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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 71 100 it is the complementary color RGB 234 184 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 71 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 71 100 shade: RGB 26 71 95, RGB 43 89 114, RGB 60 107 133, RGB 77 125 152 and RGB 94 143 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 71 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 71 100 shade: RGB 21 71 100, RGB 4 53 81, RGB 0 35 62, RGB 0 17 43 and RGB 0 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 71 100 shade: RGB 21 71 100, RGB 21 50 100, RGB 21 28 100, RGB 35 21 100 and RGB 56 21 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 71 100 shade: RGB 21 71 100, RGB 21 50 100, RGB 21 28 100 and RGB 21 21 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 71 100 shade matches the following richer shades: RGB 21 71 100, RGB 11 74 110 and RGB 1 77 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 71 100 shade: RGB 21 71 100, RGB 31 69 91, RGB 41 66 81, RGB 51 63 71 and RGB 61 61 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 71 100 shade: RGB 21 100 87, RGB 21 93 100, RGB 21 71 100, RGB 21 50 100 and RGB 21 29 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 71 100 shade: RGB 6 23 32, RGB 14 47 66, RGB 21 71 100, RGB 28 95 135 and RGB 35 120 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 71 100 shade: RGB 21 71 100, RGB 66 21 100 and RGB 100 98 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 71 100 shade: RGB 21 71 100, RGB 100 21 71 and RGB 71 100 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 71 100 shade: RGB 21 71 100, RGB 66 21 100, RGB 100 50 21 and RGB 55 100 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 71 100 shade: RGB 21 71 100, RGB 90 21 100, RGB 100 50 21 and RGB 32 100 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

Complementary color

CMYK 0 / 21 / 34 / 8

HEX #EAB89B

RGB 234 184 155

HSL 22.03, 0.65%, 0.76%

LAB 78.54, 14.1, 21.63

 

CMYK 73 / 25 / 0 / 63

HEX #1A475F

RGB 26 71 95

HSL 200.87, 0.57%, 0.24%

LAB 28.25, -6.64, -18.64

 

CMYK 62 / 22 / 0 / 55

HEX #2B5972

RGB 43 89 114

HSL 201.13, 0.45%, 0.31%

LAB 35.74, -7.55, -18.98

 

CMYK 55 / 20 / 0 / 48

HEX #3C6B85

RGB 60 107 133

HSL 201.37, 0.38%, 0.38%

LAB 43.02, -8.13, -19.28

 

CMYK 49 / 18 / 0 / 40

HEX #4D7D98

RGB 77 125 152

HSL 201.6, 0.33%, 0.45%

LAB 50.11, -8.53, -19.58

 

CMYK 45 / 16 / 0 / 33

HEX #5E8FAB

RGB 94 143 171

HSL 201.82, 0.31%, 0.52%

LAB 57.04, -8.82, -19.88

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 95 / 35 / 0 / 68

HEX #043551

RGB 4 53 81

HSL 201.82, 0.91%, 0.17%

LAB 20.7, -3.6, -21.35

 

CMYK 100 / 44 / 0 / 76

HEX #00233E

RGB 0 35 62

HSL 206.13, 1%, 0.12%

LAB 12.92, -0.07, -20.68

 

CMYK 100 / 60 / 0 / 83

HEX #00112B

RGB 0 17 43

HSL 216.28, 1%, 0.08%

LAB 5.2, 3.67, -19.24

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 79 / 50 / 0 / 61

HEX #153264

RGB 21 50 100

HSL 217.97, 0.65%, 0.24%

LAB 21.43, 8.86, -32.68

 

CMYK 79 / 72 / 0 / 61

HEX #151C64

RGB 21 28 100

HSL 234.68, 0.65%, 0.24%

LAB 15.01, 24.79, -43.13

 

CMYK 65 / 79 / 0 / 61

HEX #231564

RGB 35 21 100

HSL 250.63, 0.65%, 0.24%

LAB 14.48, 31.11, -43.96

 

CMYK 44 / 79 / 0 / 61

HEX #381564

RGB 56 21 100

HSL 266.58, 0.65%, 0.24%

LAB 16.98, 34.62, -39.77

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 79 / 50 / 0 / 61

HEX #153264

RGB 21 50 100

HSL 217.97, 0.65%, 0.24%

LAB 21.43, 8.86, -32.68

 

CMYK 79 / 72 / 0 / 61

HEX #151C64

RGB 21 28 100

HSL 234.68, 0.65%, 0.24%

LAB 15.01, 24.79, -43.13

 

CMYK 79 / 79 / 0 / 61

HEX #151564

RGB 21 21 100

HSL 240, 0.65%, 0.24%

LAB 13.33, 29.43, -45.9

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 90 / 33 / 0 / 57

HEX #0B4A6E

RGB 11 74 110

HSL 201.82, 0.82%, 0.24%

LAB 29.65, -4.54, -26.04

 

