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Color name
RGB 218 105 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 105 25 it is the complementary color RGB 37 150 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 105 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 105 25 shade: RGB 223 105 20, RGB 240 123 39, RGB 255 141 58, RGB 255 159 77 and RGB 255 177 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 105 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 105 25 shade: RGB 218 105 25, RGB 201 87 6, RGB 184 69 0, RGB 167 51 0 and RGB 150 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 105 25 shade: RGB 219 105 25, RGB 219 53 25 and RGB 219 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 105 25 shade: RGB 219 105 25, RGB 219 158 25, RGB 219 210 25, RGB 175 219 25 and RGB 123 219 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 105 25 shade matches the following richer shades: RGB 219 105 25 and RGB 238 102 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 105 25 shade: RGB 219 105 25, RGB 199 109 45, RGB 179 112 65, RGB 159 116 85 and RGB 139 119 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 105 25 shade: RGB 219 25 51, RGB 219 51 25, RGB 219 103 25, RGB 219 154 25 and RGB 219 206 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 105 25 shade: RGB 145 70 17, RGB 182 88 21, RGB 219 105 25, RGB 231 127 54 and RGB 235 151 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 105 25 shade: RGB 218 105 25, RGB 103 219 25 and RGB 25 25 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 105 25 shade: RGB 218 105 25, RGB 25 219 103 and RGB 103 25 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 105 25 shade: RGB 218 105 25, RGB 103 219 25, RGB 25 141 219 and RGB 141 25 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 105 25 shade: RGB 218 105 25, RGB 45 219 25, RGB 25 141 219 and RGB 199 25 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 89 / 15

HEX #DA6919

RGB 218 105 25

HSL 24.87, 0.79%, 0.48%

LAB 57.15, 40.11, 59.86

 

Complementary color

CMYK 84 / 35 / 0 / 10

HEX #2596E6

RGB 37 150 230

HSL 204.87, 0.79%, 0.52%

LAB 59.82, -2.42, -48.91

 

CMYK 0 / 53 / 91 / 13

HEX #DF6914

RGB 223 105 20

HSL 25.12, 0.84%, 0.48%

LAB 57.89, 41.97, 62.19

 

CMYK 0 / 49 / 84 / 6

HEX #F07B27

RGB 240 123 39

HSL 25.07, 0.87%, 0.55%

LAB 64.03, 40.02, 62

 

CMYK 0 / 45 / 77 / 0

HEX #FF8D3A

RGB 255 141 58

HSL 25.28, 1%, 0.61%

LAB 69.91, 37.42, 60.58

 

CMYK 0 / 38 / 70 / 0

HEX #FF9F4D

RGB 255 159 77

HSL 27.64, 1%, 0.65%

LAB 73.93, 28.98, 56.27

 

CMYK 0 / 31 / 62 / 0

HEX #FFB160

RGB 255 177 96

HSL 30.57, 1%, 0.69%

LAB 78.2, 20.67, 52.06

 

CMYK 0 / 52 / 89 / 15

HEX #DA6919

RGB 218 105 25

HSL 24.87, 0.79%, 0.48%

LAB 57.15, 40.11, 59.86

 

CMYK 0 / 57 / 97 / 21

HEX #C95706

RGB 201 87 6

HSL 24.92, 0.94%, 0.41%

LAB 50.97, 42.13, 59.12

 

CMYK 0 / 63 / 100 / 28

HEX #B84500

RGB 184 69 0

HSL 22.5, 1%, 0.36%

LAB 44.87, 44.15, 55.61

 

CMYK 0 / 69 / 100 / 35

HEX #A73300

RGB 167 51 0

HSL 18.32, 1%, 0.33%

LAB 38.87, 45.87, 50.84

 

CMYK 0 / 78 / 100 / 41

HEX #962100

RGB 150 33 0

HSL 13.2, 1%, 0.29%

LAB 33.07, 46.89, 46.01

 

CMYK 0 / 52 / 89 / 14

HEX #DB6919

RGB 219 105 25

HSL 24.74, 0.8%, 0.48%

LAB 57.3, 40.5, 60.04

 

CMYK 0 / 76 / 89 / 14

HEX #DB3519

RGB 219 53 25

HSL 8.66, 0.8%, 0.48%

LAB 49.1, 62.31, 53.81

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 52 / 89 / 14

HEX #DB6919

RGB 219 105 25

HSL 24.74, 0.8%, 0.48%

LAB 57.3, 40.5, 60.04

 

CMYK 0 / 28 / 89 / 14

HEX #DB9E19

RGB 219 158 25

HSL 41.13, 0.8%, 0.48%

LAB 69.17, 12.55, 69.22

 

CMYK 0 / 4 / 89 / 14

HEX #DBD219

RGB 219 210 25

HSL 57.22, 0.8%, 0.48%

LAB 82.5, -14.49, 79.67

 

CMYK 20 / 0 / 89 / 14

HEX #AFDB19

RGB 175 219 25

HSL 73.61, 0.8%, 0.48%

LAB 81.76, -36.97, 77.72

 

CMYK 44 / 0 / 89 / 14

HEX #7BDB19

RGB 123 219 25

HSL 89.69, 0.8%, 0.48%

LAB 79.01, -55.72, 74.33

 

CMYK 0 / 52 / 89 / 14

HEX #DB6919

RGB 219 105 25

HSL 24.74, 0.8%, 0.48%

LAB 57.3, 40.5, 60.04

 

CMYK 0 / 57 / 98 / 7

HEX #EE6605

RGB 238 102 5

HSL 24.98, 0.96%, 0.48%

LAB 59.61, 48.92, 67.51

 

