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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 91 224 it is the complementary color RGB 37 164 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 91 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 91 224 shade: RGB 223 91 219, RGB 240 109 238, RGB 255 127 255, RGB 255 145 255 and RGB 255 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 91 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 91 224 shade: RGB 218 91 224, RGB 201 73 205, RGB 184 55 186, RGB 167 37 167 and RGB 150 19 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 91 224 shade: RGB 218 92 223, RGB 223 92 194, RGB 223 92 158, RGB 223 92 123 and RGB 223 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 91 224 shade: RGB 218 92 223, RGB 182 92 223, RGB 146 92 223, RGB 111 92 223 and RGB 92 92 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 91 224 shade matches the following richer shades: RGB 218 92 223 and RGB 232 76 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 91 224 shade: RGB 218 92 223, RGB 203 107 208, RGB 189 123 192, RGB 175 139 176 and RGB 160 154 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 91 224 shade: RGB 147 92 223, RGB 182 92 223, RGB 217 92 223, RGB 223 92 195 and RGB 223 92 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 91 224 shade: RGB 189 37 196, RGB 210 57 217, RGB 218 92 223, RGB 225 126 230 and RGB 233 161 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 91 224 shade: RGB 218 91 224, RGB 223 111 92 and RGB 92 223 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 91 224 shade: RGB 218 91 224, RGB 223 217 92 and RGB 92 223 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 91 224 shade: RGB 218 91 224, RGB 223 111 92, RGB 98 223 92 and RGB 92 204 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 91 224 shade: RGB 218 91 224, RGB 223 151 92, RGB 98 223 92 and RGB 92 164 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 59 / 0 / 12

HEX #DA5BE0

RGB 218 91 224

HSL 297.29, 0.68%, 0.62%

LAB 59.68, 66.67, -44.92

 

Complementary color

CMYK 77 / 0 / 81 / 36

HEX #25A41F

RGB 37 164 31

HSL 117.29, 0.68%, 0.38%

LAB 59.01, -57.49, 54.24

 

CMYK 0 / 59 / 2 / 13

HEX #DF5BDB

RGB 223 91 219

HSL 301.82, 0.67%, 0.62%

LAB 60.15, 67.06, -41.33

 

CMYK 0 / 55 / 1 / 6

HEX #F06DEE

RGB 240 109 238

HSL 300.92, 0.81%, 0.68%

LAB 66.24, 66.76, -42.2

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 3 / 59 / 0 / 12

HEX #DA5BE0

RGB 218 91 224

HSL 297.29, 0.68%, 0.62%

LAB 59.68, 66.67, -44.92

 

CMYK 2 / 64 / 0 / 20

HEX #C949CD

RGB 201 73 205

HSL 298.18, 0.57%, 0.55%

LAB 53.59, 66.73, -43.94

 

CMYK 1 / 70 / 0 / 27

HEX #B837BA

RGB 184 55 186

HSL 299.08, 0.54%, 0.47%

LAB 47.58, 66.36, -42.64

 

CMYK 0 / 78 / 0 / 35

HEX #A725A7

RGB 167 37 167

HSL 300, 0.64%, 0.4%

LAB 41.73, 65.29, -40.89

 

CMYK 0 / 87 / 1 / 41

HEX #961394

RGB 150 19 148

HSL 300.92, 0.78%, 0.33%

LAB 36.15, 63.16, -38.49

 

CMYK 2 / 59 / 0 / 13

HEX #DA5CDF

RGB 218 92 223

HSL 297.71, 0.67%, 0.62%

LAB 59.79, 66.07, -44.19

 

CMYK 0 / 59 / 13 / 13

HEX #DF5CC2

RGB 223 92 194

HSL 313.28, 0.67%, 0.62%

LAB 59.19, 62.67, -28.64

 

CMYK 0 / 59 / 29 / 13

HEX #DF5C9E

RGB 223 92 158

HSL 329.77, 0.67%, 0.62%

LAB 57.86, 57.68, -9.92

 

