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Color name
RGB 219 173 96

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 173 96 it is the complementary color RGB 36 82 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 173 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 173 96 shade: RGB 224 173 91, RGB 241 191 110, RGB 255 209 129, RGB 255 227 148 and RGB 255 245 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 173 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 173 96 shade: RGB 219 173 96, RGB 202 155 77, RGB 185 137 58, RGB 168 119 39 and RGB 151 101 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 173 96 shade: RGB 219 173 97, RGB 219 140 97, RGB 219 107 97 and RGB 219 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 173 96 shade: RGB 219 173 97, RGB 219 206 97, RGB 198 219 97, RGB 166 219 97 and RGB 133 219 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 173 96 shade matches the following richer shades: RGB 219 173 97, RGB 234 177 81 and RGB 250 181 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 173 96 shade: RGB 219 173 97, RGB 203 169 112, RGB 187 165 128, RGB 172 161 144 and RGB 156 157 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 173 96 shade: RGB 219 107 97, RGB 219 139 97, RGB 219 172 97, RGB 219 204 97 and RGB 200 219 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 173 96 shade: RGB 190 135 43, RGB 211 156 63, RGB 219 173 97, RGB 226 190 130 and RGB 234 208 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 173 96 shade: RGB 219 173 96, RGB 119 219 97 and RGB 123 97 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 173 96 shade: RGB 219 173 96, RGB 97 219 172 and RGB 172 97 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 173 96 shade: RGB 219 173 96, RGB 119 219 97, RGB 97 143 219 and RGB 196 97 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 173 96 shade: RGB 219 173 96, RGB 97 219 111, RGB 97 143 219 and RGB 219 97 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 56 / 14

HEX #DBAD60

RGB 219 173 96

HSL 37.56, 0.63%, 0.62%

LAB 73.41, 7.94, 45.49

 

Complementary color

CMYK 77 / 48 / 0 / 38

HEX #24529F

RGB 36 82 159

HSL 217.56, 0.63%, 0.38%

LAB 35.82, 12.72, -46.34

 

CMYK 0 / 23 / 59 / 12

HEX #E0AD5B

RGB 224 173 91

HSL 36.99, 0.68%, 0.62%

LAB 73.86, 9.65, 48.6

 

CMYK 0 / 21 / 54 / 5

HEX #F1BF6E

RGB 241 191 110

HSL 37.1, 0.82%, 0.69%

LAB 80.23, 8.64, 47.27

 

CMYK 0 / 18 / 49 / 0

HEX #FFD181

RGB 255 209 129

HSL 38.1, 1%, 0.75%

LAB 86.23, 6.56, 45.54

 

CMYK 0 / 11 / 42 / 0

HEX #FFE394

RGB 255 227 148

HSL 44.3, 1%, 0.79%

LAB 90.93, -0.83, 42.05

 

CMYK 0 / 4 / 35 / 0

HEX #FFF5A7

RGB 255 245 167

HSL 53.18, 1%, 0.83%

LAB 95.73, -7.8, 38.81

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD60

RGB 219 173 96

HSL 37.56, 0.63%, 0.62%

LAB 73.41, 7.94, 45.49

 

CMYK 0 / 23 / 62 / 21

HEX #CA9B4D

RGB 202 155 77

HSL 37.44, 0.54%, 0.55%

LAB 66.93, 9.01, 46.82

 

CMYK 0 / 26 / 69 / 27

HEX #B9893A

RGB 185 137 58

HSL 37.32, 0.52%, 0.48%

LAB 60.35, 10.27, 48.08

 

CMYK 0 / 29 / 77 / 34

HEX #A87727

RGB 168 119 39

HSL 37.21, 0.62%, 0.41%

LAB 53.67, 11.78, 49.06

 

CMYK 0 / 33 / 87 / 41

HEX #976514

RGB 151 101 20

HSL 37.1, 0.77%, 0.34%

LAB 46.89, 13.59, 49.31

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD61

RGB 219 173 97

HSL 37.38, 0.63%, 0.62%

LAB 73.42, 8.02, 45

 

CMYK 0 / 36 / 56 / 14

HEX #DB8C61

RGB 219 140 97

HSL 21.15, 0.63%, 0.62%

LAB 65.5, 25.73, 35.29

 

CMYK 0 / 51 / 56 / 14

HEX #DB6B61

RGB 219 107 97

HSL 4.92, 0.63%, 0.62%

LAB 58.45, 42.95, 26.27

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD61

RGB 219 173 97

HSL 37.38, 0.63%, 0.62%

LAB 73.42, 8.02, 45

 

CMYK 0 / 6 / 56 / 14

HEX #DBCE61

RGB 219 206 97

HSL 53.61, 0.63%, 0.62%

LAB 81.87, -9.18, 54.9

 

CMYK 10 / 0 / 56 / 14

HEX #C6DB61

RGB 198 219 97

HSL 70.33, 0.63%, 0.62%

LAB 83.72, -24.12, 56.57

 

CMYK 24 / 0 / 56 / 14

HEX #A6DB61

RGB 166 219 97

HSL 86.07, 0.63%, 0.62%

LAB 81.64, -36.38, 53.63

 

CMYK 39 / 0 / 56 / 14

HEX #85DB61

RGB 133 219 97

HSL 102.3, 0.63%, 0.62%

LAB 79.9, -47.77, 51.18

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD61

RGB 219 173 97

HSL 37.38, 0.63%, 0.62%

LAB 73.42, 8.02, 45

 

