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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 70 62 it is the complementary color RGB 37 185 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 70 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 70 62 shade: RGB 223 70 57, RGB 240 88 76, RGB 255 106 95, RGB 255 124 114 and RGB 255 142 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 70 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 70 62 shade: RGB 218 70 62, RGB 201 52 43, RGB 184 34 24, RGB 167 16 5 and RGB 150 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 70 62 shade: RGB 218 70 62 and RGB 218 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 70 62 shade: RGB 218 70 62, RGB 218 112 62, RGB 218 154 62, RGB 218 196 62 and RGB 197 218 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 70 62 shade matches the following richer shades: RGB 218 70 62 and RGB 236 53 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 70 62 shade: RGB 218 70 62, RGB 199 86 80, RGB 181 103 99, RGB 162 120 117 and RGB 144 136 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 70 62 shade: RGB 218 62 137, RGB 218 62 96, RGB 218 70 62, RGB 218 111 62 and RGB 218 153 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 70 62 shade: RGB 166 38 31, RGB 200 46 38, RGB 218 70 62, RGB 224 103 96 and RGB 231 136 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 70 62 shade: RGB 218 70 62, RGB 179 218 62 and RGB 62 116 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 70 62 shade: RGB 218 70 62, RGB 62 218 70 and RGB 70 62 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 70 62 shade: RGB 218 70 62, RGB 179 218 62, RGB 62 210 218 and RGB 101 62 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 70 62 shade: RGB 218 70 62, RGB 132 218 62, RGB 62 210 218 and RGB 148 62 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

Complementary color

CMYK 81 / 4 / 0 / 24

HEX #25B9C1

RGB 37 185 193

HSL 183.08, 0.68%, 0.45%

LAB 68.71, -33.47, -14.67

 

CMYK 0 / 69 / 74 / 13

HEX #DF4639

RGB 223 70 57

HSL 4.7, 0.72%, 0.55%

LAB 52.25, 58.53, 41.38

 

CMYK 0 / 63 / 68 / 6

HEX #F0584C

RGB 240 88 76

HSL 4.39, 0.85%, 0.62%

LAB 58.06, 57.72, 38.33

 

CMYK 0 / 58 / 63 / 0

HEX #FF6A5F

RGB 255 106 95

HSL 4.13, 1%, 0.69%

LAB 63.67, 56.04, 35.17

 

CMYK 0 / 51 / 55 / 0

HEX #FF7C72

RGB 255 124 114

HSL 4.26, 1%, 0.72%

LAB 67.19, 48.99, 29.13

 

CMYK 0 / 44 / 48 / 0

HEX #FF8E85

RGB 255 142 133

HSL 4.43, 1%, 0.76%

LAB 71.08, 41.69, 23.79

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 0 / 74 / 79 / 21

HEX #C9342B

RGB 201 52 43

HSL 3.42, 0.65%, 0.48%

LAB 45.7, 57.59, 40.83

 

CMYK 0 / 82 / 87 / 28

HEX #B82218

RGB 184 34 24

HSL 3.75, 0.77%, 0.41%

LAB 40.25, 57.43, 44.35

 

CMYK 0 / 90 / 97 / 35

HEX #A71005

RGB 167 16 5

HSL 4.07, 0.94%, 0.34%

LAB 35.2, 56.26, 47.07

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 0 / 72 / 72 / 15

HEX #DA3E3E

RGB 218 62 62

HSL 0, 0.68%, 0.55%

LAB 50.33, 60.12, 36.18

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 0 / 49 / 72 / 15

HEX #DA703E

RGB 218 112 62

HSL 19.23, 0.68%, 0.55%

LAB 58.83, 37.81, 45.73

 

CMYK 0 / 29 / 72 / 15

HEX #DA9A3E

RGB 218 154 62

HSL 35.38, 0.68%, 0.55%

LAB 68.29, 15.52, 55.74

 

CMYK 0 / 10 / 72 / 15

HEX #DAC43E

RGB 218 196 62

HSL 51.54, 0.68%, 0.55%

LAB 78.89, -6.66, 66.37

 

CMYK 10 / 0 / 72 / 15

HEX #C5DA3E

RGB 197 218 62

HSL 68.08, 0.68%, 0.55%

LAB 83.1, -26.35, 69.89

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 0 / 78 / 82 / 7

HEX #EC352B

RGB 236 53 43

HSL 3.11, 0.84%, 0.55%

LAB 52.46, 67.7, 49.71

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 0 / 57 / 60 / 22

HEX #C75650

RGB 199 86 80

HSL 3.03, 0.52%, 0.55%

LAB 51.13, 44.66, 25.99

 

