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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 14 146 it is the complementary color RGB 36 241 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 14 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 14 146 shade: RGB 224 14 141, RGB 241 32 160, RGB 255 50 179, RGB 255 68 198 and RGB 255 86 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 14 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 14 146 shade: RGB 219 14 146, RGB 202 0 127, RGB 185 0 108, RGB 168 0 89 and RGB 151 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 14 146 shade: RGB 220 14 146, RGB 220 14 91, RGB 220 14 35 and RGB 220 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 14 146 shade: RGB 220 14 146, RGB 220 14 202, RGB 182 14 220, RGB 127 14 220 and RGB 71 14 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 14 146 shade matches the following richer shades: RGB 220 14 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 14 146 shade: RGB 220 14 146, RGB 201 33 141, RGB 182 52 136, RGB 163 71 130 and RGB 144 89 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 14 146 shade: RGB 182 14 220, RGB 220 14 203, RGB 220 14 148, RGB 220 14 93 and RGB 220 14 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 14 146 shade: RGB 142 9 95, RGB 181 11 121, RGB 220 14 146, RGB 240 34 167 and RGB 243 73 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 14 146 shade: RGB 219 14 146, RGB 220 127 14 and RGB 14 220 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 14 146 shade: RGB 219 14 146, RGB 148 220 14 and RGB 14 148 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 14 146 shade: RGB 219 14 146, RGB 220 127 14, RGB 14 220 86 and RGB 14 106 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 14 146 shade: RGB 219 14 146, RGB 220 189 14, RGB 14 220 86 and RGB 14 45 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 33 / 14

HEX #DB0E92

RGB 219 14 146

HSL 321.37, 0.88%, 0.46%

LAB 48.82, 77.47, -16.53

 

Complementary color

CMYK 85 / 0 / 55 / 5

HEX #24F16D

RGB 36 241 109

HSL 141.37, 0.88%, 0.54%

LAB 84.17, -73.57, 50.15

 

CMYK 0 / 94 / 37 / 12

HEX #E00E8D

RGB 224 14 141

HSL 323.71, 0.88%, 0.47%

LAB 49.6, 78.02, -12.25

 

CMYK 0 / 87 / 34 / 5

HEX #F120A0

RGB 241 32 160

HSL 323.25, 0.88%, 0.54%

LAB 54.31, 81.17, -16.14

 

CMYK 0 / 80 / 30 / 0

HEX #FF32B3

RGB 255 50 179

HSL 322.24, 1%, 0.6%

LAB 58.78, 82.67, -20.21

 

CMYK 0 / 73 / 22 / 0

HEX #FF44C6

RGB 255 68 198

HSL 318.29, 1%, 0.63%

LAB 61.2, 80.09, -27.43

 

CMYK 0 / 66 / 15 / 0

HEX #FF56D9

RGB 255 86 217

HSL 313.49, 1%, 0.67%

LAB 64.1, 76.61, -33.68

 

CMYK 0 / 94 / 33 / 14

HEX #DB0E92

RGB 219 14 146

HSL 321.37, 0.88%, 0.46%

LAB 48.82, 77.47, -16.53

 

CMYK 0 / 100 / 37 / 21

HEX #CA007F

RGB 202 0 127

HSL 322.28, 1%, 0.4%

LAB 44.36, 73.26, -12.05

 

CMYK 0 / 100 / 42 / 27

HEX #B9006C

RGB 185 0 108

HSL 324.97, 1%, 0.36%

LAB 40.24, 67.86, -6.76

 

CMYK 0 / 100 / 47 / 34

HEX #A80059

RGB 168 0 89

HSL 328.21, 1%, 0.33%

LAB 36.07, 62.42, -1.2

 

CMYK 0 / 100 / 54 / 41

HEX #970046

RGB 151 0 70

HSL 332.19, 1%, 0.3%

LAB 31.86, 56.95, 4.67

 

