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Color name
RGB 219 217 141

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 217 141 it is the complementary color RGB 36 38 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 217 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 217 141 shade: RGB 224 217 136, RGB 241 235 155, RGB 255 253 174, RGB 255 255 193 and RGB 255 255 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 217 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 217 141 shade: RGB 219 217 141, RGB 202 199 122, RGB 185 181 103, RGB 168 163 84 and RGB 151 145 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 217 141 shade: RGB 219 217 142, RGB 219 196 142, RGB 219 176 142, RGB 219 155 142 and RGB 219 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 217 141 shade: RGB 219 217 142, RGB 200 219 142, RGB 179 219 142, RGB 159 219 142 and RGB 142 219 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 217 141 shade matches the following richer shades: RGB 219 217 142, RGB 231 228 130 and RGB 243 240 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 217 141 shade: RGB 219 217 142, RGB 207 206 154, RGB 195 194 166, RGB 183 183 178 and RGB 171 172 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 217 141 shade: RGB 219 175 142, RGB 219 196 142, RGB 219 216 142, RGB 201 219 142 and RGB 181 219 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 217 141 shade: RGB 199 196 79, RGB 209 207 111, RGB 219 217 142, RGB 229 227 173 and RGB 239 238 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 217 141 shade: RGB 219 217 141, RGB 142 219 155 and RGB 186 142 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 217 141 shade: RGB 219 217 141, RGB 142 219 216 and RGB 216 142 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 217 141 shade: RGB 219 217 141, RGB 142 219 155, RGB 142 145 219 and RGB 219 142 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 217 141 shade: RGB 219 217 141, RGB 142 219 178, RGB 142 145 219 and RGB 219 142 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 36 / 14

HEX #DBD98D

RGB 219 217 141

HSL 58.46, 0.52%, 0.71%

LAB 85.31, -10.54, 37.72

 

Complementary color

CMYK 68 / 67 / 0 / 55

HEX #242672

RGB 36 38 114

HSL 238.46, 0.52%, 0.29%

LAB 19.95, 25.37, -44.13

 

CMYK 0 / 3 / 39 / 12

HEX #E0D988

RGB 224 217 136

HSL 55.23, 0.59%, 0.71%

LAB 85.63, -9.15, 40.73

 

CMYK 0 / 2 / 36 / 5

HEX #F1EB9B

RGB 241 235 155

HSL 55.81, 0.75%, 0.78%

LAB 91.9, -9.51, 39.58

 

CMYK 0 / 1 / 32 / 0

HEX #FFFDAE

RGB 255 253 174

HSL 58.52, 1%, 0.84%

LAB 97.86, -10.94, 38.13

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 1 / 36 / 14

HEX #DBD98D

RGB 219 217 141

HSL 58.46, 0.52%, 0.71%

LAB 85.31, -10.54, 37.72

 

CMYK 0 / 1 / 40 / 21

HEX #CAC77A

RGB 202 199 122

HSL 57.75, 0.43%, 0.64%

LAB 78.93, -10.2, 38.89

 

CMYK 0 / 2 / 44 / 27

HEX #B9B567

RGB 185 181 103

HSL 57.07, 0.37%, 0.56%

LAB 72.46, -9.8, 40.09

 

CMYK 0 / 3 / 50 / 34

HEX #A8A354

RGB 168 163 84

HSL 56.43, 0.33%, 0.49%

LAB 65.87, -9.3, 41.31

 

CMYK 0 / 4 / 57 / 41

HEX #979141

RGB 151 145 65

HSL 55.81, 0.4%, 0.42%

LAB 59.17, -8.67, 42.49

 

CMYK 0 / 1 / 35 / 14

HEX #DBD98E

RGB 219 217 142

HSL 58.44, 0.52%, 0.71%

LAB 85.32, -10.43, 37.23

 

CMYK 0 / 11 / 35 / 14

HEX #DBC48E

RGB 219 196 142

HSL 42.08, 0.52%, 0.71%

LAB 79.89, 0.36, 30.1

 