CMYK 0 / 43 / 45 / 29

HEX #B56763

RGB 181 103 99

HSL 2.93, 0.36%, 0.55%

LAB 52.31, 30.77, 15.96

 

CMYK 0 / 26 / 28 / 36

HEX #A27875

RGB 162 120 117

HSL 4, 0.19%, 0.55%

LAB 54.45, 15.97, 8.07

 

CMYK 0 / 6 / 6 / 44

HEX #908888

RGB 144 136 136

HSL 0, 0.03%, 0.55%

LAB 57.38, 2.99, 1.06

 

CMYK 0 / 72 / 37 / 15

HEX #DA3E89

RGB 218 62 137

HSL 331.15, 0.68%, 0.55%

LAB 52.01, 65.73, -6.34

 

CMYK 0 / 72 / 56 / 15

HEX #DA3E60

RGB 218 62 96

HSL 346.92, 0.68%, 0.55%

LAB 50.91, 62.1, 16.77

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 0 / 49 / 72 / 15

HEX #DA6F3E

RGB 218 111 62

HSL 18.85, 0.68%, 0.55%

LAB 58.62, 38.32, 45.5

 

CMYK 0 / 30 / 72 / 15

HEX #DA993E

RGB 218 153 62

HSL 35, 0.68%, 0.55%

LAB 68.05, 16.05, 55.5

 

CMYK 0 / 77 / 81 / 35

HEX #A6261F

RGB 166 38 31

HSL 3.11, 0.69%, 0.39%

LAB 37.1, 50.98, 36.51

 

CMYK 0 / 77 / 81 / 22

HEX #C82E26

RGB 200 46 38

HSL 2.96, 0.68%, 0.47%

LAB 44.76, 59.07, 42.52

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 0 / 54 / 57 / 12

HEX #E06760

RGB 224 103 96

HSL 3.28, 0.67%, 0.63%

LAB 58.41, 46.65, 26.93

 

CMYK 0 / 41 / 43 / 9

HEX #E78883

RGB 231 136 131

HSL 3, 0.68%, 0.71%

LAB 66.7, 35.69, 18.43

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 18 / 0 / 72 / 15

HEX #B3DA3E

RGB 179 218 62

HSL 75, 0.68%, 0.55%

LAB 81.88, -33.55, 68.28

 

CMYK 72 / 47 / 0 / 15

HEX #3E74DA

RGB 62 116 218

HSL 219.23, 0.68%, 0.55%

LAB 50.19, 16.43, -57.52

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 72 / 0 / 68 / 15

HEX #3EDA46

RGB 62 218 70

HSL 123.08, 0.68%, 0.55%

LAB 77.05, -67.72, 58.83

 

CMYK 68 / 72 / 0 / 15

HEX #463EDA

RGB 70 62 218

HSL 243.08, 0.68%, 0.55%

LAB 37.5, 50.58, -78.15

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 18 / 0 / 72 / 15

HEX #B3DA3E

RGB 179 218 62

HSL 75, 0.68%, 0.55%

LAB 81.88, -33.55, 68.28

 

CMYK 72 / 4 / 0 / 15

HEX #3ED2DA

RGB 62 210 218

HSL 183.08, 0.68%, 0.55%

LAB 77.39, -35.2, -15.16

 

CMYK 54 / 72 / 0 / 15

HEX #653EDA

RGB 101 62 218

HSL 255, 0.68%, 0.55%

LAB 40.04, 54.58, -73.89

 

CMYK 0 / 68 / 72 / 15

HEX #DA463E

RGB 218 70 62

HSL 3.08, 0.68%, 0.55%

LAB 51.42, 57.13, 37.43

 

CMYK 39 / 0 / 72 / 15

HEX #84DA3E

RGB 132 218 62

HSL 93.08, 0.68%, 0.55%

LAB 79.27, -50.71, 64.82

 

CMYK 72 / 4 / 0 / 15

HEX #3ED2DA

RGB 62 210 218

HSL 183.08, 0.68%, 0.55%

LAB 77.39, -35.2, -15.16

 

CMYK 32 / 72 / 0 / 15

HEX #943EDA

RGB 148 62 218

HSL 273.08, 0.68%, 0.55%

LAB 45.36, 62.52, -64.98

 

Description

Color code: RGB 218 70 62 | qconv.com Color code: RGB 218 70 62 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 70 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 70 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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