CMYK 0 / 59 / 45 / 13

HEX #DF5C7B

RGB 223 92 123

HSL 345.8, 0.67%, 0.62%

LAB 56.85, 53.78, 9.1

 

CMYK 0 / 59 / 59 / 13

HEX #DF5C5C

RGB 223 92 92

HSL 0, 0.67%, 0.62%

LAB 56.2, 51.18, 26.33

 

CMYK 2 / 59 / 0 / 13

HEX #DA5CDF

RGB 218 92 223

HSL 297.71, 0.67%, 0.62%

LAB 59.79, 66.07, -44.19

 

CMYK 18 / 59 / 0 / 13

HEX #B65CDF

RGB 182 92 223

HSL 281.22, 0.67%, 0.62%

LAB 55, 57.2, -52.09

 

CMYK 35 / 59 / 0 / 13

HEX #925CDF

RGB 146 92 223

HSL 264.73, 0.67%, 0.62%

LAB 50.8, 48.7, -59.05

 

CMYK 50 / 59 / 0 / 13

HEX #6F5CDF

RGB 111 92 223

HSL 248.7, 0.67%, 0.62%

LAB 47.45, 41.24, -64.63

 

CMYK 59 / 59 / 0 / 13

HEX #5C5CDF

RGB 92 92 223

HSL 240, 0.67%, 0.62%

LAB 45.98, 37.76, -67.07

 

CMYK 2 / 59 / 0 / 13

HEX #DA5CDF

RGB 218 92 223

HSL 297.71, 0.67%, 0.62%

LAB 59.79, 66.07, -44.19

 

CMYK 3 / 68 / 0 / 6

HEX #E84CEF

RGB 232 76 239

HSL 297.42, 0.84%, 0.62%

LAB 60.39, 78.21, -52.06

 

CMYK 2 / 59 / 0 / 13

HEX #DA5CDF

RGB 218 92 223

HSL 297.71, 0.67%, 0.62%

LAB 59.79, 66.07, -44.19

 

CMYK 2 / 49 / 0 / 18

HEX #CB6BD0

RGB 203 107 208

HSL 297.03, 0.52%, 0.62%

LAB 59.68, 52.43, -36.06

 

CMYK 2 / 36 / 0 / 25

HEX #BD7BC0

RGB 189 123 192

HSL 297.39, 0.35%, 0.62%

LAB 60.6, 36.84, -25.7

 

CMYK 1 / 21 / 0 / 31

HEX #AF8BB0

RGB 175 139 176

HSL 298.38, 0.19%, 0.62%

LAB 62.27, 20.17, -14.22

 

CMYK 1 / 4 / 0 / 37

HEX #A09AA1

RGB 160 154 161

HSL 291.43, 0.04%, 0.62%

LAB 64.29, 3.52, -2.88

 

CMYK 34 / 59 / 0 / 13

HEX #935CDF

RGB 147 92 223

HSL 265.19, 0.67%, 0.62%

LAB 50.9, 48.92, -58.87

 

CMYK 18 / 59 / 0 / 13

HEX #B65CDF

RGB 182 92 223

HSL 281.22, 0.67%, 0.62%

LAB 55, 57.2, -52.09

 

CMYK 3 / 59 / 0 / 13

HEX #D95CDF

RGB 217 92 223

HSL 297.25, 0.67%, 0.62%

LAB 59.65, 65.82, -44.42

 

CMYK 0 / 59 / 13 / 13

HEX #DF5CC3

RGB 223 92 195

HSL 312.82, 0.67%, 0.62%

LAB 59.23, 62.82, -29.15

 

CMYK 0 / 59 / 28 / 13

HEX #DF5CA0

RGB 223 92 160

HSL 328.85, 0.67%, 0.62%

LAB 57.92, 57.94, -10.99

 

