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Color name
RGB 219 56 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 56 144 it is the complementary color RGB 36 199 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 56 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 56 144 shade: RGB 224 56 139, RGB 241 74 158, RGB 255 92 177, RGB 255 110 196 and RGB 255 128 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 56 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 56 144 shade: RGB 219 56 144, RGB 202 38 125, RGB 185 20 106, RGB 168 2 87 and RGB 151 0 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 56 144 shade: RGB 218 56 144, RGB 218 56 100, RGB 218 56 56 and RGB 218 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 56 144 shade: RGB 218 56 144, RGB 218 56 187, RGB 205 56 218, RGB 162 56 218 and RGB 118 56 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 56 144 shade matches the following richer shades: RGB 218 56 144 and RGB 237 37 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 56 144 shade: RGB 218 56 144, RGB 199 75 142, RGB 180 94 141, RGB 161 113 139 and RGB 142 132 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 56 144 shade: RGB 205 56 218, RGB 218 56 188, RGB 218 56 145, RGB 218 56 102 and RGB 218 56 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 56 144 shade: RGB 162 29 101, RGB 197 36 123, RGB 218 56 144, RGB 225 91 163 and RGB 231 126 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 56 144 shade: RGB 219 56 144, RGB 218 161 56 and RGB 56 210 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 56 144 shade: RGB 219 56 144, RGB 145 218 56 and RGB 56 145 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 56 144 shade: RGB 219 56 144, RGB 218 161 56, RGB 56 218 129 and RGB 56 113 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 56 144 shade: RGB 219 56 144, RGB 218 210 56, RGB 56 218 129 and RGB 56 64 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 34 / 14

HEX #DB3890

RGB 219 56 144

HSL 327.61, 0.69%, 0.54%

LAB 51.73, 68.7, -10.94

 

Complementary color

CMYK 82 / 0 / 44 / 22

HEX #24C76F

RGB 36 199 111

HSL 147.61, 0.69%, 0.46%

LAB 71.13, -59.42, 32.94

 

CMYK 0 / 75 / 38 / 12

HEX #E0388B

RGB 224 56 139

HSL 330.36, 0.73%, 0.55%

LAB 52.44, 69.46, -6.79

 

CMYK 0 / 69 / 34 / 5

HEX #F14A9E

RGB 241 74 158

HSL 329.82, 0.86%, 0.62%

LAB 58.1, 70, -9.26

 

CMYK 0 / 64 / 31 / 0

HEX #FF5CB1

RGB 255 92 177

HSL 328.71, 1%, 0.68%

LAB 63.42, 69.24, -12.05

 

CMYK 0 / 57 / 23 / 0

HEX #FF6EC4

RGB 255 110 196

HSL 324.41, 1%, 0.72%

LAB 66.82, 64.11, -17.69

 

CMYK 0 / 50 / 16 / 0

HEX #FF80D7

RGB 255 128 215

HSL 318.9, 1%, 0.75%

LAB 70.6, 58.55, -22.56

 

CMYK 0 / 74 / 34 / 14

HEX #DB3890

RGB 219 56 144

HSL 327.61, 0.69%, 0.54%

LAB 51.73, 68.7, -10.94

 

CMYK 0 / 81 / 38 / 21

HEX #CA267D

RGB 202 38 125

HSL 328.17, 0.68%, 0.47%

LAB 46.21, 67.5, -8.05

 

CMYK 0 / 89 / 43 / 27

HEX #B9146A

RGB 185 20 106

HSL 328.73, 0.8%, 0.4%

LAB 40.99, 65.32, -4.39

 

CMYK 0 / 99 / 48 / 34

HEX #A80257

RGB 168 2 87

HSL 329.28, 0.98%, 0.33%

LAB 36.09, 62.01, 0.12

 

CMYK 0 / 100 / 55 / 41

HEX #970044

RGB 151 0 68

HSL 332.98, 1%, 0.3%

LAB 31.8, 56.8, 5.92

 

CMYK 0 / 74 / 34 / 15

HEX #DA3890

RGB 218 56 144

HSL 327.41, 0.69%, 0.54%

LAB 51.55, 68.45, -11.22

 

CMYK 0 / 74 / 54 / 15

HEX #DA3864

RGB 218 56 100

HSL 343.7, 0.69%, 0.54%

LAB 50.28, 64.41, 13.48

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 74 / 34 / 15

HEX #DA3890

RGB 218 56 144

HSL 327.41, 0.69%, 0.54%

LAB 51.55, 68.45, -11.22

 

CMYK 0 / 74 / 14 / 15

HEX #DA38BB

RGB 218 56 187

HSL 311.48, 0.69%, 0.54%

LAB 53.3, 73.78, -33.84

 

CMYK 6 / 74 / 0 / 15

HEX #CD38DA

RGB 205 56 218

HSL 295.19, 0.69%, 0.54%

LAB 52.81, 75.75, -52.56

 

CMYK 26 / 74 / 0 / 15

HEX #A238DA

RGB 162 56 218

HSL 279.26, 0.69%, 0.54%

LAB 46.41, 67.49, -63.19

 

CMYK 46 / 74 / 0 / 15

HEX #7638DA

RGB 118 56 218

HSL 262.96, 0.69%, 0.54%

LAB 40.8, 60, -72.57

 

CMYK 0 / 74 / 34 / 15

HEX #DA3890

RGB 218 56 144

HSL 327.41, 0.69%, 0.54%

LAB 51.55, 68.45, -11.22

 

CMYK 0 / 84 / 39 / 7

HEX #ED2591

RGB 237 37 145

HSL 327.6, 0.85%, 0.54%

LAB 53.35, 77.92, -8.76

 

