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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 51 185 it is the complementary color RGB 37 204 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 51 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 51 185 shade: RGB 223 51 180, RGB 240 69 199, RGB 255 87 218, RGB 255 105 237 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 51 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 51 185 shade: RGB 218 51 185, RGB 201 33 166, RGB 184 15 147, RGB 167 0 128 and RGB 150 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 51 185 shade: RGB 217 52 185, RGB 217 52 140, RGB 217 52 95 and RGB 217 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 51 185 shade: RGB 217 52 185, RGB 205 52 217, RGB 161 52 217, RGB 116 52 217 and RGB 72 52 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 51 185 shade matches the following richer shades: RGB 217 52 185 and RGB 237 33 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 51 185 shade: RGB 217 52 185, RGB 198 71 173, RGB 179 91 161, RGB 159 110 149 and RGB 140 130 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 51 185 shade: RGB 159 52 217, RGB 204 52 217, RGB 217 52 187, RGB 217 52 143 and RGB 217 52 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 51 185 shade: RGB 158 29 133, RGB 193 35 162, RGB 217 52 185, RGB 224 87 197 and RGB 230 122 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 51 185 shade: RGB 218 51 185, RGB 217 115 52 and RGB 52 217 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 51 185 shade: RGB 218 51 185, RGB 187 217 52 and RGB 52 187 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 51 185 shade: RGB 218 51 185, RGB 217 115 52, RGB 52 217 82 and RGB 52 154 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 51 185 shade: RGB 218 51 185, RGB 217 165 52, RGB 52 217 82 and RGB 52 104 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 15 / 15

HEX #DA33B9

RGB 218 51 185

HSL 311.86, 0.69%, 0.53%

LAB 52.7, 74.95, -33.61

 

Complementary color

CMYK 82 / 0 / 66 / 20

HEX #25CC46

RGB 37 204 70

HSL 131.86, 0.69%, 0.47%

LAB 72.24, -66.71, 53.52

 

CMYK 0 / 77 / 19 / 13

HEX #DF33B4

RGB 223 51 180

HSL 315, 0.73%, 0.54%

LAB 53.33, 75.39, -29.66

 

CMYK 0 / 71 / 17 / 6

HEX #F045C7

RGB 240 69 199

HSL 314.39, 0.85%, 0.61%

LAB 58.89, 76.41, -31.77

 

CMYK 0 / 66 / 15 / 0

HEX #FF57DA

RGB 255 87 218

HSL 313.21, 1%, 0.67%

LAB 64.27, 76.39, -33.97

 

CMYK 0 / 59 / 7 / 0

HEX #FF69ED

RGB 255 105 237

HSL 307.2, 1%, 0.71%

LAB 67.63, 72.15, -39.31

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 77 / 15 / 15

HEX #DA33B9

RGB 218 51 185

HSL 311.86, 0.69%, 0.53%

LAB 52.7, 74.95, -33.61

 

CMYK 0 / 84 / 17 / 21

HEX #C921A6

RGB 201 33 166

HSL 312.5, 0.72%, 0.46%

LAB 47.31, 73.17, -31.1

 

CMYK 0 / 92 / 20 / 28

HEX #B80F93

RGB 184 15 147

HSL 313.14, 0.85%, 0.39%

LAB 42.21, 70.31, -27.89

 

CMYK 0 / 100 / 23 / 35

HEX #A70080

RGB 167 0 128

HSL 314.01, 1%, 0.33%

LAB 37.43, 66.25, -23.91

 

CMYK 0 / 100 / 27 / 41

HEX #96006D

RGB 150 0 109

HSL 316.4, 1%, 0.29%

LAB 33.11, 60.53, -18.91

 

CMYK 0 / 76 / 15 / 15

HEX #D934B9

RGB 217 52 185

HSL 311.64, 0.68%, 0.53%

LAB 52.63, 74.45, -33.74

 

