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Color name
RGB 218 207 204

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 207 204 it is the complementary color RGB 37 48 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 207 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 207 204 shade: RGB 223 207 199, RGB 240 225 218 and RGB 255 243 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 207 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 207 204 shade: RGB 218 207 204, RGB 201 189 185, RGB 184 171 166, RGB 167 153 147 and RGB 150 135 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 207 204 shade: RGB 218 207 204 and RGB 218 204 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 207 204 shade: RGB 218 207 204, RGB 218 211 204, RGB 218 215 204, RGB 218 218 204 and RGB 214 218 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 207 204 shade matches the following richer shades: RGB 218 207 204, RGB 225 203 197, RGB 232 199 190, RGB 239 195 183 and RGB 246 191 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 207 204 shade: RGB 218 207 204, RGB 211 211 211, RGB 204 215 218, RGB 197 219 225 and RGB 190 223 232

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 207 204 shade: RGB 218 204 209, RGB 218 204 205, RGB 218 207 204, RGB 218 211 204 and RGB 218 214 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 207 204 shade: RGB 183 162 156, RGB 201 185 180, RGB 218 207 204, RGB 235 230 228 and RGB 253 252 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 207 204 shade: RGB 218 207 204, RGB 213 218 204 and RGB 204 207 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 207 204 shade: RGB 218 207 204, RGB 204 218 207 and RGB 207 204 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 207 204 shade: RGB 218 207 204, RGB 213 218 204, RGB 204 215 218 and RGB 210 204 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 207 204 shade: RGB 218 207 204, RGB 208 218 204, RGB 204 215 218 and RGB 214 204 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

Complementary color

CMYK 27 / 6 / 0 / 80

HEX #253033

RGB 37 48 51

HSL 192.86, 0.16%, 0.17%

LAB 19, -3.81, -3.46

 

CMYK 0 / 7 / 11 / 13

HEX #DFCFC7

RGB 223 207 199

HSL 20, 0.27%, 0.83%

LAB 84.19, 4.21, 5.96

 

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 0 / 5 / 7 / 0

HEX #FFF3ED

RGB 255 243 237

HSL 20, 1%, 0.96%

LAB 96.61, 3.02, 4.31

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 0 / 6 / 8 / 21

HEX #C9BDB9

RGB 201 189 185

HSL 15, 0.13%, 0.76%

LAB 77.47, 3.53, 3.52

 

CMYK 0 / 7 / 10 / 28

HEX #B8ABA6

RGB 184 171 166

HSL 16.67, 0.11%, 0.69%

LAB 70.92, 3.79, 4.24

 

CMYK 0 / 8 / 12 / 35

HEX #A79993

RGB 167 153 147

HSL 18, 0.1%, 0.62%

LAB 64.25, 4.09, 5

 

CMYK 0 / 10 / 15 / 41

HEX #968780

RGB 150 135 128

HSL 19.09, 0.09%, 0.55%

LAB 57.43, 4.42, 5.81

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 0 / 6 / 6 / 15

HEX #DACCCC

RGB 218 204 204

HSL 0, 0.16%, 0.83%

LAB 83.15, 4.86, 1.74

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 0 / 3 / 6 / 15

HEX #DAD3CC

RGB 218 211 204

HSL 30, 0.16%, 0.83%

LAB 84.92, 1.19, 4.31

 

CMYK 0 / 1 / 6 / 15

HEX #DAD7CC

RGB 218 215 204

HSL 47.14, 0.16%, 0.83%

LAB 85.94, -0.89, 5.78

 

CMYK 0 / 0 / 6 / 15

HEX #DADACC

RGB 218 218 204

HSL 60, 0.16%, 0.83%

LAB 86.71, -2.44, 6.88

 

CMYK 2 / 0 / 6 / 15

HEX #D6DACC

RGB 214 218 204

HSL 77.14, 0.16%, 0.83%

LAB 86.4, -3.83, 6.41

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 0 / 10 / 12 / 12

HEX #E1CBC5

RGB 225 203 197

HSL 12.86, 0.32%, 0.83%

LAB 83.31, 6.7, 5.77

 

CMYK 0 / 14 / 18 / 9

HEX #E8C7BE

RGB 232 199 190

HSL 12.86, 0.48%, 0.83%

LAB 82.76, 10.23, 8.8

 

CMYK 0 / 18 / 23 / 6

HEX #EFC3B7

RGB 239 195 183

HSL 12.86, 0.64%, 0.83%

LAB 82.27, 13.88, 11.93

 

