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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 5 211 it is the complementary color RGB 37 250 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 5 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 5 211 shade: RGB 223 5 206, RGB 240 23 225, RGB 255 41 244, RGB 255 59 255 and RGB 255 77 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 5 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 5 211 shade: RGB 218 5 211, RGB 201 0 192, RGB 184 0 173, RGB 167 0 154 and RGB 150 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 5 211 shade: RGB 219 4 212, RGB 219 4 154, RGB 219 4 96, RGB 219 4 38 and RGB 219 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 5 211 shade: RGB 219 4 212, RGB 168 4 219, RGB 110 4 219, RGB 52 4 219 and RGB 4 4 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 5 211 shade matches the following richer shades: RGB 219 4 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 5 211 shade: RGB 219 4 212, RGB 201 22 195, RGB 183 40 178, RGB 165 58 161 and RGB 147 77 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 5 211 shade: RGB 108 4 219, RGB 166 4 219, RGB 219 4 216, RGB 219 4 158 and RGB 219 4 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 5 211 shade: RGB 139 2 134, RGB 179 3 173, RGB 219 4 212, RGB 250 15 242 and RGB 250 55 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 5 211 shade: RGB 218 5 211, RGB 219 51 4 and RGB 4 219 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 5 211 shade: RGB 218 5 211, RGB 216 219 4 and RGB 4 216 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 5 211 shade: RGB 218 5 211, RGB 219 51 4, RGB 4 219 8 and RGB 4 173 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 5 211 shade: RGB 218 5 211, RGB 219 115 4, RGB 4 219 8 and RGB 4 108 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 3 / 15

HEX #DA05D3

RGB 218 5 211

HSL 301.97, 0.96%, 0.44%

LAB 51.52, 85.93, -50.5

 

Complementary color

CMYK 85 / 0 / 82 / 2

HEX #25FA2C

RGB 37 250 44

HSL 121.97, 0.96%, 0.56%

LAB 86.48, -81.96, 76.16

 

CMYK 0 / 98 / 8 / 13

HEX #DF05CE

RGB 223 5 206

HSL 304.68, 0.96%, 0.45%

LAB 52.12, 86.08, -46.62

 

CMYK 0 / 90 / 6 / 6

HEX #F017E1

RGB 240 23 225

HSL 304.15, 0.88%, 0.52%

LAB 56.66, 89.99, -50.05

 

CMYK 0 / 84 / 4 / 0

HEX #FF29F4

RGB 255 41 244

HSL 303.08, 1%, 0.58%

LAB 61.11, 92.59, -53.47

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 98 / 3 / 15

HEX #DA05D3

RGB 218 5 211

HSL 301.97, 0.96%, 0.44%

LAB 51.52, 85.93, -50.5

 

CMYK 0 / 100 / 4 / 21

HEX #C900C0

RGB 201 0 192

HSL 302.69, 1%, 0.39%

LAB 47.27, 80.85, -46.48

 

CMYK 0 / 100 / 6 / 28

HEX #B800AD

RGB 184 0 173

HSL 303.59, 1%, 0.36%

LAB 43.07, 75.31, -42.15

 

CMYK 0 / 100 / 8 / 35

HEX #A7009A

RGB 167 0 154

HSL 304.67, 1%, 0.33%

LAB 38.81, 69.67, -37.72

 

CMYK 0 / 100 / 10 / 41

HEX #960087

RGB 150 0 135

HSL 306, 1%, 0.29%

LAB 34.46, 63.92, -33.16

 

CMYK 0 / 98 / 3 / 14

HEX #DB04D4

RGB 219 4 212

HSL 301.95, 0.96%, 0.44%

LAB 51.72, 86.31, -50.73

 

CMYK 0 / 98 / 30 / 14

HEX #DB049A

RGB 219 4 154

HSL 318.14, 0.96%, 0.44%

LAB 48.86, 79.12, -21.28

 

CMYK 0 / 98 / 56 / 14

HEX #DB0460

RGB 219 4 96

HSL 334.33, 0.96%, 0.44%

LAB 46.96, 74.14, 11.36

 

CMYK 0 / 98 / 83 / 14

HEX #DB0426

RGB 219 4 38

HSL 350.51, 0.96%, 0.44%

LAB 46.02, 71.59, 45.07

 

CMYK 0 / 98 / 98 / 14

HEX #DB0404

RGB 219 4 4

HSL 0, 0.96%, 0.44%

LAB 45.85, 71.1, 58.72

 

CMYK 0 / 98 / 3 / 14

HEX #DB04D4

RGB 219 4 212

HSL 301.95, 0.96%, 0.44%

LAB 51.72, 86.31, -50.73

 

CMYK 23 / 98 / 0 / 14

HEX #A804DB

RGB 168 4 219

HSL 285.77, 0.96%, 0.44%

LAB 43.55, 79.86, -68.37

 

CMYK 50 / 98 / 0 / 14

HEX #6E04DB

RGB 110 4 219

HSL 269.58, 0.96%, 0.44%

LAB 35.04, 73.7, -82.66

 

CMYK 76 / 98 / 0 / 14

HEX #3404DB

RGB 52 4 219

HSL 253.4, 0.96%, 0.44%

LAB 29.24, 70.6, -92.46

 

CMYK 98 / 98 / 0 / 14

HEX #0404DB

RGB 4 4 219

HSL 240, 0.96%, 0.44%

LAB 27.37, 69.87, -95.63

 

CMYK 0 / 98 / 3 / 14

HEX #DB04D4

RGB 219 4 212

HSL 301.95, 0.96%, 0.44%

LAB 51.72, 86.31, -50.73

 

