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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 70 230 it is the complementary color RGB 36 185 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 70 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 70 230 shade: RGB 224 70 225, RGB 241 88 244, RGB 255 106 255, RGB 255 124 255 and RGB 255 142 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 70 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 70 230 shade: RGB 219 70 230, RGB 202 52 211, RGB 185 34 192, RGB 168 16 173 and RGB 151 0 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 70 230 shade: RGB 218 70 229, RGB 229 70 197, RGB 229 70 155, RGB 229 70 112 and RGB 229 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 70 230 shade: RGB 218 70 229, RGB 176 70 229, RGB 133 70 229, RGB 90 70 229 and RGB 70 70 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 70 230 shade matches the following richer shades: RGB 218 70 229 and RGB 233 54 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 70 230 shade: RGB 218 70 229, RGB 204 87 212, RGB 189 104 196, RGB 175 121 179 and RGB 160 138 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 70 230 shade: RGB 131 70 229, RGB 174 70 229, RGB 216 70 229, RGB 229 70 200 and RGB 229 70 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 70 230 shade: RGB 180 26 192, RGB 211 34 224, RGB 218 70 229, RGB 226 107 234 and RGB 233 143 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 70 230 shade: RGB 219 70 230, RGB 229 89 70 and RGB 70 229 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 70 230 shade: RGB 219 70 230, RGB 229 216 70 and RGB 70 229 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 70 230 shade: RGB 219 70 230, RGB 229 89 70, RGB 84 229 70 and RGB 70 211 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 70 230 shade: RGB 219 70 230, RGB 229 137 70, RGB 84 229 70 and RGB 70 163 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 70 / 0 / 10

HEX #DB46E6

RGB 219 70 230

HSL 295.88, 0.76%, 0.59%

LAB 57.22, 76.05, -52.18

 

Complementary color

CMYK 81 / 0 / 86 / 27

HEX #24B919

RGB 36 185 25

HSL 115.88, 0.76%, 0.41%

LAB 65.86, -64.38, 62.02

 

CMYK 0 / 69 / 0 / 12

HEX #E046E1

RGB 224 70 225

HSL 299.61, 0.72%, 0.58%

LAB 57.72, 76.3, -48.53

 

CMYK 1 / 64 / 0 / 4

HEX #F158F4

RGB 241 88 244

HSL 298.85, 0.88%, 0.65%

LAB 63.52, 76.65, -49.79

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 5 / 70 / 0 / 10

HEX #DB46E6

RGB 219 70 230

HSL 295.88, 0.76%, 0.59%

LAB 57.22, 76.05, -52.18

 

CMYK 4 / 75 / 0 / 17

HEX #CA34D3

RGB 202 52 211

HSL 296.6, 0.64%, 0.52%

LAB 51.51, 75.2, -50.66

 

CMYK 4 / 82 / 0 / 25

HEX #B922C0

RGB 185 34 192

HSL 297.34, 0.7%, 0.44%

LAB 45.99, 73.57, -48.67

 

CMYK 3 / 91 / 0 / 32

HEX #A810AD

RGB 168 16 173

HSL 298.09, 0.83%, 0.37%

LAB 40.76, 70.85, -46.02

 

CMYK 2 / 100 / 0 / 40

HEX #97009A

RGB 151 0 154

HSL 298.83, 1%, 0.3%

LAB 35.82, 66.92, -42.68

 

CMYK 5 / 69 / 0 / 10

HEX #DA46E5

RGB 218 70 229

HSL 295.85, 0.75%, 0.59%

LAB 57.02, 75.67, -51.95

 

CMYK 0 / 69 / 14 / 10

HEX #E546C5

RGB 229 70 197

HSL 312.08, 0.75%, 0.59%

LAB 57.14, 73.21, -33.47

 

CMYK 0 / 69 / 32 / 10

HEX #E5469B

RGB 229 70 155

HSL 327.92, 0.75%, 0.59%

LAB 55.49, 67.87, -11.63

 

CMYK 0 / 69 / 51 / 10

HEX #E54670

RGB 229 70 112

HSL 344.15, 0.75%, 0.59%

LAB 54.25, 63.69, 12.08

 

CMYK 0 / 69 / 69 / 10

HEX #E54646

RGB 229 70 70

HSL 0, 0.75%, 0.59%

LAB 53.47, 61, 35.79

 

CMYK 5 / 69 / 0 / 10

HEX #DA46E5

RGB 218 70 229

HSL 295.85, 0.75%, 0.59%

LAB 57.02, 75.67, -51.95

 

CMYK 23 / 69 / 0 / 10

HEX #B046E5

RGB 176 70 229

HSL 280, 0.75%, 0.59%

LAB 51, 66.97, -61.93

 

CMYK 42 / 69 / 0 / 10

HEX #8546E5

RGB 133 70 229

HSL 263.77, 0.75%, 0.59%

LAB 45.67, 58.79, -70.82

 

CMYK 61 / 69 / 0 / 10

HEX #5A46E5

RGB 90 70 229

HSL 247.55, 0.75%, 0.59%

LAB 41.55, 52.03, -77.72

 

CMYK 69 / 69 / 0 / 10

HEX #4646E5

RGB 70 70 229

HSL 240, 0.75%, 0.59%

LAB 40.15, 49.62, -80.08

 

CMYK 5 / 69 / 0 / 10

HEX #DA46E5

RGB 218 70 229

HSL 295.85, 0.75%, 0.59%

LAB 57.02, 75.67, -51.95

 

CMYK 5 / 78 / 0 / 4

HEX #E936F6

RGB 233 54 246

HSL 295.94, 0.91%, 0.59%

LAB 58.62, 86.15, -58.77

 

