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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 65 255 it is the complementary color RGB 36 190 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 65 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 65 255 shade: RGB 224 65 250, RGB 241 83 255, RGB 255 101 255, RGB 255 119 255 and RGB 255 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 65 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 65 255 shade: RGB 219 65 255, RGB 202 47 236, RGB 185 29 217, RGB 168 11 198 and RGB 151 0 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 65 255 shade: RGB 219 66 255, RGB 255 66 239, RGB 255 66 188, RGB 255 66 138 and RGB 255 66 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 65 255 shade: RGB 219 66 255, RGB 168 66 255, RGB 117 66 255, RGB 66 66 255 and RGB 66 66 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 65 255 shade matches the following richer shades: RGB 219 66 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 65 255 shade: RGB 219 66 255, RGB 209 81 239, RGB 200 96 224, RGB 190 112 209 and RGB 181 127 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 65 255 shade: RGB 116 66 255, RGB 166 66 255, RGB 217 66 255, RGB 255 66 242 and RGB 255 66 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 65 255 shade: RGB 193 0 238, RGB 211 25 255, RGB 219 66 255, RGB 227 107 255 and RGB 234 148 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 65 255 shade: RGB 219 65 255, RGB 255 66 66 and RGB 66 255 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 65 255 shade: RGB 219 65 255, RGB 255 217 66 and RGB 66 255 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 65 255 shade: RGB 219 65 255, RGB 255 66 66, RGB 104 255 66 and RGB 66 255 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 65 255 shade: RGB 219 65 255, RGB 255 122 66, RGB 104 255 66 and RGB 66 198 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 75 / 0 / 0

HEX #DB41FF

RGB 219 65 255

HSL 288.63, 1%, 0.63%

LAB 58.09, 81.96, -64.72

 

Complementary color

CMYK 81 / 0 / 100 / 25

HEX #24BE00

RGB 36 190 0

HSL 108.63, 1%, 0.37%

LAB 67.43, -66.53, 67.01

 

CMYK 10 / 74 / 0 / 2

HEX #E041FA

RGB 224 65 250

HSL 291.57, 0.95%, 0.62%

LAB 58.54, 82.04, -61.2

 

CMYK 5 / 67 / 0 / 0

HEX #F153FF

RGB 241 83 255

HSL 295.12, 1%, 0.66%

LAB 63.43, 80.3, -56.01

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 14 / 75 / 0 / 0

HEX #DB41FF

RGB 219 65 255

HSL 288.63, 1%, 0.63%

LAB 58.09, 81.96, -64.72

 

CMYK 14 / 80 / 0 / 7

HEX #CA2FEC

RGB 202 47 236

HSL 289.21, 0.83%, 0.55%

LAB 52.56, 80.78, -63.17

 

CMYK 15 / 87 / 0 / 15

HEX #B91DD9

RGB 185 29 217

HSL 289.79, 0.76%, 0.48%

LAB 47.24, 78.74, -61.11

 

CMYK 15 / 94 / 0 / 22

HEX #A80BC6

RGB 168 11 198

HSL 290.37, 0.89%, 0.41%

LAB 42.22, 75.54, -58.39

 

CMYK 16 / 100 / 0 / 30

HEX #9700B3

RGB 151 0 179

HSL 290.61, 1%, 0.35%

LAB 37.54, 71, -54.92

 

CMYK 14 / 74 / 0 / 0

HEX #DB42FF

RGB 219 66 255

HSL 288.57, 1%, 0.63%

LAB 58.2, 81.65, -64.55

 

CMYK 0 / 74 / 6 / 0

HEX #FF42EF

RGB 255 66 239

HSL 305.08, 1%, 0.63%

LAB 62.83, 86.16, -47.96

 

CMYK 0 / 74 / 26 / 0

HEX #FF42BC

RGB 255 66 188

HSL 321.27, 1%, 0.63%

LAB 60.59, 79.49, -22.63

 

CMYK 0 / 74 / 46 / 0

HEX #FF428A

RGB 255 66 138

HSL 337.14, 1%, 0.63%

LAB 58.97, 74.42, 4.01

 

CMYK 0 / 74 / 66 / 0

HEX #FF4257

RGB 255 66 87

HSL 353.33, 1%, 0.63%

LAB 57.89, 70.95, 32.48

 

CMYK 14 / 74 / 0 / 0

HEX #DB42FF

RGB 219 66 255

HSL 288.57, 1%, 0.63%

LAB 58.2, 81.65, -64.55

 

CMYK 34 / 74 / 0 / 0

HEX #A842FF

RGB 168 66 255

HSL 272.38, 1%, 0.63%

LAB 51.2, 72.6, -76.22

 

CMYK 54 / 74 / 0 / 0

HEX #7542FF

RGB 117 66 255

HSL 256.19, 1%, 0.63%

LAB 45.49, 64.97, -85.78

 

CMYK 74 / 74 / 0 / 0

HEX #4242FF

RGB 66 66 255

HSL 240, 1%, 0.63%

LAB 41.65, 59.64, -92.25

 

CMYK 74 / 74 / 0 / 0

HEX #4242FF

RGB 66 66 255

HSL 240, 1%, 0.63%

LAB 41.65, 59.64, -92.25

 

CMYK 14 / 74 / 0 / 0

HEX #DB42FF

RGB 219 66 255

HSL 288.57, 1%, 0.63%

LAB 58.2, 81.65, -64.55

 

CMYK 14 / 74 / 0 / 0

HEX #DB42FF

RGB 219 66 255

HSL 288.57, 1%, 0.63%

LAB 58.2, 81.65, -64.55

 

