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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 67 136 it is the complementary color RGB 234 188 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 67 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 67 136 shade: RGB 26 67 131, RGB 43 85 150, RGB 60 103 169, RGB 77 121 188 and RGB 94 139 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 67 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 67 136 shade: RGB 21 67 136, RGB 4 49 117, RGB 0 31 98, RGB 0 13 79 and RGB 0 0 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 67 136 shade: RGB 21 67 136, RGB 21 36 136, RGB 37 21 136, RGB 68 21 136 and RGB 99 21 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 67 136 shade: RGB 21 67 136, RGB 21 36 136 and RGB 21 21 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 67 136 shade matches the following richer shades: RGB 21 67 136 and RGB 8 64 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 67 136 shade: RGB 21 67 136, RGB 34 70 123, RGB 46 72 111, RGB 59 75 98 and RGB 72 77 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 67 136 shade: RGB 21 129 136, RGB 21 98 136, RGB 21 67 136, RGB 21 36 136 and RGB 36 21 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 67 136 shade: RGB 10 32 65, RGB 15 49 101, RGB 21 67 136, RGB 26 85 172 and RGB 32 102 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 67 136 shade: RGB 21 67 136, RGB 113 21 136 and RGB 113 136 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 67 136 shade: RGB 21 67 136, RGB 136 21 67 and RGB 67 136 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 67 136 shade: RGB 21 67 136, RGB 113 21 136, RGB 136 90 21 and RGB 44 136 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 67 136 shade: RGB 21 67 136, RGB 136 21 125, RGB 136 90 21 and RGB 21 136 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

Complementary color

CMYK 0 / 20 / 49 / 8

HEX #EABC77

RGB 234 188 119

HSL 36, 0.73%, 0.69%

LAB 78.92, 8.13, 41

 

CMYK 80 / 49 / 0 / 49

HEX #1A4383

RGB 26 67 131

HSL 216.57, 0.67%, 0.31%

LAB 29.09, 10.43, -40.08

 

CMYK 71 / 43 / 0 / 41

HEX #2B5596

RGB 43 85 150

HSL 216.45, 0.55%, 0.38%

LAB 36.39, 8.24, -39.98

 

CMYK 64 / 39 / 0 / 34

HEX #3C67A9

RGB 60 103 169

HSL 216.33, 0.48%, 0.45%

LAB 43.54, 6.61, -39.87

 

CMYK 59 / 36 / 0 / 26

HEX #4D79BC

RGB 77 121 188

HSL 216.22, 0.45%, 0.52%

LAB 50.55, 5.37, -39.79

 

CMYK 55 / 33 / 0 / 19

HEX #5E8BCF

RGB 94 139 207

HSL 216.11, 0.54%, 0.59%

LAB 57.41, 4.39, -39.73

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 97 / 58 / 0 / 54

HEX #043175

RGB 4 49 117

HSL 216.11, 0.93%, 0.24%

LAB 21.97, 15.32, -42.81

 

CMYK 100 / 68 / 0 / 62

HEX #001F62

RGB 0 31 98

HSL 221.02, 1%, 0.19%

LAB 14.74, 19.94, -42.27

 

CMYK 100 / 84 / 0 / 69

HEX #000D4F

RGB 0 13 79

HSL 230.13, 1%, 0.15%

LAB 7.7, 24.78, -41.05

 

CMYK 100 / 100 / 0 / 76

HEX #00003C

RGB 0 0 60

HSL 240, 1%, 0.12%

LAB 2.95, 20.71, -35.41

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 85 / 74 / 0 / 47

HEX #152488

RGB 21 36 136

HSL 232.17, 0.73%, 0.31%

LAB 20.82, 33.31, -56.69

 

CMYK 73 / 85 / 0 / 47

HEX #251588

RGB 37 21 136

HSL 248.35, 0.73%, 0.31%

LAB 18.83, 42.97, -59.96

 

CMYK 50 / 85 / 0 / 47

HEX #441588

RGB 68 21 136

HSL 264.52, 0.73%, 0.31%

LAB 22.1, 46.32, -54.45

 

CMYK 27 / 85 / 0 / 47

HEX #631588

RGB 99 21 136

HSL 280.7, 0.73%, 0.31%

LAB 26.64, 51.13, -46.85

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 85 / 74 / 0 / 47

HEX #152488

RGB 21 36 136

HSL 232.17, 0.73%, 0.31%

LAB 20.82, 33.31, -56.69

 

