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Color name
RGB 219 198 215

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 198 215 it is the complementary color RGB 36 57 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 198 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 198 215 shade: RGB 224 198 210, RGB 241 216 229, RGB 255 234 248 and RGB 255 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 198 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 198 215 shade: RGB 219 198 215, RGB 202 180 196, RGB 185 162 177, RGB 168 144 158 and RGB 151 126 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 198 215 shade: RGB 219 198 215, RGB 219 198 209, RGB 219 198 204, RGB 219 198 198 and RGB 219 198 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 198 215 shade: RGB 219 198 215, RGB 217 198 219, RGB 212 198 219, RGB 206 198 219 and RGB 200 198 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 198 215 shade matches the following richer shades: RGB 219 198 215, RGB 227 191 220, RGB 234 183 224, RGB 241 176 229 and RGB 249 168 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 198 215 shade: RGB 219 198 215, RGB 212 205 211, RGB 204 213 206, RGB 197 220 201 and RGB 189 228 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 198 215 shade: RGB 212 198 219, RGB 217 198 219, RGB 219 198 215, RGB 219 198 210 and RGB 219 198 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 198 215 shade: RGB 187 147 180, RGB 203 173 197, RGB 219 198 215, RGB 235 223 233 and RGB 251 249 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 198 215 shade: RGB 219 198 215, RGB 219 206 198 and RGB 198 219 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 198 215 shade: RGB 219 198 215, RGB 215 219 198 and RGB 198 215 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 198 215 shade: RGB 219 198 215, RGB 219 206 198, RGB 198 219 202 and RGB 198 211 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 198 215 shade: RGB 219 198 215, RGB 219 212 198, RGB 198 219 202 and RGB 198 205 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

Complementary color

CMYK 37 / 0 / 30 / 78

HEX #243928

RGB 36 57 40

HSL 131.43, 0.23%, 0.18%

LAB 21.78, -12.7, 8

 

CMYK 0 / 12 / 6 / 12

HEX #E0C6D2

RGB 224 198 210

HSL 332.31, 0.3%, 0.83%

LAB 82.32, 11.16, -2.63

 

CMYK 0 / 10 / 5 / 5

HEX #F1D8E5

RGB 241 216 229

HSL 328.8, 0.47%, 0.9%

LAB 88.67, 10.82, -3.22

 

CMYK 0 / 8 / 3 / 0

HEX #FFEAF8

RGB 255 234 248

HSL 320, 1%, 0.96%

LAB 94.69, 9.49, -4.18

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 11 / 3 / 21

HEX #CAB4C4

RGB 202 180 196

HSL 316.36, 0.17%, 0.75%

LAB 75.57, 10.67, -5.23

 

CMYK 0 / 12 / 4 / 27

HEX #B9A2B1

RGB 185 162 177

HSL 320.87, 0.14%, 0.68%

LAB 68.99, 11.04, -4.65

 

CMYK 0 / 14 / 6 / 34

HEX #A8909E

RGB 168 144 158

HSL 325, 0.12%, 0.61%

LAB 62.29, 11.45, -4.06

 

CMYK 0 / 17 / 8 / 41

HEX #977E8B

RGB 151 126 139

HSL 328.8, 0.11%, 0.54%

LAB 55.45, 11.9, -3.43

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 10 / 5 / 14

HEX #DBC6D1

RGB 219 198 209

HSL 328.57, 0.23%, 0.82%

LAB 81.87, 9.25, -2.81

 

CMYK 0 / 10 / 7 / 14

HEX #DBC6CC

RGB 219 198 204

HSL 342.86, 0.23%, 0.82%

LAB 81.73, 8.38, -0.32

 

CMYK 0 / 10 / 10 / 14

HEX #DBC6C6

RGB 219 198 198

HSL 0, 0.23%, 0.82%

LAB 81.58, 7.36, 2.67

 

CMYK 0 / 10 / 10 / 14

HEX #DBC6C6

RGB 219 198 198

HSL 0, 0.23%, 0.82%

LAB 81.58, 7.36, 2.67

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 1 / 10 / 0 / 14

HEX #D9C6DB

RGB 217 198 219

HSL 294.29, 0.23%, 0.82%

LAB 81.98, 10.38, -8.02

 

CMYK 3 / 10 / 0 / 14

HEX #D4C6DB

RGB 212 198 219

HSL 280, 0.23%, 0.82%

LAB 81.57, 8.69, -8.67

 

CMYK 6 / 10 / 0 / 14

HEX #CEC6DB

RGB 206 198 219

HSL 262.86, 0.23%, 0.82%

LAB 81.08, 6.68, -9.44

 

CMYK 9 / 10 / 0 / 14

HEX #C8C6DB

RGB 200 198 219

HSL 245.71, 0.23%, 0.82%

LAB 80.62, 4.7, -10.19

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 16 / 3 / 11

HEX #E3BFDC

RGB 227 191 220

HSL 311.67, 0.39%, 0.82%

LAB 81.16, 17.68, -9.68

 