CMYK 0 / 98 / 3 / 14

HEX #DB04D4

RGB 219 4 212

HSL 301.95, 0.96%, 0.44%

LAB 51.72, 86.31, -50.73

 

CMYK 0 / 89 / 3 / 21

HEX #C916C3

RGB 201 22 195

HSL 302.01, 0.8%, 0.44%

LAB 48.17, 79.11, -46.78

 

CMYK 0 / 78 / 3 / 28

HEX #B728B2

RGB 183 40 178

HSL 302.1, 0.64%, 0.44%

LAB 45.36, 69.49, -41.49

 

CMYK 0 / 65 / 2 / 35

HEX #A53AA1

RGB 165 58 161

HSL 302.24, 0.48%, 0.44%

LAB 43.65, 56.54, -34.29

 

CMYK 0 / 48 / 2 / 42

HEX #934D90

RGB 147 77 144

HSL 302.57, 0.31%, 0.44%

LAB 43.54, 39.35, -24.46

 

CMYK 51 / 98 / 0 / 14

HEX #6C04DB

RGB 108 4 219

HSL 269.02, 0.96%, 0.44%

LAB 34.78, 73.54, -83.09

 

CMYK 24 / 98 / 0 / 14

HEX #A604DB

RGB 166 4 219

HSL 285.21, 0.96%, 0.44%

LAB 43.22, 79.6, -68.91

 

CMYK 0 / 98 / 1 / 14

HEX #DB04D8

RGB 219 4 216

HSL 300.84, 0.96%, 0.44%

LAB 51.96, 86.87, -52.65

 

CMYK 0 / 98 / 28 / 14

HEX #DB049E

RGB 219 4 158

HSL 317.02, 0.96%, 0.44%

LAB 49.03, 79.55, -23.41

 

CMYK 0 / 98 / 54 / 14

HEX #DB0465

RGB 219 4 101

HSL 332.93, 0.96%, 0.44%

LAB 47.09, 74.47, 8.43

 

CMYK 0 / 99 / 4 / 45

HEX #8B0286

RGB 139 2 134

HSL 302.19, 0.97%, 0.28%

LAB 32.38, 61.51, -35.99

 

CMYK 0 / 98 / 3 / 30

HEX #B303AD

RGB 179 3 173

HSL 302.05, 0.97%, 0.36%

LAB 42.26, 74.16, -43.51

 

CMYK 0 / 98 / 3 / 14

HEX #DB04D4

RGB 219 4 212

HSL 301.95, 0.96%, 0.44%

LAB 51.72, 86.31, -50.73

 

CMYK 0 / 94 / 3 / 2

HEX #FA0FF2

RGB 250 15 242

HSL 302.04, 0.96%, 0.52%

LAB 59.05, 94.75, -55.7

 

CMYK 0 / 78 / 2 / 2

HEX #FA37F4

RGB 250 55 244

HSL 301.85, 0.95%, 0.6%

LAB 61.3, 88.76, -53.23

 

CMYK 0 / 98 / 3 / 15

HEX #DA05D3

RGB 218 5 211

HSL 301.97, 0.96%, 0.44%

LAB 51.52, 85.93, -50.5

 

CMYK 0 / 77 / 98 / 14

HEX #DB3304

RGB 219 51 4

HSL 13.12, 0.96%, 0.44%

LAB 48.81, 62.68, 60.07

 

CMYK 98 / 0 / 37 / 14

HEX #04DB89

RGB 4 219 137

HSL 157.12, 0.96%, 0.44%

LAB 77.58, -63.3, 28.06

 

CMYK 0 / 98 / 3 / 15

HEX #DA05D3

RGB 218 5 211

HSL 301.97, 0.96%, 0.44%

LAB 51.52, 85.93, -50.5

 

CMYK 1 / 0 / 98 / 14

HEX #D8DB04

RGB 216 219 4

HSL 60.84, 0.96%, 0.44%

LAB 84.62, -20.44, 83.6

 

CMYK 98 / 1 / 0 / 14

HEX #04D8DB

RGB 4 216 219

HSL 180.84, 0.96%, 0.44%

LAB 78.61, -41.43, -13.92

 

CMYK 0 / 98 / 3 / 15

HEX #DA05D3

RGB 218 5 211

HSL 301.97, 0.96%, 0.44%

LAB 51.52, 85.93, -50.5

 

CMYK 0 / 77 / 98 / 14

HEX #DB3304

RGB 219 51 4

HSL 13.12, 0.96%, 0.44%

LAB 48.81, 62.68, 60.07

 

CMYK 98 / 0 / 96 / 14

HEX #04DB08

RGB 4 219 8

HSL 121.12, 0.96%, 0.44%

LAB 76.5, -76.54, 73.42

 

CMYK 98 / 21 / 0 / 14

HEX #04ADDB

RGB 4 173 219

HSL 192.84, 0.96%, 0.44%

LAB 65.77, -20.64, -33.51

 

CMYK 0 / 98 / 3 / 15

HEX #DA05D3

RGB 218 5 211

HSL 301.97, 0.96%, 0.44%

LAB 51.52, 85.93, -50.5

 

CMYK 0 / 47 / 98 / 14

HEX #DB7304

RGB 219 115 4

HSL 30.98, 0.96%, 0.44%

LAB 59.28, 35.15, 66.04

 

CMYK 98 / 0 / 96 / 14

HEX #04DB08

RGB 4 219 8

HSL 121.12, 0.96%, 0.44%

LAB 76.5, -76.54, 73.42

 

CMYK 98 / 51 / 0 / 14

HEX #046CDB

RGB 4 108 219

HSL 210.98, 0.96%, 0.44%

LAB 46.8, 17.51, -63.62

 

Description

Color code: RGB 218 5 211 | qconv.com Color code: RGB 218 5 211 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 5 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 5 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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