CMYK 0 / 76 / 35 / 15

HEX #D9348C

RGB 217 52 140

HSL 328, 0.68%, 0.53%

LAB 50.81, 68.98, -9.96

 

CMYK 0 / 76 / 56 / 15

HEX #D9345F

RGB 217 52 95

HSL 344.36, 0.68%, 0.53%

LAB 49.54, 65.02, 15.47

 

CMYK 0 / 76 / 76 / 15

HEX #D93434

RGB 217 52 52

HSL 0, 0.68%, 0.53%

LAB 48.83, 62.74, 40.09

 

CMYK 0 / 76 / 15 / 15

HEX #D934B9

RGB 217 52 185

HSL 311.64, 0.68%, 0.53%

LAB 52.63, 74.45, -33.74

 

CMYK 6 / 76 / 0 / 15

HEX #CD34D9

RGB 205 52 217

HSL 295.64, 0.68%, 0.53%

LAB 52.34, 76.77, -52.75

 

CMYK 26 / 76 / 0 / 15

HEX #A134D9

RGB 161 52 217

HSL 279.64, 0.68%, 0.53%

LAB 45.69, 68.55, -63.79

 

CMYK 47 / 76 / 0 / 15

HEX #7434D9

RGB 116 52 217

HSL 263.27, 0.68%, 0.53%

LAB 39.88, 61.19, -73.51

 

CMYK 67 / 76 / 0 / 15

HEX #4834D9

RGB 72 52 217

HSL 247.27, 0.68%, 0.53%

LAB 35.68, 55.74, -80.57

 

CMYK 0 / 76 / 15 / 15

HEX #D934B9

RGB 217 52 185

HSL 311.64, 0.68%, 0.53%

LAB 52.63, 74.45, -33.74

 

CMYK 0 / 86 / 17 / 7

HEX #ED21C4

RGB 237 33 196

HSL 312.06, 0.85%, 0.53%

LAB 55.15, 84.25, -35.91

 

CMYK 0 / 76 / 15 / 15

HEX #D934B9

RGB 217 52 185

HSL 311.64, 0.68%, 0.53%

LAB 52.63, 74.45, -33.74

 

CMYK 0 / 64 / 13 / 22

HEX #C647AD

RGB 198 71 173

HSL 311.81, 0.53%, 0.53%

LAB 51.3, 61.63, -29.04

 

CMYK 0 / 49 / 10 / 30

HEX #B35BA1

RGB 179 91 161

HSL 312.27, 0.37%, 0.53%

LAB 51.43, 45.06, -22.03

 

CMYK 0 / 31 / 6 / 38

HEX #9F6E95

RGB 159 110 149

HSL 312.24, 0.2%, 0.53%

LAB 52.61, 25.89, -13.41

 

CMYK 0 / 7 / 1 / 45

HEX #8C828A

RGB 140 130 138

HSL 312, 0.04%, 0.53%

LAB 55.46, 5.3, -2.95

 

CMYK 27 / 76 / 0 / 15

HEX #9F34D9

RGB 159 52 217

HSL 278.91, 0.68%, 0.53%

LAB 45.41, 68.2, -64.26

 

CMYK 6 / 76 / 0 / 15

HEX #CC34D9

RGB 204 52 217

HSL 295.27, 0.68%, 0.53%

LAB 52.18, 76.57, -53.01

 

CMYK 0 / 76 / 14 / 15

HEX #D934BB

RGB 217 52 187

HSL 310.91, 0.68%, 0.53%

LAB 52.73, 74.72, -34.75

 

CMYK 0 / 76 / 34 / 15

HEX #D9348F

RGB 217 52 143

HSL 326.91, 0.68%, 0.53%

LAB 50.91, 69.3, -11.6

 

CMYK 0 / 76 / 54 / 15

HEX #D93463

RGB 217 52 99

HSL 342.91, 0.68%, 0.53%

LAB 49.63, 65.3, 13.16

 

