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Color name
RGB 218 159 57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 159 57 it is the complementary color RGB 37 96 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 159 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 159 57 shade: RGB 223 159 52, RGB 240 177 71, RGB 255 195 90, RGB 255 213 109 and RGB 255 231 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 159 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 159 57 shade: RGB 218 159 57, RGB 201 141 38, RGB 184 123 19, RGB 167 105 0 and RGB 150 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 159 57 shade: RGB 218 159 56, RGB 218 115 56, RGB 218 72 56 and RGB 218 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 159 57 shade: RGB 218 159 56, RGB 218 202 56, RGB 190 218 56, RGB 147 218 56 and RGB 103 218 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 159 57 shade matches the following richer shades: RGB 218 159 56 and RGB 237 164 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 159 57 shade: RGB 218 159 56, RGB 199 154 75, RGB 180 149 94, RGB 161 144 113 and RGB 142 139 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 159 57 shade: RGB 218 72 56, RGB 218 116 56, RGB 218 159 56, RGB 218 202 56 and RGB 191 218 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 159 57 shade: RGB 162 114 29, RGB 197 138 36, RGB 218 159 56, RGB 225 176 91 and RGB 231 192 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 159 57 shade: RGB 218 159 57, RGB 83 218 56 and RGB 94 56 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 159 57 shade: RGB 218 159 57, RGB 56 218 159 and RGB 159 56 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 159 57 shade: RGB 218 159 57, RGB 83 218 56, RGB 56 116 218 and RGB 191 56 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 159 57 shade: RGB 218 159 57, RGB 56 218 78, RGB 56 116 218 and RGB 218 56 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 74 / 15

HEX #DA9F39

RGB 218 159 57

HSL 38.01, 0.69%, 0.54%

LAB 69.47, 12.6, 59.04

 

Complementary color

CMYK 81 / 52 / 0 / 22

HEX #2560C6

RGB 37 96 198

HSL 218.01, 0.69%, 0.46%

LAB 42.52, 18.81, -58.49

 

CMYK 0 / 29 / 77 / 13

HEX #DF9F34

RGB 223 159 52

HSL 37.54, 0.73%, 0.54%

LAB 69.99, 14.53, 61.72

 

CMYK 0 / 26 / 70 / 6

HEX #F0B147

RGB 240 177 71

HSL 37.63, 0.85%, 0.61%

LAB 76.33, 13.04, 60.93

 

CMYK 0 / 24 / 65 / 0

HEX #FFC35A

RGB 255 195 90

HSL 38.18, 1%, 0.68%

LAB 82.39, 10.92, 59.57

 

CMYK 0 / 16 / 57 / 0

HEX #FFD56D

RGB 255 213 109

HSL 42.74, 1%, 0.71%

LAB 86.97, 2.89, 56.07

 

CMYK 0 / 9 / 50 / 0

HEX #FFE780

RGB 255 231 128

HSL 48.66, 1%, 0.75%

LAB 91.67, -4.72, 52.71

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F39

RGB 218 159 57

HSL 38.01, 0.69%, 0.54%

LAB 69.47, 12.6, 59.04

 

CMYK 0 / 30 / 81 / 21

HEX #C98D26

RGB 201 141 38

HSL 37.91, 0.68%, 0.47%

LAB 63.02, 14.21, 59.52

 

CMYK 0 / 33 / 90 / 28

HEX #B87B13

RGB 184 123 19

HSL 37.82, 0.81%, 0.4%

LAB 56.49, 16.1, 59.03

 

CMYK 0 / 37 / 100 / 35

HEX #A76900

RGB 167 105 0

HSL 37.72, 1%, 0.33%

LAB 49.88, 18.25, 57.28

 

CMYK 0 / 42 / 100 / 41

HEX #965700

RGB 150 87 0

HSL 34.8, 1%, 0.29%

LAB 43.21, 20.77, 51.86

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F38

RGB 218 159 56

HSL 38.15, 0.69%, 0.54%

LAB 69.46, 12.55, 59.44

 

CMYK 0 / 47 / 74 / 15

HEX #DA7338

RGB 218 115 56

HSL 21.85, 0.69%, 0.54%

LAB 59.39, 35.99, 49.27

 

CMYK 0 / 67 / 74 / 15

HEX #DA4838

RGB 218 72 56

HSL 5.93, 0.69%, 0.54%

LAB 51.64, 56.08, 41

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F38

RGB 218 159 56

HSL 38.15, 0.69%, 0.54%

LAB 69.46, 12.55, 59.44

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 13 / 0 / 74 / 15

HEX #BEDA38

RGB 190 218 56

HSL 70.37, 0.69%, 0.54%

LAB 82.58, -29.47, 71.21

 

CMYK 33 / 0 / 74 / 15

HEX #93DA38

RGB 147 218 56

HSL 86.3, 0.69%, 0.54%

LAB 79.97, -45.92, 67.8

 

CMYK 53 / 0 / 74 / 15

HEX #67DA38

RGB 103 218 56

HSL 102.59, 0.69%, 0.54%

LAB 78.06, -59.86, 65.29

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F38

RGB 218 159 56

HSL 38.15, 0.69%, 0.54%

LAB 69.46, 12.55, 59.44

 

