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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 142 216 it is the complementary color RGB 37 113 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 142 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 142 216 shade: RGB 223 142 211, RGB 240 160 230, RGB 255 178 249, RGB 255 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 142 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 142 216 shade: RGB 218 142 216, RGB 201 124 197, RGB 184 106 178, RGB 167 88 159 and RGB 150 70 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 142 216 shade: RGB 218 143 216, RGB 218 143 196, RGB 218 143 176, RGB 218 143 155 and RGB 218 143 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 142 216 shade: RGB 218 143 216, RGB 200 143 218, RGB 180 143 218, RGB 159 143 218 and RGB 143 143 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 142 216 shade matches the following richer shades: RGB 218 143 216, RGB 230 131 228, RGB 242 119 239 and RGB 254 107 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 142 216 shade: RGB 218 143 216, RGB 206 155 205, RGB 194 167 194, RGB 182 179 182 and RGB 170 191 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 142 216 shade: RGB 179 143 218, RGB 199 143 218, RGB 218 143 217, RGB 218 143 197 and RGB 218 143 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 142 216 shade: RGB 198 81 195, RGB 208 112 206, RGB 218 143 216, RGB 228 174 227 and RGB 238 205 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 142 216 shade: RGB 218 142 216, RGB 218 159 143 and RGB 143 218 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 142 216 shade: RGB 218 142 216, RGB 217 218 143 and RGB 143 217 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 142 216 shade: RGB 218 142 216, RGB 218 159 143, RGB 143 218 144 and RGB 143 202 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 142 216 shade: RGB 218 142 216, RGB 218 182 143, RGB 143 218 144 and RGB 143 179 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 1 / 15

HEX #DA8ED8

RGB 218 142 216

HSL 301.58, 0.51%, 0.71%

LAB 68.9, 40.29, -26.1

 

Complementary color

CMYK 67 / 0 / 65 / 56

HEX #257127

RGB 37 113 39

HSL 121.58, 0.51%, 0.29%

LAB 41.77, -39.07, 33.49

 

CMYK 0 / 36 / 5 / 13

HEX #DF8ED3

RGB 223 142 211

HSL 308.89, 0.56%, 0.72%

LAB 69.28, 40.98, -22.7

 

CMYK 0 / 33 / 4 / 6

HEX #F0A0E6

RGB 240 160 230

HSL 307.5, 0.73%, 0.78%

LAB 75.69, 40.26, -23.2

 

CMYK 0 / 30 / 2 / 0

HEX #FFB2F9

RGB 255 178 249

HSL 304.68, 1%, 0.85%

LAB 81.81, 38.94, -24

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 35 / 1 / 15

HEX #DA8ED8

RGB 218 142 216

HSL 301.58, 0.51%, 0.71%

LAB 68.9, 40.29, -26.1

 

CMYK 0 / 38 / 2 / 21

HEX #C97CC5

RGB 201 124 197

HSL 303.12, 0.42%, 0.64%

LAB 62.39, 41.03, -25.65

 

CMYK 0 / 42 / 3 / 28

HEX #B86AB2

RGB 184 106 178

HSL 304.62, 0.35%, 0.57%

LAB 55.8, 41.79, -25.14

 

CMYK 0 / 47 / 5 / 35

HEX #A7589F

RGB 167 88 159

HSL 306.08, 0.31%, 0.5%

LAB 49.13, 42.53, -24.54

 

CMYK 0 / 53 / 7 / 41

HEX #96468C

RGB 150 70 140

HSL 307.5, 0.36%, 0.43%

LAB 42.4, 43.2, -23.79

 

CMYK 0 / 34 / 1 / 15

HEX #DA8FD8

RGB 218 143 216

HSL 301.6, 0.5%, 0.71%

LAB 69.12, 39.76, -25.77

 

CMYK 0 / 34 / 10 / 15

HEX #DA8FC4

RGB 218 143 196

HSL 317.6, 0.5%, 0.71%

LAB 68.41, 36.25, -15.74

 

CMYK 0 / 34 / 19 / 15

HEX #DA8FB0

RGB 218 143 176

HSL 333.6, 0.5%, 0.71%

LAB 67.79, 33.03, -5.49

 

