 / 9 / 0 / 20

HEX #0FB9CB

RGB 15 185 203

HSL 185.74, 0.86%, 0.43%

LAB 68.83, -31.68, -20

 

CMYK 91 / 9 / 0 / 7

HEX #16D8ED

RGB 22 216 237

HSL 185.86, 0.86%, 0.51%

LAB 79.27, -35.41, -22.53

 

CMYK 75 / 7 / 0 / 6

HEX #3CDFF0

RGB 60 223 240

HSL 185.67, 0.86%, 0.59%

LAB 81.85, -35.05, -20.16

 

CMYK 59 / 6 / 0 / 5

HEX #63E5F3

RGB 99 229 243

HSL 185.83, 0.86%, 0.67%

LAB 84.57, -31.63, -17.56

 

CMYK 91 / 9 / 0 / 7

HEX #15D9EE

RGB 21 217 238

HSL 185.81, 0.86%, 0.51%

LAB 79.59, -35.61, -22.58

 

CMYK 65 / 91 / 0 / 7

HEX #5316ED

RGB 83 22 237

HSL 257.02, 0.86%, 0.51%

LAB 35.06, 73, -93.01

 

CMYK 0 / 29 / 91 / 7

HEX #EDA916

RGB 237 169 22

HSL 41.02, 0.86%, 0.51%

LAB 73.83, 14.43, 74.28

 

CMYK 91 / 9 / 0 / 7

HEX #15D9EE

RGB 21 217 238

HSL 185.81, 0.86%, 0.51%

LAB 79.59, -35.61, -22.58

 

CMYK 0 / 91 / 8 / 7

HEX #ED16DB

RGB 237 22 219

HSL 305.02, 0.86%, 0.51%

LAB 55.78, 88.78, -48.08

 

CMYK 8 / 0 / 91 / 7

HEX #DBED16

RGB 219 237 22

HSL 65.02, 0.86%, 0.51%

LAB 89.71, -27.6, 85.78

 

CMYK 91 / 9 / 0 / 7

HEX #15D9EE

RGB 21 217 238

HSL 185.81, 0.86%, 0.51%

LAB 79.59, -35.61, -22.58

 

CMYK 65 / 91 / 0 / 7

HEX #5316ED

RGB 83 22 237

HSL 257.02, 0.86%, 0.51%

LAB 35.06, 73, -93.01

 

CMYK 0 / 83 / 91 / 7

HEX #ED2816

RGB 237 40 22

HSL 5.02, 0.86%, 0.51%

LAB 51.36, 70.85, 58.18

 

CMYK 26 / 0 / 91 / 7

HEX #B0ED16

RGB 176 237 22

HSL 77.02, 0.86%, 0.51%

LAB 86.93, -44.56, 82.39

 

CMYK 91 / 9 / 0 / 7

HEX #15D9EE

RGB 21 217 238

HSL 185.81, 0.86%, 0.51%

LAB 79.59, -35.61, -22.58

 

CMYK 38 / 91 / 0 / 7

HEX #9316ED

RGB 147 22 237

HSL 274.88, 0.86%, 0.51%

LAB 42.6, 78.54, -80.3

 

CMYK 0 / 83 / 91 / 7

HEX #ED2816

RGB 237 40 22

HSL 5.02, 0.86%, 0.51%

LAB 51.36, 70.85, 58.18

 

CMYK 53 / 0 / 91 / 7

HEX #70ED16

RGB 112 237 22

HSL 94.88, 0.86%, 0.51%

LAB 84, -65.6, 78.79

 

Description

Color code: RGB 21 217 238 | qconv.com Color code: RGB 21 217 238 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 217 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 217 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 9 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 9% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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