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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 41 185 it is the complementary color RGB 37 214 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 41 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 41 185 shade: RGB 223 41 180, RGB 240 59 199, RGB 255 77 218, RGB 255 95 237 and RGB 255 113 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 41 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 41 185 shade: RGB 218 41 185, RGB 201 23 166, RGB 184 5 147, RGB 167 0 128 and RGB 150 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 41 185 shade: RGB 218 41 185, RGB 218 41 137, RGB 218 41 89, RGB 218 41 42 and RGB 218 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 41 185 shade: RGB 218 41 185, RGB 204 41 218, RGB 156 41 218, RGB 108 41 218 and RGB 60 41 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 41 185 shade matches the following richer shades: RGB 218 41 185 and RGB 238 21 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 41 185 shade: RGB 218 41 185, RGB 198 61 172, RGB 178 81 160, RGB 158 101 147 and RGB 137 122 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 41 185 shade: RGB 156 41 218, RGB 203 41 218, RGB 218 41 186, RGB 218 41 138 and RGB 218 41 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 41 185 shade: RGB 151 25 128, RGB 187 31 158, RGB 218 41 185, RGB 224 76 197 and RGB 230 111 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 41 185 shade: RGB 218 41 185, RGB 218 109 41 and RGB 41 218 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 41 185 shade: RGB 218 41 185, RGB 186 218 41 and RGB 41 186 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 41 185 shade: RGB 218 41 185, RGB 218 109 41, RGB 41 218 73 and RGB 41 150 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 41 185 shade: RGB 218 41 185, RGB 218 162 41, RGB 41 218 73 and RGB 41 97 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

Complementary color

CMYK 83 / 0 / 67 / 16

HEX #25D646

RGB 37 214 70

HSL 131.19, 0.71%, 0.49%

LAB 75.41, -69.77, 56.96

 

CMYK 0 / 82 / 19 / 13

HEX #DF29B4

RGB 223 41 180

HSL 314.18, 0.74%, 0.52%

LAB 52.47, 77.86, -30.99

 

CMYK 0 / 75 / 17 / 6

HEX #F03BC7

RGB 240 59 199

HSL 313.59, 0.86%, 0.59%

LAB 57.82, 79.43, -33.42

 

CMYK 0 / 70 / 15 / 0

HEX #FF4DDA

RGB 255 77 218

HSL 312.47, 1%, 0.65%

LAB 63.04, 79.86, -35.9

 

CMYK 0 / 63 / 7 / 0

HEX #FF5FED

RGB 255 95 237

HSL 306.75, 1%, 0.69%

LAB 66.18, 76.16, -41.58

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 0 / 89 / 17 / 21

HEX #C917A6

RGB 201 23 166

HSL 311.8, 0.79%, 0.44%

LAB 46.69, 74.98, -32.07

 

CMYK 0 / 97 / 20 / 28

HEX #B80593

RGB 184 5 147

HSL 312.4, 0.95%, 0.37%

LAB 41.85, 71.37, -28.45

 

CMYK 0 / 100 / 23 / 35

HEX #A70080

RGB 167 0 128

HSL 314.01, 1%, 0.33%

LAB 37.43, 66.25, -23.91

 

CMYK 0 / 100 / 27 / 41

HEX #96006D

RGB 150 0 109

HSL 316.4, 1%, 0.29%

LAB 33.11, 60.53, -18.91

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 0 / 81 / 37 / 15

HEX #DA2989

RGB 218 41 137

HSL 327.46, 0.71%, 0.51%

LAB 49.85, 71.85, -9.57

 

CMYK 0 / 81 / 59 / 15

HEX #DA2959

RGB 218 41 89

HSL 343.73, 0.71%, 0.51%

LAB 48.53, 67.92, 17.79

 

CMYK 0 / 81 / 81 / 15

HEX #DA292A

RGB 218 41 42

HSL 359.66, 0.71%, 0.51%

LAB 47.83, 65.79, 44.58

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 6 / 81 / 0 / 15

HEX #CC29DA

RGB 204 41 218

HSL 295.25, 0.71%, 0.51%

LAB 51.25, 79.6, -55.06

 

CMYK 28 / 81 / 0 / 15

HEX #9C29DA

RGB 156 41 218

HSL 278.98, 0.71%, 0.51%

LAB 43.82, 71.47, -67.43

 

CMYK 50 / 81 / 0 / 15

HEX #6C29DA

RGB 108 41 218

HSL 262.71, 0.71%, 0.51%

LAB 37.55, 64.76, -77.95

 

CMYK 72 / 81 / 0 / 15

HEX #3C29DA

RGB 60 41 218

HSL 246.44, 0.71%, 0.51%

LAB 33.15, 60.19, -85.36

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 0 / 91 / 17 / 7

HEX #EE15C6

RGB 238 21 198

HSL 311.06, 0.86%, 0.51%

LAB 54.86, 86.35, -37.52

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 0 / 69 / 13 / 22

HEX #C63DAC

RGB 198 61 172

HSL 311.39, 0.55%, 0.51%

LAB 49.88, 65.31, -30.66

 

