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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 208 188 it is the complementary color RGB 234 47 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 208 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 208 188 shade: RGB 26 208 183, RGB 43 226 202, RGB 60 244 221, RGB 77 255 240 and RGB 94 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 208 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 208 188 shade: RGB 21 208 188, RGB 4 190 169, RGB 0 172 150, RGB 0 154 131 and RGB 0 136 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 208 188 shade: RGB 20 208 188, RGB 20 208 137, RGB 20 208 87, RGB 20 208 36 and RGB 55 208 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 208 188 shade: RGB 20 208 188, RGB 20 178 208, RGB 20 127 208, RGB 20 76 208 and RGB 20 25 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 208 188 shade matches the following richer shades: RGB 20 208 188 and RGB 2 227 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 208 188 shade: RGB 20 208 188, RGB 39 190 174, RGB 57 171 159, RGB 76 153 144 and RGB 94 134 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 208 188 shade: RGB 20 208 86, RGB 20 208 136, RGB 20 208 186, RGB 20 180 208 and RGB 20 130 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 208 188 shade: RGB 13 133 120, RGB 16 171 154, RGB 20 208 188, RGB 37 233 212 and RGB 74 237 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 208 188 shade: RGB 21 208 188, RGB 36 20 208 and RGB 208 111 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 208 188 shade: RGB 21 208 188, RGB 186 20 208 and RGB 208 186 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 208 188 shade: RGB 21 208 188, RGB 36 20 208, RGB 208 20 42 and RGB 193 208 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 208 188 shade: RGB 21 208 188, RGB 92 20 208, RGB 208 20 42 and RGB 136 208 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 10 / 18

HEX #15D0BC

RGB 21 208 188

HSL 173.58, 0.82%, 0.45%

LAB 75.39, -46.3, -2.03

 

Complementary color

CMYK 0 / 80 / 71 / 8

HEX #EA2F43

RGB 234 47 67

HSL 353.58, 0.82%, 0.55%

LAB 51.76, 69.57, 35.72

 

CMYK 88 / 0 / 12 / 18

HEX #1AD0B7

RGB 26 208 183

HSL 171.76, 0.78%, 0.46%

LAB 75.3, -47.4, 0.53

 

CMYK 81 / 0 / 11 / 11

HEX #2BE2CA

RGB 43 226 202

HSL 172.13, 0.76%, 0.53%

LAB 81.39, -48.69, -0.71

 

CMYK 75 / 0 / 9 / 4

HEX #3CF4DD

RGB 60 244 221

HSL 172.5, 0.89%, 0.6%

LAB 87.43, -49.68, -1.84

 

CMYK 70 / 0 / 6 / 0

HEX #4DFFF0

RGB 77 255 240

HSL 174.94, 1%, 0.65%

LAB 91.41, -47.46, -5.84

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 90 / 0 / 10 / 18

HEX #15D0BC

RGB 21 208 188

HSL 173.58, 0.82%, 0.45%

LAB 75.39, -46.3, -2.03

 

CMYK 98 / 0 / 11 / 25

HEX #04BEA9

RGB 4 190 169

HSL 173.23, 0.96%, 0.38%

LAB 69.27, -44.53, -0.68

 

CMYK 100 / 0 / 13 / 33

HEX #00AC96

RGB 0 172 150

HSL 172.33, 1%, 0.34%

LAB 63.1, -42.28, 0.82

 

CMYK 100 / 0 / 15 / 40

HEX #009A83

RGB 0 154 131

HSL 171.04, 1%, 0.3%

LAB 56.83, -39.86, 2.41

 

CMYK 100 / 0 / 18 / 47

HEX #008870

RGB 0 136 112

HSL 169.41, 1%, 0.27%

LAB 50.43, -37.39, 4.08

 

CMYK 90 / 0 / 10 / 18

HEX #14D0BC

RGB 20 208 188

HSL 173.62, 0.82%, 0.45%

LAB 75.38, -46.34, -2.04

 

