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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 209 142 it is the complementary color RGB 36 46 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 209 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 209 142 shade: RGB 224 209 137, RGB 241 227 156, RGB 255 245 175, RGB 255 255 194 and RGB 255 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 209 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 209 142 shade: RGB 219 209 142, RGB 202 191 123, RGB 185 173 104, RGB 168 155 85 and RGB 151 137 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 209 142 shade: RGB 219 209 142, RGB 219 188 142, RGB 219 168 142, RGB 219 147 142 and RGB 219 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 209 142 shade: RGB 219 209 142, RGB 208 219 142, RGB 188 219 142, RGB 167 219 142 and RGB 146 219 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 209 142 shade matches the following richer shades: RGB 219 209 142, RGB 231 218 130 and RGB 243 227 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 209 142 shade: RGB 219 209 142, RGB 207 200 154, RGB 195 191 166, RGB 183 182 178 and RGB 171 174 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 209 142 shade: RGB 219 168 142, RGB 219 188 142, RGB 219 209 142, RGB 209 219 142 and RGB 188 219 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 209 142 shade: RGB 199 184 79, RGB 209 196 111, RGB 219 209 142, RGB 229 222 173 and RGB 239 234 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 209 142 shade: RGB 219 209 142, RGB 142 219 147 and RGB 178 142 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 209 142 shade: RGB 219 209 142, RGB 142 219 209 and RGB 209 142 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 209 142 shade: RGB 219 209 142, RGB 142 219 147, RGB 142 152 219 and RGB 219 142 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 209 142 shade: RGB 219 209 142, RGB 142 219 170, RGB 142 152 219 and RGB 219 142 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

Complementary color

CMYK 68 / 59 / 0 / 56

HEX #242E71

RGB 36 46 113

HSL 232.21, 0.52%, 0.29%

LAB 22.02, 19.45, -40.11

 

CMYK 0 / 7 / 39 / 12

HEX #E0D189

RGB 224 209 137

HSL 49.66, 0.58%, 0.71%

LAB 83.58, -4.97, 37.59

 

CMYK 0 / 6 / 35 / 5

HEX #F1E39C

RGB 241 227 156

HSL 50.12, 0.75%, 0.78%

LAB 89.88, -5.38, 36.44

 

CMYK 0 / 4 / 31 / 0

HEX #FFF5AF

RGB 255 245 175

HSL 52.5, 1%, 0.84%

LAB 95.86, -6.87, 34.97

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 0 / 5 / 39 / 21

HEX #CABF7B

RGB 202 191 123

HSL 51.65, 0.43%, 0.64%

LAB 76.83, -5.97, 35.69

 

CMYK 0 / 6 / 44 / 27

HEX #B9AD68

RGB 185 173 104

HSL 51.11, 0.37%, 0.57%

LAB 70.32, -5.5, 36.91

 

CMYK 0 / 8 / 49 / 34

HEX #A89B55

RGB 168 155 85

HSL 50.6, 0.33%, 0.5%

LAB 63.69, -4.93, 38.17

 

CMYK 0 / 9 / 56 / 41

HEX #978942

RGB 151 137 66

HSL 50.12, 0.39%, 0.43%

LAB 56.94, -4.23, 39.43

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 0 / 14 / 35 / 14

HEX #DBBC8E

RGB 219 188 142

HSL 35.84, 0.52%, 0.71%

LAB 77.86, 4.56, 27.39

 

CMYK 0 / 23 / 35 / 14

HEX #DBA88E

RGB 219 168 142

HSL 20.26, 0.52%, 0.71%

LAB 72.9, 15.24, 20.66

 

CMYK 0 / 33 / 35 / 14

HEX #DB938E

RGB 219 147 142

HSL 3.9, 0.52%, 0.71%

LAB 67.93, 26.56, 13.77

 

CMYK 0 / 35 / 35 / 14

HEX #DB8E8E

RGB 219 142 142

HSL 0, 0.52%, 0.71%

LAB 66.79, 29.24, 12.17

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 5 / 0 / 35 / 14

HEX #D0DB8E

RGB 208 219 142

HSL 68.57, 0.52%, 0.71%

LAB 85.01, -15.66, 36.67

 

CMYK 14 / 0 / 35 / 14

HEX #BCDB8E

RGB 188 219 142

HSL 84.16, 0.52%, 0.71%

LAB 83.6, -23.15, 34.56

 

CMYK 24 / 0 / 35 / 14

HEX #A7DB8E

RGB 167 219 142

HSL 100.52, 0.52%, 0.71%

LAB 82.29, -30.66, 32.59

 

CMYK 33 / 0 / 35 / 14

HEX #92DB8E

RGB 146 219 142

HSL 116.88, 0.52%, 0.71%

LAB 81.14, -37.67, 30.86

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 0 / 6 / 44 / 9

HEX #E7DA82

RGB 231 218 130

HSL 52.28, 0.68%, 0.71%

LAB 86.38, -7.52, 44.77

 

