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Color name
RGB 219 148 160

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 148 160 it is the complementary color RGB 36 107 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 148 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 148 160 shade: RGB 224 148 155, RGB 241 166 174, RGB 255 184 193, RGB 255 202 212 and RGB 255 220 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 148 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 148 160 shade: RGB 219 148 160, RGB 202 130 141, RGB 185 112 122, RGB 168 94 103 and RGB 151 76 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 148 160 shade: RGB 219 147 159 and RGB 219 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 148 160 shade: RGB 219 147 159, RGB 219 147 179, RGB 219 147 198, RGB 219 147 217 and RGB 201 147 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 148 160 shade matches the following richer shades: RGB 219 147 159, RGB 230 136 152, RGB 242 124 144 and RGB 253 113 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 148 160 shade: RGB 219 147 159, RGB 207 159 167, RGB 196 171 175, RGB 184 182 182 and RGB 173 194 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 148 160 shade: RGB 219 147 199, RGB 219 147 180, RGB 219 147 160, RGB 219 153 147 and RGB 219 172 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 148 160 shade: RGB 198 86 105, RGB 208 116 132, RGB 219 147 159, RGB 229 178 187 and RGB 239 209 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 148 160 shade: RGB 219 148 160, RGB 218 219 147 and RGB 147 189 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 148 160 shade: RGB 219 148 160, RGB 160 219 147 and RGB 147 160 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 148 160 shade: RGB 219 148 160, RGB 218 219 147, RGB 147 219 206 and RGB 149 147 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 148 160 shade: RGB 219 148 160, RGB 196 219 147, RGB 147 219 206 and RGB 170 147 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 27 / 14

HEX #DB94A0

RGB 219 148 160

HSL 349.86, 0.5%, 0.72%

LAB 68.59, 28.37, 4.65

 

Complementary color

CMYK 66 / 0 / 11 / 58

HEX #246B5F

RGB 36 107 95

HSL 169.86, 0.5%, 0.28%

LAB 40.76, -25.08, 0.24

 

CMYK 0 / 34 / 31 / 12

HEX #E0949B

RGB 224 148 155

HSL 354.47, 0.55%, 0.73%

LAB 69.04, 29.55, 8.16

 

CMYK 0 / 31 / 28 / 5

HEX #F1A6AE

RGB 241 166 174

HSL 353.6, 0.73%, 0.8%

LAB 75.47, 28.74, 7.12

 

CMYK 0 / 28 / 24 / 0

HEX #FFB8C1

RGB 255 184 193

HSL 352.39, 1%, 0.86%

LAB 81.51, 26.92, 5.68

 

CMYK 0 / 21 / 17 / 0

HEX #FFCAD4

RGB 255 202 212

HSL 348.68, 1%, 0.9%

LAB 86.13, 20.25, 2.21

 

CMYK 0 / 14 / 9 / 0

HEX #FFDCE7

RGB 255 220 231

HSL 341.14, 1%, 0.93%

LAB 90.88, 13.86, -0.9

 

CMYK 0 / 32 / 27 / 14

HEX #DB94A0

RGB 219 148 160

HSL 349.86, 0.5%, 0.72%

LAB 68.59, 28.37, 4.65

 

CMYK 0 / 36 / 30 / 21

HEX #CA828D

RGB 202 130 141

HSL 350.83, 0.4%, 0.65%

LAB 62.04, 29.2, 5.69

 

CMYK 0 / 39 / 34 / 27

HEX #B9707A

RGB 185 112 122

HSL 351.78, 0.34%, 0.58%

LAB 55.39, 30.11, 6.86

 

CMYK 0 / 44 / 39 / 34

HEX #A85E67

RGB 168 94 103

HSL 352.7, 0.3%, 0.51%

LAB 48.65, 31.1, 8.21

 

CMYK 0 / 50 / 44 / 41

HEX #974C54

RGB 151 76 84

HSL 353.6, 0.33%, 0.45%

LAB 41.83, 32.17, 9.81

 

