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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 185 7 it is the complementary color RGB 234 70 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 185 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 185 7 shade: RGB 26 185 2, RGB 43 203 21, RGB 60 221 40, RGB 77 239 59 and RGB 94 255 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 185 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 185 7 shade: RGB 21 185 7, RGB 4 167 0, RGB 0 149 0, RGB 0 131 0 and RGB 0 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 185 7 shade: RGB 20 187 6, RGB 69 187 6, RGB 118 187 6, RGB 166 187 6 and RGB 187 158 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 185 7 shade: RGB 20 187 6, RGB 6 187 41, RGB 6 187 89, RGB 6 187 138 and RGB 6 187 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 185 7 shade matches the following richer shades: RGB 20 187 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 185 7 shade: RGB 20 187 6, RGB 34 171 22, RGB 47 155 38, RGB 60 139 53 and RGB 73 124 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 185 7 shade: RGB 117 187 6, RGB 69 187 6, RGB 21 187 6, RGB 6 187 39 and RGB 6 187 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 185 7 shade: RGB 12 107 3, RGB 16 147 5, RGB 20 187 6, RGB 25 226 8 and RGB 46 246 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 185 7 shade: RGB 21 185 7, RGB 6 165 187 and RGB 187 6 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 185 7 shade: RGB 21 185 7, RGB 6 21 187 and RGB 187 6 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 185 7 shade: RGB 21 185 7, RGB 6 165 187, RGB 171 6 187 and RGB 187 27 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 185 7 shade: RGB 21 185 7, RGB 6 111 187, RGB 171 6 187 and RGB 187 81 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 96 / 27

HEX #15B907

RGB 21 185 7

HSL 115.28, 0.93%, 0.38%

LAB 65.65, -66.43, 64.67

 

Complementary color

CMYK 6 / 72 / 0 / 3

HEX #EA46F8

RGB 234 70 248

HSL 295.28, 0.93%, 0.62%

LAB 60.47, 82.09, -56.91

 

CMYK 86 / 0 / 99 / 27

HEX #1AB902

RGB 26 185 2

HSL 112.13, 0.98%, 0.37%

LAB 65.69, -66.11, 65.33

 

CMYK 79 / 0 / 90 / 20

HEX #2BCB15

RGB 43 203 21

HSL 112.75, 0.81%, 0.44%

LAB 71.74, -68.96, 67.94

 

CMYK 73 / 0 / 82 / 13

HEX #3CDD28

RGB 60 221 40

HSL 113.37, 0.73%, 0.51%

LAB 77.77, -71.09, 69.32

 

CMYK 68 / 0 / 75 / 6

HEX #4DEF3B

RGB 77 239 59

HSL 114, 0.85%, 0.58%

LAB 83.77, -72.64, 69.68

 

CMYK 63 / 0 / 69 / 0

HEX #5EFF4E

RGB 94 255 78

HSL 114.58, 1%, 0.65%

LAB 89.13, -73.08, 68.77

 

CMYK 89 / 0 / 96 / 27

HEX #15B907

RGB 21 185 7

HSL 115.28, 0.93%, 0.38%

LAB 65.65, -66.43, 64.67

 

CMYK 98 / 0 / 100 / 35

HEX #04A700

RGB 4 167 0

HSL 118.56, 1%, 0.33%

LAB 59.58, -62.56, 60.62

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 89 / 0 / 97 / 27

HEX #14BB06

RGB 20 187 6

HSL 115.36, 0.94%, 0.38%

LAB 66.29, -67.09, 65.31

 

CMYK 63 / 0 / 97 / 27

HEX #45BB06

RGB 69 187 6

HSL 99.12, 0.94%, 0.38%

LAB 67.14, -59.7, 66.36

 

CMYK 37 / 0 / 97 / 27

HEX #76BB06

RGB 118 187 6

HSL 82.87, 0.94%, 0.38%

LAB 69.04, -45.04, 68.68

 

CMYK 11 / 0 / 97 / 27

HEX #A6BB06

RGB 166 187 6

HSL 66.96, 0.94%, 0.38%

LAB 72, -26.03, 72.25

 

CMYK 0 / 16 / 97 / 27

HEX #BB9E06

RGB 187 158 6

HSL 50.39, 0.94%, 0.38%

LAB 65.77, -1.93, 68.39

 

CMYK 89 / 0 / 97 / 27

HEX #14BB06

RGB 20 187 6

HSL 115.36, 0.94%, 0.38%

LAB 66.29, -67.09, 65.31

 

CMYK 97 / 0 / 78 / 27

HEX #06BB29

RGB 6 187 41

HSL 131.6, 0.94%, 0.38%

LAB 66.32, -66.4, 58.04

 

CMYK 97 / 0 / 52 / 27

HEX #06BB59

RGB 6 187 89

HSL 147.51, 0.94%, 0.38%

LAB 66.75, -61.03, 38.42

 

CMYK 97 / 0 / 26 / 27

HEX #06BB8A

RGB 6 187 138

HSL 163.76, 0.94%, 0.38%

LAB 67.59, -51.29, 13.85

 

CMYK 97 / 0 / 0 / 27

HEX #06BBBB

RGB 6 187 187

HSL 180, 0.94%, 0.38%

LAB 68.87, -37.9, -11.15

 

CMYK 89 / 0 / 97 / 27

HEX #14BB06

RGB 20 187 6

HSL 115.36, 0.94%, 0.38%

LAB 66.29, -67.09, 65.31

 

CMYK 89 / 0 / 97 / 27

HEX #14BB06

RGB 20 187 6

HSL 115.36, 0.94%, 0.38%

LAB 66.29, -67.09, 65.31

 