CMYK 0 / 82 / 16 / 38

HEX #9E1D85

RGB 158 29 133

HSL 311.63, 0.69%, 0.37%

LAB 37.56, 60.34, -26.95

 

CMYK 0 / 82 / 16 / 24

HEX #C123A2

RGB 193 35 162

HSL 311.77, 0.69%, 0.45%

LAB 45.84, 70.51, -31.13

 

CMYK 0 / 76 / 15 / 15

HEX #D934B9

RGB 217 52 185

HSL 311.64, 0.68%, 0.53%

LAB 52.63, 74.45, -33.74

 

CMYK 0 / 61 / 12 / 12

HEX #E057C5

RGB 224 87 197

HSL 311.82, 0.69%, 0.61%

LAB 58.69, 65.51, -31.12

 

CMYK 0 / 47 / 9 / 10

HEX #E67AD1

RGB 230 122 209

HSL 311.67, 0.68%, 0.69%

LAB 66.02, 53.05, -26.52

 

CMYK 0 / 77 / 15 / 15

HEX #DA33B9

RGB 218 51 185

HSL 311.86, 0.69%, 0.53%

LAB 52.7, 74.95, -33.61

 

CMYK 0 / 47 / 76 / 15

HEX #D97334

RGB 217 115 52

HSL 22.91, 0.68%, 0.53%

LAB 59.22, 35.42, 50.93

 

CMYK 76 / 0 / 16 / 15

HEX #34D9B6

RGB 52 217 182

HSL 167.27, 0.68%, 0.53%

LAB 78.31, -49.23, 5.47

 

CMYK 0 / 77 / 15 / 15

HEX #DA33B9

RGB 218 51 185

HSL 311.86, 0.69%, 0.53%

LAB 52.7, 74.95, -33.61

 

CMYK 14 / 0 / 76 / 15

HEX #BBD934

RGB 187 217 52

HSL 70.91, 0.68%, 0.53%

LAB 82.08, -30.39, 71.91

 

CMYK 76 / 14 / 0 / 15

HEX #34BBD9

RGB 52 187 217

HSL 190.91, 0.68%, 0.53%

LAB 70.37, -25.51, -25.28

 

CMYK 0 / 77 / 15 / 15

HEX #DA33B9

RGB 218 51 185

HSL 311.86, 0.69%, 0.53%

LAB 52.7, 74.95, -33.61

 

CMYK 0 / 47 / 76 / 15

HEX #D97334

RGB 217 115 52

HSL 22.91, 0.68%, 0.53%

LAB 59.22, 35.42, 50.93

 

CMYK 76 / 0 / 62 / 15

HEX #34D952

RGB 52 217 82

HSL 130.91, 0.68%, 0.53%

LAB 76.66, -67.68, 53.44

 

CMYK 76 / 29 / 0 / 15

HEX #349AD9

RGB 52 154 217

HSL 202.91, 0.68%, 0.53%

LAB 60.65, -7.92, -40.35

 

CMYK 0 / 77 / 15 / 15

HEX #DA33B9

RGB 218 51 185

HSL 311.86, 0.69%, 0.53%

LAB 52.7, 74.95, -33.61

 

CMYK 0 / 24 / 76 / 15

HEX #D9A534

RGB 217 165 52

HSL 41.09, 0.68%, 0.53%

LAB 70.81, 8.74, 62.27

 

CMYK 76 / 0 / 62 / 15

HEX #34D952

RGB 52 217 82

HSL 130.91, 0.68%, 0.53%

LAB 76.66, -67.68, 53.44

 

CMYK 76 / 52 / 0 / 15

HEX #3468D9

RGB 52 104 217

HSL 221.09, 0.68%, 0.53%

LAB 46.5, 22.4, -62.92

 

Description

Color code: RGB 218 51 185 | qconv.com Color code: RGB 218 51 185 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 51 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 51 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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