CMYK 0 / 20 / 35 / 14

HEX #DBB08E

RGB 219 176 142

HSL 26.49, 0.52%, 0.71%

LAB 74.87, 10.95, 23.34

 

CMYK 0 / 29 / 35 / 14

HEX #DB9B8E

RGB 219 155 142

HSL 10.13, 0.52%, 0.71%

LAB 69.79, 22.25, 16.37

 

CMYK 0 / 35 / 35 / 14

HEX #DB8E8E

RGB 219 142 142

HSL 0, 0.52%, 0.71%

LAB 66.79, 29.24, 12.17

 

CMYK 0 / 1 / 35 / 14

HEX #DBD98E

RGB 219 217 142

HSL 58.44, 0.52%, 0.71%

LAB 85.32, -10.43, 37.23

 

CMYK 9 / 0 / 35 / 14

HEX #C8DB8E

RGB 200 219 142

HSL 74.81, 0.52%, 0.71%

LAB 84.43, -18.69, 35.8

 

CMYK 18 / 0 / 35 / 14

HEX #B3DB8E

RGB 179 219 142

HSL 91.17, 0.52%, 0.71%

LAB 83.02, -26.42, 33.69

 

CMYK 27 / 0 / 35 / 14

HEX #9FDB8E

RGB 159 219 142

HSL 106.75, 0.52%, 0.71%

LAB 81.83, -33.4, 31.9

 

CMYK 35 / 0 / 33 / 14

HEX #8EDB92

RGB 142 219 146

HSL 123.12, 0.52%, 0.71%

LAB 81.01, -38.29, 28.6

 

CMYK 0 / 1 / 35 / 14

HEX #DBD98E

RGB 219 217 142

HSL 58.44, 0.52%, 0.71%

LAB 85.32, -10.43, 37.23

 

CMYK 0 / 1 / 44 / 9

HEX #E7E482

RGB 231 228 130

HSL 58.22, 0.68%, 0.71%

LAB 88.96, -12.53, 47.99

 

CMYK 0 / 1 / 51 / 5

HEX #F3F076

RGB 243 240 118

HSL 58.56, 0.84%, 0.71%

LAB 92.88, -14.78, 58.54

 

CMYK 0 / 1 / 35 / 14

HEX #DBD98E

RGB 219 217 142

HSL 58.44, 0.52%, 0.71%

LAB 85.32, -10.43, 37.23

 

CMYK 0 / 0 / 26 / 19

HEX #CFCE9A

RGB 207 206 154

HSL 58.87, 0.36%, 0.71%

LAB 81.7, -7.93, 26.07

 

CMYK 0 / 1 / 15 / 24

HEX #C3C2A6

RGB 195 194 166

HSL 57.93, 0.19%, 0.71%

LAB 77.84, -4.43, 14.23

 

CMYK 0 / 0 / 3 / 28

HEX #B7B7B2

RGB 183 183 178

HSL 60, 0.03%, 0.71%

LAB 74.28, -0.92, 2.53

RGB 183 183 178

CMYK 10 / 9 / 0 / 25

HEX #ABACBE

RGB 171 172 190

HSL 236.84, 0.13%, 0.71%

LAB 70.79, 3.21, -9.3

RGB 171 172 190

CMYK 0 / 20 / 35 / 14

HEX #DBAF8E

RGB 219 175 142

HSL 25.71, 0.52%, 0.71%

LAB 74.62, 11.48, 23.01

 

CMYK 0 / 11 / 35 / 14

HEX #DBC48E

RGB 219 196 142

HSL 42.08, 0.52%, 0.71%

LAB 79.89, 0.36, 30.1

 

CMYK 0 / 1 / 35 / 14

HEX #DBD88E

RGB 219 216 142

HSL 57.66, 0.52%, 0.71%

LAB 85.06, -9.92, 36.89

 

CMYK 8 / 0 / 35 / 14

HEX #C9DB8E

RGB 201 219 142

HSL 74.03, 0.52%, 0.71%

LAB 84.5, -18.31, 35.91

 

