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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 20 200 it is the complementary color RGB 36 235 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 20 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 20 200 shade: RGB 224 20 195, RGB 241 38 214, RGB 255 56 233, RGB 255 74 252 and RGB 255 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 20 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 20 200 shade: RGB 219 20 200, RGB 202 2 181, RGB 185 0 162, RGB 168 0 143 and RGB 151 0 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 20 200 shade: RGB 219 20 200, RGB 219 20 146, RGB 219 20 93, RGB 219 20 39 and RGB 219 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 20 200 shade: RGB 219 20 200, RGB 184 20 219, RGB 131 20 219, RGB 77 20 219 and RGB 23 20 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 20 200 shade matches the following richer shades: RGB 219 20 200 and RGB 238 0 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 20 200 shade: RGB 219 20 200, RGB 199 39 184, RGB 180 59 168, RGB 161 78 153 and RGB 141 97 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 20 200 shade: RGB 129 20 219, RGB 182 20 219, RGB 219 20 202, RGB 219 20 149 and RGB 219 20 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 20 200 shade: RGB 143 13 131, RGB 181 16 165, RGB 219 20 200, RGB 235 45 217 and RGB 239 83 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 20 200 shade: RGB 219 20 200, RGB 219 76 20 and RGB 20 219 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 20 200 shade: RGB 219 20 200, RGB 202 219 20 and RGB 20 202 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 20 200 shade: RGB 219 20 200, RGB 219 76 20, RGB 20 219 36 and RGB 20 162 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 20 200 shade: RGB 219 20 200, RGB 219 136 20, RGB 20 219 36 and RGB 20 103 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

Complementary color

CMYK 85 / 0 / 77 / 8

HEX #24EB37

RGB 36 235 55

HSL 125.73, 0.83%, 0.53%

LAB 81.87, -77.24, 68.85

 

CMYK 0 / 91 / 13 / 12

HEX #E014C3

RGB 224 20 195

HSL 308.53, 0.84%, 0.48%

LAB 52.16, 83.5, -40.2

 

CMYK 0 / 84 / 11 / 5

HEX #F126D6

RGB 241 38 214

HSL 307.98, 0.88%, 0.55%

LAB 57.02, 86.47, -43.23

 

CMYK 0 / 78 / 9 / 0

HEX #FF38E9

RGB 255 56 233

HSL 306.63, 1%, 0.61%

LAB 61.63, 87.93, -46.52

 

CMYK 0 / 71 / 1 / 0

HEX #FF4AFC

RGB 255 74 252

HSL 300.99, 1%, 0.65%

LAB 64.31, 85.73, -52.83

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 99 / 10 / 21

HEX #CA02B5

RGB 202 2 181

HSL 306.3, 0.98%, 0.4%

LAB 46.89, 79.34, -40.62

 

CMYK 0 / 100 / 12 / 27

HEX #B900A2

RGB 185 0 162

HSL 307.46, 1%, 0.36%

LAB 42.65, 73.97, -36.25

 

CMYK 0 / 100 / 15 / 34

HEX #A8008F

RGB 168 0 143

HSL 308.93, 1%, 0.33%

LAB 38.39, 68.34, -31.66

 

CMYK 0 / 100 / 18 / 41

HEX #97007C

RGB 151 0 124

HSL 310.73, 1%, 0.3%

LAB 34.05, 62.61, -26.92

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 91 / 33 / 14

HEX #DB1492

RGB 219 20 146

HSL 322.01, 0.83%, 0.47%

LAB 49.05, 76.8, -16.18

 

CMYK 0 / 91 / 58 / 14

HEX #DB145D

RGB 219 20 93

HSL 337.99, 0.83%, 0.47%

LAB 47.43, 72.38, 13.86

 

CMYK 0 / 91 / 82 / 14

HEX #DB1427

RGB 219 20 39

HSL 354.27, 0.83%, 0.47%

LAB 46.59, 70.01, 45.06

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 16 / 91 / 0 / 14

HEX #B814DB

RGB 184 20 219

HSL 289.45, 0.83%, 0.47%

LAB 46.72, 80.39, -63.1

 

CMYK 40 / 91 / 0 / 14

HEX #8314DB

RGB 131 20 219

HSL 273.47, 0.83%, 0.47%

LAB 38.62, 73.39, -76.66

 

CMYK 65 / 91 / 0 / 14

HEX #4D14DB

RGB 77 20 219

HSL 257.19, 0.83%, 0.47%

LAB 32.24, 68.7, -87.41

 

