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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 151 4 it is the complementary color RGB 36 104 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 151 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 151 4 shade: RGB 224 151 0, RGB 241 169 18, RGB 255 187 37, RGB 255 205 56 and RGB 255 223 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 151 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 151 4 shade: RGB 219 151 4, RGB 202 133 0, RGB 185 115 0, RGB 168 97 0 and RGB 151 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 151 4 shade: RGB 219 151 4, RGB 219 93 4, RGB 219 35 4 and RGB 219 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 151 4 shade: RGB 219 151 4, RGB 219 209 4, RGB 171 219 4, RGB 113 219 4 and RGB 55 219 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 151 4 shade matches the following richer shades: RGB 219 151 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 151 4 shade: RGB 219 151 4, RGB 201 145 22, RGB 183 138 40, RGB 165 131 58 and RGB 147 125 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 151 4 shade: RGB 219 36 4, RGB 219 94 4, RGB 219 151 4, RGB 219 209 4 and RGB 173 219 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 151 4 shade: RGB 139 95 2, RGB 179 123 3, RGB 219 151 4, RGB 250 175 15 and RGB 250 189 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 151 4 shade: RGB 219 151 4, RGB 29 219 4 and RGB 65 4 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 151 4 shade: RGB 219 151 4, RGB 4 219 151 and RGB 151 4 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 151 4 shade: RGB 219 151 4, RGB 29 219 4, RGB 4 72 219 and RGB 194 4 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 151 4 shade: RGB 219 151 4, RGB 4 219 43, RGB 4 72 219 and RGB 219 4 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

Complementary color

CMYK 86 / 59 / 0 / 2

HEX #2468FB

RGB 36 104 251

HSL 221.02, 0.96%, 0.56%

LAB 48.56, 33.7, -78.7

 

CMYK 0 / 33 / 100 / 12

HEX #E09700

RGB 224 151 0

HSL 40.45, 1%, 0.44%

LAB 68.01, 18.16, 72.61

 

CMYK 0 / 30 / 93 / 5

HEX #F1A912

RGB 241 169 18

HSL 40.63, 0.89%, 0.51%

LAB 74.27, 16.08, 75.5

 

CMYK 0 / 27 / 85 / 0

HEX #FFBB25

RGB 255 187 37

HSL 41.28, 1%, 0.57%

LAB 80.14, 12.94, 76.71

 

CMYK 0 / 20 / 78 / 0

HEX #FFCD38

RGB 255 205 56

HSL 44.92, 1%, 0.61%

LAB 84.59, 4.17, 75.04

 

CMYK 0 / 13 / 71 / 0

HEX #FFDF4B

RGB 255 223 75

HSL 49.33, 1%, 0.65%

LAB 89.18, -4.21, 72.78

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 0 / 34 / 100 / 21

HEX #CA8500

RGB 202 133 0

HSL 39.5, 1%, 0.4%

LAB 61.07, 18.3, 66.76

 

CMYK 0 / 38 / 100 / 27

HEX #B97300

RGB 185 115 0

HSL 37.3, 1%, 0.36%

LAB 54.63, 20.7, 61.51

 

CMYK 0 / 42 / 100 / 34

HEX #A86100

RGB 168 97 0

HSL 34.64, 1%, 0.33%

LAB 48.1, 23.18, 56.21

 

CMYK 0 / 48 / 100 / 41

HEX #974F00

RGB 151 79 0

HSL 31.39, 1%, 0.3%

LAB 41.49, 25.73, 50.86

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 0 / 58 / 98 / 14

HEX #DB5D04

RGB 219 93 4

HSL 24.84, 0.96%, 0.44%

LAB 54.97, 46.06, 63.41

 

CMYK 0 / 84 / 98 / 14

HEX #DB2304

RGB 219 35 4

HSL 8.65, 0.96%, 0.44%

LAB 47.33, 66.85, 59.37

 

CMYK 0 / 98 / 98 / 14

HEX #DB0404

RGB 219 4 4

HSL 0, 0.96%, 0.44%

LAB 45.85, 71.1, 58.72

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 0 / 5 / 98 / 14

HEX #DBD104

RGB 219 209 4

HSL 57.21, 0.96%, 0.44%

LAB 82.2, -14.25, 81.92

 

CMYK 22 / 0 / 98 / 14

HEX #ABDB04

RGB 171 219 4

HSL 73.4, 0.96%, 0.44%

LAB 81.47, -38.86, 79.83

 

CMYK 48 / 0 / 98 / 14

HEX #71DB04

RGB 113 219 4

HSL 89.58, 0.96%, 0.44%

LAB 78.57, -59.19, 76.32

 