CMYK 17 / 0 / 35 / 14

HEX #B5DB8E

RGB 181 219 142

HSL 89.61, 0.52%, 0.71%

LAB 83.15, -25.7, 33.88

 

CMYK 0 / 2 / 60 / 22

HEX #C7C44F

RGB 199 196 79

HSL 58.5, 0.52%, 0.55%

LAB 77.39, -13.71, 57.47

 

CMYK 0 / 1 / 47 / 18

HEX #D1CF6F

RGB 209 207 111

HSL 58.78, 0.52%, 0.63%

LAB 81.47, -12.58, 47.62

 

CMYK 0 / 1 / 35 / 14

HEX #DBD98E

RGB 219 217 142

HSL 58.44, 0.52%, 0.71%

LAB 85.32, -10.43, 37.23

 

CMYK 0 / 1 / 24 / 10

HEX #E5E3AD

RGB 229 227 173

HSL 57.86, 0.52%, 0.79%

LAB 89.21, -7.79, 26.7

 

CMYK 0 / 0 / 14 / 6

HEX #EFEECD

RGB 239 238 205

HSL 58.24, 0.52%, 0.87%

LAB 93.41, -5.1, 16.12

 

CMYK 0 / 1 / 36 / 14

HEX #DBD98D

RGB 219 217 141

HSL 58.46, 0.52%, 0.71%

LAB 85.31, -10.54, 37.72

 

CMYK 35 / 0 / 29 / 14

HEX #8EDB9B

RGB 142 219 155

HSL 130.13, 0.52%, 0.71%

LAB 81.17, -36.79, 24.15

 

CMYK 15 / 35 / 0 / 14

HEX #BA8EDB

RGB 186 142 219

HSL 274.29, 0.52%, 0.71%

LAB 65.67, 30.94, -33.03

 

CMYK 0 / 1 / 36 / 14

HEX #DBD98D

RGB 219 217 141

HSL 58.46, 0.52%, 0.71%

LAB 85.31, -10.54, 37.72

 

CMYK 35 / 0 / 1 / 14

HEX #8EDBD8

RGB 142 219 216

HSL 177.66, 0.52%, 0.71%

LAB 82.58, -24.31, -6.07

 

CMYK 1 / 35 / 0 / 14

HEX #D88EDB

RGB 216 142 219

HSL 297.66, 0.52%, 0.71%

LAB 68.79, 40.22, -27.95

 

CMYK 0 / 1 / 36 / 14

HEX #DBD98D

RGB 219 217 141

HSL 58.46, 0.52%, 0.71%

LAB 85.31, -10.54, 37.72

 

CMYK 35 / 0 / 29 / 14

HEX #8EDB9B

RGB 142 219 155

HSL 130.13, 0.52%, 0.71%

LAB 81.17, -36.79, 24.15

 

CMYK 35 / 34 / 0 / 14

HEX #8E91DB

RGB 142 145 219

HSL 237.66, 0.52%, 0.71%

LAB 62.61, 16.35, -38.09

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECE

RGB 219 142 206

HSL 310.13, 0.52%, 0.71%

LAB 68.65, 38.82, -20.93

 

CMYK 0 / 1 / 36 / 14

HEX #DBD98D

RGB 219 217 141

HSL 58.46, 0.52%, 0.71%

LAB 85.31, -10.54, 37.72

 

CMYK 35 / 0 / 19 / 14

HEX #8EDBB2

RGB 142 219 178

HSL 148.05, 0.52%, 0.71%

LAB 81.64, -32.53, 12.73

 

CMYK 35 / 34 / 0 / 14

HEX #8E91DB

RGB 142 145 219

HSL 237.66, 0.52%, 0.71%

LAB 62.61, 16.35, -38.09

 

CMYK 0 / 35 / 16 / 14

HEX #DB8EB7

RGB 219 142 183

HSL 328.05, 0.52%, 0.71%

LAB 67.89, 35, -9.25

 

Description

Color code: RGB 219 217 141 | qconv.com Color code: RGB 219 217 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 217 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 217 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 36 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 36% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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