CMYK 0 / 54 / 10 / 30

HEX #B251A0

RGB 178 81 160

HSL 311.13, 0.39%, 0.51%

LAB 49.36, 49.57, -24.64

 

CMYK 0 / 36 / 7 / 38

HEX #9E6593

RGB 158 101 147

HSL 311.58, 0.23%, 0.51%

LAB 50.31, 30.28, -15.73

 

CMYK 0 / 11 / 2 / 46

HEX #897A86

RGB 137 122 134

HSL 312, 0.06%, 0.51%

LAB 52.9, 8.02, -4.42

 

CMYK 28 / 81 / 0 / 15

HEX #9C29DA

RGB 156 41 218

HSL 278.98, 0.71%, 0.51%

LAB 43.82, 71.47, -67.43

 

CMYK 7 / 81 / 0 / 15

HEX #CB29DA

RGB 203 41 218

HSL 294.92, 0.71%, 0.51%

LAB 51.09, 79.42, -55.33

 

CMYK 0 / 81 / 15 / 15

HEX #DA29BA

RGB 218 41 186

HSL 310.85, 0.71%, 0.51%

LAB 51.88, 77.59, -35.49

 

CMYK 0 / 81 / 37 / 15

HEX #DA298A

RGB 218 41 138

HSL 327.12, 0.71%, 0.51%

LAB 49.89, 71.95, -10.12

 

CMYK 0 / 81 / 58 / 15

HEX #DA295B

RGB 218 41 91

HSL 343.05, 0.71%, 0.51%

LAB 48.57, 68.04, 16.62

 

CMYK 0 / 83 / 15 / 41

HEX #971980

RGB 151 25 128

HSL 310.95, 0.72%, 0.35%

LAB 35.66, 59.07, -26.9

 

CMYK 0 / 83 / 16 / 27

HEX #BB1F9E

RGB 187 31 158

HSL 311.15, 0.72%, 0.43%

LAB 44.25, 69.6, -31.3

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 0 / 66 / 12 / 12

HEX #E04CC5

RGB 224 76 197

HSL 310.95, 0.7%, 0.59%

LAB 57.12, 69.85, -33.57

 

CMYK 0 / 52 / 10 / 10

HEX #E66FD0

RGB 230 111 208

HSL 311.09, 0.7%, 0.67%

LAB 63.95, 58.19, -29.13

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 0 / 50 / 81 / 15

HEX #DA6D29

RGB 218 109 41

HSL 23.05, 0.71%, 0.51%

LAB 58.04, 38.5, 54.71

 

CMYK 81 / 0 / 17 / 15

HEX #29DAB4

RGB 41 218 180

HSL 167.12, 0.71%, 0.51%

LAB 78.41, -51.22, 6.66

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 15 / 0 / 81 / 15

HEX #BADA29

RGB 186 218 41

HSL 70.85, 0.71%, 0.51%

LAB 82.24, -31.68, 75.08

 

CMYK 81 / 15 / 0 / 15

HEX #29BADA

RGB 41 186 218

HSL 190.85, 0.71%, 0.51%

LAB 69.93, -25.74, -26.52

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 0 / 50 / 81 / 15

HEX #DA6D29

RGB 218 109 41

HSL 23.05, 0.71%, 0.51%

LAB 58.04, 38.5, 54.71

 

CMYK 81 / 0 / 67 / 15

HEX #29DA49

RGB 41 218 73

HSL 130.85, 0.71%, 0.51%

LAB 76.74, -70.28, 57.21

 

CMYK 81 / 31 / 0 / 15

HEX #2996DA

RGB 41 150 218

HSL 203.05, 0.71%, 0.51%

LAB 59.29, -6.44, -43.06

 

CMYK 0 / 81 / 15 / 15

HEX #DA29B9

RGB 218 41 185

HSL 311.19, 0.71%, 0.51%

LAB 51.83, 77.46, -34.98

 

CMYK 0 / 26 / 81 / 15

HEX #DAA229

RGB 218 162 41

HSL 41.02, 0.71%, 0.51%

LAB 70.11, 10.38, 65.52

 

CMYK 81 / 0 / 67 / 15

HEX #29DA49

RGB 41 218 73

HSL 130.85, 0.71%, 0.51%

LAB 76.74, -70.28, 57.21

 

CMYK 81 / 56 / 0 / 15

HEX #2961DA

RGB 41 97 218

HSL 221.02, 0.71%, 0.51%

LAB 44.35, 26.16, -66.99

 

Description

Color code: RGB 218 41 185 | qconv.com Color code: RGB 218 41 185 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 41 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 41 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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