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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 174 189 it is the complementary color RGB 37 81 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 174 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 174 189 shade: RGB 223 174 184, RGB 240 192 203, RGB 255 210 222, RGB 255 228 241 and RGB 255 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 174 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 174 189 shade: RGB 218 174 189, RGB 201 156 170, RGB 184 138 151, RGB 167 120 132 and RGB 150 102 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 174 189 shade: RGB 218 174 189, RGB 218 174 177 and RGB 218 174 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 174 189 shade: RGB 218 174 189, RGB 218 174 201, RGB 218 174 212, RGB 211 174 218 and RGB 199 174 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 174 189 shade matches the following richer shades: RGB 218 174 189, RGB 227 165 186, RGB 237 155 183 and RGB 246 146 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 174 189 shade: RGB 218 174 189, RGB 208 184 192, RGB 199 193 195, RGB 189 203 198 and RGB 180 212 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 174 189 shade: RGB 218 174 212, RGB 218 174 201, RGB 218 174 189, RGB 218 174 178 and RGB 218 182 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 174 189 shade: RGB 192 118 143, RGB 205 146 166, RGB 218 174 189, RGB 231 202 212 and RGB 244 231 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 174 189 shade: RGB 218 174 189, RGB 218 211 174 and RGB 174 207 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 174 189 shade: RGB 218 174 189, RGB 189 218 174 and RGB 174 189 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 174 189 shade: RGB 218 174 189, RGB 218 211 174, RGB 174 218 202 and RGB 174 181 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 174 189 shade: RGB 218 174 189, RGB 211 218 174, RGB 174 218 202 and RGB 181 174 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

Complementary color

CMYK 54 / 0 / 19 / 68

HEX #255142

RGB 37 81 66

HSL 159.55, 0.37%, 0.23%

LAB 31.05, -19.41, 4.19

 

CMYK 0 / 22 / 17 / 13

HEX #DFAEB8

RGB 223 174 184

HSL 347.76, 0.43%, 0.78%

LAB 75.71, 19.36, 1.77

 

CMYK 0 / 20 / 15 / 6

HEX #F0C0CB

RGB 240 192 203

HSL 346.25, 0.62%, 0.85%

LAB 82.13, 18.82, 1.02

 

CMYK 0 / 18 / 13 / 0

HEX #FFD2DE

RGB 255 210 222

HSL 344, 1%, 0.91%

LAB 88.27, 17.62, 0.03

 

CMYK 0 / 11 / 5 / 0

HEX #FFE4F1

RGB 255 228 241

HSL 331.11, 1%, 0.95%

LAB 93.06, 11.38, -2.94

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 22 / 15 / 21

HEX #C99CAA

RGB 201 156 170

HSL 341.33, 0.29%, 0.7%

LAB 68.82, 18.92, -0.83

 

CMYK 0 / 25 / 18 / 28

HEX #B88A97

RGB 184 138 151

HSL 343.04, 0.24%, 0.63%

LAB 62.17, 19.53, -0.07

 

CMYK 0 / 28 / 21 / 35

HEX #A77884

RGB 167 120 132

HSL 344.68, 0.21%, 0.56%

LAB 55.39, 20.21, 0.76

 

CMYK 0 / 32 / 25 / 41

HEX #966671

RGB 150 102 113

HSL 346.25, 0.19%, 0.49%

LAB 48.48, 20.97, 1.68

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 20 / 19 / 15

HEX #DAAEB1

RGB 218 174 177

HSL 355.91, 0.37%, 0.77%

LAB 75.05, 16.46, 4.56

 

CMYK 0 / 20 / 20 / 15

HEX #DAAEAE

RGB 218 174 174

HSL 0, 0.37%, 0.77%

LAB 74.97, 16, 6.1

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 20 / 8 / 15

HEX #DAAEC9

RGB 218 174 201

HSL 323.18, 0.37%, 0.77%

LAB 75.7, 20.38, -7.6

 

CMYK 0 / 20 / 3 / 15

HEX #DAAED4

RGB 218 174 212

HSL 308.18, 0.37%, 0.77%

LAB 76.03, 22.33, -13.1

 

CMYK 3 / 20 / 0 / 15

HEX #D3AEDA

RGB 211 174 218

HSL 290.45, 0.37%, 0.77%

LAB 75.56, 21.11, -17.13

 

CMYK 9 / 20 / 0 / 15

HEX #C7AEDA

RGB 199 174 218

HSL 274.09, 0.37%, 0.77%

LAB 74.49, 17.15, -18.85

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 27 / 18 / 11

HEX #E3A5BA

RGB 227 165 186

HSL 339.68, 0.53%, 0.77%

LAB 74.05, 25.95, -1.71

 

CMYK 0 / 35 / 23 / 7

HEX #ED9BB7

RGB 237 155 183

HSL 339.51, 0.69%, 0.77%

LAB 72.8, 34.37, -1.75

 

