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Color name
RGB 219 49 25

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 49 25 it is the complementary color RGB 36 206 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 49 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 49 25 shade: RGB 224 49 20, RGB 241 67 39, RGB 255 85 58, RGB 255 103 77 and RGB 255 121 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 49 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 49 25 shade: RGB 219 49 25, RGB 202 31 6, RGB 185 13 0, RGB 168 0 0 and RGB 151 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 49 25 shade: RGB 220 48 24 and RGB 220 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 49 25 shade: RGB 220 48 24, RGB 220 101 24, RGB 220 154 24, RGB 220 207 24 and RGB 180 220 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 49 25 shade matches the following richer shades: RGB 220 48 24 and RGB 240 33 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 49 25 shade: RGB 220 48 24, RGB 200 63 44, RGB 180 78 64, RGB 160 93 83 and RGB 141 108 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 49 25 shade: RGB 220 24 106, RGB 220 24 53, RGB 220 47 24, RGB 220 99 24 and RGB 220 151 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 49 25 shade: RGB 146 32 16, RGB 183 40 20, RGB 220 48 24, RGB 232 75 53 and RGB 236 108 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 49 25 shade: RGB 219 49 25, RGB 158 220 24 and RGB 24 79 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 49 25 shade: RGB 219 49 25, RGB 24 220 47 and RGB 47 24 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 49 25 shade: RGB 219 49 25, RGB 158 220 24, RGB 24 197 220 and RGB 86 24 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 49 25 shade: RGB 219 49 25, RGB 99 220 24, RGB 24 197 220 and RGB 145 24 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 89 / 14

HEX #DB3119

RGB 219 49 25

HSL 7.42, 0.8%, 0.48%

LAB 48.67, 63.52, 53.49

 

Complementary color

CMYK 84 / 10 / 0 / 10

HEX #24CEE6

RGB 36 206 230

HSL 187.42, 0.8%, 0.52%

LAB 76.21, -32.11, -23.42

 

CMYK 0 / 78 / 91 / 12

HEX #E03114

RGB 224 49 20

HSL 8.53, 0.84%, 0.48%

LAB 49.61, 64.91, 56.51

 

CMYK 0 / 72 / 84 / 5

HEX #F14327

RGB 241 67 39

HSL 8.32, 0.88%, 0.55%

LAB 54.93, 64.7, 54.21

 

CMYK 0 / 67 / 77 / 0

HEX #FF553A

RGB 255 85 58

HSL 8.22, 1%, 0.61%

LAB 59.95, 63.07, 50.69

 

CMYK 0 / 60 / 70 / 0

HEX #FF674D

RGB 255 103 77

HSL 8.76, 1%, 0.65%

LAB 62.92, 56.4, 44.07

 

CMYK 0 / 53 / 62 / 0

HEX #FF7960

RGB 255 121 96

HSL 9.43, 1%, 0.69%

LAB 66.35, 49.17, 37.95

 

CMYK 0 / 78 / 89 / 14

HEX #DB3119

RGB 219 49 25

HSL 7.42, 0.8%, 0.48%

LAB 48.67, 63.52, 53.49

 

CMYK 0 / 85 / 97 / 21

HEX #CA1F06

RGB 202 31 6

HSL 7.65, 0.94%, 0.41%

LAB 43.58, 63.04, 55.03

 

CMYK 0 / 93 / 100 / 27

HEX #B90D00

RGB 185 13 0

HSL 4.22, 1%, 0.36%

LAB 38.9, 61.5, 53

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 78 / 89 / 14

HEX #DC3018

RGB 220 48 24

HSL 7.35, 0.8%, 0.48%

LAB 48.75, 64.08, 54.04

 

CMYK 0 / 89 / 89 / 14

HEX #DC1818

RGB 220 24 24

HSL 0, 0.8%, 0.48%

LAB 46.89, 69.38, 52.68

 

CMYK 0 / 78 / 89 / 14

HEX #DC3018

RGB 220 48 24

HSL 7.35, 0.8%, 0.48%

LAB 48.75, 64.08, 54.04

 

CMYK 0 / 54 / 89 / 14

HEX #DC6518

RGB 220 101 24

HSL 23.57, 0.8%, 0.48%

LAB 56.67, 42.85, 59.93

 

CMYK 0 / 30 / 89 / 14

HEX #DC9A18

RGB 220 154 24

HSL 39.8, 0.8%, 0.48%

LAB 68.31, 15.11, 68.83

 

CMYK 0 / 6 / 89 / 14

HEX #DCCF18

RGB 220 207 24

HSL 56.02, 0.8%, 0.48%

LAB 81.79, -12.58, 79.32

 

CMYK 18 / 0 / 89 / 14

HEX #B4DC18

RGB 180 220 24

HSL 72.24, 0.8%, 0.48%

LAB 82.35, -35.46, 78.51

 

CMYK 0 / 78 / 89 / 14

HEX #DC3018

RGB 220 48 24

HSL 7.35, 0.8%, 0.48%

LAB 48.75, 64.08, 54.04

 

CMYK 0 / 86 / 98 / 6

HEX #F02104

RGB 240 33 4

HSL 7.37, 0.97%, 0.48%

LAB 51.41, 72.89, 63.64

 

CMYK 0 / 78 / 89 / 14

HEX #DC3018

RGB 220 48 24

HSL 7.35, 0.8%, 0.48%

LAB 48.75, 64.08, 54.04

 

CMYK 0 / 69 / 78 / 22

HEX #C83F2C

RGB 200 63 44

HSL 7.31, 0.64%, 0.48%

LAB 47, 53.26, 41.57

 