CMYK 0 / 22 / 28 / 4

HEX #F6BFB0

RGB 246 191 176

HSL 12.86, 0.8%, 0.83%

LAB 81.83, 17.63, 15.15

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D3

RGB 211 211 211

HSL 0, 0%, 0.83%

LAB 84.56, 0, -0.01

 

CMYK 6 / 1 / 0 / 15

HEX #CCD7DA

RGB 204 215 218

HSL 192.86, 0.16%, 0.83%

LAB 85.25, -3.13, -2.77

 

CMYK 12 / 3 / 0 / 12

HEX #C5DBE1

RGB 197 219 225

HSL 192.86, 0.32%, 0.83%

LAB 85.99, -6.11, -5.44

 

CMYK 18 / 4 / 0 / 9

HEX #BEDFE8

RGB 190 223 232

HSL 192.86, 0.48%, 0.83%

LAB 86.78, -8.93, -8.03

 

CMYK 0 / 6 / 4 / 15

HEX #DACCD1

RGB 218 204 209

HSL 338.57, 0.16%, 0.83%

LAB 83.28, 5.73, -0.74

 

CMYK 0 / 6 / 6 / 15

HEX #DACCCD

RGB 218 204 205

HSL 355.71, 0.16%, 0.83%

LAB 83.18, 5.03, 1.24

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 0 / 3 / 6 / 15

HEX #DAD3CC

RGB 218 211 204

HSL 30, 0.16%, 0.83%

LAB 84.92, 1.19, 4.31

 

CMYK 0 / 2 / 6 / 15

HEX #DAD6CC

RGB 218 214 204

HSL 42.86, 0.16%, 0.83%

LAB 85.68, -0.37, 5.41

 

CMYK 0 / 11 / 15 / 28

HEX #B7A29C

RGB 183 162 156

HSL 13.33, 0.16%, 0.66%

LAB 68.25, 6.65, 5.91

 

CMYK 0 / 8 / 10 / 21

HEX #C9B9B4

RGB 201 185 180

HSL 14.29, 0.16%, 0.75%

LAB 76.32, 4.82, 4.57

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 0 / 2 / 3 / 8

HEX #EBE6E4

RGB 235 230 228

HSL 17.14, 0.15%, 0.91%

LAB 91.62, 1.34, 1.56

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACC

RGB 213 218 204

HSL 81.43, 0.16%, 0.83%

LAB 86.33, -4.18, 6.29

 

CMYK 6 / 5 / 0 / 15

HEX #CCCFDA

RGB 204 207 218

HSL 227.14, 0.16%, 0.83%

LAB 83.19, 1.06, -5.8

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 6 / 0 / 5 / 15

HEX #CCDACF

RGB 204 218 207

HSL 132.86, 0.16%, 0.83%

LAB 85.75, -6.73, 3.78

 

CMYK 5 / 6 / 0 / 15

HEX #CFCCDA

RGB 207 204 218

HSL 252.86, 0.16%, 0.83%

LAB 82.65, 3.64, -6.57

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACC

RGB 213 218 204

HSL 81.43, 0.16%, 0.83%

LAB 86.33, -4.18, 6.29

 

CMYK 6 / 1 / 0 / 15

HEX #CCD7DA

RGB 204 215 218

HSL 192.86, 0.16%, 0.83%

LAB 85.25, -3.13, -2.77

 

CMYK 4 / 6 / 0 / 15

HEX #D2CCDA

RGB 210 204 218

HSL 265.71, 0.16%, 0.83%

LAB 82.89, 4.64, -6.2

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCC

RGB 218 207 204

HSL 12.86, 0.16%, 0.83%

LAB 83.91, 3.28, 2.84

 

CMYK 5 / 0 / 6 / 15

HEX #D0DACC

RGB 208 218 204

HSL 102.86, 0.16%, 0.83%

LAB 85.96, -5.9, 5.71

 

CMYK 6 / 1 / 0 / 15

HEX #CCD7DA

RGB 204 215 218

HSL 192.86, 0.16%, 0.83%

LAB 85.25, -3.13, -2.77

 

CMYK 2 / 6 / 0 / 15

HEX #D6CCDA

RGB 214 204 218

HSL 282.86, 0.16%, 0.83%

LAB 83.2, 5.99, -5.7

 

Description

Color code: RGB 218 207 204 | qconv.com Color code: RGB 218 207 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 207 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 207 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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