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Color name
RGB 219 134 160

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 134 160 it is the complementary color RGB 36 121 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 134 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 134 160 shade: RGB 224 134 155, RGB 241 152 174, RGB 255 170 193, RGB 255 188 212 and RGB 255 206 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 134 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 134 160 shade: RGB 219 134 160, RGB 202 116 141, RGB 185 98 122, RGB 168 80 103 and RGB 151 62 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 134 160 shade: RGB 218 133 159, RGB 218 133 136 and RGB 218 133 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 134 160 shade: RGB 218 133 159, RGB 218 133 182, RGB 218 133 205, RGB 208 133 218 and RGB 185 133 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 134 160 shade matches the following richer shades: RGB 218 133 159, RGB 231 120 154 and RGB 244 107 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 134 160 shade: RGB 218 133 159, RGB 205 146 164, RGB 193 158 169, RGB 180 171 174 and RGB 167 184 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 134 160 shade: RGB 218 133 205, RGB 218 133 183, RGB 218 133 160, RGB 218 133 137 and RGB 218 151 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 134 160 shade: RGB 199 69 109, RGB 209 101 134, RGB 218 133 159, RGB 228 165 184 and RGB 237 196 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 134 160 shade: RGB 219 134 160, RGB 218 208 133 and RGB 133 194 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 134 160 shade: RGB 219 134 160, RGB 160 218 133 and RGB 133 160 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 134 160 shade: RGB 219 134 160, RGB 218 208 133, RGB 133 218 191 and RGB 133 143 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 134 160 shade: RGB 219 134 160, RGB 202 218 133, RGB 133 218 191 and RGB 148 133 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 27 / 14

HEX #DB86A0

RGB 219 134 160

HSL 341.65, 0.54%, 0.69%

LAB 65.47, 35.85, 0.13

 

Complementary color

CMYK 70 / 0 / 21 / 53

HEX #24795F

RGB 36 121 95

HSL 161.65, 0.54%, 0.31%

LAB 45.46, -31.83, 7.01

 

CMYK 0 / 40 / 31 / 12

HEX #E0869B

RGB 224 134 155

HSL 346, 0.59%, 0.7%

LAB 65.95, 36.97, 3.73

 

CMYK 0 / 37 / 28 / 5

HEX #F198AE

RGB 241 152 174

HSL 345.17, 0.76%, 0.77%

LAB 72.37, 36.11, 2.65

 

CMYK 0 / 33 / 24 / 0

HEX #FFAAC1

RGB 255 170 193

HSL 343.76, 1%, 0.83%

LAB 78.38, 34.25, 1.15

 

CMYK 0 / 26 / 17 / 0

HEX #FFBCD4

RGB 255 188 212

HSL 338.51, 1%, 0.87%

LAB 82.9, 27.6, -2.5

 

CMYK 0 / 19 / 9 / 0

HEX #FFCEE7

RGB 255 206 231

HSL 329.39, 1%, 0.9%

LAB 87.57, 21.17, -5.76

 

CMYK 0 / 39 / 27 / 14

HEX #DB86A0

RGB 219 134 160

HSL 341.65, 0.54%, 0.69%

LAB 65.47, 35.85, 0.13

 

CMYK 0 / 43 / 30 / 21

HEX #CA748D

RGB 202 116 141

HSL 342.56, 0.45%, 0.62%

LAB 58.95, 36.73, 1.23

 

CMYK 0 / 47 / 34 / 27

HEX #B9627A

RGB 185 98 122

HSL 343.45, 0.38%, 0.55%

LAB 52.35, 37.65, 2.49

 

CMYK 0 / 52 / 39 / 34

HEX #A85067

RGB 168 80 103

HSL 344.32, 0.35%, 0.49%

LAB 45.69, 38.58, 3.99

 

CMYK 0 / 59 / 44 / 41

HEX #973E54

RGB 151 62 84

HSL 345.17, 0.42%, 0.42%

LAB 39.01, 39.46, 5.83

 

