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Color name
RGB 217 44 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 44 108 it is the complementary color RGB 38 211 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 44 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 44 108 shade: RGB 222 44 103, RGB 239 62 122, RGB 255 80 141, RGB 255 98 160 and RGB 255 116 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 44 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 44 108 shade: RGB 217 44 108, RGB 200 26 89, RGB 183 8 70, RGB 166 0 51 and RGB 149 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 44 108 shade: RGB 216 43 107, RGB 216 43 61 and RGB 216 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 44 108 shade: RGB 216 43 107, RGB 216 43 154, RGB 216 43 200, RGB 185 43 216 and RGB 138 43 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 44 108 shade matches the following richer shades: RGB 216 43 107 and RGB 236 23 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 44 108 shade: RGB 216 43 107, RGB 196 64 112, RGB 175 84 118, RGB 155 104 123 and RGB 135 124 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 44 108 shade: RGB 216 43 201, RGB 216 43 155, RGB 216 43 109, RGB 216 43 63 and RGB 216 69 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 44 108 shade: RGB 150 27 72, RGB 184 33 89, RGB 216 43 107, RGB 222 78 131 and RGB 229 113 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 44 108 shade: RGB 217 44 108, RGB 216 184 43 and RGB 43 178 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 44 108 shade: RGB 217 44 108, RGB 109 216 43 and RGB 43 109 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 44 108 shade: RGB 217 44 108, RGB 216 184 43, RGB 43 216 150 and RGB 43 75 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 44 108 shade: RGB 217 44 108, RGB 196 216 43, RGB 43 216 150 and RGB 63 43 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 50 / 15

HEX #D92C6C

RGB 217 44 108

HSL 337.8, 0.69%, 0.51%

LAB 49.05, 68.25, 6.85

 

Complementary color

CMYK 82 / 0 / 30 / 17

HEX #26D393

RGB 38 211 147

HSL 157.8, 0.69%, 0.49%

LAB 75.52, -56.48, 20.09

 

CMYK 0 / 80 / 54 / 13

HEX #DE2C67

RGB 222 44 103

HSL 340.11, 0.73%, 0.52%

LAB 49.87, 69.17, 11.2

 

CMYK 0 / 74 / 49 / 6

HEX #EF3E7A

RGB 239 62 122

HSL 339.66, 0.85%, 0.59%

LAB 55.28, 70.04, 7.82

 

CMYK 0 / 69 / 45 / 0

HEX #FF508D

RGB 255 80 141

HSL 339.09, 1%, 0.66%

LAB 60.71, 70.04, 4.77

 

CMYK 0 / 62 / 37 / 0

HEX #FF62A0

RGB 255 98 160

HSL 336.31, 1%, 0.69%

LAB 63.78, 64.93, -1.76

 

CMYK 0 / 55 / 30 / 0

HEX #FF74B3

RGB 255 116 179

HSL 332.81, 1%, 0.73%

LAB 67.28, 59.25, -7.41

 

CMYK 0 / 80 / 50 / 15

HEX #D92C6C

RGB 217 44 108

HSL 337.8, 0.69%, 0.51%

LAB 49.05, 68.25, 6.85

 

CMYK 0 / 87 / 56 / 22

HEX #C81A59

RGB 200 26 89

HSL 338.28, 0.77%, 0.44%

LAB 43.86, 66.54, 10.81

 

CMYK 0 / 96 / 62 / 28

HEX #B70846

RGB 183 8 70

HSL 338.74, 0.92%, 0.37%

LAB 39.04, 63.68, 15.69

 

CMYK 0 / 100 / 69 / 35

HEX #A60033

RGB 166 0 51

HSL 341.57, 1%, 0.33%

LAB 34.69, 59.42, 21.57

 

CMYK 0 / 100 / 79 / 42

HEX #950020

RGB 149 0 32

HSL 347.11, 1%, 0.29%

LAB 30.63, 54.34, 28.04

 

