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Color name
RGB 219 20 89

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 20 89 it is the complementary color RGB 36 235 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 20 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 20 89 shade: RGB 224 20 84, RGB 241 38 103, RGB 255 56 122, RGB 255 74 141 and RGB 255 92 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 20 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 20 89 shade: RGB 219 20 89, RGB 202 2 70, RGB 185 0 51, RGB 168 0 32 and RGB 151 0 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 20 89 shade: RGB 219 20 89, RGB 219 20 35 and RGB 219 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 20 89 shade: RGB 219 20 89, RGB 219 20 142, RGB 219 20 196, RGB 188 20 219 and RGB 134 20 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 20 89 shade matches the following richer shades: RGB 219 20 89 and RGB 238 0 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 20 89 shade: RGB 219 20 89, RGB 199 39 95, RGB 180 59 101, RGB 161 78 107 and RGB 141 97 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 20 89 shade: RGB 219 20 196, RGB 219 20 143, RGB 219 20 90, RGB 219 20 36 and RGB 219 56 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 20 89 shade: RGB 143 13 58, RGB 181 16 73, RGB 219 20 89, RGB 235 45 111 and RGB 239 83 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 20 89 shade: RGB 219 20 89, RGB 219 189 20 and RGB 20 169 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 20 89 shade: RGB 219 20 89, RGB 90 219 20 and RGB 20 90 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 20 89 shade: RGB 219 20 89, RGB 219 189 20, RGB 20 219 149 and RGB 20 50 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 20 89 shade: RGB 219 20 89, RGB 189 219 20, RGB 20 219 149 and RGB 50 20 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

Complementary color

CMYK 85 / 0 / 29 / 8

HEX #24EBA6

RGB 36 235 166

HSL 159.2, 0.83%, 0.53%

LAB 83.2, -61.47, 20.77

 

CMYK 0 / 91 / 63 / 12

HEX #E01454

RGB 224 20 84

HSL 341.18, 0.84%, 0.48%

LAB 48.24, 73.05, 20.69

 

CMYK 0 / 84 / 57 / 5

HEX #F12667

RGB 241 38 103

HSL 340.79, 0.88%, 0.55%

LAB 53.02, 75.36, 16.12

 

CMYK 0 / 78 / 52 / 0

HEX #FF387A

RGB 255 56 122

HSL 340.1, 1%, 0.61%

LAB 57.55, 76, 11.45

 

CMYK 0 / 71 / 45 / 0

HEX #FF4A8D

RGB 255 74 141

HSL 337.79, 1%, 0.65%

LAB 59.96, 72.12, 3.69

 

CMYK 0 / 64 / 37 / 0

HEX #FF5CA0

RGB 255 92 160

HSL 334.97, 1%, 0.68%

LAB 62.89, 67.36, -3.07

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 0 / 99 / 65 / 21

HEX #CA0246

RGB 202 2 70

HSL 339.6, 0.98%, 0.4%

LAB 42.83, 68.85, 21.43

 

CMYK 0 / 100 / 72 / 27

HEX #B90033

RGB 185 0 51

HSL 343.46, 1%, 0.36%

LAB 38.82, 64.08, 27.57

 

CMYK 0 / 100 / 81 / 34

HEX #A80020

RGB 168 0 32

HSL 348.57, 1%, 0.33%

LAB 34.86, 59.18, 33.81

 

CMYK 0 / 100 / 91 / 41

HEX #97000D

RGB 151 0 13

HSL 354.83, 1%, 0.3%

LAB 30.9, 54.37, 39.26

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 0 / 91 / 84 / 14

HEX #DB1423

RGB 219 20 35

HSL 355.48, 0.83%, 0.47%

LAB 46.55, 69.92, 47.12

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 0 / 91 / 35 / 14

HEX #DB148E

RGB 219 20 142

HSL 323.22, 0.83%, 0.47%

LAB 48.9, 76.39, -14

 

CMYK 0 / 91 / 11 / 14

HEX #DB14C4

RGB 219 20 196

HSL 306.93, 0.83%, 0.47%

LAB 51.32, 82.73, -42.16

 

CMYK 14 / 91 / 0 / 14

HEX #BC14DB

RGB 188 20 219

HSL 290.65, 0.83%, 0.47%

LAB 47.37, 80.99, -62.01

 

CMYK 39 / 91 / 0 / 14

HEX #8614DB

RGB 134 20 219

HSL 274.37, 0.83%, 0.47%

LAB 39.04, 73.73, -75.95

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 0 / 100 / 65 / 7

HEX #EE0053

RGB 238 0 83

HSL 339.08, 1%, 0.47%

LAB 50.45, 78.05, 24.73

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 0 / 80 / 52 / 22

HEX #C7275F

RGB 199 39 95

HSL 339, 0.67%, 0.47%

LAB 44.83, 63.81, 8.4

 

