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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 149 157 it is the complementary color RGB 37 106 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 149 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 149 157 shade: RGB 223 149 152, RGB 240 167 171, RGB 255 185 190, RGB 255 203 209 and RGB 255 221 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 149 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 149 157 shade: RGB 218 149 157, RGB 201 131 138, RGB 184 113 119, RGB 167 95 100 and RGB 150 77 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 149 157 shade: RGB 217 149 157 and RGB 217 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 149 157 shade: RGB 217 149 157, RGB 217 149 175, RGB 217 149 194, RGB 217 149 212 and RGB 204 149 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 149 157 shade matches the following richer shades: RGB 217 149 157, RGB 229 137 148, RGB 240 126 139 and RGB 252 114 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 149 157 shade: RGB 217 149 157, RGB 206 160 166, RGB 194 172 175, RGB 183 183 183 and RGB 171 195 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 149 157 shade: RGB 217 149 193, RGB 217 149 175, RGB 217 149 157, RGB 217 159 149 and RGB 217 177 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 149 157 shade: RGB 196 88 100, RGB 207 118 129, RGB 217 149 157, RGB 228 179 185 and RGB 239 210 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 149 157 shade: RGB 218 149 157, RGB 212 217 149 and RGB 149 184 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 149 157 shade: RGB 218 149 157, RGB 157 217 149 and RGB 149 157 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 149 157 shade: RGB 218 149 157, RGB 212 217 149, RGB 149 217 209 and RGB 155 149 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 149 157 shade: RGB 218 149 157, RGB 191 217 149, RGB 149 217 209 and RGB 175 149 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 28 / 15

HEX #DA959D

RGB 218 149 157

HSL 353.04, 0.48%, 0.72%

LAB 68.63, 27.05, 6.37

 

Complementary color

CMYK 65 / 0 / 8 / 58

HEX #256A62

RGB 37 106 98

HSL 173.04, 0.48%, 0.28%

LAB 40.55, -23.51, -1.9

 

CMYK 0 / 33 / 32 / 13

HEX #DF9598

RGB 223 149 152

HSL 357.57, 0.54%, 0.73%

LAB 69.08, 28.25, 9.87

 

CMYK 0 / 30 / 29 / 6

HEX #F0A7AB

RGB 240 167 171

HSL 356.71, 0.71%, 0.8%

LAB 75.52, 27.44, 8.81

 

CMYK 0 / 27 / 25 / 0

HEX #FFB9BE

RGB 255 185 190

HSL 355.71, 1%, 0.86%

LAB 81.66, 25.98, 7.52

 

CMYK 0 / 20 / 18 / 0

HEX #FFCBD1

RGB 255 203 209

HSL 353.08, 1%, 0.9%

LAB 86.29, 19.27, 4.04

 

CMYK 0 / 13 / 11 / 0

HEX #FFDDE4

RGB 255 221 228

HSL 347.65, 1%, 0.93%

LAB 91.04, 12.85, 0.91

 

CMYK 0 / 32 / 28 / 15

HEX #DA959D

RGB 218 149 157

HSL 353.04, 0.48%, 0.72%

LAB 68.63, 27.05, 6.37

 

CMYK 0 / 35 / 31 / 21

HEX #C9838A

RGB 201 131 138

HSL 354, 0.39%, 0.65%

LAB 62.07, 27.88, 7.44

 

CMYK 0 / 39 / 35 / 28

HEX #B87177

RGB 184 113 119

HSL 354.93, 0.33%, 0.58%

LAB 55.41, 28.8, 8.63

 

CMYK 0 / 43 / 40 / 35

HEX #A75F64

RGB 167 95 100

HSL 355.83, 0.29%, 0.51%

LAB 48.66, 29.81, 10.01

 

CMYK 0 / 49 / 46 / 41

HEX #964D51

RGB 150 77 81

HSL 356.71, 0.32%, 0.45%

LAB 41.82, 30.9, 11.63

 