CMYK 0 / 80 / 50 / 15

HEX #D82B6B

RGB 216 43 107

HSL 337.8, 0.69%, 0.51%

LAB 48.75, 68.17, 7

 

CMYK 0 / 80 / 72 / 15

HEX #D82B3D

RGB 216 43 61

HSL 353.76, 0.69%, 0.51%

LAB 47.83, 65.38, 33.74

 

CMYK 0 / 80 / 80 / 15

HEX #D82B2B

RGB 216 43 43

HSL 0, 0.69%, 0.51%

LAB 47.63, 64.74, 43.72

 

CMYK 0 / 80 / 50 / 15

HEX #D82B6B

RGB 216 43 107

HSL 337.8, 0.69%, 0.51%

LAB 48.75, 68.17, 7

 

CMYK 0 / 80 / 29 / 15

HEX #D82B9A

RGB 216 43 154

HSL 321.5, 0.69%, 0.51%

LAB 50.29, 72.72, -19.14

 

CMYK 0 / 80 / 7 / 15

HEX #D82BC8

RGB 216 43 200

HSL 305.55, 0.69%, 0.51%

LAB 52.39, 78.66, -42.81

 

CMYK 14 / 80 / 0 / 15

HEX #B92BD8

RGB 185 43 216

HSL 289.25, 0.69%, 0.51%

LAB 48.26, 75.38, -58.89

 

CMYK 36 / 80 / 0 / 15

HEX #8A2BD8

RGB 138 43 216

HSL 272.95, 0.69%, 0.51%

LAB 41.36, 67.65, -70.41

 

CMYK 0 / 80 / 50 / 15

HEX #D82B6B

RGB 216 43 107

HSL 337.8, 0.69%, 0.51%

LAB 48.75, 68.17, 7

 

CMYK 0 / 90 / 57 / 7

HEX #EC1766

RGB 236 23 102

HSL 337.75, 0.85%, 0.51%

LAB 51.16, 76.58, 14.01

 

CMYK 0 / 80 / 50 / 15

HEX #D82B6B

RGB 216 43 107

HSL 337.8, 0.69%, 0.51%

LAB 48.75, 68.17, 7

 

CMYK 0 / 67 / 43 / 23

HEX #C44070

RGB 196 64 112

HSL 338.18, 0.53%, 0.51%

LAB 47.72, 56.15, 2

 

CMYK 0 / 52 / 33 / 31

HEX #AF5476

RGB 175 84 118

HSL 337.58, 0.36%, 0.51%

LAB 47.96, 40.87, -1.69

 

CMYK 0 / 33 / 21 / 39

HEX #9B687B

RGB 155 104 123

HSL 337.65, 0.2%, 0.51%

LAB 49.86, 23.33, -2.21

 

CMYK 0 / 8 / 5 / 47

HEX #877C80

RGB 135 124 128

HSL 338.18, 0.04%, 0.51%

LAB 53.09, 4.95, -0.66

 

CMYK 0 / 80 / 7 / 15

HEX #D82BC9

RGB 216 43 201

HSL 305.2, 0.69%, 0.51%

LAB 52.45, 78.81, -43.3

 

CMYK 0 / 80 / 28 / 15

HEX #D82B9B

RGB 216 43 155

HSL 321.16, 0.69%, 0.51%

LAB 50.33, 72.83, -19.67

 

CMYK 0 / 80 / 50 / 15

HEX #D82B6D

RGB 216 43 109

HSL 337.11, 0.69%, 0.51%

LAB 48.8, 68.33, 5.86

 

CMYK 0 / 80 / 71 / 15

HEX #D82B3F

RGB 216 43 63

HSL 353.06, 0.69%, 0.51%

LAB 47.86, 65.47, 32.6

 

CMYK 0 / 68 / 80 / 15

HEX #D8452B

RGB 216 69 43

HSL 9.02, 0.69%, 0.51%

LAB 50.72, 56.15, 46.77

 