CMYK 0 / 67 / 44 / 29

HEX #B43B65

RGB 180 59 101

HSL 339.17, 0.51%, 0.47%

LAB 43.9, 52.18, 2.89

 

CMYK 0 / 52 / 34 / 37

HEX #A14E6B

RGB 161 78 107

HSL 339.04, 0.35%, 0.47%

LAB 44.36, 37.61, -0.52

 

CMYK 0 / 31 / 20 / 45

HEX #8D6171

RGB 141 97 113

HSL 338.18, 0.18%, 0.47%

LAB 46.18, 20.37, -1.81

 

CMYK 0 / 91 / 11 / 14

HEX #DB14C4

RGB 219 20 196

HSL 306.93, 0.83%, 0.47%

LAB 51.32, 82.73, -42.16

 

CMYK 0 / 91 / 35 / 14

HEX #DB148F

RGB 219 20 143

HSL 322.91, 0.83%, 0.47%

LAB 48.94, 76.49, -14.55

 

CMYK 0 / 91 / 59 / 14

HEX #DB145A

RGB 219 20 90

HSL 338.89, 0.83%, 0.47%

LAB 47.36, 72.19, 15.63

 

CMYK 0 / 91 / 84 / 14

HEX #DB1424

RGB 219 20 36

HSL 355.18, 0.83%, 0.47%

LAB 46.56, 69.94, 46.62

 

CMYK 0 / 74 / 91 / 14

HEX #DB3814

RGB 219 56 20

HSL 10.85, 0.83%, 0.47%

LAB 49.42, 61.27, 55.93

 

CMYK 0 / 91 / 59 / 44

HEX #8F0D3A

RGB 143 13 58

HSL 339.23, 0.83%, 0.31%

LAB 30.48, 52.12, 10.48

 

CMYK 0 / 91 / 60 / 29

HEX #B51049

RGB 181 16 73

HSL 339.27, 0.84%, 0.39%

LAB 39.03, 62.39, 13.68

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 0 / 81 / 53 / 8

HEX #EB2D6F

RGB 235 45 111

HSL 339.16, 0.83%, 0.55%

LAB 52.6, 72.85, 10.54

 

CMYK 0 / 65 / 43 / 6

HEX #EF5389

RGB 239 83 137

HSL 339.23, 0.83%, 0.63%

LAB 58.36, 63.92, 3.38

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 0 / 14 / 91 / 14

HEX #DBBD14

RGB 219 189 20

HSL 50.95, 0.83%, 0.47%

LAB 76.98, -3.91, 76.21

 

CMYK 91 / 23 / 0 / 14

HEX #14A9DB

RGB 20 169 219

HSL 195.08, 0.83%, 0.47%

LAB 64.68, -17.99, -35.21

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 59 / 0 / 91 / 14

HEX #5ADB14

RGB 90 219 20

HSL 98.89, 0.83%, 0.47%

LAB 77.81, -65.15, 73.64

 

CMYK 91 / 59 / 0 / 14

HEX #145ADB

RGB 20 90 219

HSL 218.89, 0.83%, 0.47%

LAB 42.12, 29.72, -71.22

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 0 / 14 / 91 / 14

HEX #DBBD14

RGB 219 189 20

HSL 50.95, 0.83%, 0.47%

LAB 76.98, -3.91, 76.21

 

CMYK 91 / 0 / 32 / 14

HEX #14DB95

RGB 20 219 149

HSL 158.89, 0.83%, 0.47%

LAB 77.86, -60.25, 22.24

 

CMYK 91 / 77 / 0 / 14

HEX #1432DB

RGB 20 50 219

HSL 230.95, 0.83%, 0.47%

LAB 33.02, 54.13, -86.21

 

CMYK 0 / 91 / 59 / 14

HEX #DB1459

RGB 219 20 89

HSL 339.2, 0.83%, 0.47%

LAB 47.34, 72.13, 16.21

 

CMYK 14 / 0 / 91 / 14

HEX #BDDB14

RGB 189 219 20

HSL 69.05, 0.83%, 0.47%

LAB 82.66, -31.45, 79.6

 

CMYK 91 / 0 / 32 / 14

HEX #14DB95

RGB 20 219 149

HSL 158.89, 0.83%, 0.47%

LAB 77.86, -60.25, 22.24

 

CMYK 77 / 91 / 0 / 14

HEX #3214DB

RGB 50 20 219

HSL 249.05, 0.83%, 0.47%

LAB 30.14, 67.37, -90.96

 

Description

Color code: RGB 219 20 89 | qconv.com Color code: RGB 219 20 89 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 20 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 20 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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