CMYK 13 / 66 / 0 / 6

HEX #D151EF

RGB 209 81 239

HSL 288.61, 0.83%, 0.63%

LAB 57.72, 71.39, -56.5

 

CMYK 11 / 57 / 0 / 12

HEX #C860E0

RGB 200 96 224

HSL 288.75, 0.67%, 0.63%

LAB 58.06, 59.95, -47.64

 

CMYK 9 / 46 / 0 / 18

HEX #BE70D1

RGB 190 112 209

HSL 288.25, 0.51%, 0.63%

LAB 59.1, 46.35, -37.63

 

CMYK 6 / 34 / 0 / 24

HEX #B57FC1

RGB 181 127 193

HSL 289.09, 0.35%, 0.63%

LAB 60.65, 32.27, -26.26

 

CMYK 55 / 74 / 0 / 0

HEX #7442FF

RGB 116 66 255

HSL 255.87, 1%, 0.63%

LAB 45.4, 64.84, -85.94

 

CMYK 35 / 74 / 0 / 0

HEX #A642FF

RGB 166 66 255

HSL 271.75, 1%, 0.63%

LAB 50.95, 72.27, -76.64

 

CMYK 15 / 74 / 0 / 0

HEX #D942FF

RGB 217 66 255

HSL 287.94, 1%, 0.63%

LAB 57.91, 81.28, -65.03

 

CMYK 0 / 74 / 5 / 0

HEX #FF42F2

RGB 255 66 242

HSL 304.13, 1%, 0.63%

LAB 62.98, 86.59, -49.39

 

CMYK 0 / 74 / 25 / 0

HEX #FF42C0

RGB 255 66 192

HSL 320, 1%, 0.63%

LAB 60.75, 79.96, -24.69

 

CMYK 19 / 100 / 0 / 7

HEX #C100EE

RGB 193 0 238

HSL 288.66, 1%, 0.47%

LAB 48.9, 86.75, -70.29

 

CMYK 17 / 90 / 0 / 0

HEX #D319FF

RGB 211 25 255

HSL 288.52, 1%, 0.55%

LAB 53.78, 89.69, -71.76

 

CMYK 14 / 74 / 0 / 0

HEX #DB42FF

RGB 219 66 255

HSL 288.57, 1%, 0.63%

LAB 58.2, 81.65, -64.55

 

CMYK 11 / 58 / 0 / 0

HEX #E36BFF

RGB 227 107 255

HSL 288.65, 1%, 0.71%

LAB 65.02, 67.42, -53.61

 

CMYK 8 / 42 / 0 / 0

HEX #EA94FF

RGB 234 148 255

HSL 288.22, 1%, 0.79%

LAB 73.48, 49.29, -40.25

 

CMYK 14 / 75 / 0 / 0

HEX #DB41FF

RGB 219 65 255

HSL 288.63, 1%, 0.63%

LAB 58.09, 81.96, -64.72

 

CMYK 0 / 74 / 74 / 0

HEX #FF4242

RGB 255 66 66

HSL 0, 1%, 0.63%

LAB 57.61, 70.02, 44

 

CMYK 74 / 0 / 45 / 0

HEX #42FF8D

RGB 66 255 141

HSL 143.81, 1%, 0.63%

LAB 89.21, -70.19, 41.4

 

CMYK 14 / 75 / 0 / 0

HEX #DB41FF

RGB 219 65 255

HSL 288.63, 1%, 0.63%

LAB 58.09, 81.96, -64.72

 

CMYK 0 / 15 / 74 / 0

HEX #FFD942

RGB 255 217 66

HSL 47.94, 1%, 0.63%

LAB 87.62, -1.57, 74.5

 

CMYK 74 / 0 / 15 / 0

HEX #42FFD9

RGB 66 255 217

HSL 167.94, 1%, 0.63%

LAB 90.64, -54.59, 4.92

 

CMYK 14 / 75 / 0 / 0

HEX #DB41FF

RGB 219 65 255

HSL 288.63, 1%, 0.63%

LAB 58.09, 81.96, -64.72

 

CMYK 0 / 74 / 74 / 0

HEX #FF4242

RGB 255 66 66

HSL 0, 1%, 0.63%

LAB 57.61, 70.02, 44

 

CMYK 59 / 0 / 74 / 0

HEX #68FF42

RGB 104 255 66

HSL 107.94, 1%, 0.63%

LAB 89.33, -71.79, 73.14

 

CMYK 74 / 0 / 0 / 0

HEX #42FFFF

RGB 66 255 255

HSL 180, 1%, 0.63%

LAB 91.64, -44.65, -13.3

 

CMYK 14 / 75 / 0 / 0

HEX #DB41FF

RGB 219 65 255

HSL 288.63, 1%, 0.63%

LAB 58.09, 81.96, -64.72

 

CMYK 0 / 52 / 74 / 0

HEX #FF7A42

RGB 255 122 66

HSL 17.78, 1%, 0.63%

LAB 66.19, 47.14, 53.23

 

CMYK 59 / 0 / 74 / 0

HEX #68FF42

RGB 104 255 66

HSL 107.94, 1%, 0.63%

LAB 89.33, -71.79, 73.14

 

CMYK 74 / 22 / 0 / 0

HEX #42C6FF

RGB 66 198 255

HSL 198.1, 1%, 0.63%

LAB 75.31, -17.34, -38.2

 

Description

Color code: RGB 219 65 255 | qconv.com Color code: RGB 219 65 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 65 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 65 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 75 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 75% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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