CMYK 75 / 0 / 98 / 14

HEX #37DB04

RGB 55 219 4

HSL 105.77, 0.96%, 0.44%

LAB 76.97, -72.34, 74.37

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 0 / 28 / 89 / 21

HEX #C99116

RGB 201 145 22

HSL 41.23, 0.8%, 0.44%

LAB 63.94, 11.61, 64.96

 

CMYK 0 / 25 / 78 / 28

HEX #B78A28

RGB 183 138 40

HSL 41.12, 0.64%, 0.44%

LAB 60.25, 7.96, 55.52

 

CMYK 0 / 21 / 65 / 35

HEX #A5833A

RGB 165 131 58

HSL 40.93, 0.48%, 0.44%

LAB 56.62, 4.74, 43.4

 

CMYK 0 / 15 / 48 / 42

HEX #937D4D

RGB 147 125 77

HSL 41.14, 0.31%, 0.44%

LAB 53.39, 1.75, 29.22

 

CMYK 0 / 84 / 98 / 14

HEX #DB2404

RGB 219 36 4

HSL 8.93, 0.96%, 0.44%

LAB 47.41, 66.63, 59.4

 

CMYK 0 / 57 / 98 / 14

HEX #DB5E04

RGB 219 94 4

HSL 25.12, 0.96%, 0.44%

LAB 55.15, 45.59, 63.52

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 0 / 5 / 98 / 14

HEX #DBD104

RGB 219 209 4

HSL 57.21, 0.96%, 0.44%

LAB 82.2, -14.25, 81.92

 

CMYK 21 / 0 / 98 / 14

HEX #ADDB04

RGB 173 219 4

HSL 72.84, 0.96%, 0.44%

LAB 81.6, -38.07, 79.98

 

CMYK 0 / 32 / 99 / 45

HEX #8B5F02

RGB 139 95 2

HSL 40.73, 0.97%, 0.28%

LAB 43.77, 11.08, 50.99

 

CMYK 0 / 31 / 98 / 30

HEX #B37B03

RGB 179 123 3

HSL 40.91, 0.97%, 0.36%

LAB 55.84, 13.61, 61.4

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 0 / 30 / 94 / 2

HEX #FAAF0F

RGB 250 175 15

HSL 40.85, 0.96%, 0.52%

LAB 76.69, 16.73, 78.16

 

CMYK 0 / 24 / 78 / 2

HEX #FABD37

RGB 250 189 55

HSL 41.23, 0.95%, 0.6%

LAB 80.18, 10.3, 71.17

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 87 / 0 / 98 / 14

HEX #1DDB04

RGB 29 219 4

HSL 113.02, 0.96%, 0.44%

LAB 76.64, -75.31, 73.97

 

CMYK 70 / 98 / 0 / 14

HEX #4104DB

RGB 65 4 219

HSL 257.02, 0.96%, 0.44%

LAB 30.22, 71.04, -90.8

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 98 / 0 / 31 / 14

HEX #04DB97

RGB 4 219 151

HSL 161.02, 0.96%, 0.44%

LAB 77.83, -60.38, 21.14

 

CMYK 31 / 98 / 0 / 14

HEX #9704DB

RGB 151 4 219

HSL 281.02, 0.96%, 0.44%

LAB 40.87, 77.76, -72.86

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 87 / 0 / 98 / 14

HEX #1DDB04

RGB 29 219 4

HSL 113.02, 0.96%, 0.44%

LAB 76.64, -75.31, 73.97

 

CMYK 98 / 67 / 0 / 14

HEX #0448DB

RGB 4 72 219

HSL 221.02, 0.96%, 0.44%

LAB 37.44, 40.79, -78.91

 

CMYK 11 / 98 / 0 / 14

HEX #C204DB

RGB 194 4 219

HSL 293.02, 0.96%, 0.44%

LAB 47.84, 83.46, -61.2

 

CMYK 0 / 31 / 98 / 14

HEX #DB9704

RGB 219 151 4

HSL 41.02, 0.96%, 0.44%

LAB 67.43, 16.03, 71.41

 

CMYK 98 / 0 / 80 / 14

HEX #04DB2B

RGB 4 219 43

HSL 130.88, 0.96%, 0.44%

LAB 76.6, -75.31, 67.23

 

CMYK 98 / 67 / 0 / 14

HEX #0448DB

RGB 4 72 219

HSL 221.02, 0.96%, 0.44%

LAB 37.44, 40.79, -78.91

 

CMYK 0 / 98 / 18 / 14

HEX #DB04B4

RGB 219 4 180

HSL 310.88, 0.96%, 0.44%

LAB 50.03, 82.1, -34.87

 

Description

Color code: RGB 219 151 4 | qconv.com Color code: RGB 219 151 4 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 151 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 151 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 98 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 98% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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