CMYK 0 / 31 / 28 / 15

HEX #D9959D

RGB 217 149 157

HSL 352.94, 0.47%, 0.72%

LAB 68.52, 26.68, 6.2

 

CMYK 0 / 31 / 31 / 15

HEX #D99595

RGB 217 149 149

HSL 0, 0.47%, 0.72%

LAB 68.33, 25.61, 10.39

 

CMYK 0 / 31 / 28 / 15

HEX #D9959D

RGB 217 149 157

HSL 352.94, 0.47%, 0.72%

LAB 68.52, 26.68, 6.2

 

CMYK 0 / 31 / 19 / 15

HEX #D995AF

RGB 217 149 175

HSL 337.06, 0.47%, 0.72%

LAB 69, 29.3, -3.16

 

CMYK 0 / 31 / 11 / 15

HEX #D995C2

RGB 217 149 194

HSL 320.29, 0.47%, 0.72%

LAB 69.57, 32.35, -12.9

 

CMYK 0 / 31 / 2 / 15

HEX #D995D4

RGB 217 149 212

HSL 304.41, 0.47%, 0.72%

LAB 70.18, 35.51, -21.95

 

CMYK 6 / 31 / 0 / 15

HEX #CC95D9

RGB 204 149 217

HSL 288.53, 0.47%, 0.72%

LAB 69, 32.28, -26.64

 

CMYK 0 / 31 / 28 / 15

HEX #D9959D

RGB 217 149 157

HSL 352.94, 0.47%, 0.72%

LAB 68.52, 26.68, 6.2

 

CMYK 0 / 40 / 35 / 10

HEX #E58994

RGB 229 137 148

HSL 352.83, 0.64%, 0.72%

LAB 67.04, 36.34, 9.32

 

CMYK 0 / 48 / 42 / 6

HEX #F07E8B

RGB 240 126 139

HSL 353.16, 0.79%, 0.72%

LAB 65.99, 44.92, 13.11

 

CMYK 0 / 55 / 48 / 1

HEX #FC7282

RGB 252 114 130

HSL 353.04, 0.96%, 0.72%

LAB 65.23, 54, 17.42

 

CMYK 0 / 31 / 28 / 15

HEX #D9959D

RGB 217 149 157

HSL 352.94, 0.47%, 0.72%

LAB 68.52, 26.68, 6.2

 

CMYK 0 / 22 / 19 / 19

HEX #CEA0A6

RGB 206 160 166

HSL 352.17, 0.32%, 0.72%

LAB 70.19, 17.93, 3.44

 

CMYK 0 / 11 / 10 / 24

HEX #C2ACAF

RGB 194 172 175

HSL 351.82, 0.15%, 0.72%

LAB 72.27, 8.45, 1.36

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 12 / 0 / 2 / 24

HEX #ABC3C0

RGB 171 195 192

HSL 172.5, 0.17%, 0.72%

LAB 76.98, -8.7, -1.25

 

CMYK 0 / 31 / 11 / 15

HEX #D995C1

RGB 217 149 193

HSL 321.18, 0.47%, 0.72%

LAB 69.54, 32.19, -12.39

 

CMYK 0 / 31 / 19 / 15

HEX #D995AF

RGB 217 149 175

HSL 337.06, 0.47%, 0.72%

LAB 69, 29.3, -3.16

 

CMYK 0 / 31 / 28 / 15

HEX #D9959D

RGB 217 149 157

HSL 352.94, 0.47%, 0.72%

LAB 68.52, 26.68, 6.2

 

CMYK 0 / 27 / 31 / 15

HEX #D99F95

RGB 217 159 149

HSL 8.82, 0.47%, 0.72%

LAB 70.68, 20.2, 13.7

 

CMYK 0 / 18 / 31 / 15

HEX #D9B195

RGB 217 177 149

HSL 24.71, 0.47%, 0.72%

LAB 75.06, 10.51, 19.8

 