CMYK 0 / 24 / 65 / 8

HEX #EAB151

RGB 234 177 81

HSL 37.65, 0.78%, 0.62%

LAB 75.78, 11.06, 55.76

 

CMYK 0 / 28 / 74 / 2

HEX #FAB541

RGB 250 181 65

HSL 37.62, 0.95%, 0.62%

LAB 78.32, 14.86, 65.73

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD61

RGB 219 173 97

HSL 37.38, 0.63%, 0.62%

LAB 73.42, 8.02, 45

 

CMYK 0 / 17 / 45 / 20

HEX #CBA970

RGB 203 169 112

HSL 37.58, 0.47%, 0.62%

LAB 71.04, 4.89, 34

 

CMYK 0 / 12 / 32 / 27

HEX #BBA580

RGB 187 165 128

HSL 37.63, 0.3%, 0.62%

LAB 68.78, 2.43, 22.15

 

CMYK 0 / 6 / 16 / 33

HEX #ACA190

RGB 172 161 144

HSL 36.43, 0.14%, 0.62%

LAB 66.73, 1.08, 10.29

 

CMYK 2 / 1 / 0 / 38

HEX #9C9D9F

RGB 156 157 159

HSL 220, 0.02%, 0.62%

LAB 64.71, 0.03, -1.18

 

CMYK 0 / 51 / 56 / 14

HEX #DB6B61

RGB 219 107 97

HSL 4.92, 0.63%, 0.62%

LAB 58.45, 42.95, 26.27

 

CMYK 0 / 37 / 56 / 14

HEX #DB8B61

RGB 219 139 97

HSL 20.66, 0.63%, 0.62%

LAB 65.27, 26.27, 35.01

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 7 / 56 / 14

HEX #DBCC61

RGB 219 204 97

HSL 52.62, 0.63%, 0.62%

LAB 81.35, -8.17, 54.3

 

CMYK 9 / 0 / 56 / 14

HEX #C8DB61

RGB 200 219 97

HSL 69.34, 0.63%, 0.62%

LAB 83.86, -23.33, 56.77

 

CMYK 0 / 29 / 77 / 25

HEX #BE872B

RGB 190 135 43

HSL 37.55, 0.63%, 0.46%

LAB 60.29, 12.85, 54.69

 

CMYK 0 / 26 / 70 / 17

HEX #D39C3F

RGB 211 156 63

HSL 37.7, 0.63%, 0.54%

LAB 68.01, 11.49, 54.78

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD61

RGB 219 173 97

HSL 37.38, 0.63%, 0.62%

LAB 73.42, 8.02, 45

 

CMYK 0 / 16 / 42 / 11

HEX #E2BE82

RGB 226 190 130

HSL 37.5, 0.62%, 0.7%

LAB 78.81, 4.94, 35.06

 

CMYK 0 / 11 / 30 / 8

HEX #EAD0A4

RGB 234 208 164

HSL 37.71, 0.63%, 0.78%

LAB 84.63, 2.63, 25.2

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD60

RGB 219 173 96

HSL 37.56, 0.63%, 0.62%

LAB 73.41, 7.94, 45.49

 

CMYK 46 / 0 / 56 / 14

HEX #77DB61

RGB 119 219 97

HSL 109.18, 0.63%, 0.62%

LAB 79.3, -52.06, 50.31

 

CMYK 44 / 56 / 0 / 14

HEX #7B61DB

RGB 123 97 219

HSL 252.79, 0.63%, 0.62%

LAB 49.34, 39.68, -59.24

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD60

RGB 219 173 96

HSL 37.56, 0.63%, 0.62%

LAB 73.41, 7.94, 45.49

 

CMYK 56 / 0 / 21 / 14

HEX #61DBAC

RGB 97 219 172

HSL 156.89, 0.63%, 0.62%

LAB 79.72, -45.18, 12.94

 

CMYK 21 / 56 / 0 / 14

HEX #AC61DB

RGB 172 97 219

HSL 276.89, 0.63%, 0.62%

LAB 54.49, 51.38, -50.72

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD60

RGB 219 173 96

HSL 37.56, 0.63%, 0.62%

LAB 73.41, 7.94, 45.49

 

CMYK 46 / 0 / 56 / 14

HEX #77DB61

RGB 119 219 97

HSL 109.18, 0.63%, 0.62%

LAB 79.3, -52.06, 50.31

 

CMYK 56 / 35 / 0 / 14

HEX #618FDB

RGB 97 143 219

HSL 217.38, 0.63%, 0.62%

LAB 59.25, 6.49, -43.55

 

CMYK 11 / 56 / 0 / 14

HEX #C461DB

RGB 196 97 219

HSL 288.69, 0.63%, 0.62%

LAB 57.46, 57.5, -45.81

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD60

RGB 219 173 96

HSL 37.56, 0.63%, 0.62%

LAB 73.41, 7.94, 45.49

 

CMYK 56 / 0 / 49 / 14

HEX #61DB6F

RGB 97 219 111

HSL 126.89, 0.63%, 0.62%

LAB 78.67, -56.16, 42.77

 

CMYK 56 / 35 / 0 / 14

HEX #618FDB

RGB 97 143 219

HSL 217.38, 0.63%, 0.62%

LAB 59.25, 6.49, -43.55

 

CMYK 0 / 56 / 7 / 14

HEX #DB61CC

RGB 219 97 204

HSL 307.38, 0.63%, 0.62%

LAB 59.86, 60.93, -33.34

 

Description

Color code: RGB 219 173 96 | qconv.com Color code: RGB 219 173 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 173 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 173 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 56 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 56% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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