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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 57 61 it is the complementary color RGB 38 198 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 57 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 57 61 shade: RGB 222 57 56, RGB 239 75 75, RGB 255 93 94, RGB 255 111 113 and RGB 255 129 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 57 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 57 61 shade: RGB 217 57 61, RGB 200 39 42, RGB 183 21 23, RGB 166 3 4 and RGB 149 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 57 61 shade: RGB 217 57 61 and RGB 217 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 57 61 shade: RGB 217 57 61, RGB 217 57 104, RGB 217 57 147, RGB 217 57 190 and RGB 200 57 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 57 61 shade matches the following richer shades: RGB 217 57 61 and RGB 236 38 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 57 61 shade: RGB 217 57 61, RGB 198 76 79, RGB 179 95 97, RGB 160 114 116 and RGB 141 133 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 57 61 shade: RGB 217 57 148, RGB 217 57 105, RGB 217 57 63, RGB 217 95 57 and RGB 217 137 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 57 61 shade: RGB 162 30 34, RGB 196 37 41, RGB 217 57 61, RGB 224 92 95 and RGB 230 127 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 57 61 shade: RGB 217 57 61, RGB 190 217 57 and RGB 57 127 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 57 61 shade: RGB 217 57 61, RGB 63 217 57 and RGB 57 63 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 57 61 shade: RGB 217 57 61, RGB 190 217 57, RGB 57 217 212 and RGB 84 57 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 57 61 shade: RGB 217 57 61, RGB 143 217 57, RGB 57 217 212 and RGB 132 57 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

Complementary color

CMYK 81 / 0 / 2 / 22

HEX #26C6C2

RGB 38 198 194

HSL 178.5, 0.68%, 0.46%

LAB 72.69, -39.11, -9.25

 

CMYK 0 / 74 / 75 / 13

HEX #DE3938

RGB 222 57 56

HSL 0.36, 0.72%, 0.55%

LAB 50.38, 62.79, 39.83

 

CMYK 0 / 69 / 69 / 6

HEX #EF4B4B

RGB 239 75 75

HSL 0, 0.84%, 0.62%

LAB 55.98, 62.51, 36.36

 

CMYK 0 / 64 / 63 / 0

HEX #FF5D5E

RGB 255 93 94

HSL 359.63, 1%, 0.68%

LAB 61.57, 61.54, 33.09

 

CMYK 0 / 56 / 56 / 0

HEX #FF6F71

RGB 255 111 113

HSL 359.17, 1%, 0.72%

LAB 64.82, 55.01, 26.57

 

CMYK 0 / 49 / 48 / 0

HEX #FF8184

RGB 255 129 132

HSL 358.57, 1%, 0.75%

LAB 68.48, 48.07, 20.82

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 0 / 81 / 79 / 22

HEX #C8272A

RGB 200 39 42

HSL 358.88, 0.67%, 0.47%

LAB 44.09, 61.21, 39.66

 

CMYK 0 / 89 / 87 / 28

HEX #B71517

RGB 183 21 23

HSL 359.26, 0.79%, 0.4%

LAB 39.01, 60.04, 43.73

 

CMYK 0 / 98 / 98 / 35

HEX #A60304

RGB 166 3 4

HSL 359.63, 0.96%, 0.33%

LAB 34.36, 57.75, 46.9

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 0 / 74 / 74 / 15

HEX #D93939

RGB 217 57 57

HSL 0, 0.68%, 0.54%

LAB 49.46, 61.32, 37.98

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 0 / 74 / 52 / 15

HEX #D93968

RGB 217 57 104

HSL 342.38, 0.68%, 0.54%

LAB 50.31, 64.11, 11.06

 

CMYK 0 / 74 / 32 / 15

HEX #D93993

RGB 217 57 147

HSL 326.25, 0.68%, 0.54%

LAB 51.59, 68.21, -12.96

 

CMYK 0 / 74 / 12 / 15

HEX #D939BE

RGB 217 57 190

HSL 310.13, 0.68%, 0.54%

LAB 53.38, 73.67, -35.47

 

CMYK 8 / 74 / 0 / 15

HEX #C839D9

RGB 200 57 217

HSL 293.63, 0.68%, 0.54%

LAB 52.08, 74.27, -53.2

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 0 / 84 / 82 / 7

HEX #EC262B

RGB 236 38 43

HSL 358.48, 0.84%, 0.54%

LAB 51.14, 71.41, 48.48

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 0 / 62 / 60 / 22

HEX #C64C4F

RGB 198 76 79

HSL 358.52, 0.52%, 0.54%

LAB 49.18, 48.89, 24.04

 