CMYK 99 / 36 / 0 / 53

HEX #014D78

RGB 1 77 120

HSL 201.68, 0.98%, 0.24%

LAB 31.04, -3.07, -30.13

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 66 / 24 / 0 / 64

HEX #1F455B

RGB 31 69 91

HSL 202, 0.49%, 0.24%

LAB 27.58, -5.88, -17.1

 

CMYK 49 / 19 / 0 / 68

HEX #294251

RGB 41 66 81

HSL 202.5, 0.33%, 0.24%

LAB 26.63, -4.91, -12.03

 

CMYK 28 / 11 / 0 / 72

HEX #333F47

RGB 51 63 71

HSL 204, 0.16%, 0.24%

LAB 25.9, -2.73, -6.5

 

CMYK 0 / 0 / 0 / 76

HEX #3D3D3D

RGB 61 61 61

HSL 0, 0%, 0.24%

LAB 25.76, 0, -0

 

CMYK 79 / 0 / 13 / 61

HEX #156457

RGB 21 100 87

HSL 170.13, 0.65%, 0.24%

LAB 37.77, -26.41, 0.73

 

CMYK 79 / 7 / 0 / 61

HEX #155D64

RGB 21 93 100

HSL 185.32, 0.65%, 0.24%

LAB 35.81, -18.59, -10.24

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 79 / 50 / 0 / 61

HEX #153264

RGB 21 50 100

HSL 217.97, 0.65%, 0.24%

LAB 21.43, 8.86, -32.68

 

CMYK 79 / 71 / 0 / 61

HEX #151D64

RGB 21 29 100

HSL 233.92, 0.65%, 0.24%

LAB 15.27, 24.1, -42.71

 

CMYK 81 / 28 / 0 / 87

HEX #061720

RGB 6 23 32

HSL 200.77, 0.68%, 0.07%

LAB 6.83, -3.12, -8.36

 

CMYK 79 / 29 / 0 / 74

HEX #0E2F42

RGB 14 47 66

HSL 201.92, 0.65%, 0.16%

LAB 18.01, -4.5, -15.41

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 79 / 30 / 0 / 47

HEX #1C5F87

RGB 28 95 135

HSL 202.43, 0.66%, 0.32%

LAB 38.16, -6.04, -28.12

 

CMYK 79 / 29 / 0 / 34

HEX #2378A9

RGB 35 120 169

HSL 201.94, 0.66%, 0.4%

LAB 47.82, -7.49, -33.18

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 34 / 79 / 0 / 61

HEX #421564

RGB 66 21 100

HSL 274.18, 0.65%, 0.24%

LAB 18.43, 36.61, -37.34

 

CMYK 0 / 2 / 79 / 61

HEX #646215

RGB 100 98 21

HSL 58.48, 0.65%, 0.24%

LAB 40.41, -9.01, 41.07

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 0 / 79 / 29 / 61

HEX #641547

RGB 100 21 71

HSL 322.03, 0.65%, 0.24%

LAB 22.66, 39.52, -10.81

 

CMYK 29 / 0 / 79 / 61

HEX #476415

RGB 71 100 21

HSL 82.03, 0.65%, 0.24%

LAB 38.74, -23.5, 38.67

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 34 / 79 / 0 / 61

HEX #421564

RGB 66 21 100

HSL 274.18, 0.65%, 0.24%

LAB 18.43, 36.61, -37.34

 

CMYK 0 / 50 / 79 / 61

HEX #643215

RGB 100 50 21

HSL 22.03, 0.65%, 0.24%

LAB 26.86, 20.05, 27.74

 

CMYK 45 / 0 / 79 / 61

HEX #376415

RGB 55 100 21

HSL 94.18, 0.65%, 0.24%

LAB 37.81, -29.92, 37.44

 

CMYK 79 / 29 / 0 / 61

HEX #154764

RGB 21 71 100

HSL 202.03, 0.65%, 0.24%

LAB 28.34, -5.52, -21.72

 

CMYK 10 / 79 / 0 / 61

HEX #5A1564

RGB 90 21 100

HSL 292.41, 0.65%, 0.24%

LAB 22.41, 41.86, -30.72

 

CMYK 0 / 50 / 79 / 61

HEX #643215

RGB 100 50 21

HSL 22.03, 0.65%, 0.24%

LAB 26.86, 20.05, 27.74

 

CMYK 68 / 0 / 79 / 61

HEX #206415

RGB 32 100 21

HSL 111.65, 0.65%, 0.24%

LAB 36.88, -37.07, 36.22

 

Description

Color code: RGB 21 71 100 | qconv.com Color code: RGB 21 71 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 71 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 71 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 29 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 29% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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