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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 57 253 it is the complementary color RGB 38 198 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 57 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 57 253 shade: RGB 222 57 248, RGB 239 75 255, RGB 255 93 255, RGB 255 111 255 and RGB 255 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 57 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 57 253 shade: RGB 217 57 253, RGB 200 39 234, RGB 183 21 215, RGB 166 3 196 and RGB 149 0 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 57 253 shade: RGB 217 58 253, RGB 253 58 236, RGB 253 58 183, RGB 253 58 131 and RGB 253 58 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 57 253 shade: RGB 217 58 253, RGB 164 58 253, RGB 112 58 253, RGB 59 58 253 and RGB 58 58 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 57 253 shade matches the following richer shades: RGB 217 58 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 57 253 shade: RGB 217 58 253, RGB 207 74 236, RGB 196 90 220, RGB 186 106 204 and RGB 176 122 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 57 253 shade: RGB 110 58 253, RGB 162 58 253, RGB 214 58 253, RGB 253 58 240 and RGB 253 58 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 57 253 shade: RGB 185 2 226, RGB 209 17 252, RGB 217 58 253, RGB 225 98 253 and RGB 232 139 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 57 253 shade: RGB 217 57 253, RGB 253 58 58 and RGB 58 253 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 57 253 shade: RGB 217 57 253, RGB 253 214 58 and RGB 58 253 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 57 253 shade: RGB 217 57 253, RGB 253 58 58, RGB 97 253 58 and RGB 58 253 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 57 253 shade: RGB 217 57 253, RGB 253 116 58, RGB 97 253 58 and RGB 58 194 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 77 / 0 / 1

HEX #D939FD

RGB 217 57 253

HSL 288.98, 0.98%, 0.61%

LAB 56.85, 83.63, -65.63

 

Complementary color

CMYK 81 / 0 / 99 / 22

HEX #26C602

RGB 38 198 2

HSL 108.98, 0.98%, 0.39%

LAB 70.04, -68.56, 68.89

 

CMYK 10 / 77 / 0 / 3

HEX #DE39F8

RGB 222 57 248

HSL 291.83, 0.93%, 0.6%

LAB 57.3, 83.68, -62.09

 

CMYK 6 / 71 / 0 / 0

HEX #EF4BFF

RGB 239 75 255

HSL 294.67, 1%, 0.65%

LAB 62.17, 82.63, -58.03

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 14 / 77 / 0 / 1

HEX #D939FD

RGB 217 57 253

HSL 288.98, 0.98%, 0.61%

LAB 56.85, 83.63, -65.63

 

CMYK 15 / 83 / 0 / 8

HEX #C827EA

RGB 200 39 234

HSL 289.54, 0.82%, 0.54%

LAB 51.46, 82.01, -63.83

 

CMYK 15 / 90 / 0 / 16

HEX #B715D7

RGB 183 21 215

HSL 290.1, 0.82%, 0.46%

LAB 46.32, 79.42, -61.46

 

CMYK 15 / 98 / 0 / 23

HEX #A603C4

RGB 166 3 196

HSL 290.67, 0.97%, 0.39%

LAB 41.47, 75.72, -58.46

 

CMYK 16 / 100 / 0 / 31

HEX #9500B1

RGB 149 0 177

HSL 290.51, 1%, 0.35%

LAB 37.05, 70.37, -54.55

 

CMYK 14 / 77 / 0 / 1

HEX #D93AFD

RGB 217 58 253

HSL 288.92, 0.98%, 0.61%

LAB 56.95, 83.35, -65.48

 

CMYK 0 / 77 / 7 / 1

HEX #FD3AEC

RGB 253 58 236

HSL 305.23, 0.98%, 0.61%

LAB 61.62, 87.46, -48.22

 

CMYK 0 / 77 / 28 / 1

HEX #FD3AB7

RGB 253 58 183

HSL 321.54, 0.98%, 0.61%

LAB 59.28, 80.68, -21.8

 

CMYK 0 / 77 / 48 / 1

HEX #FD3A83

RGB 253 58 131

HSL 337.54, 0.98%, 0.61%

LAB 57.6, 75.64, 6.14

 

CMYK 0 / 77 / 69 / 1

HEX #FD3A4E

RGB 253 58 78

HSL 353.85, 0.98%, 0.61%

LAB 56.54, 72.32, 35.93

 

CMYK 14 / 77 / 0 / 1

HEX #D93AFD

RGB 217 58 253

HSL 288.92, 0.98%, 0.61%

LAB 56.95, 83.35, -65.48

 

CMYK 35 / 77 / 0 / 1

HEX #A43AFD

RGB 164 58 253

HSL 272.62, 0.98%, 0.61%

LAB 49.51, 74.48, -77.88

 

CMYK 56 / 77 / 0 / 1

HEX #703AFD

RGB 112 58 253

HSL 256.62, 0.98%, 0.61%

LAB 43.6, 67.37, -87.8

 

CMYK 77 / 77 / 0 / 1

HEX #3B3AFD

RGB 59 58 253

HSL 240.31, 0.98%, 0.61%

LAB 39.66, 62.58, -94.44

 

CMYK 77 / 77 / 0 / 1

HEX #3A3AFD

RGB 58 58 253

HSL 240, 0.98%, 0.61%

LAB 39.61, 62.51, -94.52

 

CMYK 14 / 77 / 0 / 1

HEX #D93AFD

RGB 217 58 253

HSL 288.92, 0.98%, 0.61%

LAB 56.95, 83.35, -65.48

 