CMYK 0 / 33 / 27 / 14

HEX #DB939F

RGB 219 147 159

HSL 350, 0.5%, 0.72%

LAB 68.34, 28.77, 4.85

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 33 / 27 / 14

HEX #DB939F

RGB 219 147 159

HSL 350, 0.5%, 0.72%

LAB 68.34, 28.77, 4.85

 

CMYK 0 / 33 / 18 / 14

HEX #DB93B3

RGB 219 147 179

HSL 333.33, 0.5%, 0.72%

LAB 68.88, 31.7, -5.54

 

CMYK 0 / 33 / 10 / 14

HEX #DB93C6

RGB 219 147 198

HSL 317.5, 0.5%, 0.72%

LAB 69.47, 34.78, -15.24

 

CMYK 0 / 33 / 1 / 14

HEX #DB93D9

RGB 219 147 217

HSL 301.67, 0.5%, 0.72%

LAB 70.13, 38.13, -24.76

 

CMYK 8 / 33 / 0 / 14

HEX #C993DB

RGB 201 147 219

HSL 285, 0.5%, 0.72%

LAB 68.31, 32.83, -28.82

 

CMYK 0 / 33 / 27 / 14

HEX #DB939F

RGB 219 147 159

HSL 350, 0.5%, 0.72%

LAB 68.34, 28.77, 4.85

 

CMYK 0 / 41 / 34 / 10

HEX #E68898

RGB 230 136 152

HSL 349.79, 0.65%, 0.72%

LAB 67.05, 37.71, 7.1

 

CMYK 0 / 49 / 40 / 5

HEX #F27C90

RGB 242 124 144

HSL 349.83, 0.82%, 0.72%

LAB 65.99, 47.15, 10.32

 

CMYK 0 / 55 / 46 / 1

HEX #FD7189

RGB 253 113 137

HSL 349.71, 0.97%, 0.72%

LAB 65.36, 55.43, 13.63

 

CMYK 0 / 33 / 27 / 14

HEX #DB939F

RGB 219 147 159

HSL 350, 0.5%, 0.72%

LAB 68.34, 28.77, 4.85

 

CMYK 0 / 23 / 19 / 19

HEX #CF9FA7

RGB 207 159 167

HSL 350, 0.33%, 0.72%

LAB 70.07, 19, 2.73

 

CMYK 0 / 13 / 11 / 23

HEX #C4ABAF

RGB 196 171 175

HSL 350.4, 0.17%, 0.72%

LAB 72.2, 9.72, 1.28

 

CMYK 0 / 1 / 1 / 28

HEX #B8B6B6

RGB 184 182 182

HSL 0, 0.01%, 0.72%

LAB 74.2, 0.71, 0.24

 

CMYK 11 / 0 / 2 / 24

HEX #ADC2BE

RGB 173 194 190

HSL 168.57, 0.15%, 0.72%

LAB 76.79, -7.91, -0.43

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C7

RGB 219 147 199

HSL 316.67, 0.5%, 0.72%

LAB 69.51, 34.95, -15.75

 

CMYK 0 / 33 / 18 / 14

HEX #DB93B4

RGB 219 147 180

HSL 332.5, 0.5%, 0.72%

LAB 68.91, 31.85, -6.05

 

CMYK 0 / 33 / 27 / 14

HEX #DB93A0

RGB 219 147 160

HSL 349.17, 0.5%, 0.72%

LAB 68.36, 28.91, 4.32

 

CMYK 0 / 30 / 33 / 14

HEX #DB9993

RGB 219 153 147

HSL 5, 0.5%, 0.72%

LAB 69.43, 23.95, 13.1

 

CMYK 0 / 21 / 33 / 14

HEX #DBAC93

RGB 219 172 147

HSL 20.83, 0.5%, 0.72%

LAB 73.98, 13.71, 19.43

 

