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Color name
RGB 219 45 193

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 45 193 it is the complementary color RGB 36 210 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 45 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 45 193 shade: RGB 224 45 188, RGB 241 63 207, RGB 255 81 226, RGB 255 99 245 and RGB 255 117 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 45 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 45 193 shade: RGB 219 45 193, RGB 202 27 174, RGB 185 9 155, RGB 168 0 136 and RGB 151 0 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 45 193 shade: RGB 219 45 193, RGB 219 45 146, RGB 219 45 99, RGB 219 45 52 and RGB 219 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 45 193 shade: RGB 219 45 193, RGB 198 45 219, RGB 151 45 219, RGB 104 45 219 and RGB 58 45 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 45 193 shade matches the following richer shades: RGB 219 45 193 and RGB 239 25 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 45 193 shade: RGB 219 45 193, RGB 199 65 179, RGB 179 85 165, RGB 160 105 151 and RGB 140 124 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 45 193 shade: RGB 149 45 219, RGB 196 45 219, RGB 219 45 196, RGB 219 45 149 and RGB 219 45 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 45 193 shade: RGB 156 26 136, RGB 191 32 167, RGB 219 45 193, RGB 225 80 203 and RGB 231 116 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 45 193 shade: RGB 219 45 193, RGB 219 103 45 and RGB 45 219 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 45 193 shade: RGB 219 45 193, RGB 196 219 45 and RGB 45 196 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 45 193 shade: RGB 219 45 193, RGB 219 103 45, RGB 45 219 68 and RGB 45 161 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 45 193 shade: RGB 219 45 193, RGB 219 155 45, RGB 45 219 68 and RGB 45 109 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

Complementary color

CMYK 83 / 0 / 70 / 18

HEX #24D23E

RGB 36 210 62

HSL 128.97, 0.71%, 0.48%

LAB 74.07, -69.41, 58.63

 

CMYK 0 / 80 / 16 / 12

HEX #E02DBC

RGB 224 45 188

HSL 312.07, 0.74%, 0.53%

LAB 53.34, 78.18, -34.29

 

CMYK 0 / 74 / 14 / 5

HEX #F13FCF

RGB 241 63 207

HSL 311.46, 0.86%, 0.6%

LAB 58.75, 79.57, -36.53

 

CMYK 0 / 68 / 11 / 0

HEX #FF51E2

RGB 255 81 226

HSL 310, 1%, 0.66%

LAB 63.86, 79.63, -39.09

 

CMYK 0 / 61 / 4 / 0

HEX #FF63F5

RGB 255 99 245

HSL 303.85, 1%, 0.69%

LAB 67.11, 75.83, -44.55

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 0 / 87 / 14 / 21

HEX #CA1BAE

RGB 202 27 174

HSL 309.6, 0.76%, 0.45%

LAB 47.49, 75.57, -35.54

 

CMYK 0 / 95 / 16 / 27

HEX #B9099B

RGB 185 9 155

HSL 310.23, 0.91%, 0.38%

LAB 42.58, 72.18, -32.15

 

CMYK 0 / 100 / 19 / 34

HEX #A80088

RGB 168 0 136

HSL 311.43, 1%, 0.33%

LAB 38.03, 67.43, -27.93

 

CMYK 0 / 100 / 23 / 41

HEX #970075

RGB 151 0 117

HSL 313.51, 1%, 0.3%

LAB 33.7, 61.71, -23.07

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 0 / 79 / 33 / 14

HEX #DB2D92

RGB 219 45 146

HSL 325.17, 0.71%, 0.52%

LAB 50.7, 72.03, -13.68

 

CMYK 0 / 79 / 55 / 14

HEX #DB2D63

RGB 219 45 99

HSL 341.38, 0.71%, 0.52%

LAB 49.3, 67.83, 12.76

 

CMYK 0 / 79 / 76 / 14

HEX #DB2D34

RGB 219 45 52

HSL 357.59, 0.71%, 0.52%

LAB 48.49, 65.34, 39.84

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 10 / 79 / 0 / 14

HEX #C62DDB

RGB 198 45 219

HSL 292.76, 0.71%, 0.52%

LAB 50.68, 77.7, -56.59

 

CMYK 31 / 79 / 0 / 14

HEX #972DDB

RGB 151 45 219

HSL 276.55, 0.71%, 0.52%

LAB 43.61, 69.65, -68.38

 

CMYK 53 / 79 / 0 / 14

HEX #682DDB

RGB 104 45 219

HSL 260.34, 0.71%, 0.52%

LAB 37.72, 62.99, -78.25

 

CMYK 74 / 79 / 0 / 14

HEX #3A2DDB

RGB 58 45 219

HSL 244.48, 0.71%, 0.52%

LAB 33.75, 58.53, -84.94

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 0 / 90 / 13 / 6

HEX #EF19CF

RGB 239 25 207

HSL 308.97, 0.87%, 0.52%

LAB 55.64, 87.19, -41.45

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 0 / 67 / 10 / 22

HEX #C741B3

RGB 199 65 179

HSL 308.96, 0.54%, 0.52%

LAB 50.89, 65.13, -33.18

 

