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Color name
RGB 218 189 196

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 189 196 it is the complementary color RGB 37 66 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 189 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 189 196 shade: RGB 223 189 191, RGB 240 207 210, RGB 255 225 229 and RGB 255 243 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 189 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 189 196 shade: RGB 218 189 196, RGB 201 171 177, RGB 184 153 158, RGB 167 135 139 and RGB 150 117 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 189 196 shade: RGB 218 189 196 and RGB 218 189 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 189 196 shade: RGB 218 189 196, RGB 218 189 204, RGB 218 189 212, RGB 216 189 218 and RGB 209 189 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 189 196 shade matches the following richer shades: RGB 218 189 196, RGB 226 181 192, RGB 234 173 188, RGB 243 164 183 and RGB 251 156 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 189 196 shade: RGB 218 189 196, RGB 210 197 200, RGB 201 206 205, RGB 193 214 209 and RGB 185 222 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 189 196 shade: RGB 218 189 212, RGB 218 189 204, RGB 218 189 196, RGB 218 190 189 and RGB 218 197 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 189 196 shade: RGB 188 136 149, RGB 203 163 172, RGB 218 189 196, RGB 233 216 220 and RGB 247 242 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 189 196 shade: RGB 218 189 196, RGB 218 216 189 and RGB 189 208 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 189 196 shade: RGB 218 189 196, RGB 196 218 189 and RGB 189 196 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 189 196 shade: RGB 218 189 196, RGB 218 216 189, RGB 189 218 211 and RGB 189 191 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 189 196 shade: RGB 218 189 196, RGB 211 218 189, RGB 189 218 211 and RGB 196 189 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

Complementary color

CMYK 44 / 0 / 11 / 74

HEX #25423B

RGB 37 66 59

HSL 165.52, 0.28%, 0.2%

LAB 25.58, -12.87, 0.83

 

CMYK 0 / 15 / 14 / 13

HEX #DFBDBF

RGB 223 189 191

HSL 356.47, 0.35%, 0.81%

LAB 79.53, 12.43, 3.5

 

CMYK 0 / 14 / 13 / 6

HEX #F0CFD2

RGB 240 207 210

HSL 354.55, 0.52%, 0.88%

LAB 85.91, 12.02, 2.78

 

CMYK 0 / 12 / 10 / 0

HEX #FFE1E5

RGB 255 225 229

HSL 352, 1%, 0.94%

LAB 92.03, 10.94, 1.83

 

CMYK 0 / 5 / 3 / 0

HEX #FFF3F8

RGB 255 243 248

HSL 335, 1%, 0.98%

LAB 96.88, 4.88, -0.97

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 15 / 12 / 21

HEX #C9ABB1

RGB 201 171 177

HSL 348, 0.22%, 0.73%

LAB 72.71, 11.87, 0.97

 

CMYK 0 / 17 / 14 / 28

HEX #B8999E

RGB 184 153 158

HSL 350.32, 0.18%, 0.66%

LAB 66.09, 12.32, 1.69

 

CMYK 0 / 19 / 17 / 35

HEX #A7878B

RGB 167 135 139

HSL 352.5, 0.15%, 0.59%

LAB 59.35, 12.83, 2.47

 

CMYK 0 / 22 / 20 / 41

HEX #967578

RGB 150 117 120

HSL 354.55, 0.14%, 0.52%

LAB 52.47, 13.4, 3.3

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 13 / 13 / 15

HEX #DABDBD

RGB 218 189 189

HSL 0, 0.28%, 0.8%

LAB 79.03, 10.31, 3.8

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 13 / 6 / 15

HEX #DABDCC

RGB 218 189 204

HSL 328.97, 0.28%, 0.8%

LAB 79.42, 12.83, -3.72

 

CMYK 0 / 13 / 3 / 15

HEX #DABDD4

RGB 218 189 212

HSL 312.41, 0.28%, 0.8%

LAB 79.64, 14.25, -7.71

 

CMYK 1 / 13 / 0 / 15

HEX #D8BDDA

RGB 216 189 218

HSL 295.86, 0.28%, 0.8%

LAB 79.65, 14.67, -10.96

 

CMYK 4 / 13 / 0 / 15

HEX #D1BDDA

RGB 209 189 218

HSL 281.38, 0.28%, 0.8%

LAB 79.05, 12.32, -11.91

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 20 / 15 / 11

HEX #E2B5C0

RGB 226 181 192

HSL 345.33, 0.44%, 0.8%

LAB 77.89, 17.95, 0.61

 

CMYK 0 / 26 / 20 / 8

HEX #EAADBC

RGB 234 173 188

HSL 345.25, 0.59%, 0.8%

LAB 76.69, 24.48, 1.13

 

CMYK 0 / 33 / 25 / 5

HEX #F3A4B7

RGB 243 164 183

HSL 345.57, 0.77%, 0.8%

LAB 75.47, 31.75, 2.21

 