CMYK 80 / 0 / 87 / 33

HEX #22AB16

RGB 34 171 22

HSL 115.17, 0.77%, 0.38%

LAB 61.24, -60.55, 58.59

 

CMYK 70 / 0 / 75 / 39

HEX #2F9B26

RGB 47 155 38

HSL 115.38, 0.61%, 0.38%

LAB 56.27, -52.31, 49.34

 

CMYK 57 / 0 / 62 / 45

HEX #3C8B35

RGB 60 139 53

HSL 115.12, 0.45%, 0.38%

LAB 51.48, -41.85, 37.98

 

CMYK 41 / 0 / 44 / 51

HEX #497C45

RGB 73 124 69

HSL 115.64, 0.28%, 0.38%

LAB 47.32, -29.03, 24.75

 

CMYK 37 / 0 / 97 / 27

HEX #75BB06

RGB 117 187 6

HSL 83.2, 0.94%, 0.38%

LAB 68.99, -45.4, 68.62

 

CMYK 63 / 0 / 97 / 27

HEX #45BB06

RGB 69 187 6

HSL 99.12, 0.94%, 0.38%

LAB 67.14, -59.7, 66.36

 

CMYK 89 / 0 / 97 / 27

HEX #15BB06

RGB 21 187 6

HSL 115.03, 0.94%, 0.38%

LAB 66.3, -67.01, 65.32

 

CMYK 97 / 0 / 79 / 27

HEX #06BB27

RGB 6 187 39

HSL 130.94, 0.94%, 0.38%

LAB 66.31, -66.53, 58.65

 

CMYK 97 / 0 / 53 / 27

HEX #06BB57

RGB 6 187 87

HSL 146.85, 0.94%, 0.38%

LAB 66.72, -61.34, 39.37

 

CMYK 89 / 0 / 97 / 58

HEX #0C6B03

RGB 12 107 3

HSL 114.81, 0.95%, 0.22%

LAB 38.9, -44.11, 43.27

 

CMYK 89 / 0 / 97 / 42

HEX #109305

RGB 16 147 5

HSL 115.35, 0.93%, 0.3%

LAB 52.94, -55.91, 54.47

 

CMYK 89 / 0 / 97 / 27

HEX #14BB06

RGB 20 187 6

HSL 115.36, 0.94%, 0.38%

LAB 66.29, -67.09, 65.31

 

CMYK 89 / 0 / 96 / 11

HEX #19E208

RGB 25 226 8

HSL 115.32, 0.93%, 0.46%

LAB 78.82, -77.44, 75.36

 

CMYK 81 / 0 / 88 / 4

HEX #2EF61D

RGB 46 246 29

HSL 115.3, 0.92%, 0.54%

LAB 85.29, -80.61, 78.21

 

CMYK 89 / 0 / 96 / 27

HEX #15B907

RGB 21 185 7

HSL 115.28, 0.93%, 0.38%

LAB 65.65, -66.43, 64.67

 

CMYK 97 / 12 / 0 / 27

HEX #06A5BB

RGB 6 165 187

HSL 187.29, 0.94%, 0.38%

LAB 62.11, -27.4, -21.37

 

CMYK 0 / 97 / 50 / 27

HEX #BB065D

RGB 187 6 93

HSL 331.16, 0.94%, 0.38%

LAB 40.39, 66.42, 2.99

 

CMYK 89 / 0 / 96 / 27

HEX #15B907

RGB 21 185 7

HSL 115.28, 0.93%, 0.38%

LAB 65.65, -66.43, 64.67

 

CMYK 97 / 89 / 0 / 27

HEX #0615BB

RGB 6 21 187

HSL 235.03, 0.94%, 0.38%

LAB 24.2, 57.22, -82.18

 

CMYK 0 / 97 / 89 / 27

HEX #BB0615

RGB 187 6 21

HSL 355.03, 0.94%, 0.38%

LAB 39.15, 63.06, 45.17

 

CMYK 89 / 0 / 96 / 27

HEX #15B907

RGB 21 185 7

HSL 115.28, 0.93%, 0.38%

LAB 65.65, -66.43, 64.67

 

CMYK 97 / 12 / 0 / 27

HEX #06A5BB

RGB 6 165 187

HSL 187.29, 0.94%, 0.38%

LAB 62.11, -27.4, -21.37

 

CMYK 9 / 97 / 0 / 27

HEX #AB06BB

RGB 171 6 187

HSL 294.7, 0.94%, 0.38%

LAB 41.81, 74.69, -52.59

 

CMYK 0 / 86 / 97 / 27

HEX #BB1B06

RGB 187 27 6

HSL 6.96, 0.94%, 0.38%

LAB 40.18, 59.71, 51.6

 

CMYK 89 / 0 / 96 / 27

HEX #15B907

RGB 21 185 7

HSL 115.28, 0.93%, 0.38%

LAB 65.65, -66.43, 64.67

 

CMYK 97 / 41 / 0 / 27

HEX #066FBB

RGB 6 111 187

HSL 205.19, 0.94%, 0.38%

LAB 45.63, 2.93, -47.15

 

CMYK 9 / 97 / 0 / 27

HEX #AB06BB

RGB 171 6 187

HSL 294.7, 0.94%, 0.38%

LAB 41.81, 74.69, -52.59

 

CMYK 0 / 57 / 97 / 27

HEX #BB5106

RGB 187 81 6

HSL 24.86, 0.94%, 0.38%

LAB 47.58, 39.65, 55.87

 

Description

Color code: RGB 21 185 7 | qconv.com Color code: RGB 21 185 7 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 185 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 185 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 96 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 96% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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