CMYK 0 / 31 / 84 / 7

HEX #EDA425

RGB 237 164 37

HSL 38.1, 0.85%, 0.54%

LAB 72.69, 17.37, 69.78

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F38

RGB 218 159 56

HSL 38.15, 0.69%, 0.54%

LAB 69.46, 12.55, 59.44

 

CMYK 0 / 23 / 62 / 22

HEX #C79A4B

RGB 199 154 75

HSL 38.23, 0.53%, 0.54%

LAB 66.34, 8.13, 47.03

 

CMYK 0 / 17 / 48 / 29

HEX #B4955E

RGB 180 149 94

HSL 38.37, 0.36%, 0.54%

LAB 63.35, 4.33, 33.28

 

CMYK 0 / 11 / 30 / 37

HEX #A19071

RGB 161 144 113

HSL 38.75, 0.2%, 0.54%

LAB 60.53, 1.44, 18.81

 

CMYK 0 / 2 / 7 / 44

HEX #8E8B84

RGB 142 139 132

HSL 42, 0.04%, 0.54%

LAB 57.92, -0.2, 4.13

 

CMYK 0 / 67 / 74 / 15

HEX #DA4838

RGB 218 72 56

HSL 5.93, 0.69%, 0.54%

LAB 51.64, 56.08, 41

 

CMYK 0 / 47 / 74 / 15

HEX #DA7438

RGB 218 116 56

HSL 22.22, 0.69%, 0.54%

LAB 59.6, 35.47, 49.49

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F38

RGB 218 159 56

HSL 38.15, 0.69%, 0.54%

LAB 69.46, 12.55, 59.44

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 12 / 0 / 74 / 15

HEX #BFDA38

RGB 191 218 56

HSL 70, 0.69%, 0.54%

LAB 82.65, -29.07, 71.3

 

CMYK 0 / 30 / 82 / 36

HEX #A2721D

RGB 162 114 29

HSL 38.35, 0.7%, 0.37%

LAB 51.62, 11.49, 50.82

 

CMYK 0 / 30 / 82 / 23

HEX #C58A24

RGB 197 138 36

HSL 38.01, 0.69%, 0.46%

LAB 61.8, 14.03, 58.96

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F38

RGB 218 159 56

HSL 38.15, 0.69%, 0.54%

LAB 69.46, 12.55, 59.44

 

CMYK 0 / 22 / 60 / 12

HEX #E1B05B

RGB 225 176 91

HSL 38.06, 0.69%, 0.62%

LAB 74.71, 8.47, 49.61

 

CMYK 0 / 17 / 45 / 9

HEX #E7C07E

RGB 231 192 126

HSL 37.71, 0.69%, 0.7%

LAB 79.72, 5.49, 38.38

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F39

RGB 218 159 57

HSL 38.01, 0.69%, 0.54%

LAB 69.47, 12.6, 59.04

 

CMYK 62 / 0 / 74 / 15

HEX #53DA38

RGB 83 218 56

HSL 110, 0.69%, 0.54%

LAB 77.44, -64.8, 64.47

 

CMYK 57 / 74 / 0 / 15

HEX #5E38DA

RGB 94 56 218

HSL 254.07, 0.69%, 0.54%

LAB 38.32, 56.58, -76.73

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F39

RGB 218 159 57

HSL 38.01, 0.69%, 0.54%

LAB 69.47, 12.6, 59.04

 

CMYK 74 / 0 / 27 / 15

HEX #38DA9F

RGB 56 218 159

HSL 158.15, 0.69%, 0.54%

LAB 78.16, -54.59, 17.47

 

CMYK 27 / 74 / 0 / 15

HEX #9F38DA

RGB 159 56 218

HSL 278.15, 0.69%, 0.54%

LAB 45.99, 66.94, -63.89

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F39

RGB 218 159 57

HSL 38.01, 0.69%, 0.54%

LAB 69.47, 12.6, 59.04

 

CMYK 62 / 0 / 74 / 15

HEX #53DA38

RGB 83 218 56

HSL 110, 0.69%, 0.54%

LAB 77.44, -64.8, 64.47

 

CMYK 74 / 47 / 0 / 15

HEX #3874DA

RGB 56 116 218

HSL 217.78, 0.69%, 0.54%

LAB 49.97, 15.65, -57.88

 

CMYK 12 / 74 / 0 / 15

HEX #BF38DA

RGB 191 56 218

HSL 290, 0.69%, 0.54%

LAB 50.65, 72.99, -56.14

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F39

RGB 218 159 57

HSL 38.01, 0.69%, 0.54%

LAB 69.47, 12.6, 59.04

 

CMYK 74 / 0 / 64 / 15

HEX #38DA4E

RGB 56 218 78

HSL 128.15, 0.69%, 0.54%

LAB 77, -67.87, 55.53

 

CMYK 74 / 47 / 0 / 15

HEX #3874DA

RGB 56 116 218

HSL 217.78, 0.69%, 0.54%

LAB 49.97, 15.65, -57.88

 

CMYK 0 / 74 / 10 / 15

HEX #DA38C5

RGB 218 56 197

HSL 307.78, 0.69%, 0.54%

LAB 53.78, 75.19, -38.87

 

Description

Color code: RGB 218 159 57 | qconv.com Color code: RGB 218 159 57 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 74% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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