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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 72 4 it is the complementary color RGB 36 183 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 72 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 72 4 shade: RGB 224 72 0, RGB 241 90 18, RGB 255 108 37, RGB 255 126 56 and RGB 255 144 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 72 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 72 4 shade: RGB 219 72 4, RGB 202 54 0, RGB 185 36 0, RGB 168 18 0 and RGB 151 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 72 4 shade: RGB 219 72 4, RGB 219 14 4 and RGB 219 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 72 4 shade: RGB 219 72 4, RGB 219 130 4, RGB 219 188 4, RGB 192 219 4 and RGB 134 219 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 72 4 shade matches the following richer shades: RGB 219 72 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 72 4 shade: RGB 219 72 4, RGB 201 79 22, RGB 183 85 40, RGB 165 92 58 and RGB 147 99 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 72 4 shade: RGB 219 4 54, RGB 219 11 4, RGB 219 69 4, RGB 219 126 4 and RGB 219 184 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 72 4 shade: RGB 139 45 2, RGB 179 59 3, RGB 219 72 4, RGB 250 89 15 and RGB 250 117 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 72 4 shade: RGB 219 72 4, RGB 112 219 4 and RGB 4 26 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 72 4 shade: RGB 219 72 4, RGB 4 219 69 and RGB 69 4 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 72 4 shade: RGB 219 72 4, RGB 112 219 4, RGB 4 155 219 and RGB 112 4 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 72 4 shade: RGB 219 72 4, RGB 47 219 4, RGB 4 155 219 and RGB 176 4 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

Complementary color

CMYK 86 / 27 / 0 / 2

HEX #24B7FB

RGB 36 183 251

HSL 198.98, 0.96%, 0.56%

LAB 70.32, -13.44, -43.86

 

CMYK 0 / 68 / 100 / 12

HEX #E04800

RGB 224 72 0

HSL 19.29, 1%, 0.44%

LAB 52.38, 56.89, 63.33

 

CMYK 0 / 63 / 93 / 5

HEX #F15A12

RGB 241 90 18

HSL 19.37, 0.89%, 0.51%

LAB 58.09, 55.46, 64.2

 

CMYK 0 / 58 / 85 / 0

HEX #FF6C25

RGB 255 108 37

HSL 19.54, 1%, 0.57%

LAB 63.44, 52.79, 63.14

 

CMYK 0 / 51 / 78 / 0

HEX #FF7E38

RGB 255 126 56

HSL 21.11, 1%, 0.61%

LAB 66.88, 44.82, 58.51

 

CMYK 0 / 44 / 71 / 0

HEX #FF904B

RGB 255 144 75

HSL 23, 1%, 0.65%

LAB 70.67, 36.61, 53.7

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 0 / 73 / 100 / 21

HEX #CA3600

RGB 202 54 0

HSL 16.04, 1%, 0.4%

LAB 45.9, 56.41, 57.95

 

CMYK 0 / 81 / 100 / 27

HEX #B92400

RGB 185 36 0

HSL 11.68, 1%, 0.36%

LAB 40.53, 56.84, 53.63

 

CMYK 0 / 89 / 100 / 34

HEX #A81200

RGB 168 18 0

HSL 6.43, 1%, 0.33%

LAB 35.51, 56.12, 49.39

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 0 / 94 / 98 / 14

HEX #DB0E04

RGB 219 14 4

HSL 2.79, 0.96%, 0.44%

LAB 46.15, 70.21, 58.85

 

CMYK 0 / 98 / 98 / 14

HEX #DB0404

RGB 219 4 4

HSL 0, 0.96%, 0.44%

LAB 45.85, 71.1, 58.72

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 0 / 41 / 98 / 14

HEX #DB8204

RGB 219 130 4

HSL 35.16, 0.96%, 0.44%

LAB 62.54, 27.28, 68.14

 

CMYK 0 / 14 / 98 / 14

HEX #DBBC04

RGB 219 188 4

HSL 51.35, 0.96%, 0.44%

LAB 76.7, -3.57, 77.93

 

CMYK 12 / 0 / 98 / 14

HEX #C0DB04

RGB 192 219 4

HSL 67.53, 0.96%, 0.44%

LAB 82.85, -30.43, 81.49

 

CMYK 39 / 0 / 98 / 14

HEX #86DB04

RGB 134 219 4

HSL 83.72, 0.96%, 0.44%

LAB 79.47, -52.48, 77.41

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 0 / 61 / 89 / 21

HEX #C94F16

RGB 201 79 22

HSL 19.11, 0.8%, 0.44%

LAB 49.58, 46.14, 53.88

 