CMYK 85 / 85 / 0 / 47

HEX #151588

RGB 21 21 136

HSL 240, 0.73%, 0.31%

LAB 17.8, 41.93, -61.71

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 95 / 57 / 0 / 42

HEX #084095

RGB 8 64 149

HSL 216.17, 0.9%, 0.31%

LAB 29.13, 18.58, -51.14

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 72 / 43 / 0 / 52

HEX #22467B

RGB 34 70 123

HSL 215.73, 0.57%, 0.31%

LAB 29.79, 6.31, -33.96

 

CMYK 59 / 35 / 0 / 56

HEX #2E486F

RGB 46 72 111

HSL 216, 0.41%, 0.31%

LAB 30.31, 2.88, -25.55

 

CMYK 40 / 23 / 0 / 62

HEX #3B4B62

RGB 59 75 98

HSL 215.38, 0.25%, 0.31%

LAB 31.45, 0.2, -15.48

 

CMYK 15 / 9 / 0 / 67

HEX #484D55

RGB 72 77 85

HSL 216.92, 0.08%, 0.31%

LAB 32.57, -0.12, -5.41

 

CMYK 85 / 5 / 0 / 47

HEX #158188

RGB 21 129 136

HSL 183.65, 0.73%, 0.31%

LAB 49.05, -25.43, -11.97

 

CMYK 85 / 28 / 0 / 47

HEX #156288

RGB 21 98 136

HSL 199.83, 0.73%, 0.31%

LAB 39.02, -8.26, -27.39

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 85 / 74 / 0 / 47

HEX #152488

RGB 21 36 136

HSL 232.17, 0.73%, 0.31%

LAB 20.82, 33.31, -56.69

 

CMYK 74 / 85 / 0 / 47

HEX #241588

RGB 36 21 136

HSL 247.83, 0.73%, 0.31%

LAB 18.75, 42.89, -60.09

 

CMYK 85 / 51 / 0 / 75

HEX #0A2041

RGB 10 32 65

HSL 216, 0.73%, 0.15%

LAB 12.48, 5.29, -23.48

 

CMYK 85 / 51 / 0 / 60

HEX #0F3165

RGB 15 49 101

HSL 216.28, 0.74%, 0.23%

LAB 20.97, 9.24, -34.09

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 85 / 51 / 0 / 33

HEX #1A55AC

RGB 26 85 172

HSL 215.75, 0.74%, 0.39%

LAB 37.29, 14.85, -51.74

 

CMYK 85 / 51 / 0 / 18

HEX #2066D0

RGB 32 102 208

HSL 216.14, 0.73%, 0.47%

LAB 44.75, 18.37, -60.64

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 17 / 85 / 0 / 47

HEX #711588

RGB 113 21 136

HSL 288, 0.73%, 0.31%

LAB 28.97, 53.64, -42.97

 

CMYK 17 / 0 / 85 / 47

HEX #718815

RGB 113 136 21

HSL 72, 0.73%, 0.31%

LAB 53.14, -23.38, 52.91

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 0 / 85 / 51 / 47

HEX #881543

RGB 136 21 67

HSL 336, 0.73%, 0.31%

LAB 29.85, 49.19, 3.37

 

CMYK 51 / 0 / 85 / 47

HEX #438815

RGB 67 136 21

HSL 96, 0.73%, 0.31%

LAB 50.52, -41.19, 49.58

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 17 / 85 / 0 / 47

HEX #711588

RGB 113 21 136

HSL 288, 0.73%, 0.31%

LAB 28.97, 53.64, -42.97

 

CMYK 0 / 34 / 85 / 47

HEX #885A15

RGB 136 90 21

HSL 36, 0.73%, 0.31%

LAB 42.16, 13.04, 44.14

 

CMYK 68 / 0 / 85 / 47

HEX #2C8815

RGB 44 136 21

HSL 108, 0.73%, 0.31%

LAB 49.74, -47.47, 48.58

 

CMYK 85 / 51 / 0 / 47

HEX #154388

RGB 21 67 136

HSL 216, 0.73%, 0.31%

LAB 29.29, 11.95, -42.87

 

CMYK 0 / 85 / 8 / 47

HEX #88157D

RGB 136 21 125

HSL 305.74, 0.73%, 0.31%

LAB 32.37, 56.33, -30.4

 

CMYK 0 / 34 / 85 / 47

HEX #885A15

RGB 136 90 21

HSL 36, 0.73%, 0.31%

LAB 42.16, 13.04, 44.14

 

CMYK 85 / 0 / 76 / 47

HEX #158820

RGB 21 136 32

HSL 125.74, 0.73%, 0.31%

LAB 49.34, -50.63, 44.43

 

Description

Color code: RGB 21 67 136 | qconv.com Color code: RGB 21 67 136 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 67 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 67 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 51 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 51% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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