CMYK 0 / 38 / 29 / 2

HEX #FB9CB3

RGB 251 156 179

HSL 345.47, 0.92%, 0.8%

LAB 74.53, 38.23, 3.17

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 6 / 5 / 18

HEX #D2C5C8

RGB 210 197 200

HSL 346.15, 0.13%, 0.8%

LAB 80.63, 5.06, 0.12

 

CMYK 2 / 0 / 0 / 19

HEX #C9CECD

RGB 201 206 205

HSL 168, 0.05%, 0.8%

LAB 82.36, -1.89, -0.11

 

CMYK 10 / 0 / 2 / 16

HEX #C1D6D1

RGB 193 214 209

HSL 165.71, 0.2%, 0.8%

LAB 83.98, -7.97, 0.06

 

CMYK 17 / 0 / 4 / 13

HEX #B9DED5

RGB 185 222 213

HSL 165.41, 0.36%, 0.8%

LAB 85.69, -13.86, 0.36

 

CMYK 0 / 13 / 3 / 15

HEX #DABDD4

RGB 218 189 212

HSL 312.41, 0.28%, 0.8%

LAB 79.64, 14.25, -7.71

 

CMYK 0 / 13 / 6 / 15

HEX #DABDCC

RGB 218 189 204

HSL 328.97, 0.28%, 0.8%

LAB 79.42, 12.83, -3.72

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 13 / 13 / 15

HEX #DABEBD

RGB 218 190 189

HSL 2.07, 0.28%, 0.8%

LAB 79.27, 9.77, 4.16

 

CMYK 0 / 10 / 13 / 15

HEX #DAC5BD

RGB 218 197 189

HSL 16.55, 0.28%, 0.8%

LAB 81.02, 6.06, 6.68

 

CMYK 0 / 28 / 21 / 26

HEX #BC8895

RGB 188 136 149

HSL 345, 0.28%, 0.64%

LAB 62.06, 21.82, 0.96

 

CMYK 0 / 20 / 15 / 20

HEX #CBA3AC

RGB 203 163 172

HSL 346.5, 0.28%, 0.72%

LAB 70.78, 16.14, 0.94

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 7 / 6 / 9

HEX #E9D8DC

RGB 233 216 220

HSL 345.88, 0.28%, 0.88%

LAB 87.78, 6.53, 0.14

 

CMYK 0 / 2 / 2 / 3

HEX #F7F2F3

RGB 247 242 243

HSL 348, 0.24%, 0.96%

LAB 95.89, 1.85, 0.1

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 1 / 13 / 15

HEX #DAD8BD

RGB 218 216 189

HSL 55.86, 0.28%, 0.8%

LAB 85.85, -3.86, 13.57

 

CMYK 13 / 5 / 0 / 15

HEX #BDD0DA

RGB 189 208 218

HSL 200.69, 0.28%, 0.8%

LAB 82.37, -4.37, -7.13

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 10 / 0 / 13 / 15

HEX #C4DABD

RGB 196 218 189

HSL 105.52, 0.28%, 0.8%

LAB 84.77, -12.64, 11.81

 

CMYK 13 / 10 / 0 / 15

HEX #BDC4DA

RGB 189 196 218

HSL 225.52, 0.28%, 0.8%

LAB 79.25, 1.97, -11.78

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 0 / 1 / 13 / 15

HEX #DAD8BD

RGB 218 216 189

HSL 55.86, 0.28%, 0.8%

LAB 85.85, -3.86, 13.57

 

CMYK 13 / 0 / 3 / 15

HEX #BDDAD3

RGB 189 218 211

HSL 165.52, 0.28%, 0.8%

LAB 84.83, -10.94, 0.2

 

CMYK 13 / 12 / 0 / 15

HEX #BDBFDA

RGB 189 191 218

HSL 235.86, 0.28%, 0.8%

LAB 77.96, 4.65, -13.71

 

CMYK 0 / 13 / 10 / 15

HEX #DABDC4

RGB 218 189 196

HSL 345.52, 0.28%, 0.8%

LAB 79.21, 11.46, 0.28

 

CMYK 3 / 0 / 13 / 15

HEX #D3DABD

RGB 211 218 189

HSL 74.48, 0.28%, 0.8%

LAB 85.84, -7.39, 13.47

 

CMYK 13 / 0 / 3 / 15

HEX #BDDAD3

RGB 189 218 211

HSL 165.52, 0.28%, 0.8%

LAB 84.83, -10.94, 0.2

 

CMYK 10 / 13 / 0 / 15

HEX #C4BDDA

RGB 196 189 218

HSL 254.48, 0.28%, 0.8%

LAB 77.99, 8.01, -13.61

 

Description

Color code: RGB 218 189 196 | qconv.com Color code: RGB 218 189 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 189 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 189 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 10 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 10% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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