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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 196 154 it is the complementary color RGB 234 59 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 196 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 196 154 shade: RGB 26 196 149, RGB 43 214 168, RGB 60 232 187, RGB 77 250 206 and RGB 94 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 196 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 196 154 shade: RGB 21 196 154, RGB 4 178 135, RGB 0 160 116, RGB 0 142 97 and RGB 0 124 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 196 154 shade: RGB 20 198 155, RGB 20 198 107, RGB 20 198 60, RGB 29 198 20 and RGB 77 198 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 196 154 shade: RGB 20 198 155, RGB 20 193 198, RGB 20 145 198, RGB 20 97 198 and RGB 20 49 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 196 154 shade matches the following richer shades: RGB 20 198 155 and RGB 3 216 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 196 154 shade: RGB 20 198 155, RGB 38 180 146, RGB 56 162 137, RGB 74 145 128 and RGB 91 127 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 196 154 shade: RGB 20 198 59, RGB 20 198 106, RGB 20 198 154, RGB 20 195 198 and RGB 20 148 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 196 154 shade: RGB 12 123 97, RGB 16 161 126, RGB 20 198 155, RGB 29 231 182 and RGB 66 235 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 196 154 shade: RGB 21 196 154, RGB 20 29 198 and RGB 198 83 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 196 154 shade: RGB 21 196 154, RGB 154 20 198 and RGB 198 154 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 196 154 shade: RGB 21 196 154, RGB 20 29 198, RGB 198 20 65 and RGB 198 189 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 196 154 shade: RGB 21 196 154, RGB 65 20 198, RGB 198 20 65 and RGB 154 198 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 21 / 23

HEX #15C49A

RGB 21 196 154

HSL 165.6, 0.81%, 0.43%

LAB 70.85, -50.28, 9.79

 

Complementary color

CMYK 0 / 75 / 57 / 8

HEX #EA3B65

RGB 234 59 101

HSL 345.6, 0.81%, 0.57%

LAB 53.56, 68.03, 17.84

 

CMYK 87 / 0 / 24 / 23

HEX #1AC495

RGB 26 196 149

HSL 163.41, 0.77%, 0.44%

LAB 70.78, -51.19, 12.4

 

CMYK 80 / 0 / 21 / 16

HEX #2BD6A8

RGB 43 214 168

HSL 163.86, 0.68%, 0.5%

LAB 76.94, -52.37, 10.96

 

CMYK 74 / 0 / 19 / 9

HEX #3CE8BB

RGB 60 232 187

HSL 164.3, 0.79%, 0.57%

LAB 83.05, -53.23, 9.65

 

CMYK 69 / 0 / 18 / 2

HEX #4DFACE

RGB 77 250 206

HSL 164.74, 0.95%, 0.64%

LAB 89.11, -53.84, 8.45

 

CMYK 63 / 0 / 12 / 0

HEX #5EFFE1

RGB 94 255 225

HSL 168.82, 1%, 0.68%

LAB 91.39, -48.84, 1.93

 

CMYK 89 / 0 / 21 / 23

HEX #15C49A

RGB 21 196 154

HSL 165.6, 0.81%, 0.43%

LAB 70.85, -50.28, 9.79

 

CMYK 98 / 0 / 24 / 30

HEX #04B287

RGB 4 178 135

HSL 165.17, 0.96%, 0.36%

LAB 64.66, -48.57, 11.37

 

CMYK 100 / 0 / 28 / 37

HEX #00A074

RGB 0 160 116

HSL 163.5, 1%, 0.31%

LAB 58.42, -46.29, 13.14

 

CMYK 100 / 0 / 32 / 44

HEX #008E61

RGB 0 142 97

HSL 160.99, 1%, 0.28%

LAB 52.07, -43.77, 15.03

 

CMYK 100 / 0 / 37 / 51

HEX #007C4E

RGB 0 124 78

HSL 157.74, 1%, 0.24%

LAB 45.59, -41.14, 17.03

 