CMYK 0 / 22 / 4 / 8

HEX #EAB7E0

RGB 234 183 224

HSL 311.76, 0.55%, 0.82%

LAB 80.03, 25.03, -13.44

 

CMYK 0 / 27 / 5 / 5

HEX #F1B0E5

RGB 241 176 229

HSL 311.08, 0.7%, 0.82%

LAB 79.28, 31.97, -17.21

 

CMYK 0 / 33 / 6 / 2

HEX #F9A8EA

RGB 249 168 234

HSL 311.11, 0.87%, 0.82%

LAB 78.51, 39.64, -20.99

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 3 / 0 / 17

HEX #D4CDD3

RGB 212 205 211

HSL 308.57, 0.08%, 0.82%

LAB 83.11, 3.49, -2.12

 

CMYK 4 / 0 / 3 / 16

HEX #CCD5CE

RGB 204 213 206

HSL 133.33, 0.1%, 0.82%

LAB 84.42, -4.33, 2.39

 

CMYK 10 / 0 / 9 / 14

HEX #C5DCC9

RGB 197 220 201

HSL 130.43, 0.25%, 0.82%

LAB 85.64, -11.2, 6.73

 

CMYK 17 / 0 / 14 / 11

HEX #BDE4C5

RGB 189 228 197

HSL 132.31, 0.42%, 0.82%

LAB 87.16, -18.61, 10.94

 

CMYK 3 / 10 / 0 / 14

HEX #D4C6DB

RGB 212 198 219

HSL 280, 0.23%, 0.82%

LAB 81.57, 8.69, -8.67

 

CMYK 1 / 10 / 0 / 14

HEX #D9C6DB

RGB 217 198 219

HSL 294.29, 0.23%, 0.82%

LAB 81.98, 10.38, -8.02

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 10 / 4 / 14

HEX #DBC6D2

RGB 219 198 210

HSL 325.71, 0.23%, 0.82%

LAB 81.89, 9.43, -3.3

 

CMYK 0 / 10 / 7 / 14

HEX #DBC6CC

RGB 219 198 204

HSL 342.86, 0.23%, 0.82%

LAB 81.73, 8.38, -0.32

 

CMYK 0 / 21 / 4 / 27

HEX #BB93B4

RGB 187 147 180

HSL 310.5, 0.23%, 0.65%

LAB 65.54, 20.62, -11.44

 

CMYK 0 / 15 / 3 / 20

HEX #CBADC5

RGB 203 173 197

HSL 312, 0.22%, 0.74%

LAB 73.94, 15, -8.17

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 5 / 1 / 8

HEX #EBDFE9

RGB 235 223 233

HSL 310, 0.23%, 0.9%

LAB 90.01, 5.84, -3.42

 

CMYK 0 / 1 / 0 / 2

HEX #FBF9FB

RGB 251 249 251

HSL 300, 0.2%, 0.98%

LAB 98.12, 1.02, -0.73

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 6 / 10 / 14

HEX #DBCEC6

RGB 219 206 198

HSL 22.86, 0.23%, 0.82%

LAB 83.59, 3.15, 5.58

 

CMYK 10 / 0 / 2 / 14

HEX #C6DBD7

RGB 198 219 215

HSL 168.57, 0.23%, 0.82%

LAB 85.79, -7.75, -0.43

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 2 / 0 / 10 / 14

HEX #D7DBC6

RGB 215 219 198

HSL 71.43, 0.23%, 0.82%

LAB 86.6, -5.01, 9.85

 

CMYK 10 / 2 / 0 / 14

HEX #C6D7DB

RGB 198 215 219

HSL 191.43, 0.23%, 0.82%

LAB 84.85, -4.9, -3.93

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 6 / 10 / 14

HEX #DBCEC6

RGB 219 206 198

HSL 22.86, 0.23%, 0.82%

LAB 83.59, 3.15, 5.58

 

CMYK 10 / 0 / 8 / 14

HEX #C6DBCA

RGB 198 219 202

HSL 131.43, 0.23%, 0.82%

LAB 85.47, -10.17, 5.97

 

CMYK 10 / 4 / 0 / 14

HEX #C6D3DB

RGB 198 211 219

HSL 202.86, 0.23%, 0.82%

LAB 83.81, -2.82, -5.46

 

CMYK 0 / 10 / 2 / 14

HEX #DBC6D7

RGB 219 198 215

HSL 311.43, 0.23%, 0.82%

LAB 82.03, 10.32, -5.78

 

CMYK 0 / 3 / 10 / 14

HEX #DBD4C6

RGB 219 212 198

HSL 40, 0.23%, 0.82%

LAB 85.11, 0.01, 7.77

 

CMYK 10 / 0 / 8 / 14

HEX #C6DBCA

RGB 198 219 202

HSL 131.43, 0.23%, 0.82%

LAB 85.47, -10.17, 5.97

 

CMYK 10 / 6 / 0 / 14

HEX #C6CDDB

RGB 198 205 219

HSL 220, 0.23%, 0.82%

LAB 82.26, 0.33, -7.76

 

Description

Color code: RGB 219 198 215 | qconv.com Color code: RGB 219 198 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 198 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 198 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 2 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 2% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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