CMYK 0 / 53 / 8 / 30

HEX #B355A5

RGB 179 85 165

HSL 308.94, 0.38%, 0.52%

LAB 50.45, 48.75, -25.89

 

CMYK 0 / 34 / 6 / 37

HEX #A06997

RGB 160 105 151

HSL 309.82, 0.22%, 0.52%

LAB 51.62, 29.46, -16.07

 

CMYK 0 / 11 / 2 / 45

HEX #8C7C89

RGB 140 124 137

HSL 311.25, 0.07%, 0.52%

LAB 53.81, 8.57, -4.8

 

CMYK 32 / 79 / 0 / 14

HEX #952DDB

RGB 149 45 219

HSL 275.86, 0.71%, 0.52%

LAB 43.33, 69.33, -68.85

 

CMYK 11 / 79 / 0 / 14

HEX #C42DDB

RGB 196 45 219

HSL 292.07, 0.71%, 0.52%

LAB 50.37, 77.33, -57.12

 

CMYK 0 / 79 / 11 / 14

HEX #DB2DC4

RGB 219 45 196

HSL 307.93, 0.71%, 0.52%

LAB 52.86, 78.23, -39.72

 

CMYK 0 / 79 / 32 / 14

HEX #DB2D95

RGB 219 45 149

HSL 324.14, 0.71%, 0.52%

LAB 50.81, 72.36, -15.3

 

CMYK 0 / 79 / 53 / 14

HEX #DB2D67

RGB 219 45 103

HSL 340, 0.71%, 0.52%

LAB 49.39, 68.12, 10.45

 

CMYK 0 / 83 / 13 / 39

HEX #9C1A88

RGB 156 26 136

HSL 309.23, 0.71%, 0.36%

LAB 37.09, 61.07, -29.56

 

CMYK 0 / 83 / 13 / 25

HEX #BF20A7

RGB 191 32 167

HSL 309.06, 0.71%, 0.44%

LAB 45.5, 71.45, -34.67

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 0 / 64 / 10 / 12

HEX #E150CB

RGB 225 80 203

HSL 309.1, 0.71%, 0.6%

LAB 58.09, 69.47, -35.47

 

CMYK 0 / 50 / 7 / 9

HEX #E774D6

RGB 231 116 214

HSL 308.87, 0.71%, 0.68%

LAB 65.23, 57.08, -30.52

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 0 / 53 / 79 / 14

HEX #DB672D

RGB 219 103 45

HSL 20, 0.71%, 0.52%

LAB 57.03, 42.03, 52.07

 

CMYK 79 / 0 / 21 / 14

HEX #2DDBAD

RGB 45 219 173

HSL 164.14, 0.71%, 0.52%

LAB 78.6, -52.98, 10.66

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 11 / 0 / 79 / 14

HEX #C4DB2D

RGB 196 219 45

HSL 67.93, 0.71%, 0.52%

LAB 83.23, -27.95, 75.18

 

CMYK 79 / 11 / 0 / 14

HEX #2DC4DB

RGB 45 196 219

HSL 187.93, 0.71%, 0.52%

LAB 72.99, -30.02, -22.38

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 0 / 53 / 79 / 14

HEX #DB672D

RGB 219 103 45

HSL 20, 0.71%, 0.52%

LAB 57.03, 42.03, 52.07

 

CMYK 79 / 0 / 69 / 14

HEX #2DDB44

RGB 45 219 68

HSL 127.93, 0.71%, 0.52%

LAB 77.06, -70.61, 59.54

 

CMYK 79 / 26 / 0 / 14

HEX #2DA1DB

RGB 45 161 219

HSL 200, 0.71%, 0.52%

LAB 62.64, -11.88, -38.35

 

CMYK 0 / 79 / 12 / 14

HEX #DB2DC1

RGB 219 45 193

HSL 308.97, 0.71%, 0.52%

LAB 52.72, 77.81, -38.22

 

CMYK 0 / 29 / 79 / 14

HEX #DB9B2D

RGB 219 155 45

HSL 37.93, 0.71%, 0.52%

LAB 68.53, 14.7, 62.79

 

CMYK 79 / 0 / 69 / 14

HEX #2DDB44

RGB 45 219 68

HSL 127.93, 0.71%, 0.52%

LAB 77.06, -70.61, 59.54

 

CMYK 79 / 50 / 0 / 14

HEX #2D6DDB

RGB 45 109 219

HSL 217.93, 0.71%, 0.52%

LAB 47.76, 19.23, -62.02

 

Description

Color code: RGB 219 45 193 | qconv.com Color code: RGB 219 45 193 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 45 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 45 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 12 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 12% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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