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Color name
RGB 218 111 36

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 111 36 it is the complementary color RGB 37 144 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 111 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 111 36 shade: RGB 223 111 31, RGB 240 129 50, RGB 255 147 69, RGB 255 165 88 and RGB 255 183 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 111 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 111 36 shade: RGB 218 111 36, RGB 201 93 17, RGB 184 75 0, RGB 167 57 0 and RGB 150 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 111 36 shade: RGB 219 111 35, RGB 219 61 35 and RGB 219 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 111 36 shade: RGB 219 111 35, RGB 219 160 35, RGB 219 210 35, RGB 178 219 35 and RGB 129 219 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 111 36 shade matches the following richer shades: RGB 219 111 35 and RGB 239 107 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 111 36 shade: RGB 219 111 35, RGB 198 114 56, RGB 178 118 76, RGB 157 122 97 and RGB 136 125 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 111 36 shade: RGB 219 35 60, RGB 219 60 35, RGB 219 109 35, RGB 219 158 35 and RGB 219 207 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 111 36 shade: RGB 148 75 24, RGB 183 93 29, RGB 219 111 35, RGB 225 134 71 and RGB 230 157 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 111 36 shade: RGB 218 111 36, RGB 109 219 35 and RGB 35 35 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 111 36 shade: RGB 218 111 36, RGB 35 219 109 and RGB 109 35 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 111 36 shade: RGB 218 111 36, RGB 109 219 35, RGB 35 145 219 and RGB 145 35 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 111 36 shade: RGB 218 111 36, RGB 54 219 35, RGB 35 145 219 and RGB 200 35 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 83 / 15

HEX #DA6F24

RGB 218 111 36

HSL 24.73, 0.72%, 0.5%

LAB 58.42, 37.34, 57.05

 

Complementary color

CMYK 83 / 34 / 0 / 14

HEX #2590DB

RGB 37 144 219

HSL 204.73, 0.72%, 0.5%

LAB 57.52, -2.96, -46.43

 

CMYK 0 / 50 / 86 / 13

HEX #DF6F1F

RGB 223 111 31

HSL 25, 0.76%, 0.5%

LAB 59.12, 39.19, 59.75

 

CMYK 0 / 46 / 79 / 6

HEX #F08132

RGB 240 129 50

HSL 24.95, 0.86%, 0.57%

LAB 65.32, 37.31, 58.85

 

CMYK 0 / 42 / 73 / 0

HEX #FF9345

RGB 255 147 69

HSL 25.16, 1%, 0.64%

LAB 71.25, 34.8, 57.11

 

CMYK 0 / 35 / 65 / 0

HEX #FFA558

RGB 255 165 88

HSL 27.66, 1%, 0.67%

LAB 75.37, 26.45, 52.68

 

CMYK 0 / 28 / 58 / 0

HEX #FFB76B

RGB 255 183 107

HSL 30.81, 1%, 0.71%

LAB 79.72, 18.29, 48.48

 

CMYK 0 / 49 / 83 / 15

HEX #DA6F24

RGB 218 111 36

HSL 24.73, 0.72%, 0.5%

LAB 58.42, 37.34, 57.05

 

CMYK 0 / 54 / 92 / 21

HEX #C95D11

RGB 201 93 17

HSL 24.78, 0.84%, 0.43%

LAB 52.16, 39.31, 57.35

 

CMYK 0 / 59 / 100 / 28

HEX #B84B00

RGB 184 75 0

HSL 24.46, 1%, 0.36%

LAB 45.94, 41.34, 56.18

 

CMYK 0 / 66 / 100 / 35

HEX #A73900

RGB 167 57 0

HSL 20.48, 1%, 0.33%

LAB 39.82, 43.31, 51.32

 

CMYK 0 / 74 / 100 / 41

HEX #962700

RGB 150 39 0

HSL 15.6, 1%, 0.29%

LAB 33.85, 44.74, 46.48

 

CMYK 0 / 49 / 84 / 14

HEX #DB6F23

RGB 219 111 35

HSL 24.78, 0.72%, 0.5%

LAB 58.56, 37.71, 57.6

 

CMYK 0 / 72 / 84 / 14

HEX #DB3D23

RGB 219 61 35

HSL 8.48, 0.72%, 0.5%

LAB 50.12, 59.86, 50.28

 

CMYK 0 / 84 / 84 / 14

HEX #DB2323

RGB 219 35 35

HSL 0, 0.72%, 0.5%

LAB 47.47, 67.28, 47.94

 

CMYK 0 / 49 / 84 / 14

HEX #DB6F23

RGB 219 111 35

HSL 24.78, 0.72%, 0.5%

LAB 58.56, 37.71, 57.6

 

CMYK 0 / 27 / 84 / 14

HEX #DBA023

RGB 219 160 35

HSL 40.76, 0.72%, 0.5%

LAB 69.7, 11.71, 67.05

 

CMYK 0 / 4 / 84 / 14

HEX #DBD223

RGB 219 210 35

HSL 57.07, 0.72%, 0.5%

LAB 82.53, -14.27, 77.73

 

CMYK 19 / 0 / 84 / 14

HEX #B2DB23

RGB 178 219 35

HSL 73.37, 0.72%, 0.5%

LAB 81.97, -35.52, 76.05

 

CMYK 41 / 0 / 84 / 14

HEX #81DB23

RGB 129 219 35

HSL 89.35, 0.72%, 0.5%

LAB 79.3, -53.46, 72.7

 

CMYK 0 / 49 / 84 / 14

HEX #DB6F23

RGB 219 111 35

HSL 24.78, 0.72%, 0.5%

LAB 58.56, 37.71, 57.6

 

