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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 81 1 it is the complementary color RGB 38 174 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 81 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 81 1 shade: RGB 222 81 0, RGB 239 99 15, RGB 255 117 34, RGB 255 135 53 and RGB 255 153 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 81 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 81 1 shade: RGB 217 81 1, RGB 200 63 0, RGB 183 45 0, RGB 166 27 0 and RGB 149 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 81 1 shade: RGB 218 81 1, RGB 218 22 1 and RGB 218 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 81 1 shade: RGB 218 81 1, RGB 218 140 1, RGB 218 198 1, RGB 179 218 1 and RGB 120 218 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 81 1 shade matches the following richer shades: RGB 218 81 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 81 1 shade: RGB 218 81 1, RGB 200 86 18, RGB 182 90 36, RGB 164 95 54 and RGB 147 99 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 81 1 shade: RGB 218 1 37, RGB 218 22 1, RGB 218 80 1, RGB 218 138 1 and RGB 218 196 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 81 1 shade: RGB 136 50 0, RGB 177 66 0, RGB 218 81 1, RGB 253 98 6 and RGB 253 124 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 81 1 shade: RGB 217 81 1, RGB 95 218 1 and RGB 1 8 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 81 1 shade: RGB 217 81 1, RGB 1 218 80 and RGB 80 1 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 81 1 shade: RGB 217 81 1, RGB 95 218 1, RGB 1 138 218 and RGB 124 1 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 81 1 shade: RGB 217 81 1, RGB 30 218 1, RGB 1 138 218 and RGB 189 1 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 100 / 15

HEX #D95101

RGB 217 81 1

HSL 22.22, 0.99%, 0.43%

LAB 52.55, 50.76, 62.52

 

Complementary color

CMYK 85 / 31 / 0 / 0

HEX #26AEFE

RGB 38 174 254

HSL 202.22, 0.99%, 0.57%

LAB 67.9, -7.32, -49.28

 

CMYK 0 / 64 / 100 / 13

HEX #DE5100

RGB 222 81 0

HSL 21.89, 1%, 0.44%

LAB 53.4, 52.52, 63.65

 

CMYK 0 / 59 / 94 / 6

HEX #EF630F

RGB 239 99 15

HSL 22.5, 0.88%, 0.5%

LAB 59.26, 50.75, 65.52

 

CMYK 0 / 54 / 87 / 0

HEX #FF7522

RGB 255 117 34

HSL 22.53, 1%, 0.57%

LAB 65.04, 48.56, 65.48

 

CMYK 0 / 47 / 79 / 0

HEX #FF8735

RGB 255 135 53

HSL 24.36, 1%, 0.6%

LAB 68.64, 40.27, 61.46

 

CMYK 0 / 40 / 72 / 0

HEX #FF9948

RGB 255 153 72

HSL 26.56, 1%, 0.64%

LAB 72.57, 31.85, 57.12

 

CMYK 0 / 63 / 100 / 15

HEX #D95101

RGB 217 81 1

HSL 22.22, 0.99%, 0.43%

LAB 52.55, 50.76, 62.52

 

CMYK 0 / 69 / 100 / 22

HEX #C83F00

RGB 200 63 0

HSL 18.9, 1%, 0.39%

LAB 46.76, 52.39, 58.14

 

CMYK 0 / 75 / 100 / 28

HEX #B72D00

RGB 183 45 0

HSL 14.75, 1%, 0.36%

LAB 41.13, 53.45, 53.66

 

CMYK 0 / 84 / 100 / 35

HEX #A61B00

RGB 166 27 0

HSL 9.76, 1%, 0.33%

LAB 35.77, 53.59, 49.28

 

CMYK 0 / 94 / 100 / 42

HEX #950900

RGB 149 9 0

HSL 3.62, 1%, 0.29%

LAB 30.84, 52.31, 44.41

 

CMYK 0 / 63 / 100 / 15

HEX #DA5101

RGB 218 81 1

HSL 22.12, 0.99%, 0.43%

LAB 52.72, 51.12, 62.7

 

CMYK 0 / 90 / 100 / 15

HEX #DA1601

RGB 218 22 1

HSL 5.81, 0.99%, 0.43%

LAB 46.29, 68.92, 59.69

 

CMYK 0 / 100 / 100 / 15

HEX #DA0101

RGB 218 1 1

HSL 0, 0.99%, 0.43%

LAB 45.54, 71.09, 59.41

 

CMYK 0 / 63 / 100 / 15

HEX #DA5101

RGB 218 81 1

HSL 22.12, 0.99%, 0.43%

LAB 52.72, 51.12, 62.7

 

CMYK 0 / 36 / 100 / 15

HEX #DA8C01

RGB 218 140 1

HSL 38.43, 0.99%, 0.43%

LAB 64.69, 21.48, 69.94

 

CMYK 0 / 9 / 100 / 15

HEX #DAC601

RGB 218 198 1

HSL 54.47, 0.99%, 0.43%

LAB 79.21, -9.17, 80

 

CMYK 18 / 0 / 100 / 15

HEX #B3DA01

RGB 179 218 1

HSL 70.78, 0.99%, 0.43%

LAB 81.69, -35.27, 80.49

 

CMYK 45 / 0 / 100 / 15

HEX #78DA01

RGB 120 218 1

HSL 87.1, 0.99%, 0.43%

LAB 78.54, -56.72, 76.7

 

CMYK 0 / 63 / 100 / 15

HEX #DA5101

RGB 218 81 1

HSL 22.12, 0.99%, 0.43%

LAB 52.72, 51.12, 62.7

 

CMYK 0 / 63 / 100 / 15

HEX #DA5101

RGB 218 81 1

HSL 22.12, 0.99%, 0.43%

LAB 52.72, 51.12, 62.7

 