CMYK 90 / 0 / 34 / 18

HEX #14D089

RGB 20 208 137

HSL 157.34, 0.82%, 0.45%

LAB 74.23, -58.8, 23.56

 

CMYK 90 / 0 / 58 / 18

HEX #14D057

RGB 20 208 87

HSL 141.38, 0.82%, 0.45%

LAB 73.51, -67.34, 47.51

 

CMYK 90 / 0 / 83 / 18

HEX #14D024

RGB 20 208 36

HSL 125.11, 0.82%, 0.45%

LAB 73.15, -71.94, 65.91

 

CMYK 74 / 0 / 90 / 18

HEX #37D014

RGB 55 208 20

HSL 108.83, 0.82%, 0.45%

LAB 73.53, -68.74, 69.7

 

CMYK 90 / 0 / 10 / 18

HEX #14D0BC

RGB 20 208 188

HSL 173.62, 0.82%, 0.45%

LAB 75.38, -46.34, -2.04

 

CMYK 90 / 14 / 0 / 18

HEX #14B2D0

RGB 20 178 208

HSL 189.57, 0.82%, 0.45%

LAB 66.93, -26.39, -25.65

 

CMYK 90 / 39 / 0 / 18

HEX #147FD0

RGB 20 127 208

HSL 205.85, 0.82%, 0.45%

LAB 51.7, 1.87, -49.48

 

CMYK 90 / 63 / 0 / 18

HEX #144CD0

RGB 20 76 208

HSL 222.13, 0.82%, 0.45%

LAB 37.61, 34.59, -72.29

 

CMYK 90 / 88 / 0 / 18

HEX #1419D0

RGB 20 25 208

HSL 238.4, 0.82%, 0.45%

LAB 27.84, 62.02, -88.46

 

CMYK 90 / 0 / 10 / 18

HEX #14D0BC

RGB 20 208 188

HSL 173.62, 0.82%, 0.45%

LAB 75.38, -46.34, -2.04

 

CMYK 99 / 0 / 11 / 11

HEX #02E3CB

RGB 2 227 203

HSL 173.6, 0.98%, 0.45%

LAB 81.44, -50.76, -1.2

 

CMYK 90 / 0 / 10 / 18

HEX #14D0BC

RGB 20 208 188

HSL 173.62, 0.82%, 0.45%

LAB 75.38, -46.34, -2.04

 

CMYK 79 / 0 / 8 / 25

HEX #27BEAE

RGB 39 190 174

HSL 173.64, 0.66%, 0.45%

LAB 69.69, -41.13, -2.77

 

CMYK 67 / 0 / 7 / 33

HEX #39AB9F

RGB 57 171 159

HSL 173.68, 0.5%, 0.45%

LAB 63.75, -34.42, -3.17

 

CMYK 50 / 0 / 6 / 40

HEX #4C9990

RGB 76 153 144

HSL 172.99, 0.34%, 0.45%

LAB 58.35, -26.06, -2.59

 

CMYK 30 / 0 / 3 / 47

HEX #5E8682

RGB 94 134 130

HSL 174, 0.18%, 0.45%

LAB 52.99, -14.74, -2.32

 

CMYK 90 / 0 / 59 / 18

HEX #14D056

RGB 20 208 86

HSL 141.06, 0.82%, 0.45%

LAB 73.5, -67.47, 47.95

 

CMYK 90 / 0 / 35 / 18

HEX #14D088

RGB 20 208 136

HSL 157.02, 0.82%, 0.45%

LAB 74.21, -59, 24.06

 

CMYK 90 / 0 / 11 / 18

HEX #14D0BA

RGB 20 208 186

HSL 172.98, 0.82%, 0.45%

LAB 75.33, -46.89, -1.04

 

CMYK 90 / 13 / 0 / 18

HEX #14B4D0

RGB 20 180 208

HSL 188.94, 0.82%, 0.45%

LAB 67.54, -27.39, -24.73

 