CMYK 0 / 34 / 29 / 15

HEX #DA8F9B

RGB 218 143 155

HSL 350.4, 0.5%, 0.71%

LAB 67.21, 30.01, 5.46

 

CMYK 0 / 34 / 34 / 15

HEX #DA8F8F

RGB 218 143 143

HSL 0, 0.5%, 0.71%

LAB 66.93, 28.45, 11.78

 

CMYK 0 / 34 / 1 / 15

HEX #DA8FD8

RGB 218 143 216

HSL 301.6, 0.5%, 0.71%

LAB 69.12, 39.76, -25.77

 

CMYK 8 / 34 / 0 / 15

HEX #C88FDA

RGB 200 143 218

HSL 285.6, 0.5%, 0.71%

LAB 67.27, 34.5, -29.89

 

CMYK 17 / 34 / 0 / 15

HEX #B48FDA

RGB 180 143 218

HSL 269.6, 0.5%, 0.71%

LAB 65.29, 28.34, -33.12

 

CMYK 27 / 34 / 0 / 15

HEX #9F8FDA

RGB 159 143 218

HSL 252.8, 0.5%, 0.71%

LAB 63.41, 22.07, -36.18

 

CMYK 34 / 34 / 0 / 15

HEX #8F8FDA

RGB 143 143 218

HSL 240, 0.5%, 0.71%

LAB 62.12, 17.52, -38.28

 

CMYK 0 / 34 / 1 / 15

HEX #DA8FD8

RGB 218 143 216

HSL 301.6, 0.5%, 0.71%

LAB 69.12, 39.76, -25.77

 

CMYK 0 / 43 / 1 / 10

HEX #E683E4

RGB 230 131 228

HSL 301.21, 0.66%, 0.71%

LAB 68.5, 51.8, -33.24

 

CMYK 0 / 51 / 1 / 5

HEX #F277EF

RGB 242 119 239

HSL 301.46, 0.83%, 0.71%

LAB 68.24, 62.91, -39.6

 

CMYK 0 / 58 / 2 / 0

HEX #FE6BFA

RGB 254 107 250

HSL 301.63, 0.99%, 0.71%

LAB 68.38, 73.14, -45.31

 

CMYK 0 / 34 / 1 / 15

HEX #DA8FD8

RGB 218 143 216

HSL 301.6, 0.5%, 0.71%

LAB 69.12, 39.76, -25.77

 

CMYK 0 / 25 / 0 / 19

HEX #CE9BCD

RGB 206 155 205

HSL 301.18, 0.34%, 0.71%

LAB 70.16, 27.34, -18.22

 

CMYK 0 / 14 / 0 / 24

HEX #C2A7C2

RGB 194 167 194

HSL 300, 0.18%, 0.71%

LAB 71.56, 14.61, -10.16

 

CMYK 0 / 2 / 0 / 29

HEX #B6B3B6

RGB 182 179 182

HSL 300, 0.02%, 0.71%

LAB 73.26, 1.62, -1.16

 

CMYK 11 / 0 / 10 / 25

HEX #AABFAB

RGB 170 191 171

HSL 122.86, 0.14%, 0.71%

LAB 75.29, -10.99, 7.67

 

CMYK 18 / 34 / 0 / 15

HEX #B38FDA

RGB 179 143 218

HSL 268.8, 0.5%, 0.71%

LAB 65.19, 28.03, -33.27

 

CMYK 9 / 34 / 0 / 15

HEX #C78FDA

RGB 199 143 218

HSL 284.8, 0.5%, 0.71%

LAB 67.16, 34.19, -30.06

 

CMYK 0 / 34 / 0 / 15

HEX #DA8FD9

RGB 218 143 217

HSL 300.8, 0.5%, 0.71%

LAB 69.16, 39.94, -26.27

 

CMYK 0 / 34 / 10 / 15

HEX #DA8FC5

RGB 218 143 197

HSL 316.8, 0.5%, 0.71%

LAB 68.45, 36.41, -16.25

 