CMYK 0 / 74 / 34 / 15

HEX #DA3890

RGB 218 56 144

HSL 327.41, 0.69%, 0.54%

LAB 51.55, 68.45, -11.22

 

CMYK 0 / 62 / 29 / 22

HEX #C74B8E

RGB 199 75 142

HSL 327.58, 0.53%, 0.54%

LAB 50.84, 55.91, -11.42

 

CMYK 0 / 48 / 22 / 29

HEX #B45E8D

RGB 180 94 141

HSL 327.21, 0.36%, 0.54%

LAB 51.42, 40.64, -10.23

 

CMYK 0 / 30 / 14 / 37

HEX #A1718B

RGB 161 113 139

HSL 327.5, 0.2%, 0.54%

LAB 53.22, 23.1, -6.6

 

CMYK 0 / 7 / 3 / 44

HEX #8E848A

RGB 142 132 138

HSL 324, 0.04%, 0.54%

LAB 56.18, 4.9, -1.87

 

CMYK 6 / 74 / 0 / 15

HEX #CD38DA

RGB 205 56 218

HSL 295.19, 0.69%, 0.54%

LAB 52.81, 75.75, -52.56

 

CMYK 0 / 74 / 14 / 15

HEX #DA38BC

RGB 218 56 188

HSL 311.11, 0.69%, 0.54%

LAB 53.35, 73.92, -34.35

 

CMYK 0 / 74 / 33 / 15

HEX #DA3891

RGB 218 56 145

HSL 327.04, 0.69%, 0.54%

LAB 51.59, 68.56, -11.76

 

CMYK 0 / 74 / 53 / 15

HEX #DA3866

RGB 218 56 102

HSL 342.96, 0.69%, 0.54%

LAB 50.33, 64.56, 12.33

 

CMYK 0 / 74 / 73 / 15

HEX #DA383B

RGB 218 56 59

HSL 358.89, 0.69%, 0.54%

LAB 49.56, 62.04, 37

 

CMYK 0 / 82 / 38 / 36

HEX #A21D65

RGB 162 29 101

HSL 327.52, 0.7%, 0.37%

LAB 36.93, 57.32, -7.76

 

CMYK 0 / 82 / 38 / 23

HEX #C5247B

RGB 197 36 123

HSL 327.58, 0.69%, 0.46%

LAB 45.03, 66.57, -8.68

 

CMYK 0 / 74 / 34 / 15

HEX #DA3890

RGB 218 56 144

HSL 327.41, 0.69%, 0.54%

LAB 51.55, 68.45, -11.22

 

CMYK 0 / 60 / 28 / 12

HEX #E15BA3

RGB 225 91 163

HSL 327.76, 0.69%, 0.62%

LAB 58.16, 59.35, -12.34

 

CMYK 0 / 45 / 21 / 9

HEX #E77EB7

RGB 231 126 183

HSL 327.43, 0.69%, 0.7%

LAB 66, 47.35, -11.92

 

CMYK 0 / 74 / 34 / 14

HEX #DB3890

RGB 219 56 144

HSL 327.61, 0.69%, 0.54%

LAB 51.73, 68.7, -10.94

 

CMYK 0 / 26 / 74 / 15

HEX #DAA138

RGB 218 161 56

HSL 38.89, 0.69%, 0.54%

LAB 69.95, 11.48, 59.92

 

CMYK 74 / 4 / 0 / 15

HEX #38D2DA

RGB 56 210 218

HSL 182.96, 0.69%, 0.54%

LAB 77.28, -35.89, -15.33

 

CMYK 0 / 74 / 34 / 14

HEX #DB3890

RGB 219 56 144

HSL 327.61, 0.69%, 0.54%

LAB 51.73, 68.7, -10.94

 

CMYK 33 / 0 / 74 / 15

HEX #91DA38

RGB 145 218 56

HSL 87.04, 0.69%, 0.54%

LAB 79.87, -46.63, 67.67

 

CMYK 74 / 33 / 0 / 15

HEX #3891DA

RGB 56 145 218

HSL 207.04, 0.69%, 0.54%

LAB 58.18, -1.93, -44.79

 

CMYK 0 / 74 / 34 / 14

HEX #DB3890

RGB 219 56 144

HSL 327.61, 0.69%, 0.54%

LAB 51.73, 68.7, -10.94

 

CMYK 0 / 26 / 74 / 15

HEX #DAA138

RGB 218 161 56

HSL 38.89, 0.69%, 0.54%

LAB 69.95, 11.48, 59.92

 

CMYK 74 / 0 / 41 / 15

HEX #38DA81

RGB 56 218 129

HSL 147.04, 0.69%, 0.54%

LAB 77.62, -60.6, 32.29

 

CMYK 74 / 48 / 0 / 15

HEX #3871DA

RGB 56 113 218

HSL 218.89, 0.69%, 0.54%

LAB 49.15, 17.54, -59.2

 

CMYK 0 / 74 / 34 / 14

HEX #DB3890

RGB 219 56 144

HSL 327.61, 0.69%, 0.54%

LAB 51.73, 68.7, -10.94

 

CMYK 0 / 4 / 74 / 15

HEX #DAD238

RGB 218 210 56

HSL 57.04, 0.69%, 0.54%

LAB 82.53, -14.01, 71.92

 

CMYK 74 / 0 / 41 / 15

HEX #38DA81

RGB 56 218 129

HSL 147.04, 0.69%, 0.54%

LAB 77.62, -60.6, 32.29

 

CMYK 74 / 71 / 0 / 15

HEX #3840DA

RGB 56 64 218

HSL 237.04, 0.69%, 0.54%

LAB 37.06, 48.06, -78.91

 

Description

Color code: RGB 219 56 144 | qconv.com Color code: RGB 219 56 144 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 56 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 56 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 34 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 34% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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