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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 15 209 it is the complementary color RGB 36 240 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 15 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 15 209 shade: RGB 224 15 204, RGB 241 33 223, RGB 255 51 242, RGB 255 69 255 and RGB 255 87 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 15 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 15 209 shade: RGB 219 15 209, RGB 202 0 190, RGB 185 0 171, RGB 168 0 152 and RGB 151 0 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 15 209 shade: RGB 219 15 209, RGB 219 15 154, RGB 219 15 99, RGB 219 15 44 and RGB 219 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 15 209 shade: RGB 219 15 209, RGB 174 15 219, RGB 119 15 219, RGB 64 15 219 and RGB 15 15 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 15 209 shade matches the following richer shades: RGB 219 15 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 15 209 shade: RGB 219 15 209, RGB 200 34 192, RGB 181 53 175, RGB 162 72 157 and RGB 143 91 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 15 209 shade: RGB 117 15 219, RGB 171 15 219, RGB 219 15 212, RGB 219 15 158 and RGB 219 15 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 15 209 shade: RGB 142 9 135, RGB 180 12 172, RGB 219 15 209, RGB 239 36 229 and RGB 242 74 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 15 209 shade: RGB 219 15 209, RGB 219 62 15 and RGB 15 219 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 15 209 shade: RGB 219 15 209, RGB 212 219 15 and RGB 15 212 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 15 209 shade: RGB 219 15 209, RGB 219 62 15, RGB 15 219 22 and RGB 15 171 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 15 209 shade: RGB 219 15 209, RGB 219 124 15, RGB 15 219 22 and RGB 15 110 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

Complementary color

CMYK 85 / 0 / 81 / 6

HEX #24F02E

RGB 36 240 46

HSL 122.94, 0.87%, 0.54%

LAB 83.39, -79.18, 72.83

 

CMYK 0 / 93 / 9 / 12

HEX #E00FCC

RGB 224 15 204

HSL 305.74, 0.87%, 0.47%

LAB 52.45, 85.21, -44.93

 

CMYK 0 / 86 / 7 / 5

HEX #F121DF

RGB 241 33 223

HSL 305.19, 0.88%, 0.54%

LAB 57.19, 88.53, -48.07

 

CMYK 0 / 80 / 5 / 0

HEX #FF33F2

RGB 255 51 242

HSL 303.82, 1%, 0.6%

LAB 61.69, 90.33, -51.45

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 0 / 100 / 6 / 21

HEX #CA00BE

RGB 202 0 190

HSL 303.56, 1%, 0.4%

LAB 47.33, 80.73, -45.19

 

CMYK 0 / 100 / 8 / 27

HEX #B900AB

RGB 185 0 171

HSL 304.54, 1%, 0.36%

LAB 43.14, 75.2, -40.84

 

CMYK 0 / 100 / 10 / 34

HEX #A80098

RGB 168 0 152

HSL 305.71, 1%, 0.33%

LAB 38.88, 69.57, -36.38

 

CMYK 0 / 100 / 12 / 41

HEX #970085

RGB 151 0 133

HSL 307.15, 1%, 0.3%

LAB 34.54, 63.83, -31.78

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 0 / 93 / 30 / 14

HEX #DB0F9A

RGB 219 15 154

HSL 319.12, 0.87%, 0.46%

LAB 49.17, 78.2, -20.8

 

CMYK 0 / 93 / 55 / 14

HEX #DB0F63

RGB 219 15 99

HSL 335.29, 0.87%, 0.46%

LAB 47.37, 73.37, 10.06

 

CMYK 0 / 93 / 80 / 14

HEX #DB0F2C

RGB 219 15 44

HSL 351.47, 0.87%, 0.46%

LAB 46.42, 70.76, 42.16

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 21 / 93 / 0 / 14

HEX #AE0FDB

RGB 174 15 219

HSL 286.76, 0.87%, 0.46%

LAB 44.88, 79.58, -66.16

 

CMYK 46 / 93 / 0 / 14

HEX #770FDB

RGB 119 15 219

HSL 270.59, 0.87%, 0.46%

LAB 36.7, 73, -79.87

 

CMYK 71 / 93 / 0 / 14

HEX #400FDB

RGB 64 15 219

HSL 254.41, 0.87%, 0.46%

LAB 30.75, 69.12, -89.92

 

CMYK 93 / 93 / 0 / 14

HEX #0F0FDB

RGB 15 15 219

HSL 240, 0.87%, 0.46%

LAB 28.27, 67.82, -94.12

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 0 / 83 / 4 / 22

HEX #C822C0

RGB 200 34 192

HSL 302.89, 0.71%, 0.46%

LAB 48.55, 76.39, -44.45

 