CMYK 0 / 57 / 91 / 22

HEX #C85612

RGB 200 86 18

HSL 22.42, 0.83%, 0.43%

LAB 50.66, 42.38, 55.91

 

CMYK 0 / 51 / 80 / 29

HEX #B65A24

RGB 182 90 36

HSL 22.19, 0.67%, 0.43%

LAB 48.74, 33.72, 46.27

 

CMYK 0 / 42 / 67 / 36

HEX #A45F36

RGB 164 95 54

HSL 22.36, 0.5%, 0.43%

LAB 47.42, 24.36, 35.03

 

CMYK 0 / 33 / 51 / 42

HEX #936348

RGB 147 99 72

HSL 21.6, 0.34%, 0.43%

LAB 46.44, 16.21, 23.16

 

CMYK 0 / 100 / 83 / 15

HEX #DA0125

RGB 218 1 37

HSL 350.05, 0.99%, 0.43%

LAB 45.72, 71.58, 45.24

 

CMYK 0 / 90 / 100 / 15

HEX #DA1601

RGB 218 22 1

HSL 5.81, 0.99%, 0.43%

LAB 46.29, 68.92, 59.69

 

CMYK 0 / 63 / 100 / 15

HEX #DA5001

RGB 218 80 1

HSL 21.84, 0.99%, 0.43%

LAB 52.56, 51.55, 62.61

 

CMYK 0 / 37 / 100 / 15

HEX #DA8A01

RGB 218 138 1

HSL 37.88, 0.99%, 0.43%

LAB 64.23, 22.55, 69.63

 

CMYK 0 / 10 / 100 / 15

HEX #DAC401

RGB 218 196 1

HSL 53.92, 0.99%, 0.43%

LAB 78.69, -8.15, 79.62

 

CMYK 0 / 63 / 100 / 47

HEX #883200

RGB 136 50 0

HSL 22.06, 1%, 0.27%

LAB 32.95, 34.81, 44.58

 

CMYK 0 / 63 / 100 / 31

HEX #B14200

RGB 177 66 0

HSL 22.37, 1%, 0.35%

LAB 43.13, 42.93, 54.02

 

CMYK 0 / 63 / 100 / 15

HEX #DA5101

RGB 218 81 1

HSL 22.12, 0.99%, 0.43%

LAB 52.72, 51.12, 62.7

 

CMYK 0 / 61 / 98 / 1

HEX #FD6206

RGB 253 98 6

HSL 22.35, 0.98%, 0.51%

LAB 61.33, 56.09, 69.59

 

CMYK 0 / 51 / 81 / 1

HEX #FD7C2F

RGB 253 124 47

HSL 22.43, 0.98%, 0.59%

LAB 66.14, 44.76, 61.5

 

CMYK 0 / 63 / 100 / 15

HEX #D95101

RGB 217 81 1

HSL 22.22, 0.99%, 0.43%

LAB 52.55, 50.76, 62.52

 

CMYK 56 / 0 / 100 / 15

HEX #5FDA01

RGB 95 218 1

HSL 94.01, 0.99%, 0.43%

LAB 77.63, -63.9, 75.59

 

CMYK 100 / 96 / 0 / 15

HEX #0108DA

RGB 1 8 218

HSL 238.06, 0.99%, 0.43%

LAB 27.41, 68.85, -94.98

 

CMYK 0 / 63 / 100 / 15

HEX #D95101

RGB 217 81 1

HSL 22.22, 0.99%, 0.43%

LAB 52.55, 50.76, 62.52

 

CMYK 100 / 0 / 63 / 15

HEX #01DA50

RGB 1 218 80

HSL 141.84, 0.99%, 0.43%

LAB 76.51, -71.99, 54.01

 

CMYK 63 / 100 / 0 / 15

HEX #5001DA

RGB 80 1 218

HSL 261.84, 0.99%, 0.43%

LAB 31.32, 71.95, -88.35

 

CMYK 0 / 63 / 100 / 15

HEX #D95101

RGB 217 81 1

HSL 22.22, 0.99%, 0.43%

LAB 52.55, 50.76, 62.52

 

CMYK 56 / 0 / 100 / 15

HEX #5FDA01

RGB 95 218 1

HSL 94.01, 0.99%, 0.43%

LAB 77.63, -63.9, 75.59

 

CMYK 100 / 37 / 0 / 15

HEX #018ADA

RGB 1 138 218

HSL 202.12, 0.99%, 0.43%

LAB 55.32, -1.58, -49.37

 

CMYK 43 / 100 / 0 / 15

HEX #7C01DA

RGB 124 1 218

HSL 274.01, 0.99%, 0.43%

LAB 36.68, 75.08, -79.3

 

CMYK 0 / 63 / 100 / 15

HEX #D95101

RGB 217 81 1

HSL 22.22, 0.99%, 0.43%

LAB 52.55, 50.76, 62.52

 

CMYK 86 / 0 / 100 / 15

HEX #1EDA01

RGB 30 218 1

HSL 111.98, 0.99%, 0.43%

LAB 76.33, -75.01, 74.01

 

CMYK 100 / 37 / 0 / 15

HEX #018ADA

RGB 1 138 218

HSL 202.12, 0.99%, 0.43%

LAB 55.32, -1.58, -49.37

 

CMYK 13 / 100 / 0 / 15

HEX #BD01DA

RGB 189 1 218

HSL 291.98, 0.99%, 0.43%

LAB 46.85, 82.83, -62.28

 

Description

Color code: RGB 217 81 1 | qconv.com Color code: RGB 217 81 1 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 81 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 81 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 100 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 100% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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