CMYK 0 / 7 / 51 / 5

HEX #F3E376

RGB 243 227 118

HSL 52.32, 0.84%, 0.71%

LAB 89.53, -8.35, 54.61

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 0 / 3 / 26 / 19

HEX #CFC89A

RGB 207 200 154

HSL 52.08, 0.36%, 0.71%

LAB 80.13, -4.83, 23.94

 

CMYK 0 / 2 / 15 / 24

HEX #C3BFA6

RGB 195 191 166

HSL 51.72, 0.19%, 0.71%

LAB 77.05, -2.86, 13.12

 

CMYK 0 / 1 / 3 / 28

HEX #B7B6B2

RGB 183 182 178

HSL 48, 0.03%, 0.71%

LAB 74.02, -0.38, 2.15

 

CMYK 10 / 8 / 0 / 25

HEX #ABAEBE

RGB 171 174 190

HSL 230.53, 0.13%, 0.71%

LAB 71.32, 2.12, -8.52

 

CMYK 0 / 23 / 35 / 14

HEX #DBA88E

RGB 219 168 142

HSL 20.26, 0.52%, 0.71%

LAB 72.9, 15.24, 20.66

 

CMYK 0 / 14 / 35 / 14

HEX #DBBC8E

RGB 219 188 142

HSL 35.84, 0.52%, 0.71%

LAB 77.86, 4.56, 27.39

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 5 / 0 / 35 / 14

HEX #D1DB8E

RGB 209 219 142

HSL 67.79, 0.52%, 0.71%

LAB 85.08, -15.27, 36.78

 

CMYK 14 / 0 / 35 / 14

HEX #BCDB8E

RGB 188 219 142

HSL 84.16, 0.52%, 0.71%

LAB 83.6, -23.15, 34.56

 

CMYK 0 / 8 / 60 / 22

HEX #C7B84F

RGB 199 184 79

HSL 52.5, 0.52%, 0.55%

LAB 74.18, -7.56, 53.95

 

CMYK 0 / 6 / 47 / 18

HEX #D1C46F

RGB 209 196 111

HSL 52.04, 0.52%, 0.63%

LAB 78.57, -6.97, 44.08

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 0 / 3 / 24 / 10

HEX #E5DEAD

RGB 229 222 173

HSL 52.5, 0.52%, 0.79%

LAB 87.93, -5.26, 24.95

 

CMYK 0 / 2 / 14 / 6

HEX #EFEACD

RGB 239 234 205

HSL 51.18, 0.52%, 0.87%

LAB 92.4, -3.08, 14.69

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 35 / 0 / 33 / 14

HEX #8EDB93

RGB 142 219 147

HSL 123.9, 0.52%, 0.71%

LAB 81.03, -38.13, 28.1

 

CMYK 19 / 35 / 0 / 14

HEX #B28EDB

RGB 178 142 219

HSL 268.05, 0.52%, 0.71%

LAB 64.9, 28.51, -34.28

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 35 / 0 / 5 / 14

HEX #8EDBD1

RGB 142 219 209

HSL 172.21, 0.52%, 0.71%

LAB 82.39, -25.93, -2.62

 

CMYK 5 / 35 / 0 / 14

HEX #D18EDB

RGB 209 142 219

HSL 292.21, 0.52%, 0.71%

LAB 68.03, 38.04, -29.19

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 35 / 0 / 33 / 14

HEX #8EDB93

RGB 142 219 147

HSL 123.9, 0.52%, 0.71%

LAB 81.03, -38.13, 28.1

 

CMYK 35 / 31 / 0 / 14

HEX #8E98DB

RGB 142 152 219

HSL 232.21, 0.52%, 0.71%

LAB 64.42, 12.32, -35.26

 

CMYK 0 / 35 / 2 / 14

HEX #DB8ED6

RGB 219 142 214

HSL 303.9, 0.52%, 0.71%

LAB 68.94, 40.24, -24.93

 

CMYK 0 / 5 / 35 / 14

HEX #DBD18E

RGB 219 209 142

HSL 52.21, 0.52%, 0.71%

LAB 83.24, -6.36, 34.52

 

CMYK 35 / 0 / 22 / 14

HEX #8EDBAA

RGB 142 219 170

HSL 141.82, 0.52%, 0.71%

LAB 81.47, -34.07, 16.71

 

CMYK 35 / 31 / 0 / 14

HEX #8E98DB

RGB 142 152 219

HSL 232.21, 0.52%, 0.71%

LAB 64.42, 12.32, -35.26

 

CMYK 0 / 35 / 13 / 14

HEX #DB8EBF

RGB 219 142 191

HSL 321.82, 0.52%, 0.71%

LAB 68.14, 36.28, -13.34

 

Description

Color code: RGB 219 209 142 | qconv.com Color code: RGB 219 209 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 209 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 209 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 35 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 35% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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