CMYK 0 / 55 / 49 / 23

HEX #C45864

RGB 196 88 100

HSL 353.33, 0.48%, 0.56%

LAB 51.42, 44.26, 14.49

 

CMYK 0 / 43 / 38 / 19

HEX #CF7681

RGB 207 118 129

HSL 352.58, 0.48%, 0.64%

LAB 59.71, 35.99, 9.34

 

CMYK 0 / 31 / 28 / 15

HEX #D9959D

RGB 217 149 157

HSL 352.94, 0.47%, 0.72%

LAB 68.52, 26.68, 6.2

 

CMYK 0 / 21 / 19 / 11

HEX #E4B3B9

RGB 228 179 185

HSL 352.65, 0.48%, 0.8%

LAB 77.42, 18.65, 3.76

 

CMYK 0 / 12 / 11 / 6

HEX #EFD2D5

RGB 239 210 213

HSL 353.79, 0.48%, 0.88%

LAB 86.63, 10.58, 2.22

 

CMYK 0 / 32 / 28 / 15

HEX #DA959D

RGB 218 149 157

HSL 353.04, 0.48%, 0.72%

LAB 68.63, 27.05, 6.37

 

CMYK 2 / 0 / 31 / 15

HEX #D4D995

RGB 212 217 149

HSL 64.41, 0.47%, 0.72%

LAB 84.89, -12.27, 33

 

CMYK 31 / 15 / 0 / 15

HEX #95B8D9

RGB 149 184 217

HSL 209.12, 0.47%, 0.72%

LAB 73.34, -4.06, -20.41

 

CMYK 0 / 32 / 28 / 15

HEX #DA959D

RGB 218 149 157

HSL 353.04, 0.48%, 0.72%

LAB 68.63, 27.05, 6.37

 

CMYK 28 / 0 / 31 / 15

HEX #9DD995

RGB 157 217 149

HSL 112.94, 0.47%, 0.72%

LAB 81.27, -32.07, 27.53

 

CMYK 31 / 28 / 0 / 15

HEX #959DD9

RGB 149 157 217

HSL 232.94, 0.47%, 0.72%

LAB 66.15, 10.92, -31.43

 

CMYK 0 / 32 / 28 / 15

HEX #DA959D

RGB 218 149 157

HSL 353.04, 0.48%, 0.72%

LAB 68.63, 27.05, 6.37

 

CMYK 2 / 0 / 31 / 15

HEX #D4D995

RGB 212 217 149

HSL 64.41, 0.47%, 0.72%

LAB 84.89, -12.27, 33

 

CMYK 31 / 0 / 4 / 15

HEX #95D9D1

RGB 149 217 209

HSL 172.94, 0.47%, 0.72%

LAB 82.17, -23.02, -2.9

 

CMYK 29 / 31 / 0 / 15

HEX #9B95D9

RGB 155 149 217

HSL 245.29, 0.47%, 0.72%

LAB 64.54, 17.22, -33.89

 

CMYK 0 / 32 / 28 / 15

HEX #DA959D

RGB 218 149 157

HSL 353.04, 0.48%, 0.72%

LAB 68.63, 27.05, 6.37

 

CMYK 12 / 0 / 31 / 15

HEX #BFD995

RGB 191 217 149

HSL 82.94, 0.47%, 0.72%

LAB 83.37, -20.13, 30.72

 

CMYK 31 / 0 / 4 / 15

HEX #95D9D1

RGB 149 217 209

HSL 172.94, 0.47%, 0.72%

LAB 82.17, -23.02, -2.9

 

CMYK 19 / 31 / 0 / 15

HEX #AF95D9

RGB 175 149 217

HSL 262.94, 0.47%, 0.72%

LAB 66.23, 23.21, -31.14

 

Description

Color code: RGB 218 149 157 | qconv.com Color code: RGB 218 149 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 149 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 149 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 28 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 28% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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