CMYK 90 / 0 / 22 / 22

HEX #14C69B

RGB 20 198 155

HSL 165.51, 0.82%, 0.43%

LAB 71.49, -50.88, 10.16

 

CMYK 90 / 0 / 46 / 22

HEX #14C66B

RGB 20 198 107

HSL 149.33, 0.82%, 0.43%

LAB 70.59, -61.05, 34.26

 

CMYK 90 / 0 / 70 / 22

HEX #14C63C

RGB 20 198 60

HSL 133.48, 0.82%, 0.43%

LAB 70.08, -67.34, 55.15

 

CMYK 85 / 0 / 90 / 22

HEX #1DC614

RGB 29 198 20

HSL 116.97, 0.82%, 0.43%

LAB 69.97, -69.1, 66.52

 

CMYK 61 / 0 / 90 / 22

HEX #4DC614

RGB 77 198 20

HSL 100.79, 0.82%, 0.43%

LAB 70.88, -61.2, 67.67

 

CMYK 90 / 0 / 22 / 22

HEX #14C69B

RGB 20 198 155

HSL 165.51, 0.82%, 0.43%

LAB 71.49, -50.88, 10.16

 

CMYK 90 / 3 / 0 / 22

HEX #14C1C6

RGB 20 193 198

HSL 181.69, 0.82%, 0.43%

LAB 71.12, -36.8, -13.8

 

CMYK 90 / 27 / 0 / 22

HEX #1491C6

RGB 20 145 198

HSL 197.87, 0.82%, 0.43%

LAB 56.56, -12.39, -36.14

 

CMYK 90 / 51 / 0 / 22

HEX #1461C6

RGB 20 97 198

HSL 214.04, 0.82%, 0.43%

LAB 42.42, 16.91, -58.66

 

CMYK 90 / 75 / 0 / 22

HEX #1431C6

RGB 20 49 198

HSL 230.22, 0.82%, 0.43%

LAB 30.45, 47.64, -78.27

 

CMYK 90 / 0 / 22 / 22

HEX #14C69B

RGB 20 198 155

HSL 165.51, 0.82%, 0.43%

LAB 71.49, -50.88, 10.16

 

CMYK 99 / 0 / 24 / 15

HEX #03D8A5

RGB 3 216 165

HSL 165.63, 0.97%, 0.43%

LAB 77.19, -56.09, 12.86

 

CMYK 90 / 0 / 22 / 22

HEX #14C69B

RGB 20 198 155

HSL 165.51, 0.82%, 0.43%

LAB 71.49, -50.88, 10.16

 

CMYK 79 / 0 / 19 / 29

HEX #26B492

RGB 38 180 146

HSL 165.63, 0.65%, 0.43%

LAB 65.85, -44.38, 7.05

 

CMYK 65 / 0 / 15 / 36

HEX #38A289

RGB 56 162 137

HSL 165.85, 0.49%, 0.43%

LAB 60.33, -36.3, 4.17

 

CMYK 49 / 0 / 12 / 43

HEX #4A9180

RGB 74 145 128

HSL 165.63, 0.32%, 0.43%

LAB 55.34, -26.66, 2.15

 

CMYK 28 / 0 / 7 / 50

HEX #5B7F76

RGB 91 127 118

HSL 165, 0.17%, 0.43%

LAB 50.35, -14.74, 0.79

 

CMYK 90 / 0 / 70 / 22

HEX #14C63B

RGB 20 198 59

HSL 133.15, 0.82%, 0.43%

LAB 70.07, -67.43, 55.53

 

CMYK 90 / 0 / 46 / 22

HEX #14C66A

RGB 20 198 106

HSL 148.99, 0.82%, 0.43%

LAB 70.58, -61.23, 34.75

 

CMYK 90 / 0 / 22 / 22

HEX #14C69A

RGB 20 198 154

HSL 165.17, 0.82%, 0.43%

LAB 71.47, -51.13, 10.66

 