CMYK 4 / 81 / 0 / 23

HEX #BD25C4

RGB 189 37 196

HSL 297.36, 0.68%, 0.46%

LAB 47.14, 74.26, -49.12

 

CMYK 3 / 74 / 0 / 15

HEX #D239D9

RGB 210 57 217

HSL 297.38, 0.68%, 0.54%

LAB 53.64, 76.28, -50.62

 

CMYK 2 / 59 / 0 / 13

HEX #DA5CDF

RGB 218 92 223

HSL 297.71, 0.67%, 0.62%

LAB 59.79, 66.07, -44.19

 

CMYK 2 / 45 / 0 / 10

HEX #E17EE6

RGB 225 126 230

HSL 297.12, 0.68%, 0.7%

LAB 67.01, 53.22, -36.71

 

CMYK 2 / 32 / 0 / 7

HEX #E9A1ED

RGB 233 161 237

HSL 296.84, 0.68%, 0.78%

LAB 75.41, 38.79, -27.5

 

CMYK 3 / 59 / 0 / 12

HEX #DA5BE0

RGB 218 91 224

HSL 297.29, 0.68%, 0.62%

LAB 59.68, 66.67, -44.92

 

CMYK 0 / 50 / 59 / 13

HEX #DF6F5C

RGB 223 111 92

HSL 8.7, 0.67%, 0.62%

LAB 59.73, 42.05, 30.87

 

CMYK 59 / 0 / 26 / 13

HEX #5CDFA4

RGB 92 223 164

HSL 152.98, 0.67%, 0.62%

LAB 80.59, -49.61, 18.35

 

CMYK 3 / 59 / 0 / 12

HEX #DA5BE0

RGB 218 91 224

HSL 297.29, 0.68%, 0.62%

LAB 59.68, 66.67, -44.92

 

CMYK 0 / 3 / 59 / 13

HEX #DFD95C

RGB 223 217 92

HSL 57.25, 0.67%, 0.62%

LAB 85.04, -13.44, 60.77

 

CMYK 59 / 0 / 3 / 13

HEX #5CDFD9

RGB 92 223 217

HSL 177.25, 0.67%, 0.62%

LAB 81.87, -37.05, -7.85

 

CMYK 3 / 59 / 0 / 12

HEX #DA5BE0

RGB 218 91 224

HSL 297.29, 0.68%, 0.62%

LAB 59.68, 66.67, -44.92

 

CMYK 0 / 50 / 59 / 13

HEX #DF6F5C

RGB 223 111 92

HSL 8.7, 0.67%, 0.62%

LAB 59.73, 42.05, 30.87

 

CMYK 56 / 0 / 59 / 13

HEX #62DF5C

RGB 98 223 92

HSL 117.25, 0.67%, 0.62%

LAB 79.7, -59.8, 52.83

 

CMYK 59 / 9 / 0 / 13

HEX #5CCCDF

RGB 92 204 223

HSL 188.7, 0.67%, 0.62%

LAB 76.55, -26.35, -19.03

 

CMYK 3 / 59 / 0 / 12

HEX #DA5BE0

RGB 218 91 224

HSL 297.29, 0.68%, 0.62%

LAB 59.68, 66.67, -44.92

 

CMYK 0 / 32 / 59 / 13

HEX #DF975C

RGB 223 151 92

HSL 27.02, 0.67%, 0.62%

LAB 68.46, 21.08, 41.67

 

CMYK 56 / 0 / 59 / 13

HEX #62DF5C

RGB 98 223 92

HSL 117.25, 0.67%, 0.62%

LAB 79.7, -59.8, 52.83

 

CMYK 59 / 26 / 0 / 13

HEX #5CA4DF

RGB 92 164 223

HSL 207.02, 0.67%, 0.62%

LAB 65.08, -5.3, -36.65

 

Description

Color code: RGB 218 91 224 | qconv.com Color code: RGB 218 91 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 91 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 91 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 59 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 59% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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