CMYK 0 / 52 / 89 / 14

HEX #DB6919

RGB 219 105 25

HSL 24.74, 0.8%, 0.48%

LAB 57.3, 40.5, 60.04

 

CMYK 0 / 45 / 77 / 22

HEX #C76D2D

RGB 199 109 45

HSL 24.94, 0.63%, 0.48%

LAB 55.35, 30.98, 49.45

 

CMYK 0 / 37 / 64 / 30

HEX #B37041

RGB 179 112 65

HSL 24.74, 0.47%, 0.48%

LAB 53.55, 22.01, 36.76

 

CMYK 0 / 27 / 47 / 38

HEX #9F7455

RGB 159 116 85

HSL 25.14, 0.3%, 0.48%

LAB 52.42, 12.94, 23.74

 

CMYK 0 / 14 / 25 / 45

HEX #8B7768

RGB 139 119 104

HSL 25.71, 0.14%, 0.48%

LAB 51.48, 5.27, 11.12

 

CMYK 0 / 89 / 77 / 14

HEX #DB1933

RGB 219 25 51

HSL 351.96, 0.8%, 0.48%

LAB 46.97, 69.62, 38.76

 

CMYK 0 / 77 / 89 / 14

HEX #DB3319

RGB 219 51 25

HSL 8.04, 0.8%, 0.48%

LAB 48.88, 62.92, 53.65

 

CMYK 0 / 53 / 89 / 14

HEX #DB6719

RGB 219 103 25

HSL 24.12, 0.8%, 0.48%

LAB 56.91, 41.5, 59.74

 

CMYK 0 / 30 / 89 / 14

HEX #DB9A19

RGB 219 154 25

HSL 39.9, 0.8%, 0.48%

LAB 68.2, 14.7, 68.46

 

CMYK 0 / 6 / 89 / 14

HEX #DBCE19

RGB 219 206 25

HSL 55.98, 0.8%, 0.48%

LAB 81.44, -12.49, 78.84

 

CMYK 0 / 52 / 88 / 43

HEX #914611

RGB 145 70 17

HSL 24.84, 0.79%, 0.32%

LAB 38.62, 28.42, 43.14

 

CMYK 0 / 52 / 88 / 29

HEX #B65815

RGB 182 88 21

HSL 24.97, 0.79%, 0.4%

LAB 48.23, 34.33, 51.86

 

CMYK 0 / 52 / 89 / 14

HEX #DB6919

RGB 219 105 25

HSL 24.74, 0.8%, 0.48%

LAB 57.3, 40.5, 60.04

 

CMYK 0 / 45 / 77 / 9

HEX #E77F36

RGB 231 127 54

HSL 24.75, 0.79%, 0.56%

LAB 63.7, 34.9, 55.14

 

CMYK 0 / 36 / 61 / 8

HEX #EB975B

RGB 235 151 91

HSL 25, 0.78%, 0.64%

LAB 69.86, 25.91, 44.2

 

CMYK 0 / 52 / 89 / 15

HEX #DA6919

RGB 218 105 25

HSL 24.87, 0.79%, 0.48%

LAB 57.15, 40.11, 59.86

 

CMYK 53 / 0 / 89 / 14

HEX #67DB19

RGB 103 219 25

HSL 95.88, 0.8%, 0.48%

LAB 78.24, -61.65, 73.37

 

CMYK 89 / 89 / 0 / 14

HEX #1919DB

RGB 25 25 219

HSL 240, 0.8%, 0.48%

LAB 29.45, 65.18, -92.14

 

CMYK 0 / 52 / 89 / 15

HEX #DA6919

RGB 218 105 25

HSL 24.87, 0.79%, 0.48%

LAB 57.15, 40.11, 59.86

 

CMYK 89 / 0 / 53 / 14

HEX #19DB67

RGB 25 219 103

HSL 144.12, 0.8%, 0.48%

LAB 77.19, -68.28, 44.47

 

CMYK 53 / 89 / 0 / 14

HEX #6719DB

RGB 103 25 219

HSL 264.12, 0.8%, 0.48%

LAB 35.39, 69.45, -82.11

 

CMYK 0 / 52 / 89 / 15

HEX #DA6919

RGB 218 105 25

HSL 24.87, 0.79%, 0.48%

LAB 57.15, 40.11, 59.86

 

CMYK 53 / 0 / 89 / 14

HEX #67DB19

RGB 103 219 25

HSL 95.88, 0.8%, 0.48%

LAB 78.24, -61.65, 73.37

 

CMYK 89 / 36 / 0 / 14

HEX #198DDB

RGB 25 141 219

HSL 204.12, 0.8%, 0.48%

LAB 56.46, -2.04, -48.12

 

CMYK 36 / 89 / 0 / 14

HEX #8D19DB

RGB 141 25 219

HSL 275.88, 0.8%, 0.48%

LAB 40.37, 73.6, -73.74

 

CMYK 0 / 52 / 89 / 15

HEX #DA6919

RGB 218 105 25

HSL 24.87, 0.79%, 0.48%

LAB 57.15, 40.11, 59.86

 

CMYK 79 / 0 / 89 / 14

HEX #2DDB19

RGB 45 219 25

HSL 113.81, 0.8%, 0.48%

LAB 76.86, -73.23, 71.64

 

CMYK 89 / 36 / 0 / 14

HEX #198DDB

RGB 25 141 219

HSL 204.12, 0.8%, 0.48%

LAB 56.46, -2.04, -48.12

 

CMYK 9 / 89 / 0 / 14

HEX #C719DB

RGB 199 25 219

HSL 293.81, 0.8%, 0.48%

LAB 49.44, 81.99, -58.59

 

Description

Color code: RGB 218 105 25 | qconv.com Color code: RGB 218 105 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 105 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 105 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 89% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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