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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 201 102 it is the complementary color RGB 36 54 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 201 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 201 102 shade: RGB 224 201 97, RGB 241 219 116, RGB 255 237 135, RGB 255 255 154 and RGB 255 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 201 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 201 102 shade: RGB 219 201 102, RGB 202 183 83, RGB 185 165 64, RGB 168 147 45 and RGB 151 129 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 201 102 shade: RGB 219 201 102, RGB 219 169 102, RGB 219 138 102, RGB 219 106 102 and RGB 219 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 201 102 shade: RGB 219 201 102, RGB 205 219 102, RGB 174 219 102, RGB 142 219 102 and RGB 110 219 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 201 102 shade matches the following richer shades: RGB 219 201 102, RGB 234 211 86 and RGB 249 222 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 201 102 shade: RGB 219 201 102, RGB 203 190 117, RGB 188 180 132, RGB 173 169 147 and RGB 158 158 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 201 102 shade: RGB 219 137 102, RGB 219 168 102, RGB 219 199 102, RGB 207 219 102 and RGB 176 219 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 201 102 shade: RGB 193 170 45, RGB 211 189 68, RGB 219 201 102, RGB 226 212 135 and RGB 234 224 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 201 102 shade: RGB 219 201 102, RGB 102 219 106 and RGB 152 102 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 201 102 shade: RGB 219 201 102, RGB 102 219 199 and RGB 199 102 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 201 102 shade: RGB 219 201 102, RGB 102 219 106, RGB 102 121 219 and RGB 219 102 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 201 102 shade: RGB 219 201 102, RGB 102 219 141, RGB 102 121 219 and RGB 219 102 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

Complementary color

CMYK 76 / 65 / 0 / 40

HEX #243699

RGB 36 54 153

HSL 230.77, 0.62%, 0.37%

LAB 27.61, 29.28, -56.03

 

CMYK 0 / 10 / 57 / 12

HEX #E0C961

RGB 224 201 97

HSL 49.13, 0.67%, 0.63%

LAB 81.01, -4.57, 54.01

 

CMYK 0 / 9 / 52 / 5

HEX #F1DB74

RGB 241 219 116

HSL 49.44, 0.82%, 0.7%

LAB 87.3, -5.3, 52.86

 

CMYK 0 / 7 / 47 / 0

HEX #FFED87

RGB 255 237 135

HSL 51, 1%, 0.76%

LAB 93.27, -7.1, 51.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 0 / 9 / 59 / 21

HEX #CAB753

RGB 202 183 83

HSL 50.42, 0.53%, 0.56%

LAB 74.22, -5.49, 52.24

 

CMYK 0 / 11 / 65 / 27

HEX #B9A540

RGB 185 165 64

HSL 50.08, 0.49%, 0.49%

LAB 67.72, -4.58, 53.23

 

CMYK 0 / 13 / 73 / 34

HEX #A8932D

RGB 168 147 45

HSL 49.76, 0.58%, 0.42%

LAB 61.12, -3.49, 53.89

 

CMYK 0 / 15 / 83 / 41

HEX #97811A

RGB 151 129 26

HSL 49.44, 0.71%, 0.35%

LAB 54.4, -2.15, 53.83

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 0 / 23 / 53 / 14

HEX #DBA966

RGB 219 169 102

HSL 34.36, 0.62%, 0.63%

LAB 72.49, 10.56, 41.35

 

CMYK 0 / 37 / 53 / 14

HEX #DB8A66

RGB 219 138 102

HSL 18.46, 0.62%, 0.63%

LAB 65.12, 27.22, 32.11

 

CMYK 0 / 52 / 53 / 14

HEX #DB6A66

RGB 219 106 102

HSL 2.05, 0.62%, 0.63%

LAB 58.35, 43.85, 23.28

 

CMYK 0 / 53 / 53 / 14

HEX #DB6666

RGB 219 102 102

HSL 0, 0.62%, 0.63%

LAB 57.58, 45.82, 22.25

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 6 / 0 / 53 / 14

HEX #CDDB66

RGB 205 219 102

HSL 67.18, 0.62%, 0.63%

LAB 84.28, -20.93, 55.09

 

CMYK 21 / 0 / 53 / 14

HEX #AEDB66

RGB 174 219 102

HSL 83.08, 0.62%, 0.63%

LAB 82.17, -32.93, 52.1

 

CMYK 35 / 0 / 53 / 14

HEX #8EDB66

RGB 142 219 102

HSL 99.49, 0.62%, 0.63%

LAB 80.39, -44.29, 49.55

 

CMYK 50 / 0 / 53 / 14

HEX #6EDB66

RGB 110 219 102

HSL 115.9, 0.62%, 0.63%

LAB 79.01, -54.01, 47.57

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 0 / 10 / 63 / 8

HEX #EAD356

RGB 234 211 86

HSL 50.68, 0.78%, 0.63%

LAB 84.36, -6.28, 62.86

 