CMYK 0 / 39 / 27 / 15

HEX #DA859F

RGB 218 133 159

HSL 341.65, 0.53%, 0.69%

LAB 65.11, 35.89, 0.15

 

CMYK 0 / 39 / 38 / 15

HEX #DA8588

RGB 218 133 136

HSL 357.88, 0.53%, 0.69%

LAB 64.53, 32.95, 12.35

 

CMYK 0 / 39 / 39 / 15

HEX #DA8585

RGB 218 133 133

HSL 0, 0.53%, 0.69%

LAB 64.46, 32.6, 13.95

 

CMYK 0 / 39 / 27 / 15

HEX #DA859F

RGB 218 133 159

HSL 341.65, 0.53%, 0.69%

LAB 65.11, 35.89, 0.15

 

CMYK 0 / 39 / 17 / 15

HEX #DA85B6

RGB 218 133 182

HSL 325.41, 0.53%, 0.69%

LAB 65.79, 39.28, -11.84

 

CMYK 0 / 39 / 6 / 15

HEX #DA85CD

RGB 218 133 205

HSL 309.18, 0.53%, 0.69%

LAB 66.59, 43.08, -23.54

 

CMYK 5 / 39 / 0 / 15

HEX #D085DA

RGB 208 133 218

HSL 292.94, 0.53%, 0.69%

LAB 65.94, 42.35, -31.87

 

CMYK 15 / 39 / 0 / 15

HEX #B985DA

RGB 185 133 218

HSL 276.71, 0.53%, 0.69%

LAB 63.47, 35.41, -35.91

 

CMYK 0 / 39 / 27 / 15

HEX #DA859F

RGB 218 133 159

HSL 341.65, 0.53%, 0.69%

LAB 65.11, 35.89, 0.15

 

CMYK 0 / 48 / 33 / 9

HEX #E7789A

RGB 231 120 154

HSL 341.62, 0.7%, 0.69%

LAB 63.96, 46.48, 1.52

 

CMYK 0 / 56 / 39 / 4

HEX #F46B95

RGB 244 107 149

HSL 341.61, 0.86%, 0.69%

LAB 63.28, 56.44, 3.62

 

CMYK 0 / 39 / 27 / 15

HEX #DA859F

RGB 218 133 159

HSL 341.65, 0.53%, 0.69%

LAB 65.11, 35.89, 0.15

 

CMYK 0 / 29 / 20 / 20

HEX #CD92A4

RGB 205 146 164

HSL 341.69, 0.37%, 0.69%

LAB 66.69, 24.91, -0.55

 

CMYK 0 / 18 / 12 / 24

HEX #C19EA9

RGB 193 158 169

HSL 341.14, 0.22%, 0.69%

LAB 68.5, 14.73, -0.83

 

CMYK 0 / 5 / 3 / 29

HEX #B4ABAE

RGB 180 171 174

HSL 340, 0.06%, 0.69%

LAB 70.79, 3.77, -0.39

 

CMYK 9 / 0 / 3 / 28

HEX #A7B8B3

RGB 167 184 179

HSL 162.35, 0.11%, 0.69%

LAB 73.38, -6.83, 0.53

 

CMYK 0 / 39 / 6 / 15

HEX #DA85CD

RGB 218 133 205

HSL 309.18, 0.53%, 0.69%

LAB 66.59, 43.08, -23.54

 

CMYK 0 / 39 / 16 / 15

HEX #DA85B7

RGB 218 133 183

HSL 324.71, 0.53%, 0.69%

LAB 65.83, 39.43, -12.35

 

CMYK 0 / 39 / 27 / 15

HEX #DA85A0

RGB 218 133 160

HSL 340.94, 0.53%, 0.69%

LAB 65.14, 36.03, -0.38

 

CMYK 0 / 39 / 37 / 15

HEX #DA8589

RGB 218 133 137

HSL 357.18, 0.53%, 0.69%

LAB 64.55, 33.07, 11.81

 