CMYK 90 / 38 / 0 / 18

HEX #1482D0

RGB 20 130 208

HSL 204.89, 0.82%, 0.45%

LAB 52.58, 0.06, -48.08

 

CMYK 90 / 0 / 10 / 48

HEX #0D8578

RGB 13 133 120

HSL 173.5, 0.82%, 0.29%

LAB 49.76, -33, -1.54

 

CMYK 91 / 0 / 10 / 33

HEX #10AB9A

RGB 16 171 154

HSL 173.42, 0.83%, 0.37%

LAB 62.99, -40.07, -1.57

 

CMYK 90 / 0 / 10 / 18

HEX #14D0BC

RGB 20 208 188

HSL 173.62, 0.82%, 0.45%

LAB 75.38, -46.34, -2.04

 

CMYK 84 / 0 / 9 / 9

HEX #25E9D4

RGB 37 233 212

HSL 173.57, 0.82%, 0.53%

LAB 83.67, -49.4, -2.67

 

CMYK 69 / 0 / 8 / 7

HEX #4AEDDB

RGB 74 237 219

HSL 173.37, 0.82%, 0.61%

LAB 85.57, -45.56, -3.49

 

CMYK 90 / 0 / 10 / 18

HEX #15D0BC

RGB 21 208 188

HSL 173.58, 0.82%, 0.45%

LAB 75.39, -46.3, -2.03

 

CMYK 83 / 90 / 0 / 18

HEX #2414D0

RGB 36 20 208

HSL 245.11, 0.82%, 0.45%

LAB 27.92, 64.01, -88.3

 

CMYK 0 / 47 / 90 / 18

HEX #D06F14

RGB 208 111 20

HSL 29.04, 0.82%, 0.45%

LAB 56.91, 32.93, 60.48

 

CMYK 90 / 0 / 10 / 18

HEX #15D0BC

RGB 21 208 188

HSL 173.58, 0.82%, 0.45%

LAB 75.39, -46.3, -2.03

 

CMYK 11 / 90 / 0 / 18

HEX #BA14D0

RGB 186 20 208

HSL 292.98, 0.82%, 0.45%

LAB 46.3, 78.87, -57.44

 

CMYK 0 / 11 / 90 / 18

HEX #D0BA14

RGB 208 186 20

HSL 52.98, 0.82%, 0.45%

LAB 75.19, -7.15, 74.39

 

CMYK 90 / 0 / 10 / 18

HEX #15D0BC

RGB 21 208 188

HSL 173.58, 0.82%, 0.45%

LAB 75.39, -46.3, -2.03

 

CMYK 83 / 90 / 0 / 18

HEX #2414D0

RGB 36 20 208

HSL 245.11, 0.82%, 0.45%

LAB 27.92, 64.01, -88.3

 

CMYK 0 / 90 / 80 / 18

HEX #D0142A

RGB 208 20 42

HSL 352.98, 0.82%, 0.45%

LAB 44.34, 67.28, 40.44

 

CMYK 7 / 0 / 90 / 18

HEX #C1D014

RGB 193 208 20

HSL 64.79, 0.82%, 0.45%

LAB 79.9, -24.59, 77.54

 

CMYK 90 / 0 / 10 / 18

HEX #15D0BC

RGB 21 208 188

HSL 173.58, 0.82%, 0.45%

LAB 75.39, -46.3, -2.03

 

CMYK 56 / 90 / 0 / 18

HEX #5C14D0

RGB 92 20 208

HSL 262.98, 0.82%, 0.45%

LAB 32.55, 67.11, -80.49

 

CMYK 0 / 90 / 80 / 18

HEX #D0142A

RGB 208 20 42

HSL 352.98, 0.82%, 0.45%

LAB 44.34, 67.28, 40.44

 

CMYK 35 / 0 / 90 / 18

HEX #88D014

RGB 136 208 20

HSL 82.98, 0.82%, 0.45%

LAB 76.31, -47.06, 73.15

 

Description

Color code: RGB 21 208 188 | qconv.com Color code: RGB 21 208 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 208 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 208 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 10 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 10% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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