CMYK 0 / 11 / 71 / 2

HEX #F9DE47

RGB 249 222 71

HSL 50.9, 0.94%, 0.63%

LAB 88.37, -6.38, 73.27

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 0 / 6 / 42 / 20

HEX #CBBE75

RGB 203 190 117

HSL 50.93, 0.45%, 0.63%

LAB 76.56, -5.69, 38.44

 

CMYK 0 / 4 / 30 / 26

HEX #BCB484

RGB 188 180 132

HSL 51.43, 0.29%, 0.63%

LAB 72.89, -4.67, 25.56

 

CMYK 0 / 2 / 15 / 32

HEX #ADA993

RGB 173 169 147

HSL 50.77, 0.14%, 0.63%

LAB 69.02, -2.4, 11.87

 

CMYK 3 / 3 / 0 / 36

HEX #9E9EA3

RGB 158 158 163

HSL 240, 0.03%, 0.63%

LAB 65.25, 0.97, -2.61

 

CMYK 0 / 37 / 53 / 14

HEX #DB8966

RGB 219 137 102

HSL 17.95, 0.62%, 0.63%

LAB 64.89, 27.76, 31.82

 

CMYK 0 / 23 / 53 / 14

HEX #DBA866

RGB 219 168 102

HSL 33.85, 0.62%, 0.63%

LAB 72.24, 11.1, 41.05

 

CMYK 0 / 9 / 53 / 14

HEX #DBC766

RGB 219 199 102

HSL 49.74, 0.62%, 0.63%

LAB 80.1, -5.21, 50.5

 

CMYK 5 / 0 / 53 / 14

HEX #CFDB66

RGB 207 219 102

HSL 66.15, 0.62%, 0.63%

LAB 84.43, -20.13, 55.3

 

CMYK 20 / 0 / 53 / 14

HEX #B0DB66

RGB 176 219 102

HSL 82.05, 0.62%, 0.63%

LAB 82.3, -32.18, 52.28

 

CMYK 0 / 12 / 77 / 24

HEX #C1AA2D

RGB 193 170 45

HSL 50.68, 0.62%, 0.47%

LAB 69.67, -4.69, 62.85

 

CMYK 0 / 10 / 68 / 17

HEX #D3BD44

RGB 211 189 68

HSL 50.77, 0.62%, 0.55%

LAB 76.47, -5.73, 61.42

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 0 / 6 / 40 / 11

HEX #E2D487

RGB 226 212 135

HSL 50.77, 0.61%, 0.71%

LAB 84.49, -5.93, 39.8

 

CMYK 0 / 4 / 28 / 8

HEX #EAE0A8

RGB 234 224 168

HSL 50.91, 0.61%, 0.79%

LAB 88.75, -5.06, 28.71

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 53 / 0 / 52 / 14

HEX #66DB6A

RGB 102 219 106

HSL 122.05, 0.62%, 0.63%

LAB 78.77, -55.61, 45.33

 

CMYK 31 / 53 / 0 / 14

HEX #9866DB

RGB 152 102 219

HSL 265.64, 0.62%, 0.63%

LAB 53.27, 43.69, -52.79

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 53 / 0 / 9 / 14

HEX #66DBC7

RGB 102 219 199

HSL 169.74, 0.62%, 0.63%

LAB 80.52, -37.89, -0.23

 

CMYK 9 / 53 / 0 / 14

HEX #C766DB

RGB 199 102 219

HSL 289.74, 0.62%, 0.63%

LAB 58.75, 55.87, -43.75

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 53 / 0 / 52 / 14

HEX #66DB6A

RGB 102 219 106

HSL 122.05, 0.62%, 0.63%

LAB 78.77, -55.61, 45.33

 

CMYK 53 / 45 / 0 / 14

HEX #6679DB

RGB 102 121 219

HSL 230.26, 0.62%, 0.63%

LAB 53.62, 20.73, -52.48

 

CMYK 0 / 53 / 2 / 14

HEX #DB66D7

RGB 219 102 215

HSL 302.05, 0.62%, 0.63%

LAB 61.19, 60.49, -37.48

 

CMYK 0 / 8 / 53 / 14

HEX #DBC966

RGB 219 201 102

HSL 50.77, 0.62%, 0.63%

LAB 80.62, -6.24, 51.11

 

CMYK 53 / 0 / 36 / 14

HEX #66DB8D

RGB 102 219 141

HSL 140, 0.62%, 0.63%

LAB 79.28, -50.2, 28.56

 

CMYK 53 / 45 / 0 / 14

HEX #6679DB

RGB 102 121 219

HSL 230.26, 0.62%, 0.63%

LAB 53.62, 20.73, -52.48

 

CMYK 0 / 53 / 18 / 14

HEX #DB66B4

RGB 219 102 180

HSL 320, 0.62%, 0.63%

LAB 59.76, 54.9, -19.81

 

Description

Color code: RGB 219 201 102 | qconv.com Color code: RGB 219 201 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 201 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 201 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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