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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 43 189 it is the complementary color RGB 38 212 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 43 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 43 189 shade: RGB 222 43 184, RGB 239 61 203, RGB 255 79 222, RGB 255 97 241 and RGB 255 115 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 43 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 43 189 shade: RGB 217 43 189, RGB 200 25 170, RGB 183 7 151, RGB 166 0 132 and RGB 149 0 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 43 189 shade: RGB 217 42 189, RGB 217 42 142, RGB 217 42 95, RGB 217 42 47 and RGB 217 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 43 189 shade: RGB 217 42 189, RGB 198 42 217, RGB 151 42 217, RGB 104 42 217 and RGB 56 42 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 43 189 shade matches the following richer shades: RGB 217 42 189 and RGB 237 22 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 43 189 shade: RGB 217 42 189, RGB 197 62 175, RGB 177 83 161, RGB 156 103 148 and RGB 136 123 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 43 189 shade: RGB 150 42 217, RGB 197 42 217, RGB 217 42 191, RGB 217 42 144 and RGB 217 42 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 43 189 shade: RGB 150 26 130, RGB 186 32 161, RGB 217 42 189, RGB 223 77 200 and RGB 229 112 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 43 189 shade: RGB 217 43 189, RGB 217 103 42 and RGB 42 217 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 43 189 shade: RGB 217 43 189, RGB 191 217 42 and RGB 42 191 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 43 189 shade: RGB 217 43 189, RGB 217 103 42, RGB 42 217 68 and RGB 42 156 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 43 189 shade: RGB 217 43 189, RGB 217 156 42, RGB 42 217 68 and RGB 42 103 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 13 / 15

HEX #D92BBD

RGB 217 43 189

HSL 309.66, 0.7%, 0.51%

LAB 52.01, 77.33, -37.04

 

Complementary color

CMYK 82 / 0 / 69 / 17

HEX #26D442

RGB 38 212 66

HSL 129.66, 0.7%, 0.49%

LAB 74.76, -69.45, 57.84

 

CMYK 0 / 81 / 17 / 13

HEX #DE2BB8

RGB 222 43 184

HSL 312.74, 0.73%, 0.52%

LAB 52.64, 77.71, -33.08

 

CMYK 0 / 74 / 15 / 6

HEX #EF3DCB

RGB 239 61 203

HSL 312.13, 0.85%, 0.59%

LAB 58.04, 79.17, -35.39

 

CMYK 0 / 69 / 13 / 0

HEX #FF4FDE

RGB 255 79 222

HSL 311.25, 1%, 0.65%

LAB 63.45, 79.75, -37.5

 

CMYK 0 / 62 / 5 / 0

HEX #FF61F1

RGB 255 97 241

HSL 305.32, 1%, 0.69%

LAB 66.64, 75.99, -43.08

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 80 / 13 / 15

HEX #D92BBD

RGB 217 43 189

HSL 309.66, 0.7%, 0.51%

LAB 52.01, 77.33, -37.04

 

CMYK 0 / 88 / 15 / 22

HEX #C819AA

RGB 200 25 170

HSL 310.29, 0.78%, 0.44%

LAB 46.81, 74.99, -34.27

 

CMYK 0 / 96 / 17 / 28

HEX #B70797

RGB 183 7 151

HSL 310.91, 0.93%, 0.37%

LAB 41.93, 71.48, -30.78

 

CMYK 0 / 100 / 20 / 35

HEX #A60084

RGB 166 0 132

HSL 312.29, 1%, 0.33%

LAB 37.43, 66.54, -26.41

 

CMYK 0 / 100 / 24 / 42

HEX #950071

RGB 149 0 113

HSL 314.5, 1%, 0.29%

LAB 33.1, 60.81, -21.49

 

CMYK 0 / 81 / 13 / 15

HEX #D92ABD

RGB 217 42 189

HSL 309.6, 0.7%, 0.51%

LAB 51.93, 77.56, -37.16

 