CMYK 0 / 54 / 78 / 28

HEX #B75528

RGB 183 85 40

HSL 18.88, 0.64%, 0.44%

LAB 47.9, 36.86, 43.61

 

CMYK 0 / 44 / 65 / 35

HEX #A55C3A

RGB 165 92 58

HSL 19.07, 0.48%, 0.44%

LAB 46.92, 26.72, 32.28

 

CMYK 0 / 33 / 48 / 42

HEX #93634D

RGB 147 99 77

HSL 18.86, 0.31%, 0.44%

LAB 46.53, 16.73, 20.35

 

CMYK 0 / 98 / 75 / 14

HEX #DB0436

RGB 219 4 54

HSL 346.05, 0.96%, 0.44%

LAB 46.2, 72.06, 36.15

 

CMYK 0 / 95 / 98 / 14

HEX #DB0B04

RGB 219 11 4

HSL 1.95, 0.96%, 0.44%

LAB 46.05, 70.5, 58.81

 

CMYK 0 / 68 / 98 / 14

HEX #DB4504

RGB 219 69 4

HSL 18.14, 0.96%, 0.44%

LAB 51.07, 56.44, 61.22

 

CMYK 0 / 42 / 98 / 14

HEX #DB7E04

RGB 219 126 4

HSL 34.05, 0.96%, 0.44%

LAB 61.65, 29.4, 67.56

 

CMYK 0 / 16 / 98 / 14

HEX #DBB804

RGB 219 184 4

HSL 50.23, 0.96%, 0.44%

LAB 75.67, -1.49, 77.19

 

CMYK 0 / 68 / 99 / 45

HEX #8B2D02

RGB 139 45 2

HSL 18.83, 0.97%, 0.28%

LAB 32.64, 38.36, 43.84

 

CMYK 0 / 67 / 98 / 30

HEX #B33B03

RGB 179 59 3

HSL 19.09, 0.97%, 0.36%

LAB 42.34, 46.79, 52.87

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 0 / 64 / 94 / 2

HEX #FA590F

RGB 250 89 15

HSL 18.89, 0.96%, 0.52%

LAB 59.44, 58.92, 66.53

 

CMYK 0 / 53 / 78 / 2

HEX #FA7537

RGB 250 117 55

HSL 19.08, 0.95%, 0.6%

LAB 64.42, 47.27, 56.32

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 49 / 0 / 98 / 14

HEX #70DB04

RGB 112 219 4

HSL 89.86, 0.96%, 0.44%

LAB 78.53, -59.49, 76.28

 

CMYK 98 / 88 / 0 / 14

HEX #041ADB

RGB 4 26 219

HSL 233.86, 0.96%, 0.44%

LAB 29.11, 64.55, -92.73

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 98 / 0 / 68 / 14

HEX #04DB45

RGB 4 219 69

HSL 138.14, 0.96%, 0.44%

LAB 76.75, -73.33, 58.72

 

CMYK 68 / 98 / 0 / 14

HEX #4504DB

RGB 69 4 219

HSL 258.14, 0.96%, 0.44%

LAB 30.56, 71.2, -90.22

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 49 / 0 / 98 / 14

HEX #70DB04

RGB 112 219 4

HSL 89.86, 0.96%, 0.44%

LAB 78.53, -59.49, 76.28

 

CMYK 98 / 29 / 0 / 14

HEX #049BDB

RGB 4 155 219

HSL 197.86, 0.96%, 0.44%

LAB 60.41, -10.9, -41.88

 

CMYK 49 / 98 / 0 / 14

HEX #7004DB

RGB 112 4 219

HSL 270.14, 0.96%, 0.44%

LAB 35.29, 73.86, -82.23

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 79 / 0 / 98 / 14

HEX #2FDB04

RGB 47 219 4

HSL 108, 0.96%, 0.44%

LAB 76.85, -73.45, 74.22

 

CMYK 98 / 29 / 0 / 14

HEX #049BDB

RGB 4 155 219

HSL 197.86, 0.96%, 0.44%

LAB 60.41, -10.9, -41.88

 

CMYK 20 / 98 / 0 / 14

HEX #B004DB

RGB 176 4 219

HSL 288, 0.96%, 0.44%

LAB 44.85, 80.92, -66.2

 

Description

Color code: RGB 219 72 4 | qconv.com Color code: RGB 219 72 4 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 72 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 72 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 98 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 98% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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