CMYK 0 / 31 / 39 / 15

HEX #DA9785

RGB 218 151 133

HSL 12.71, 0.53%, 0.69%

LAB 68.56, 22.95, 19.62

 

CMYK 0 / 65 / 45 / 22

HEX #C7456D

RGB 199 69 109

HSL 341.54, 0.54%, 0.53%

LAB 48.89, 54.75, 5.58

 

CMYK 0 / 52 / 36 / 18

HEX #D16586

RGB 209 101 134

HSL 341.67, 0.54%, 0.61%

LAB 56.67, 46.01, 2.1

 

CMYK 0 / 39 / 27 / 15

HEX #DA859F

RGB 218 133 159

HSL 341.65, 0.53%, 0.69%

LAB 65.11, 35.89, 0.15

 

CMYK 0 / 28 / 19 / 11

HEX #E4A5B8

RGB 228 165 184

HSL 341.9, 0.54%, 0.77%

LAB 74.1, 26, -0.52

 

CMYK 0 / 17 / 12 / 7

HEX #EDC4D1

RGB 237 196 209

HSL 340.98, 0.53%, 0.85%

LAB 82.96, 16.6, -1.02

 

CMYK 0 / 39 / 27 / 14

HEX #DB86A0

RGB 219 134 160

HSL 341.65, 0.54%, 0.69%

LAB 65.47, 35.85, 0.13

 

CMYK 0 / 5 / 39 / 15

HEX #DAD085

RGB 218 208 133

HSL 52.94, 0.53%, 0.69%

LAB 82.76, -7.26, 38.47

 

CMYK 39 / 11 / 0 / 15

HEX #85C2DA

RGB 133 194 218

HSL 196.94, 0.53%, 0.69%

LAB 75.22, -13.51, -18.18

 

CMYK 0 / 39 / 27 / 14

HEX #DB86A0

RGB 219 134 160

HSL 341.65, 0.54%, 0.69%

LAB 65.47, 35.85, 0.13

 

CMYK 27 / 0 / 39 / 15

HEX #A0DA85

RGB 160 218 133

HSL 100.94, 0.53%, 0.69%

LAB 81.46, -33.88, 36

 

CMYK 39 / 27 / 0 / 15

HEX #85A0DA

RGB 133 160 218

HSL 220.94, 0.53%, 0.69%

LAB 65.9, 5.03, -32.46

 

CMYK 0 / 39 / 27 / 14

HEX #DB86A0

RGB 219 134 160

HSL 341.65, 0.54%, 0.69%

LAB 65.47, 35.85, 0.13

 

CMYK 0 / 5 / 39 / 15

HEX #DAD085

RGB 218 208 133

HSL 52.94, 0.53%, 0.69%

LAB 82.76, -7.26, 38.47

 

CMYK 39 / 0 / 12 / 15

HEX #85DABF

RGB 133 218 191

HSL 160.94, 0.53%, 0.69%

LAB 81.23, -31.88, 5.21

 

CMYK 39 / 34 / 0 / 15

HEX #858FDA

RGB 133 143 218

HSL 232.94, 0.53%, 0.69%

LAB 61.39, 14.81, -39.49

 

CMYK 0 / 39 / 27 / 14

HEX #DB86A0

RGB 219 134 160

HSL 341.65, 0.54%, 0.69%

LAB 65.47, 35.85, 0.13

 

CMYK 7 / 0 / 39 / 15

HEX #CADA85

RGB 202 218 133

HSL 71.29, 0.53%, 0.69%

LAB 84.17, -18.52, 40.02

 

CMYK 39 / 0 / 12 / 15

HEX #85DABF

RGB 133 218 191

HSL 160.94, 0.53%, 0.69%

LAB 81.23, -31.88, 5.21

 

CMYK 32 / 39 / 0 / 15

HEX #9485DA

RGB 148 133 218

HSL 250.59, 0.53%, 0.69%

LAB 60.01, 24.7, -41.57

 

Description

Color code: RGB 219 134 160 | qconv.com Color code: RGB 219 134 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 134 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 134 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 27 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 27% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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