CMYK 0 / 57 / 64 / 29

HEX #B44E40

RGB 180 78 64

HSL 7.24, 0.48%, 0.48%

LAB 46.34, 40.46, 28.67

 

CMYK 0 / 42 / 48 / 37

HEX #A05D53

RGB 160 93 83

HSL 7.79, 0.32%, 0.48%

LAB 46.88, 26.23, 17.56

 

CMYK 0 / 23 / 27 / 45

HEX #8D6C67

RGB 141 108 103

HSL 7.89, 0.16%, 0.48%

LAB 48.72, 12.34, 7.85

 

CMYK 0 / 89 / 52 / 14

HEX #DC186A

RGB 220 24 106

HSL 334.9, 0.8%, 0.48%

LAB 48.15, 72.94, 6.87

 

CMYK 0 / 89 / 76 / 14

HEX #DC1835

RGB 220 24 53

HSL 351.12, 0.8%, 0.48%

LAB 47.14, 70.1, 37.85

 

CMYK 0 / 79 / 89 / 14

HEX #DC2F18

RGB 220 47 24

HSL 7.04, 0.8%, 0.48%

LAB 48.65, 64.37, 53.97

 

CMYK 0 / 55 / 89 / 14

HEX #DC6318

RGB 220 99 24

HSL 22.96, 0.8%, 0.48%

LAB 56.29, 43.82, 59.65

 

CMYK 0 / 31 / 89 / 14

HEX #DC9718

RGB 220 151 24

HSL 38.88, 0.8%, 0.48%

LAB 67.59, 16.72, 68.27

 

CMYK 0 / 78 / 89 / 43

HEX #922010

RGB 146 32 16

HSL 7.38, 0.8%, 0.32%

LAB 32.22, 46.2, 38.38

 

CMYK 0 / 78 / 89 / 28

HEX #B72814

RGB 183 40 20

HSL 7.36, 0.8%, 0.4%

LAB 40.63, 55.33, 46.39

 

CMYK 0 / 78 / 89 / 14

HEX #DC3018

RGB 220 48 24

HSL 7.35, 0.8%, 0.48%

LAB 48.75, 64.08, 54.04

 

CMYK 0 / 68 / 77 / 9

HEX #E84B35

RGB 232 75 53

HSL 7.37, 0.8%, 0.56%

LAB 54.5, 59.36, 46.38

 

CMYK 0 / 54 / 62 / 7

HEX #EC6C5A

RGB 236 108 90

HSL 7.4, 0.79%, 0.64%

LAB 61.04, 48.15, 34.04

 

CMYK 0 / 78 / 89 / 14

HEX #DB3119

RGB 219 49 25

HSL 7.42, 0.8%, 0.48%

LAB 48.67, 63.52, 53.49

 

CMYK 28 / 0 / 89 / 14

HEX #9EDC18

RGB 158 220 24

HSL 78.98, 0.8%, 0.48%

LAB 81.03, -43.97, 76.88

 

CMYK 89 / 64 / 0 / 14

HEX #184FDC

RGB 24 79 220

HSL 223.16, 0.8%, 0.48%

LAB 39.5, 37.37, -76.08

 

CMYK 0 / 78 / 89 / 14

HEX #DB3119

RGB 219 49 25

HSL 7.42, 0.8%, 0.48%

LAB 48.67, 63.52, 53.49

 

CMYK 89 / 0 / 79 / 14

HEX #18DC2F

RGB 24 220 47

HSL 127.04, 0.8%, 0.48%

LAB 77.03, -74.43, 66.55

 

CMYK 79 / 89 / 0 / 14

HEX #2F18DC

RGB 47 24 220

HSL 247.04, 0.8%, 0.48%

LAB 30.46, 66.4, -91.01

 

CMYK 0 / 78 / 89 / 14

HEX #DB3119

RGB 219 49 25

HSL 7.42, 0.8%, 0.48%

LAB 48.67, 63.52, 53.49

 

CMYK 28 / 0 / 89 / 14

HEX #9EDC18

RGB 158 220 24

HSL 78.98, 0.8%, 0.48%

LAB 81.03, -43.97, 76.88

 

CMYK 89 / 10 / 0 / 14

HEX #18C5DC

RGB 24 197 220

HSL 187.04, 0.8%, 0.48%

LAB 73.09, -31.64, -22.8

 

CMYK 61 / 89 / 0 / 14

HEX #5618DC

RGB 86 24 220

HSL 258.98, 0.8%, 0.48%

LAB 33.56, 68.54, -85.77

 

CMYK 0 / 78 / 89 / 14

HEX #DB3119

RGB 219 49 25

HSL 7.42, 0.8%, 0.48%

LAB 48.67, 63.52, 53.49

 

CMYK 55 / 0 / 89 / 14

HEX #63DC18

RGB 99 220 24

HSL 97.04, 0.8%, 0.48%

LAB 78.41, -63.11, 73.63

 

CMYK 89 / 10 / 0 / 14

HEX #18C5DC

RGB 24 197 220

HSL 187.04, 0.8%, 0.48%

LAB 73.09, -31.64, -22.8

 

CMYK 34 / 89 / 0 / 14

HEX #9118DC

RGB 145 24 220

HSL 277.04, 0.8%, 0.48%

LAB 40.96, 74.5, -73.31

 

Description

Color code: RGB 219 49 25 | qconv.com Color code: RGB 219 49 25 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 49 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 49 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 89 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 89% 14% C M Y K

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Provide designers and agencies with accurate color values.

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