CMYK 0 / 82 / 52 / 41

HEX #961B48

RGB 150 27 72

HSL 338.05, 0.69%, 0.35%

LAB 33.43, 51.89, 5.56

 

CMYK 0 / 82 / 52 / 28

HEX #B82159

RGB 184 33 89

HSL 337.75, 0.7%, 0.43%

LAB 41.22, 60.91, 6.64

 

CMYK 0 / 80 / 50 / 15

HEX #D82B6B

RGB 216 43 107

HSL 337.8, 0.69%, 0.51%

LAB 48.75, 68.17, 7

 

CMYK 0 / 65 / 41 / 13

HEX #DE4E83

RGB 222 78 131

HSL 337.92, 0.69%, 0.59%

LAB 54.68, 60.27, 1.22

 

CMYK 0 / 51 / 32 / 10

HEX #E5719C

RGB 229 113 156

HSL 337.76, 0.69%, 0.67%

LAB 62.4, 49.51, -1.94

 

CMYK 0 / 80 / 50 / 15

HEX #D92C6C

RGB 217 44 108

HSL 337.8, 0.69%, 0.51%

LAB 49.05, 68.25, 6.85

 

CMYK 0 / 15 / 80 / 15

HEX #D8B82B

RGB 216 184 43

HSL 48.9, 0.69%, 0.51%

LAB 75.49, -2.07, 69.54

 

CMYK 80 / 18 / 0 / 15

HEX #2BB2D8

RGB 43 178 216

HSL 193.18, 0.69%, 0.51%

LAB 67.51, -22.15, -29.14

 

CMYK 0 / 80 / 50 / 15

HEX #D92C6C

RGB 217 44 108

HSL 337.8, 0.69%, 0.51%

LAB 49.05, 68.25, 6.85

 

CMYK 50 / 0 / 80 / 15

HEX #6DD82B

RGB 109 216 43

HSL 97.11, 0.69%, 0.51%

LAB 77.6, -58.18, 68.87

 

CMYK 80 / 50 / 0 / 15

HEX #2B6DD8

RGB 43 109 216

HSL 217.11, 0.69%, 0.51%

LAB 47.51, 17.9, -60.74

 

CMYK 0 / 80 / 50 / 15

HEX #D92C6C

RGB 217 44 108

HSL 337.8, 0.69%, 0.51%

LAB 49.05, 68.25, 6.85

 

CMYK 0 / 15 / 80 / 15

HEX #D8B82B

RGB 216 184 43

HSL 48.9, 0.69%, 0.51%

LAB 75.49, -2.07, 69.54

 

CMYK 80 / 0 / 31 / 15

HEX #2BD896

RGB 43 216 150

HSL 157.11, 0.69%, 0.51%

LAB 77.18, -57.24, 20.81

 

CMYK 80 / 65 / 0 / 15

HEX #2B4BD8

RGB 43 75 216

HSL 228.9, 0.69%, 0.51%

LAB 38.73, 39.63, -75.03

 

CMYK 0 / 80 / 50 / 15

HEX #D92C6C

RGB 217 44 108

HSL 337.8, 0.69%, 0.51%

LAB 49.05, 68.25, 6.85

 

CMYK 9 / 0 / 80 / 15

HEX #C4D82B

RGB 196 216 43

HSL 66.94, 0.69%, 0.51%

LAB 82.39, -26.6, 74.97

 

CMYK 80 / 0 / 31 / 15

HEX #2BD896

RGB 43 216 150

HSL 157.11, 0.69%, 0.51%

LAB 77.18, -57.24, 20.81

 

CMYK 71 / 80 / 0 / 15

HEX #3F2BD8

RGB 63 43 216

HSL 246.94, 0.69%, 0.51%

LAB 33.44, 58.94, -83.72

 

Description

Color code: RGB 217 44 108 | qconv.com Color code: RGB 217 44 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 44 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 44 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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