CMYK 0 / 81 / 35 / 15

HEX #D92A8E

RGB 217 42 142

HSL 325.71, 0.7%, 0.51%

LAB 49.93, 71.88, -12.48

 

CMYK 0 / 81 / 56 / 15

HEX #D92A5F

RGB 217 42 95

HSL 341.83, 0.7%, 0.51%

LAB 48.55, 67.8, 14.12

 

CMYK 0 / 81 / 78 / 15

HEX #D92A2F

RGB 217 42 47

HSL 358.29, 0.7%, 0.51%

LAB 47.77, 65.4, 41.75

 

CMYK 0 / 81 / 81 / 15

HEX #D92A2A

RGB 217 42 42

HSL 0, 0.7%, 0.51%

LAB 47.72, 65.25, 44.41

 

CMYK 0 / 81 / 13 / 15

HEX #D92ABD

RGB 217 42 189

HSL 309.6, 0.7%, 0.51%

LAB 51.93, 77.56, -37.16

 

CMYK 9 / 81 / 0 / 15

HEX #C62AD9

RGB 198 42 217

HSL 293.49, 0.7%, 0.51%

LAB 50.3, 78.12, -56.07

 

CMYK 30 / 81 / 0 / 15

HEX #972AD9

RGB 151 42 217

HSL 277.37, 0.7%, 0.51%

LAB 43.13, 70.18, -68.02

 

CMYK 52 / 81 / 0 / 15

HEX #682AD9

RGB 104 42 217

HSL 261.26, 0.7%, 0.51%

LAB 37.13, 63.66, -78.08

 

CMYK 74 / 81 / 0 / 15

HEX #382AD9

RGB 56 42 217

HSL 244.8, 0.7%, 0.51%

LAB 32.93, 59.18, -85.15

 

CMYK 0 / 81 / 13 / 15

HEX #D92ABD

RGB 217 42 189

HSL 309.6, 0.7%, 0.51%

LAB 51.93, 77.56, -37.16

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CB

RGB 237 22 203

HSL 309.49, 0.86%, 0.51%

LAB 54.96, 86.68, -40.24

 

CMYK 0 / 81 / 13 / 15

HEX #D92ABD

RGB 217 42 189

HSL 309.6, 0.7%, 0.51%

LAB 51.93, 77.56, -37.16

 

CMYK 0 / 69 / 11 / 23

HEX #C53EAF

RGB 197 62 175

HSL 309.78, 0.54%, 0.51%

LAB 49.99, 65.15, -32.27

 

CMYK 0 / 53 / 9 / 31

HEX #B153A1

RGB 177 83 161

HSL 310.21, 0.38%, 0.51%

LAB 49.63, 48.46, -24.84

 

CMYK 0 / 34 / 5 / 39

HEX #9C6794

RGB 156 103 148

HSL 309.06, 0.21%, 0.51%

LAB 50.58, 28.64, -15.94

 

CMYK 0 / 10 / 1 / 47

HEX #887B86

RGB 136 123 134

HSL 309.23, 0.05%, 0.51%

LAB 53.08, 7.07, -4.17

 

CMYK 31 / 81 / 0 / 15

HEX #962AD9

RGB 150 42 217

HSL 277.03, 0.7%, 0.51%

LAB 42.99, 70.03, -68.25

 

CMYK 9 / 81 / 0 / 15

HEX #C52AD9

RGB 197 42 217

HSL 293.14, 0.7%, 0.51%

LAB 50.14, 77.94, -56.34

 

CMYK 0 / 81 / 12 / 15

HEX #D92ABF

RGB 217 42 191

HSL 308.91, 0.7%, 0.51%

LAB 52.03, 77.84, -38.17

 

CMYK 0 / 81 / 34 / 15

HEX #D92A90

RGB 217 42 144

HSL 325.03, 0.7%, 0.51%

LAB 50, 72.09, -13.57

 

CMYK 0 / 81 / 55 / 15

HEX #D92A61

RGB 217 42 97

HSL 341.14, 0.7%, 0.51%

LAB 48.6, 67.94, 12.95

 