CMYK 0 / 34 / 19 / 15

HEX #DA8FB1

RGB 218 143 177

HSL 332.8, 0.5%, 0.71%

LAB 67.82, 33.18, -6.01

 

CMYK 0 / 59 / 2 / 22

HEX #C651C3

RGB 198 81 195

HSL 301.54, 0.51%, 0.55%

LAB 53.85, 60.97, -37.83

 

CMYK 0 / 46 / 1 / 18

HEX #D070CE

RGB 208 112 206

HSL 301.25, 0.51%, 0.63%

LAB 61.18, 51, -32.53

 

CMYK 0 / 34 / 1 / 15

HEX #DA8FD8

RGB 218 143 216

HSL 301.6, 0.5%, 0.71%

LAB 69.12, 39.76, -25.77

 

CMYK 0 / 24 / 0 / 11

HEX #E4AEE3

RGB 228 174 227

HSL 301.11, 0.5%, 0.79%

LAB 77.47, 28.4, -18.99

 

CMYK 0 / 14 / 0 / 7

HEX #EECDEE

RGB 238 205 238

HSL 300, 0.49%, 0.87%

LAB 86.01, 17.19, -11.95

 

CMYK 0 / 35 / 1 / 15

HEX #DA8ED8

RGB 218 142 216

HSL 301.58, 0.51%, 0.71%

LAB 68.9, 40.29, -26.1

 

CMYK 0 / 27 / 34 / 15

HEX #DA9F8F

RGB 218 159 143

HSL 12.8, 0.5%, 0.71%

LAB 70.65, 19.82, 16.99

 

CMYK 34 / 0 / 13 / 15

HEX #8FDABD

RGB 143 218 189

HSL 156.8, 0.5%, 0.71%

LAB 81.65, -29.53, 6.93

 

CMYK 0 / 35 / 1 / 15

HEX #DA8ED8

RGB 218 142 216

HSL 301.58, 0.51%, 0.71%

LAB 68.9, 40.29, -26.1

 

CMYK 0 / 0 / 34 / 15

HEX #D9DA8F

RGB 217 218 143

HSL 60.8, 0.5%, 0.71%

LAB 85.44, -11.59, 36.85

 

CMYK 34 / 0 / 0 / 15

HEX #8FD9DA

RGB 143 217 218

HSL 180.8, 0.5%, 0.71%

LAB 82.12, -22.59, -7.8

 

CMYK 0 / 35 / 1 / 15

HEX #DA8ED8

RGB 218 142 216

HSL 301.58, 0.51%, 0.71%

LAB 68.9, 40.29, -26.1

 

CMYK 0 / 27 / 34 / 15

HEX #DA9F8F

RGB 218 159 143

HSL 12.8, 0.5%, 0.71%

LAB 70.65, 19.82, 16.99

 

CMYK 34 / 0 / 34 / 15

HEX #8FDA90

RGB 143 218 144

HSL 120.8, 0.5%, 0.71%

LAB 80.74, -37.85, 29.27

 

CMYK 34 / 7 / 0 / 15

HEX #8FCADA

RGB 143 202 218

HSL 192.8, 0.5%, 0.71%

LAB 77.96, -15, -14.01

 

CMYK 0 / 35 / 1 / 15

HEX #DA8ED8

RGB 218 142 216

HSL 301.58, 0.51%, 0.71%

LAB 68.9, 40.29, -26.1

 

CMYK 0 / 17 / 34 / 15

HEX #DAB68F

RGB 218 182 143

HSL 31.2, 0.5%, 0.71%

LAB 76.28, 7.47, 24.71

 

CMYK 34 / 0 / 34 / 15

HEX #8FDA90

RGB 143 218 144

HSL 120.8, 0.5%, 0.71%

LAB 80.74, -37.85, 29.27

 

CMYK 34 / 18 / 0 / 15

HEX #8FB3DA

RGB 143 179 218

HSL 211.2, 0.5%, 0.71%

LAB 71.65, -2.79, -23.56

 

Description

Color code: RGB 218 142 216 | qconv.com Color code: RGB 218 142 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 142 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 142 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 1% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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