CMYK 0 / 55 / 94 / 6

HEX #EF6B0F

RGB 239 107 15

HSL 24.64, 0.88%, 0.5%

LAB 60.69, 47.03, 66.46

 

CMYK 0 / 49 / 84 / 14

HEX #DB6F23

RGB 219 111 35

HSL 24.78, 0.72%, 0.5%

LAB 58.56, 37.71, 57.6

 

CMYK 0 / 42 / 72 / 22

HEX #C67238

RGB 198 114 56

HSL 24.51, 0.56%, 0.5%

LAB 56.41, 28.38, 45.29

 

CMYK 0 / 34 / 57 / 30

HEX #B2764C

RGB 178 118 76

HSL 24.71, 0.4%, 0.5%

LAB 55.01, 19.07, 32.54

 

CMYK 0 / 22 / 38 / 38

HEX #9D7A61

RGB 157 122 97

HSL 25, 0.24%, 0.5%

LAB 53.97, 10.06, 18.91

 

CMYK 0 / 8 / 13 / 47

HEX #887D76

RGB 136 125 118

HSL 23.33, 0.07%, 0.5%

LAB 53.18, 2.92, 5.32

 

CMYK 0 / 84 / 73 / 14

HEX #DB233C

RGB 219 35 60

HSL 351.85, 0.72%, 0.5%

LAB 47.74, 68.07, 34.37

 

CMYK 0 / 73 / 84 / 14

HEX #DB3C23

RGB 219 60 35

HSL 8.15, 0.72%, 0.5%

LAB 49.99, 60.21, 50.17

 

CMYK 0 / 50 / 84 / 14

HEX #DB6D23

RGB 219 109 35

HSL 24.13, 0.72%, 0.5%

LAB 58.15, 38.72, 57.25

 

CMYK 0 / 28 / 84 / 14

HEX #DB9E23

RGB 219 158 35

HSL 40.11, 0.72%, 0.5%

LAB 69.21, 12.78, 66.64

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 0 / 49 / 84 / 42

HEX #944B18

RGB 148 75 24

HSL 24.68, 0.72%, 0.34%

LAB 40.24, 27.16, 41.85

 

CMYK 0 / 49 / 84 / 28

HEX #B75D1D

RGB 183 93 29

HSL 24.94, 0.73%, 0.42%

LAB 49.48, 32.32, 50

 

CMYK 0 / 49 / 84 / 14

HEX #DB6F23

RGB 219 111 35

HSL 24.78, 0.72%, 0.5%

LAB 58.56, 37.71, 57.6

 

CMYK 0 / 40 / 68 / 12

HEX #E18647

RGB 225 134 71

HSL 24.55, 0.72%, 0.58%

LAB 64.57, 29.61, 47.84

 

CMYK 0 / 32 / 54 / 10

HEX #E69D6A

RGB 230 157 106

HSL 24.68, 0.71%, 0.66%

LAB 70.86, 21.83, 37.51

 

CMYK 0 / 49 / 83 / 15

HEX #DA6F24

RGB 218 111 36

HSL 24.73, 0.72%, 0.5%

LAB 58.42, 37.34, 57.05

 

CMYK 50 / 0 / 84 / 14

HEX #6DDB23

RGB 109 219 35

HSL 95.87, 0.72%, 0.5%

LAB 78.48, -59.63, 71.66

 

CMYK 84 / 84 / 0 / 14

HEX #2323DB

RGB 35 35 219

HSL 240, 0.72%, 0.5%

LAB 31.05, 61.75, -89.46

 

CMYK 0 / 49 / 83 / 15

HEX #DA6F24

RGB 218 111 36

HSL 24.73, 0.72%, 0.5%

LAB 58.42, 37.34, 57.05

 

CMYK 84 / 0 / 50 / 14

HEX #23DB6D

RGB 35 219 109

HSL 144.13, 0.72%, 0.5%

LAB 77.36, -66.62, 41.83

 

CMYK 50 / 84 / 0 / 14

HEX #6D23DB

RGB 109 35 219

HSL 264.13, 0.72%, 0.5%

LAB 37.06, 67.18, -79.33

 

CMYK 0 / 49 / 83 / 15

HEX #DA6F24

RGB 218 111 36

HSL 24.73, 0.72%, 0.5%

LAB 58.42, 37.34, 57.05

 

CMYK 50 / 0 / 84 / 14

HEX #6DDB23

RGB 109 219 35

HSL 95.87, 0.72%, 0.5%

LAB 78.48, -59.63, 71.66

 

CMYK 84 / 34 / 0 / 14

HEX #2391DB

RGB 35 145 219

HSL 204.13, 0.72%, 0.5%

LAB 57.77, -3.7, -46.02

 

CMYK 34 / 84 / 0 / 14

HEX #9123DB

RGB 145 35 219

HSL 275.87, 0.72%, 0.5%

LAB 41.75, 71.73, -71.46

 

CMYK 0 / 49 / 83 / 15

HEX #DA6F24

RGB 218 111 36

HSL 24.73, 0.72%, 0.5%

LAB 58.42, 37.34, 57.05

 

CMYK 75 / 0 / 84 / 14

HEX #36DB23

RGB 54 219 35

HSL 113.8, 0.72%, 0.5%

LAB 77.02, -71.64, 69.81

 

CMYK 84 / 34 / 0 / 14

HEX #2391DB

RGB 35 145 219

HSL 204.13, 0.72%, 0.5%

LAB 57.77, -3.7, -46.02

 

CMYK 9 / 84 / 0 / 14

HEX #C823DB

RGB 200 35 219

HSL 293.8, 0.72%, 0.5%

LAB 50.21, 80.37, -57.34

 

Description

Color code: RGB 218 111 36 | qconv.com Color code: RGB 218 111 36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 111 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 111 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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