CMYK 0 / 71 / 3 / 29

HEX #B535AF

RGB 181 53 175

HSL 302.81, 0.55%, 0.46%

LAB 46.26, 64.58, -38.31

 

CMYK 0 / 56 / 3 / 36

HEX #A2489D

RGB 162 72 157

HSL 303.33, 0.38%, 0.46%

LAB 45.29, 48.76, -29.37

 

CMYK 0 / 36 / 2 / 44

HEX #8F5B8C

RGB 143 91 140

HSL 303.46, 0.22%, 0.46%

LAB 45.93, 29.48, -18.42

 

CMYK 47 / 93 / 0 / 14

HEX #750FDB

RGB 117 15 219

HSL 270, 0.87%, 0.46%

LAB 36.44, 72.81, -80.32

 

CMYK 22 / 93 / 0 / 14

HEX #AB0FDB

RGB 171 15 219

HSL 285.88, 0.87%, 0.46%

LAB 44.4, 79.16, -66.97

 

CMYK 0 / 93 / 3 / 14

HEX #DB0FD4

RGB 219 15 212

HSL 302.06, 0.87%, 0.46%

LAB 52.01, 85.46, -50.27

 

CMYK 0 / 93 / 28 / 14

HEX #DB0F9E

RGB 219 15 158

HSL 317.94, 0.87%, 0.46%

LAB 49.34, 78.64, -22.93

 

CMYK 0 / 93 / 53 / 14

HEX #DB0F67

RGB 219 15 103

HSL 334.12, 0.87%, 0.46%

LAB 47.47, 73.65, 7.73

 

CMYK 0 / 94 / 5 / 44

HEX #8E0987

RGB 142 9 135

HSL 303.16, 0.88%, 0.3%

LAB 33.34, 61.24, -35.04

 

CMYK 0 / 93 / 4 / 29

HEX #B40CAC

RGB 180 12 172

HSL 302.86, 0.88%, 0.38%

LAB 42.68, 73.3, -42.23

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 0 / 85 / 4 / 6

HEX #EF24E5

RGB 239 36 229

HSL 302.96, 0.86%, 0.54%

LAB 57.34, 88.51, -51.24

 

CMYK 0 / 69 / 3 / 5

HEX #F24AEA

RGB 242 74 234

HSL 302.86, 0.87%, 0.62%

LAB 61.41, 80.25, -47.56

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 0 / 72 / 93 / 14

HEX #DB3E0F

RGB 219 62 15

HSL 13.82, 0.87%, 0.46%

LAB 50.14, 59.15, 58

 

CMYK 93 / 0 / 34 / 14

HEX #0FDB90

RGB 15 219 144

HSL 157.94, 0.87%, 0.46%

LAB 77.74, -61.52, 24.67

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 3 / 0 / 93 / 14

HEX #D4DB0F

RGB 212 219 15

HSL 62.06, 0.87%, 0.46%

LAB 84.33, -22.01, 82.24

 

CMYK 93 / 3 / 0 / 14

HEX #0FD4DB

RGB 15 212 219

HSL 182.06, 0.87%, 0.46%

LAB 77.46, -39.33, -15.64

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 0 / 72 / 93 / 14

HEX #DB3E0F

RGB 219 62 15

HSL 13.82, 0.87%, 0.46%

LAB 50.14, 59.15, 58

 

CMYK 93 / 0 / 90 / 14

HEX #0FDB16

RGB 15 219 22

HSL 122.06, 0.87%, 0.46%

LAB 76.57, -75.8, 71.79

 

CMYK 93 / 22 / 0 / 14

HEX #0FABDB

RGB 15 171 219

HSL 194.12, 0.87%, 0.46%

LAB 65.23, -19.26, -34.34

 

CMYK 0 / 93 / 5 / 14

HEX #DB0FD1

RGB 219 15 209

HSL 302.94, 0.87%, 0.46%

LAB 51.84, 85.03, -48.82

 

CMYK 0 / 43 / 93 / 14

HEX #DB7C0F

RGB 219 124 15

HSL 32.06, 0.87%, 0.46%

LAB 61.23, 30.57, 65.45

 

CMYK 93 / 0 / 90 / 14

HEX #0FDB16

RGB 15 219 22

HSL 122.06, 0.87%, 0.46%

LAB 76.57, -75.8, 71.79

 

CMYK 93 / 50 / 0 / 14

HEX #0F6EDB

RGB 15 110 219

HSL 212.06, 0.87%, 0.46%

LAB 47.45, 16.57, -62.55

 

Description

Color code: RGB 219 15 209 | qconv.com Color code: RGB 219 15 209 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 15 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 15 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 5% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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