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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 98 58 it is the complementary color RGB 38 157 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 98 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 98 58 shade: RGB 222 98 53, RGB 239 116 72, RGB 255 134 91, RGB 255 152 110 and RGB 255 170 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 98 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 98 58 shade: RGB 217 98 58, RGB 200 80 39, RGB 183 62 20, RGB 166 44 1 and RGB 149 26 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 98 58 shade: RGB 217 98 57 and RGB 217 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 98 58 shade: RGB 217 98 57, RGB 217 141 57, RGB 217 184 57, RGB 207 217 57 and RGB 164 217 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 98 58 shade matches the following richer shades: RGB 217 98 57 and RGB 236 88 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 98 58 shade: RGB 217 98 57, RGB 198 107 76, RGB 179 116 95, RGB 160 126 114 and RGB 141 135 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 98 58 shade: RGB 217 57 103, RGB 217 57 60, RGB 217 97 57, RGB 217 140 57 and RGB 217 182 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 98 58 shade: RGB 162 63 30, RGB 196 77 37, RGB 217 98 57, RGB 224 125 92 and RGB 230 153 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 98 58 shade: RGB 217 98 58, RGB 145 217 57 and RGB 57 81 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 98 58 shade: RGB 217 98 58, RGB 57 217 97 and RGB 97 57 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 98 58 shade: RGB 217 98 58, RGB 145 217 57, RGB 57 177 217 and RGB 129 57 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 98 58 shade: RGB 217 98 58, RGB 97 217 57, RGB 57 177 217 and RGB 177 57 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 73 / 15

HEX #D9623A

RGB 217 98 58

HSL 15.09, 0.68%, 0.54%

LAB 55.88, 44.23, 44.52

 

Complementary color

CMYK 81 / 20 / 0 / 23

HEX #269DC5

RGB 38 157 197

HSL 195.09, 0.68%, 0.46%

LAB 60.39, -17.98, -29.6

 

CMYK 0 / 56 / 76 / 13

HEX #DE6235

RGB 222 98 53

HSL 15.98, 0.72%, 0.54%

LAB 56.61, 45.88, 48.04

 

CMYK 0 / 51 / 70 / 6

HEX #EF7448

RGB 239 116 72

HSL 15.81, 0.84%, 0.61%

LAB 62.77, 44.35, 45.85

 

CMYK 0 / 47 / 64 / 0

HEX #FF865B

RGB 255 134 91

HSL 15.73, 1%, 0.68%

LAB 68.8, 42.52, 43.57

 

CMYK 0 / 40 / 57 / 0

HEX #FF986E

RGB 255 152 110

HSL 17.38, 1%, 0.72%

LAB 72.79, 34.66, 38.47

 

CMYK 0 / 33 / 49 / 0

HEX #FFAA81

RGB 255 170 129

HSL 19.52, 1%, 0.75%

LAB 77.04, 26.88, 33.85

 

CMYK 0 / 55 / 73 / 15

HEX #D9623A

RGB 217 98 58

HSL 15.09, 0.68%, 0.54%

LAB 55.88, 44.23, 44.52

 

CMYK 0 / 60 / 81 / 22

HEX #C85027

RGB 200 80 39

HSL 15.28, 0.67%, 0.47%

LAB 49.69, 45.74, 46.78

 

CMYK 0 / 66 / 89 / 28

HEX #B73E14

RGB 183 62 20

HSL 15.46, 0.8%, 0.4%

LAB 43.6, 47.18, 48.68

 

CMYK 0 / 73 / 99 / 35

HEX #A62C01

RGB 166 44 1

HSL 15.64, 0.99%, 0.33%

LAB 37.68, 48.28, 49.78

 

CMYK 0 / 83 / 100 / 42

HEX #951A00

RGB 149 26 0

HSL 10.47, 1%, 0.29%

LAB 32.1, 48.73, 45.28

 

CMYK 0 / 55 / 74 / 15

HEX #D96239

RGB 217 98 57

HSL 15.38, 0.68%, 0.54%

LAB 55.87, 44.18, 45.02

 

CMYK 0 / 74 / 74 / 15

HEX #D93939

RGB 217 57 57

HSL 0, 0.68%, 0.54%

LAB 49.46, 61.32, 37.98

 

CMYK 0 / 55 / 74 / 15

HEX #D96239

RGB 217 98 57

HSL 15.38, 0.68%, 0.54%

LAB 55.87, 44.18, 45.02

 

CMYK 0 / 35 / 74 / 15

HEX #D98D39

RGB 217 141 57

HSL 31.5, 0.68%, 0.54%

LAB 65.04, 21.85, 54.57

 

CMYK 0 / 15 / 74 / 15

HEX #D9B839

RGB 217 184 57

HSL 47.63, 0.68%, 0.54%

LAB 75.65, -1.1, 65.04

 

CMYK 5 / 0 / 74 / 15

HEX #CFD939

RGB 207 217 57

HSL 63.75, 0.68%, 0.54%

LAB 83.54, -22, 72.23

 

CMYK 24 / 0 / 74 / 15

HEX #A4D939

RGB 164 217 57

HSL 79.88, 0.68%, 0.54%

LAB 80.64, -39.17, 68.44

 

CMYK 0 / 55 / 74 / 15

HEX #D96239

RGB 217 98 57

HSL 15.38, 0.68%, 0.54%

LAB 55.87, 44.18, 45.02

 

CMYK 0 / 63 / 84 / 7

HEX #EC5826

RGB 236 88 38

HSL 15.15, 0.84%, 0.54%

LAB 57.03, 54.95, 56.13

 