CMYK 89 / 91 / 0 / 14

HEX #1714DB

RGB 23 20 219

HSL 240.9, 0.83%, 0.47%

LAB 28.89, 66.65, -93.07

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 100 / 9 / 7

HEX #EE00D8

RGB 238 0 216

HSL 305.55, 1%, 0.47%

LAB 55.21, 90.27, -47.27

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 80 / 8 / 22

HEX #C727B8

RGB 199 39 184

HSL 305.63, 0.67%, 0.47%

LAB 48.33, 73.9, -40.14

 

CMYK 0 / 67 / 7 / 29

HEX #B43BA8

RGB 180 59 168

HSL 305.95, 0.51%, 0.47%

LAB 46.52, 61.02, -33.78

 

CMYK 0 / 52 / 5 / 37

HEX #A14E99

RGB 161 78 153

HSL 305.78, 0.35%, 0.47%

LAB 46.08, 44.78, -25.77

 

CMYK 0 / 31 / 3 / 45

HEX #8D6189

RGB 141 97 137

HSL 305.45, 0.18%, 0.47%

LAB 47, 24.73, -15.01

 

CMYK 41 / 91 / 0 / 14

HEX #8114DB

RGB 129 20 219

HSL 272.86, 0.83%, 0.47%

LAB 38.34, 73.17, -77.12

 

CMYK 17 / 91 / 0 / 14

HEX #B614DB

RGB 182 20 219

HSL 288.84, 0.83%, 0.47%

LAB 46.39, 80.09, -63.65

 

CMYK 0 / 91 / 8 / 14

HEX #DB14CA

RGB 219 20 202

HSL 305.13, 0.83%, 0.47%

LAB 51.64, 83.54, -45.12

 

CMYK 0 / 91 / 32 / 14

HEX #DB1495

RGB 219 20 149

HSL 321.11, 0.83%, 0.47%

LAB 49.17, 77.11, -17.81

 

CMYK 0 / 91 / 56 / 14

HEX #DB1460

RGB 219 20 96

HSL 337.09, 0.83%, 0.47%

LAB 47.5, 72.58, 12.1

 

CMYK 0 / 91 / 8 / 44

HEX #8F0D83

RGB 143 13 131

HSL 305.54, 0.83%, 0.31%

LAB 33.49, 60.25, -32.3

 

CMYK 0 / 91 / 9 / 29

HEX #B510A5

RGB 181 16 165

HSL 305.82, 0.84%, 0.39%

LAB 42.63, 72, -38.12

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 81 / 8 / 8

HEX #EB2DD9

RGB 235 45 217

HSL 305.68, 0.83%, 0.55%

LAB 56.63, 84.33, -45.61

 

CMYK 0 / 65 / 6 / 6

HEX #EF53E0

RGB 239 83 224

HSL 305.77, 0.83%, 0.63%

LAB 61.58, 74.9, -41.72

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 65 / 91 / 14

HEX #DB4C14

RGB 219 76 20

HSL 16.88, 0.83%, 0.47%

LAB 52.15, 53.8, 57.82

 

CMYK 91 / 0 / 29 / 14

HEX #14DB9C

RGB 20 219 156

HSL 161.01, 0.83%, 0.47%

LAB 78, -58.72, 18.76

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 8 / 0 / 91 / 14

HEX #CADB14

RGB 202 219 20

HSL 65.13, 0.83%, 0.47%

LAB 83.58, -26.11, 80.72

 

CMYK 91 / 8 / 0 / 14

HEX #14CADB

RGB 20 202 219

HSL 185.13, 0.83%, 0.47%

LAB 74.51, -34.52, -20.09

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 65 / 91 / 14

HEX #DB4C14

RGB 219 76 20

HSL 16.88, 0.83%, 0.47%

LAB 52.15, 53.8, 57.82

 

CMYK 91 / 0 / 84 / 14

HEX #14DB24

RGB 20 219 36

HSL 124.82, 0.83%, 0.47%

LAB 76.64, -75, 69.09

 

CMYK 91 / 26 / 0 / 14

HEX #14A2DB

RGB 20 162 219

HSL 197.19, 0.83%, 0.47%

LAB 62.6, -14.22, -38.45

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 38 / 91 / 14

HEX #DB8814

RGB 219 136 20

HSL 34.97, 0.83%, 0.47%

LAB 63.93, 24.27, 66.35

 

CMYK 91 / 0 / 84 / 14

HEX #14DB24

RGB 20 219 36

HSL 124.82, 0.83%, 0.47%

LAB 76.64, -75, 69.09

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

Description

Color code: RGB 219 20 200 | qconv.com Color code: RGB 219 20 200 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 20 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 20 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 9% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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