CMYK 90 / 2 / 0 / 22

HEX #14C3C6

RGB 20 195 198

HSL 181.01, 0.82%, 0.43%

LAB 71.73, -37.72, -12.89

 

CMYK 90 / 25 / 0 / 22

HEX #1494C6

RGB 20 148 198

HSL 196.85, 0.82%, 0.43%

LAB 57.47, -14.06, -34.73

 

CMYK 90 / 0 / 21 / 52

HEX #0C7B61

RGB 12 123 97

HSL 165.95, 0.82%, 0.26%

LAB 45.78, -35.14, 6.23

 

CMYK 90 / 0 / 22 / 37

HEX #10A17E

RGB 16 161 126

HSL 165.52, 0.82%, 0.35%

LAB 59.07, -43.41, 8.47

 

CMYK 90 / 0 / 22 / 22

HEX #14C69B

RGB 20 198 155

HSL 165.51, 0.82%, 0.43%

LAB 71.49, -50.88, 10.16

 

CMYK 87 / 0 / 21 / 9

HEX #1DE7B6

RGB 29 231 182

HSL 165.45, 0.81%, 0.51%

LAB 82.27, -56.76, 11.1

 

CMYK 72 / 0 / 17 / 8

HEX #42EBC2

RGB 66 235 194

HSL 165.44, 0.81%, 0.59%

LAB 84.21, -52.03, 7.64

 

CMYK 89 / 0 / 21 / 23

HEX #15C49A

RGB 21 196 154

HSL 165.6, 0.81%, 0.43%

LAB 70.85, -50.28, 9.79

 

CMYK 90 / 85 / 0 / 22

HEX #141DC6

RGB 20 29 198

HSL 236.97, 0.82%, 0.43%

LAB 27.03, 57.6, -83.96

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 89 / 0 / 21 / 23

HEX #15C49A

RGB 21 196 154

HSL 165.6, 0.81%, 0.43%

LAB 70.85, -50.28, 9.79

 

CMYK 22 / 90 / 0 / 22

HEX #9A14C6

RGB 154 20 198

HSL 285.17, 0.82%, 0.43%

LAB 40.32, 72.24, -61.57

 

CMYK 0 / 22 / 90 / 22

HEX #C69A14

RGB 198 154 20

HSL 45.17, 0.82%, 0.43%

LAB 65.88, 5.36, 66.76

 

CMYK 89 / 0 / 21 / 23

HEX #15C49A

RGB 21 196 154

HSL 165.6, 0.81%, 0.43%

LAB 70.85, -50.28, 9.79

 

CMYK 90 / 85 / 0 / 22

HEX #141DC6

RGB 20 29 198

HSL 236.97, 0.82%, 0.43%

LAB 27.03, 57.6, -83.96

 

CMYK 0 / 90 / 67 / 22

HEX #C61441

RGB 198 20 65

HSL 344.83, 0.82%, 0.43%

LAB 42.59, 65.62, 24.09

 

CMYK 0 / 5 / 90 / 22

HEX #C6BD14

RGB 198 189 20

HSL 56.97, 0.82%, 0.43%

LAB 75.11, -13.05, 73.95

 

CMYK 89 / 0 / 21 / 23

HEX #15C49A

RGB 21 196 154

HSL 165.6, 0.81%, 0.43%

LAB 70.85, -50.28, 9.79

 

CMYK 67 / 90 / 0 / 22

HEX #4114C6

RGB 65 20 198

HSL 255.17, 0.82%, 0.43%

LAB 28.65, 62.66, -81.2

 

CMYK 0 / 90 / 67 / 22

HEX #C61441

RGB 198 20 65

HSL 344.83, 0.82%, 0.43%

LAB 42.59, 65.62, 24.09

 

CMYK 22 / 0 / 90 / 22

HEX #9AC614

RGB 154 198 20

HSL 74.83, 0.82%, 0.43%

LAB 74.39, -35.9, 72

 

Description

Color code: RGB 21 196 154 | qconv.com Color code: RGB 21 196 154 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 196 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 196 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 21 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 21% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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