CMYK 0 / 55 / 74 / 15

HEX #D96239

RGB 217 98 57

HSL 15.38, 0.68%, 0.54%

LAB 55.87, 44.18, 45.02

 

CMYK 0 / 46 / 62 / 22

HEX #C66B4C

RGB 198 107 76

HSL 15.25, 0.52%, 0.54%

LAB 55.12, 33.33, 33.25

 

CMYK 0 / 35 / 47 / 30

HEX #B3745F

RGB 179 116 95

HSL 15, 0.36%, 0.54%

LAB 54.97, 22.38, 21.83

 

CMYK 0 / 21 / 29 / 37

HEX #A07E72

RGB 160 126 114

HSL 15.65, 0.19%, 0.54%

LAB 55.7, 11.31, 11.54

 

CMYK 0 / 4 / 6 / 45

HEX #8D8785

RGB 141 135 133

HSL 15, 0.03%, 0.54%

LAB 56.77, 1.86, 1.86

 

CMYK 0 / 74 / 53 / 15

HEX #D93967

RGB 217 57 103

HSL 342.75, 0.68%, 0.54%

LAB 50.28, 64.03, 11.64

 

CMYK 0 / 74 / 72 / 15

HEX #D9393C

RGB 217 57 60

HSL 358.88, 0.68%, 0.54%

LAB 49.5, 61.45, 36.31

 

CMYK 0 / 55 / 74 / 15

HEX #D96139

RGB 217 97 57

HSL 15, 0.68%, 0.54%

LAB 55.68, 44.67, 44.81

 

CMYK 0 / 35 / 74 / 15

HEX #D98C39

RGB 217 140 57

HSL 31.13, 0.68%, 0.54%

LAB 64.81, 22.39, 54.34

 

CMYK 0 / 16 / 74 / 15

HEX #D9B639

RGB 217 182 57

HSL 46.88, 0.68%, 0.54%

LAB 75.14, -0.05, 64.55

 

CMYK 0 / 61 / 81 / 36

HEX #A23F1E

RGB 162 63 30

HSL 15, 0.69%, 0.38%

LAB 40.13, 39.28, 39.75

 

CMYK 0 / 61 / 81 / 23

HEX #C44D25

RGB 196 77 37

HSL 15.09, 0.68%, 0.46%

LAB 48.48, 45.6, 46.35

 

CMYK 0 / 55 / 74 / 15

HEX #D96239

RGB 217 98 57

HSL 15.38, 0.68%, 0.54%

LAB 55.87, 44.18, 45.02

 

CMYK 0 / 44 / 59 / 12

HEX #E07D5C

RGB 224 125 92

HSL 15, 0.68%, 0.62%

LAB 62.75, 35.28, 34.7

 

CMYK 0 / 33 / 45 / 10

HEX #E6997F

RGB 230 153 127

HSL 15.15, 0.67%, 0.7%

LAB 70.27, 25.91, 25.47

 

CMYK 0 / 55 / 73 / 15

HEX #D9623A

RGB 217 98 58

HSL 15.09, 0.68%, 0.54%

LAB 55.88, 44.23, 44.52

 

CMYK 33 / 0 / 74 / 15

HEX #91D939

RGB 145 217 57

HSL 87, 0.68%, 0.54%

LAB 79.58, -46.15, 67.06

 

CMYK 74 / 63 / 0 / 15

HEX #3951D9

RGB 57 81 217

HSL 231, 0.68%, 0.54%

LAB 40.84, 37.56, -72.12

 

CMYK 0 / 55 / 73 / 15

HEX #D9623A

RGB 217 98 58

HSL 15.09, 0.68%, 0.54%

LAB 55.88, 44.23, 44.52

 

CMYK 74 / 0 / 55 / 15

HEX #39D961

RGB 57 217 97

HSL 135, 0.68%, 0.54%

LAB 76.9, -65.13, 47.02

 

CMYK 55 / 74 / 0 / 15

HEX #6139D9

RGB 97 57 217

HSL 255, 0.68%, 0.54%

LAB 38.69, 56.21, -75.55

 

CMYK 0 / 55 / 73 / 15

HEX #D9623A

RGB 217 98 58

HSL 15.09, 0.68%, 0.54%

LAB 55.88, 44.23, 44.52

 

CMYK 33 / 0 / 74 / 15

HEX #91D939

RGB 145 217 57

HSL 87, 0.68%, 0.54%

LAB 79.58, -46.15, 67.06

 

CMYK 74 / 18 / 0 / 15

HEX #39B1D9

RGB 57 177 217

HSL 195, 0.68%, 0.54%

LAB 67.52, -19.81, -29.65

 

CMYK 41 / 74 / 0 / 15

HEX #8139D9

RGB 129 57 217

HSL 267, 0.68%, 0.54%

LAB 42.16, 61.08, -69.72

 

CMYK 0 / 55 / 73 / 15

HEX #D9623A

RGB 217 98 58

HSL 15.09, 0.68%, 0.54%

LAB 55.88, 44.23, 44.52

 

CMYK 55 / 0 / 74 / 15

HEX #61D939

RGB 97 217 57

HSL 105, 0.68%, 0.54%

LAB 77.56, -61.02, 64.39

 

CMYK 74 / 18 / 0 / 15

HEX #39B1D9

RGB 57 177 217

HSL 195, 0.68%, 0.54%

LAB 67.52, -19.81, -29.65

 

CMYK 18 / 74 / 0 / 15

HEX #B139D9

RGB 177 57 217

HSL 285, 0.68%, 0.54%

LAB 48.61, 69.75, -58.95

 

Description

Color code: RGB 217 98 58 | qconv.com Color code: RGB 217 98 58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 98 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 98 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 73 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 73% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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