CMYK 0 / 57 / 47 / 22

HEX #C65669

RGB 198 86 105

HSL 349.82, 0.5%, 0.56%

LAB 51.47, 46.41, 11.62

 

CMYK 0 / 44 / 37 / 18

HEX #D07484

RGB 208 116 132

HSL 349.57, 0.49%, 0.64%

LAB 59.5, 37.76, 7.32

 

CMYK 0 / 33 / 27 / 14

HEX #DB939F

RGB 219 147 159

HSL 350, 0.5%, 0.72%

LAB 68.34, 28.77, 4.85

 

CMYK 0 / 22 / 18 / 10

HEX #E5B2BB

RGB 229 178 187

HSL 349.41, 0.5%, 0.8%

LAB 77.33, 19.85, 2.56

 

CMYK 0 / 13 / 10 / 6

HEX #EFD1D6

RGB 239 209 214

HSL 350, 0.48%, 0.88%

LAB 86.41, 11.27, 1.38

 

CMYK 0 / 32 / 27 / 14

HEX #DB94A0

RGB 219 148 160

HSL 349.86, 0.5%, 0.72%

LAB 68.59, 28.37, 4.65

 

CMYK 0 / 0 / 33 / 14

HEX #DADB93

RGB 218 219 147

HSL 60.83, 0.5%, 0.72%

LAB 85.84, -11.23, 35.36

 

CMYK 33 / 14 / 0 / 14

HEX #93BDDB

RGB 147 189 219

HSL 205, 0.5%, 0.72%

LAB 74.64, -6.82, -19.53

 

CMYK 0 / 32 / 27 / 14

HEX #DB94A0

RGB 219 148 160

HSL 349.86, 0.5%, 0.72%

LAB 68.59, 28.37, 4.65

 

CMYK 27 / 0 / 33 / 14

HEX #A0DB93

RGB 160 219 147

HSL 109.17, 0.5%, 0.72%

LAB 81.97, -32.31, 29.53

 

CMYK 33 / 27 / 0 / 14

HEX #93A0DB

RGB 147 160 219

HSL 229.17, 0.5%, 0.72%

LAB 66.87, 9.16, -31.43

 

CMYK 0 / 32 / 27 / 14

HEX #DB94A0

RGB 219 148 160

HSL 349.86, 0.5%, 0.72%

LAB 68.59, 28.37, 4.65

 

CMYK 0 / 0 / 33 / 14

HEX #DADB93

RGB 218 219 147

HSL 60.83, 0.5%, 0.72%

LAB 85.84, -11.23, 35.36

 

CMYK 33 / 0 / 6 / 14

HEX #93DBCE

RGB 147 219 206

HSL 169.17, 0.5%, 0.72%

LAB 82.55, -25.23, -0.76

 

CMYK 32 / 33 / 0 / 14

HEX #9593DB

RGB 149 147 219

HSL 241.67, 0.5%, 0.72%

LAB 63.65, 17.15, -36.42

 

CMYK 0 / 32 / 27 / 14

HEX #DB94A0

RGB 219 148 160

HSL 349.86, 0.5%, 0.72%

LAB 68.59, 28.37, 4.65

 

CMYK 11 / 0 / 33 / 14

HEX #C4DB93

RGB 196 219 147

HSL 79.17, 0.5%, 0.72%

LAB 84.23, -19.54, 32.94

 

CMYK 33 / 0 / 6 / 14

HEX #93DBCE

RGB 147 219 206

HSL 169.17, 0.5%, 0.72%

LAB 82.55, -25.23, -0.76

 

CMYK 22 / 33 / 0 / 14

HEX #AA93DB

RGB 170 147 219

HSL 259.17, 0.5%, 0.72%

LAB 65.38, 23.29, -33.6

 

Description

Color code: RGB 219 148 160 | qconv.com Color code: RGB 219 148 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 148 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 148 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 27 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 27% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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