CMYK 0 / 94 / 34 / 14

HEX #DC0E92

RGB 220 14 146

HSL 321.55, 0.88%, 0.46%

LAB 49.01, 77.67, -16.22

 

CMYK 0 / 94 / 59 / 14

HEX #DC0E5B

RGB 220 14 91

HSL 337.57, 0.88%, 0.46%

LAB 47.35, 73.19, 15.02

 

CMYK 0 / 94 / 84 / 14

HEX #DC0E23

RGB 220 14 35

HSL 353.88, 0.88%, 0.46%

LAB 46.51, 70.89, 47.17

 

CMYK 0 / 94 / 94 / 14

HEX #DC0E0E

RGB 220 14 14

HSL 0, 0.88%, 0.46%

LAB 46.39, 70.55, 56.15

 

CMYK 0 / 94 / 34 / 14

HEX #DC0E92

RGB 220 14 146

HSL 321.55, 0.88%, 0.46%

LAB 49.01, 77.67, -16.22

 

CMYK 0 / 94 / 8 / 14

HEX #DC0ECA

RGB 220 14 202

HSL 305.24, 0.88%, 0.46%

LAB 51.6, 84.34, -45.17

 

CMYK 17 / 94 / 0 / 14

HEX #B60EDC

RGB 182 14 220

HSL 288.93, 0.88%, 0.46%

LAB 46.21, 81, -64.51

 

CMYK 42 / 94 / 0 / 14

HEX #7F0EDC

RGB 127 14 220

HSL 272.91, 0.88%, 0.46%

LAB 37.83, 74.16, -78.55

 

CMYK 68 / 94 / 0 / 14

HEX #470EDC

RGB 71 14 220

HSL 256.6, 0.88%, 0.46%

LAB 31.4, 69.9, -89.41

 

CMYK 0 / 94 / 34 / 14

HEX #DC0E92

RGB 220 14 146

HSL 321.55, 0.88%, 0.46%

LAB 49.01, 77.67, -16.22

 

CMYK 0 / 94 / 34 / 14

HEX #DC0E92

RGB 220 14 146

HSL 321.55, 0.88%, 0.46%

LAB 49.01, 77.67, -16.22

 

CMYK 0 / 84 / 30 / 21

HEX #C9218D

RGB 201 33 141

HSL 321.43, 0.72%, 0.46%

LAB 46.22, 70.13, -17.8

 

CMYK 0 / 71 / 25 / 29

HEX #B63488

RGB 182 52 136

HSL 321.23, 0.56%, 0.46%

LAB 44.49, 59.48, -17.71

 

CMYK 0 / 56 / 20 / 36

HEX #A34782

RGB 163 71 130

HSL 321.52, 0.39%, 0.46%

LAB 44.1, 45.08, -14.94

 

CMYK 0 / 38 / 13 / 44

HEX #90597D

RGB 144 89 125

HSL 320.73, 0.24%, 0.46%

LAB 45.02, 28.19, -10.76

 

CMYK 17 / 94 / 0 / 14

HEX #B60EDC

RGB 182 14 220

HSL 288.93, 0.88%, 0.46%

LAB 46.21, 81, -64.51

 

CMYK 0 / 94 / 8 / 14

HEX #DC0ECB

RGB 220 14 203

HSL 304.95, 0.88%, 0.46%

LAB 51.66, 84.47, -45.66

 

CMYK 0 / 94 / 33 / 14

HEX #DC0E94

RGB 220 14 148

HSL 320.97, 0.88%, 0.46%

LAB 49.09, 77.88, -17.31

 

CMYK 0 / 94 / 58 / 14

HEX #DC0E5D

RGB 220 14 93

HSL 336.99, 0.88%, 0.46%

LAB 47.39, 73.32, 13.84

 

CMYK 0 / 94 / 83 / 14

HEX #DC0E26

RGB 220 14 38

HSL 353.01, 0.88%, 0.46%

LAB 46.54, 70.96, 45.62

 