CMYK 0 / 41 / 27 / 4

HEX #F692B4

RGB 246 146 180

HSL 339.6, 0.85%, 0.77%

LAB 71.86, 41.78, -1.36

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 12 / 8 / 18

HEX #D0B8C0

RGB 208 184 192

HSL 340, 0.2%, 0.77%

LAB 76.98, 9.91, -0.91

 

CMYK 0 / 3 / 2 / 22

HEX #C7C1C3

RGB 199 193 195

HSL 340, 0.05%, 0.77%

LAB 78.59, 2.46, -0.27

 

CMYK 7 / 0 / 2 / 20

HEX #BDCBC6

RGB 189 203 198

HSL 158.57, 0.12%, 0.77%

LAB 80.52, -5.7, 0.84

 

CMYK 15 / 0 / 5 / 17

HEX #B4D4C9

RGB 180 212 201

HSL 159.38, 0.27%, 0.77%

LAB 82.38, -12.76, 1.88

 

CMYK 0 / 20 / 3 / 15

HEX #DAAED4

RGB 218 174 212

HSL 308.18, 0.37%, 0.77%

LAB 76.03, 22.33, -13.1

 

CMYK 0 / 20 / 8 / 15

HEX #DAAEC9

RGB 218 174 201

HSL 323.18, 0.37%, 0.77%

LAB 75.7, 20.38, -7.6

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 20 / 18 / 15

HEX #DAAEB2

RGB 218 174 178

HSL 354.55, 0.37%, 0.77%

LAB 75.07, 16.61, 4.05

 

CMYK 0 / 17 / 20 / 15

HEX #DAB6AE

RGB 218 182 174

HSL 10.91, 0.37%, 0.77%

LAB 76.93, 11.71, 8.9

 

CMYK 0 / 39 / 26 / 25

HEX #C0768F

RGB 192 118 143

HSL 339.73, 0.37%, 0.61%

LAB 58.18, 32.32, -1.21

 

CMYK 0 / 29 / 19 / 20

HEX #CD92A6

RGB 205 146 166

HSL 339.66, 0.37%, 0.69%

LAB 66.74, 25.22, -1.59

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 13 / 8 / 9

HEX #E7CAD4

RGB 231 202 212

HSL 339.31, 0.38%, 0.85%

LAB 83.96, 11.82, -1.22

 

CMYK 0 / 5 / 4 / 4

HEX #F4E7EB

RGB 244 231 235

HSL 341.54, 0.37%, 0.93%

LAB 92.74, 5.09, -0.37

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 3 / 20 / 15

HEX #DAD3AE

RGB 218 211 174

HSL 50.45, 0.37%, 0.77%

LAB 84.25, -3.56, 19.22

 

CMYK 20 / 5 / 0 / 15

HEX #AECFDA

RGB 174 207 218

HSL 195, 0.37%, 0.77%

LAB 81.12, -8.57, -9.1

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 13 / 0 / 20 / 15

HEX #BDDAAE

RGB 189 218 174

HSL 99.55, 0.37%, 0.77%

LAB 83.97, -17.59, 18.51

 

CMYK 20 / 13 / 0 / 15

HEX #AEBDDA

RGB 174 189 218

HSL 219.55, 0.37%, 0.77%

LAB 76.35, 0.97, -16.24

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 0 / 3 / 20 / 15

HEX #DAD3AE

RGB 218 211 174

HSL 50.45, 0.37%, 0.77%

LAB 84.25, -3.56, 19.22

 

CMYK 20 / 0 / 7 / 15

HEX #AEDACA

RGB 174 218 202

HSL 158.18, 0.37%, 0.77%

LAB 83.66, -17.52, 3.15

 

CMYK 20 / 17 / 0 / 15

HEX #AEB5DA

RGB 174 181 218

HSL 230.45, 0.37%, 0.77%

LAB 74.26, 5.31, -19.4

 

CMYK 0 / 20 / 13 / 15

HEX #DAAEBD

RGB 218 174 189

HSL 339.55, 0.37%, 0.77%

LAB 75.36, 18.36, -1.54

 

CMYK 3 / 0 / 20 / 15

HEX #D3DAAE

RGB 211 218 174

HSL 69.55, 0.37%, 0.77%

LAB 85.53, -9.72, 20.91

 

CMYK 20 / 0 / 7 / 15

HEX #AEDACA

RGB 174 218 202

HSL 158.18, 0.37%, 0.77%

LAB 83.66, -17.52, 3.15

 

CMYK 17 / 20 / 0 / 15

HEX #B5AEDA

RGB 181 174 218

HSL 249.55, 0.37%, 0.77%

LAB 73, 11.36, -21.27

 

Description

Color code: RGB 218 174 189 | qconv.com Color code: RGB 218 174 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 174 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 174 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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