CMYK 14 / 77 / 0 / 1

HEX #D93AFD

RGB 217 58 253

HSL 288.92, 0.98%, 0.61%

LAB 56.95, 83.35, -65.48

 

CMYK 12 / 69 / 0 / 7

HEX #CF4AEC

RGB 207 74 236

HSL 289.26, 0.81%, 0.61%

LAB 56.31, 73.12, -57.11

 

CMYK 11 / 59 / 0 / 14

HEX #C45ADC

RGB 196 90 220

HSL 288.92, 0.65%, 0.61%

LAB 56.3, 60.97, -48.21

 

CMYK 9 / 48 / 0 / 20

HEX #BA6ACC

RGB 186 106 204

HSL 288.98, 0.49%, 0.61%

LAB 57.18, 47.35, -37.85

 

CMYK 6 / 35 / 0 / 26

HEX #B07ABC

RGB 176 122 188

HSL 289.09, 0.33%, 0.61%

LAB 58.77, 32.45, -26.36

 

CMYK 57 / 77 / 0 / 1

HEX #6E3AFD

RGB 110 58 253

HSL 256, 0.98%, 0.61%

LAB 43.41, 67.14, -88.12

 

CMYK 36 / 77 / 0 / 1

HEX #A23AFD

RGB 162 58 253

HSL 272, 0.98%, 0.61%

LAB 49.25, 74.18, -78.31

 

CMYK 15 / 77 / 0 / 1

HEX #D63AFD

RGB 214 58 253

HSL 288, 0.98%, 0.61%

LAB 56.5, 82.82, -66.22

 

CMYK 0 / 77 / 5 / 1

HEX #FD3AF0

RGB 253 58 240

HSL 304, 0.98%, 0.61%

LAB 61.83, 88.03, -50.13

 

CMYK 0 / 77 / 26 / 1

HEX #FD3ABC

RGB 253 58 188

HSL 320, 0.98%, 0.61%

LAB 59.47, 81.26, -24.38

 

CMYK 18 / 99 / 0 / 11

HEX #B902E2

RGB 185 2 226

HSL 289.02, 0.98%, 0.45%

LAB 46.78, 83.5, -67

 

CMYK 17 / 93 / 0 / 1

HEX #D111FC

RGB 209 17 252

HSL 289.02, 0.98%, 0.53%

LAB 52.93, 89.86, -71.47

 

CMYK 14 / 77 / 0 / 1

HEX #D93AFD

RGB 217 58 253

HSL 288.92, 0.98%, 0.61%

LAB 56.95, 83.35, -65.48

 

CMYK 11 / 61 / 0 / 1

HEX #E162FD

RGB 225 98 253

HSL 289.16, 0.97%, 0.69%

LAB 63.21, 70.52, -55.4

 

CMYK 8 / 45 / 0 / 1

HEX #E88BFD

RGB 232 139 253

HSL 288.95, 0.97%, 0.77%

LAB 71.36, 52.94, -42.48

 

CMYK 14 / 77 / 0 / 1

HEX #D939FD

RGB 217 57 253

HSL 288.98, 0.98%, 0.61%

LAB 56.85, 83.63, -65.63

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 77 / 0 / 46 / 1

HEX #3AFD88

RGB 58 253 136

HSL 144, 0.98%, 0.61%

LAB 88.41, -71.3, 42.77

 

CMYK 14 / 77 / 0 / 1

HEX #D939FD

RGB 217 57 253

HSL 288.98, 0.98%, 0.61%

LAB 56.85, 83.63, -65.63

 

CMYK 0 / 15 / 77 / 1

HEX #FDD63A

RGB 253 214 58

HSL 48, 0.98%, 0.61%

LAB 86.64, -1.19, 76.19

 

CMYK 77 / 0 / 15 / 1

HEX #3AFDD6

RGB 58 253 214

HSL 168, 0.98%, 0.61%

LAB 89.86, -55.36, 5.34

 

CMYK 14 / 77 / 0 / 1

HEX #D939FD

RGB 217 57 253

HSL 288.98, 0.98%, 0.61%

LAB 56.85, 83.63, -65.63

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 62 / 0 / 77 / 1

HEX #61FD3A

RGB 97 253 58

HSL 108, 0.98%, 0.61%

LAB 88.49, -73.17, 74.71

 

CMYK 77 / 0 / 0 / 1

HEX #3AFDFD

RGB 58 253 253

HSL 180, 0.98%, 0.61%

LAB 90.89, -45.09, -13.4

 

CMYK 14 / 77 / 0 / 1

HEX #D939FD

RGB 217 57 253

HSL 288.98, 0.98%, 0.61%

LAB 56.85, 83.63, -65.63

 

CMYK 0 / 54 / 77 / 1

HEX #FD743A

RGB 253 116 58

HSL 17.85, 0.98%, 0.61%

LAB 64.71, 48.96, 55.39

 

CMYK 62 / 0 / 77 / 1

HEX #61FD3A

RGB 97 253 58

HSL 108, 0.98%, 0.61%

LAB 88.49, -73.17, 74.71

 

CMYK 77 / 23 / 0 / 1

HEX #3AC2FD

RGB 58 194 253

HSL 198.15, 0.98%, 0.61%

LAB 73.92, -16.77, -39.3

 

Description

Color code: RGB 217 57 253 | qconv.com Color code: RGB 217 57 253 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 57 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 57 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 77 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 77% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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