CMYK 0 / 94 / 33 / 44

HEX #8E095F

RGB 142 9 95

HSL 321.2, 0.88%, 0.3%

LAB 31.28, 55.9, -12.83

 

CMYK 0 / 94 / 33 / 29

HEX #B50B79

RGB 181 11 121

HSL 321.18, 0.89%, 0.38%

LAB 40.32, 67.13, -14.87

 

CMYK 0 / 94 / 34 / 14

HEX #DC0E92

RGB 220 14 146

HSL 321.55, 0.88%, 0.46%

LAB 49.01, 77.67, -16.22

 

CMYK 0 / 86 / 30 / 6

HEX #F022A7

RGB 240 34 167

HSL 321.26, 0.87%, 0.54%

LAB 54.51, 81.34, -19.98

 

CMYK 0 / 70 / 25 / 5

HEX #F349B6

RGB 243 73 182

HSL 321.53, 0.88%, 0.62%

LAB 59.16, 73.64, -21.56

 

CMYK 0 / 94 / 33 / 14

HEX #DB0E92

RGB 219 14 146

HSL 321.37, 0.88%, 0.46%

LAB 48.82, 77.47, -16.53

 

CMYK 0 / 42 / 94 / 14

HEX #DC7F0E

RGB 220 127 14

HSL 32.91, 0.88%, 0.46%

LAB 62.02, 29.39, 66.26

 

CMYK 94 / 0 / 5 / 14

HEX #0EDCD2

RGB 14 220 210

HSL 177.09, 0.88%, 0.46%

LAB 79.58, -45.55, -7.66

 

CMYK 0 / 94 / 33 / 14

HEX #DB0E92

RGB 219 14 146

HSL 321.37, 0.88%, 0.46%

LAB 48.82, 77.47, -16.53

 

CMYK 33 / 0 / 94 / 14

HEX #94DC0E

RGB 148 220 14

HSL 80.97, 0.88%, 0.46%

LAB 80.47, -47.84, 77.56

 

CMYK 94 / 33 / 0 / 14

HEX #0E94DC

RGB 14 148 220

HSL 200.97, 0.88%, 0.46%

LAB 58.45, -6.26, -45.52

 

CMYK 0 / 94 / 33 / 14

HEX #DB0E92

RGB 219 14 146

HSL 321.37, 0.88%, 0.46%

LAB 48.82, 77.47, -16.53

 

CMYK 0 / 42 / 94 / 14

HEX #DC7F0E

RGB 220 127 14

HSL 32.91, 0.88%, 0.46%

LAB 62.02, 29.39, 66.26

 

CMYK 94 / 0 / 61 / 14

HEX #0EDC56

RGB 14 220 86

HSL 140.97, 0.88%, 0.46%

LAB 77.25, -71.43, 52.28

 

CMYK 94 / 52 / 0 / 14

HEX #0E6ADC

RGB 14 106 220

HSL 213.2, 0.88%, 0.46%

LAB 46.4, 19.49, -64.82

 

CMYK 0 / 94 / 33 / 14

HEX #DB0E92

RGB 219 14 146

HSL 321.37, 0.88%, 0.46%

LAB 48.82, 77.47, -16.53

 

CMYK 0 / 14 / 94 / 14

HEX #DCBD0E

RGB 220 189 14

HSL 50.97, 0.88%, 0.46%

LAB 77.07, -3.55, 77.17

 

CMYK 94 / 0 / 61 / 14

HEX #0EDC56

RGB 14 220 86

HSL 140.97, 0.88%, 0.46%

LAB 77.25, -71.43, 52.28

 

CMYK 94 / 80 / 0 / 14

HEX #0E2DDC

RGB 14 45 220

HSL 230.97, 0.88%, 0.46%

LAB 32.12, 56.89, -88.28

 

Description

Color code: RGB 219 14 146 | qconv.com Color code: RGB 219 14 146 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 14 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 14 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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