CMYK 5 / 69 / 0 / 10

HEX #DA46E5

RGB 218 70 229

HSL 295.85, 0.75%, 0.59%

LAB 57.02, 75.67, -51.95

 

CMYK 4 / 59 / 0 / 17

HEX #CC57D4

RGB 204 87 212

HSL 296.16, 0.59%, 0.59%

LAB 56.49, 62.83, -43.31

 

CMYK 4 / 47 / 0 / 23

HEX #BD68C4

RGB 189 104 196

HSL 295.43, 0.44%, 0.59%

LAB 56.79, 47.69, -33.88

 

CMYK 2 / 32 / 0 / 30

HEX #AF79B3

RGB 175 121 179

HSL 295.86, 0.28%, 0.59%

LAB 58.08, 30.88, -22.3

 

CMYK 1 / 15 / 0 / 36

HEX #A08AA2

RGB 160 138 162

HSL 295, 0.11%, 0.59%

LAB 60.12, 12.72, -9.63

 

CMYK 43 / 69 / 0 / 10

HEX #8346E5

RGB 131 70 229

HSL 263.02, 0.75%, 0.59%

LAB 45.45, 58.44, -71.19

 

CMYK 24 / 69 / 0 / 10

HEX #AE46E5

RGB 174 70 229

HSL 279.25, 0.75%, 0.59%

LAB 50.73, 66.57, -62.38

 

CMYK 6 / 69 / 0 / 10

HEX #D846E5

RGB 216 70 229

HSL 295.09, 0.75%, 0.59%

LAB 56.72, 75.24, -52.44

 

CMYK 0 / 69 / 13 / 10

HEX #E546C8

RGB 229 70 200

HSL 310.94, 0.75%, 0.59%

LAB 57.28, 73.64, -34.98

 

CMYK 0 / 69 / 31 / 10

HEX #E5469E

RGB 229 70 158

HSL 326.79, 0.75%, 0.59%

LAB 55.59, 68.21, -13.23

 

CMYK 6 / 86 / 0 / 25

HEX #B41AC0

RGB 180 26 192

HSL 295.66, 0.76%, 0.43%

LAB 44.59, 74.32, -50.97

 

CMYK 6 / 85 / 0 / 12

HEX #D322E0

RGB 211 34 224

HSL 295.89, 0.75%, 0.51%

LAB 52.26, 83.24, -56.8

 

CMYK 5 / 69 / 0 / 10

HEX #DA46E5

RGB 218 70 229

HSL 295.85, 0.75%, 0.59%

LAB 57.02, 75.67, -51.95

 

CMYK 3 / 54 / 0 / 8

HEX #E26BEA

RGB 226 107 234

HSL 296.22, 0.75%, 0.67%

LAB 63.86, 63.35, -43.85

 

CMYK 3 / 40 / 0 / 6

HEX #E98FEF

RGB 233 143 239

HSL 296.25, 0.75%, 0.75%

LAB 71.69, 48.56, -34.32

 

CMYK 5 / 70 / 0 / 10

HEX #DB46E6

RGB 219 70 230

HSL 295.88, 0.76%, 0.59%

LAB 57.22, 76.05, -52.18

 

CMYK 0 / 61 / 69 / 10

HEX #E55946

RGB 229 89 70

HSL 7.17, 0.75%, 0.59%

LAB 56.33, 53.28, 39.15

 

CMYK 69 / 0 / 33 / 10

HEX #46E599

RGB 70 229 153

HSL 151.32, 0.75%, 0.59%

LAB 81.64, -58.12, 25.43

 

CMYK 5 / 70 / 0 / 10

HEX #DB46E6

RGB 219 70 230

HSL 295.88, 0.76%, 0.59%

LAB 57.22, 76.05, -52.18

 

CMYK 0 / 6 / 69 / 10

HEX #E5D846

RGB 229 216 70

HSL 55.09, 0.75%, 0.59%

LAB 85.1, -11.76, 69.85

 

CMYK 69 / 0 / 6 / 10

HEX #46E5D8

RGB 70 229 216

HSL 175.09, 0.75%, 0.59%

LAB 83.07, -43.38, -5.6

 

CMYK 5 / 70 / 0 / 10

HEX #DB46E6

RGB 219 70 230

HSL 295.88, 0.76%, 0.59%

LAB 57.22, 76.05, -52.18

 

CMYK 0 / 61 / 69 / 10

HEX #E55946

RGB 229 89 70

HSL 7.17, 0.75%, 0.59%

LAB 56.33, 53.28, 39.15

 

CMYK 63 / 0 / 69 / 10

HEX #54E546

RGB 84 229 70

HSL 114.72, 0.75%, 0.59%

LAB 80.94, -67.21, 63.09

 

CMYK 69 / 8 / 0 / 10

HEX #46D3E5

RGB 70 211 229

HSL 186.79, 0.75%, 0.59%

LAB 78.2, -31.44, -19.82

 

CMYK 5 / 70 / 0 / 10

HEX #DB46E6

RGB 219 70 230

HSL 295.88, 0.76%, 0.59%

LAB 57.22, 76.05, -52.18

 

CMYK 0 / 40 / 69 / 10

HEX #E58946

RGB 229 137 70

HSL 25.28, 0.75%, 0.59%

LAB 65.74, 29.6, 49.76

 

CMYK 63 / 0 / 69 / 10

HEX #54E546

RGB 84 229 70

HSL 114.72, 0.75%, 0.59%

LAB 80.94, -67.21, 63.09

 

CMYK 69 / 29 / 0 / 10

HEX #46A3E5

RGB 70 163 229

HSL 204.91, 0.75%, 0.59%

LAB 64.29, -6.51, -41.26

 

Description

Color code: RGB 219 70 230 | qconv.com Color code: RGB 219 70 230 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 70 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 70 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 70 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 70% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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