CMYK 0 / 83 / 13 / 41

HEX #961A82

RGB 150 26 130

HSL 309.68, 0.7%, 0.35%

LAB 35.66, 58.89, -28.16

 

CMYK 0 / 83 / 13 / 27

HEX #BA20A1

RGB 186 32 161

HSL 309.74, 0.71%, 0.43%

LAB 44.3, 69.59, -33.04

 

CMYK 0 / 81 / 13 / 15

HEX #D92ABD

RGB 217 42 189

HSL 309.6, 0.7%, 0.51%

LAB 51.93, 77.56, -37.16

 

CMYK 0 / 65 / 10 / 13

HEX #DF4DC8

RGB 223 77 200

HSL 309.45, 0.7%, 0.59%

LAB 57.24, 69.67, -35.11

 

CMYK 0 / 51 / 8 / 10

HEX #E570D3

RGB 229 112 211

HSL 309.23, 0.69%, 0.67%

LAB 64.12, 57.92, -30.57

 

CMYK 0 / 80 / 13 / 15

HEX #D92BBD

RGB 217 43 189

HSL 309.66, 0.7%, 0.51%

LAB 52.01, 77.33, -37.04

 

CMYK 0 / 53 / 81 / 15

HEX #D9672A

RGB 217 103 42

HSL 20.91, 0.7%, 0.51%

LAB 56.7, 41.16, 52.99

 

CMYK 81 / 0 / 20 / 15

HEX #2AD9AD

RGB 42 217 173

HSL 164.91, 0.7%, 0.51%

LAB 77.95, -52.46, 9.74

 

CMYK 0 / 80 / 13 / 15

HEX #D92BBD

RGB 217 43 189

HSL 309.66, 0.7%, 0.51%

LAB 52.01, 77.33, -37.04

 

CMYK 12 / 0 / 81 / 15

HEX #BFD92A

RGB 191 217 42

HSL 68.91, 0.7%, 0.51%

LAB 82.31, -29.15, 75.02

 

CMYK 81 / 12 / 0 / 15

HEX #2ABFD9

RGB 42 191 217

HSL 188.91, 0.7%, 0.51%

LAB 71.39, -28.47, -23.73

 

CMYK 0 / 80 / 13 / 15

HEX #D92BBD

RGB 217 43 189

HSL 309.66, 0.7%, 0.51%

LAB 52.01, 77.33, -37.04

 

CMYK 0 / 53 / 81 / 15

HEX #D9672A

RGB 217 103 42

HSL 20.91, 0.7%, 0.51%

LAB 56.7, 41.16, 52.99

 

CMYK 81 / 0 / 69 / 15

HEX #2AD944

RGB 42 217 68

HSL 128.91, 0.7%, 0.51%

LAB 76.4, -70.35, 58.82

 

CMYK 81 / 28 / 0 / 15

HEX #2A9CD9

RGB 42 156 217

HSL 200.91, 0.7%, 0.51%

LAB 61.03, -10.09, -39.78

 

CMYK 0 / 80 / 13 / 15

HEX #D92BBD

RGB 217 43 189

HSL 309.66, 0.7%, 0.51%

LAB 52.01, 77.33, -37.04

 

CMYK 0 / 28 / 81 / 15

HEX #D99C2A

RGB 217 156 42

HSL 39.09, 0.7%, 0.51%

LAB 68.53, 13.2, 63.75

 

CMYK 81 / 0 / 69 / 15

HEX #2AD944

RGB 42 217 68

HSL 128.91, 0.7%, 0.51%

LAB 76.4, -70.35, 58.82

 

CMYK 81 / 53 / 0 / 15

HEX #2A67D9

RGB 42 103 217

HSL 219.09, 0.7%, 0.51%

LAB 45.91, 22.02, -63.89

 

Description

Color code: RGB 217 43 189 | qconv.com Color code: RGB 217 43 189 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 43 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 43 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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