CMYK 0 / 47 / 46 / 30

HEX #B35F61

RGB 179 95 97

HSL 358.57, 0.36%, 0.54%

LAB 50.25, 34.1, 14.26

 

CMYK 0 / 29 / 28 / 37

HEX #A07274

RGB 160 114 116

HSL 357.39, 0.19%, 0.54%

LAB 52.7, 18.46, 6.12

 

CMYK 0 / 6 / 5 / 45

HEX #8D8586

RGB 141 133 134

HSL 352.5, 0.03%, 0.54%

LAB 56.25, 3.19, 0.53

 

CMYK 0 / 74 / 32 / 15

HEX #D93994

RGB 217 57 148

HSL 325.88, 0.68%, 0.54%

LAB 51.63, 68.32, -13.5

 

CMYK 0 / 74 / 52 / 15

HEX #D93969

RGB 217 57 105

HSL 342, 0.68%, 0.54%

LAB 50.33, 64.18, 10.49

 

CMYK 0 / 74 / 71 / 15

HEX #D9393F

RGB 217 57 63

HSL 357.75, 0.68%, 0.54%

LAB 49.54, 61.58, 34.63

 

CMYK 0 / 56 / 74 / 15

HEX #D95F39

RGB 217 95 57

HSL 14.25, 0.68%, 0.54%

LAB 55.31, 45.63, 44.41

 

CMYK 0 / 37 / 74 / 15

HEX #D98939

RGB 217 137 57

HSL 30, 0.68%, 0.54%

LAB 64.11, 24, 53.63

 

CMYK 0 / 81 / 79 / 36

HEX #A21E22

RGB 162 30 34

HSL 358.18, 0.69%, 0.38%

LAB 35.45, 52.3, 32.85

 

CMYK 0 / 81 / 79 / 23

HEX #C42529

RGB 196 37 41

HSL 358.49, 0.68%, 0.46%

LAB 43.09, 60.56, 38.94

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 0 / 59 / 58 / 12

HEX #E05C5F

RGB 224 92 95

HSL 358.64, 0.68%, 0.62%

LAB 56.41, 51.74, 24.9

 

CMYK 0 / 45 / 44 / 10

HEX #E67F81

RGB 230 127 129

HSL 358.83, 0.67%, 0.7%

LAB 64.63, 39.77, 16.68

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 12 / 0 / 74 / 15

HEX #BED939

RGB 190 217 57

HSL 70.13, 0.68%, 0.54%

LAB 82.31, -28.95, 70.63

 

CMYK 74 / 41 / 0 / 15

HEX #397FD9

RGB 57 127 217

HSL 213.75, 0.68%, 0.54%

LAB 53.01, 8.6, -52.43

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 71 / 0 / 74 / 15

HEX #3FD939

RGB 63 217 57

HSL 117.75, 0.68%, 0.54%

LAB 76.67, -68.31, 63.2

 

CMYK 74 / 71 / 0 / 15

HEX #393FD9

RGB 57 63 217

HSL 237.75, 0.68%, 0.54%

LAB 36.81, 48.39, -78.74

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 12 / 0 / 74 / 15

HEX #BED939

RGB 190 217 57

HSL 70.13, 0.68%, 0.54%

LAB 82.31, -28.95, 70.63

 

CMYK 74 / 0 / 2 / 15

HEX #39D9D4

RGB 57 217 212

HSL 178.13, 0.68%, 0.54%

LAB 79.18, -40.7, -9.26

 

CMYK 61 / 74 / 0 / 15

HEX #5439D9

RGB 84 57 217

HSL 250.13, 0.68%, 0.54%

LAB 37.52, 54.54, -77.51

 

CMYK 0 / 74 / 72 / 15

HEX #D9393D

RGB 217 57 61

HSL 358.5, 0.68%, 0.54%

LAB 49.51, 61.49, 35.75

 

CMYK 34 / 0 / 74 / 15

HEX #8FD939

RGB 143 217 57

HSL 87.75, 0.68%, 0.54%

LAB 79.48, -46.86, 66.92

 

CMYK 74 / 0 / 2 / 15

HEX #39D9D4

RGB 57 217 212

HSL 178.13, 0.68%, 0.54%

LAB 79.18, -40.7, -9.26

 

CMYK 39 / 74 / 0 / 15

HEX #8439D9

RGB 132 57 217

HSL 268.13, 0.68%, 0.54%

LAB 42.52, 61.58, -69.11

 

Description

Color code: RGB 217 57 61 | qconv.com Color code: RGB 217 57 61 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 57 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 57 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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