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Color name
RGB 217 42 147

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 42 147 it is the complementary color RGB 38 213 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 42 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 42 147 shade: RGB 222 42 142, RGB 239 60 161, RGB 255 78 180, RGB 255 96 199 and RGB 255 114 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 42 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 42 147 shade: RGB 217 42 147, RGB 200 24 128, RGB 183 6 109, RGB 166 0 90 and RGB 149 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 42 147 shade: RGB 217 42 147, RGB 217 42 100, RGB 217 42 53 and RGB 217 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 42 147 shade: RGB 217 42 147, RGB 217 42 194, RGB 193 42 217, RGB 145 42 217 and RGB 98 42 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 42 147 shade matches the following richer shades: RGB 217 42 147 and RGB 237 22 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 42 147 shade: RGB 217 42 147, RGB 197 62 143, RGB 177 83 139, RGB 156 103 135 and RGB 136 123 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 42 147 shade: RGB 194 42 217, RGB 217 42 194, RGB 217 42 147, RGB 217 42 100 and RGB 217 42 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 42 147 shade: RGB 150 26 101, RGB 186 32 124, RGB 217 42 147, RGB 223 77 165 and RGB 229 112 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 42 147 shade: RGB 217 42 147, RGB 217 147 42 and RGB 42 217 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 42 147 shade: RGB 217 42 147, RGB 147 217 42 and RGB 42 147 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 42 147 shade: RGB 217 42 147, RGB 217 147 42, RGB 42 217 112 and RGB 42 112 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 42 147 shade: RGB 217 42 147, RGB 217 200 42, RGB 42 217 112 and RGB 42 60 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

Complementary color

CMYK 82 / 0 / 49 / 16

HEX #26D56C

RGB 38 213 108

HSL 144, 0.7%, 0.49%

LAB 75.5, -64.51, 40.01

 

CMYK 0 / 81 / 36 / 13

HEX #DE2A8E

RGB 222 42 142

HSL 326.67, 0.73%, 0.52%

LAB 50.85, 73.07, -11.01

 

CMYK 0 / 75 / 33 / 6

HEX #EF3CA1

RGB 239 60 161

HSL 326.15, 0.85%, 0.59%

LAB 56.24, 74.35, -13.84

 

CMYK 0 / 69 / 29 / 0

HEX #FF4EB4

RGB 255 78 180

HSL 325.42, 1%, 0.65%

LAB 61.66, 74.74, -16.42

 

CMYK 0 / 62 / 22 / 0

HEX #FF60C7

RGB 255 96 199

HSL 321.13, 1%, 0.69%

LAB 64.76, 70.38, -22.51

 

CMYK 0 / 55 / 15 / 0

HEX #FF72DA

RGB 255 114 218

HSL 315.74, 1%, 0.72%

LAB 68.28, 65.42, -27.77

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 88 / 36 / 22

HEX #C81880

RGB 200 24 128

HSL 324.55, 0.79%, 0.44%

LAB 44.93, 70.23, -11.85

 

CMYK 0 / 97 / 40 / 28

HEX #B7066D

RGB 183 6 109

HSL 325.08, 0.94%, 0.37%

LAB 40.08, 66.89, -7.67

 

CMYK 0 / 100 / 46 / 35

HEX #A6005A

RGB 166 0 90

HSL 327.47, 1%, 0.33%

LAB 35.68, 62.06, -2.47

 

CMYK 0 / 100 / 52 / 42

HEX #950047

RGB 149 0 71

HSL 331.41, 1%, 0.29%

LAB 31.45, 56.55, 3.37

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 81 / 54 / 15

HEX #D92A64

RGB 217 42 100

HSL 340.11, 0.7%, 0.51%

LAB 48.67, 68.15, 11.21

 

CMYK 0 / 81 / 76 / 15

HEX #D92A35

RGB 217 42 53

HSL 356.23, 0.7%, 0.51%

LAB 47.83, 65.61, 38.44

 

CMYK 0 / 81 / 81 / 15

HEX #D92A2A

RGB 217 42 42

HSL 0, 0.7%, 0.51%

LAB 47.72, 65.25, 44.41

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 81 / 11 / 15

HEX #D92AC2

RGB 217 42 194

HSL 307.89, 0.7%, 0.51%

LAB 52.18, 78.25, -39.67

 

CMYK 11 / 81 / 0 / 15

HEX #C12AD9

RGB 193 42 217

HSL 291.77, 0.7%, 0.51%

LAB 49.5, 77.23, -57.4

 

CMYK 33 / 81 / 0 / 15

HEX #912AD9

RGB 145 42 217

HSL 275.31, 0.7%, 0.51%

LAB 42.29, 69.25, -69.43

 

CMYK 55 / 81 / 0 / 15

HEX #622AD9

RGB 98 42 217

HSL 259.2, 0.7%, 0.51%

LAB 36.48, 62.96, -79.17

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 91 / 36 / 7

HEX #ED1697

RGB 237 22 151

HSL 324, 0.86%, 0.51%

LAB 52.74, 80.86, -13.25

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 69 / 27 / 23

HEX #C53E8F

RGB 197 62 143

HSL 324, 0.54%, 0.51%

LAB 48.63, 60.72, -15.38

 

CMYK 0 / 53 / 21 / 31

HEX #B1538B

RGB 177 83 139

HSL 324.26, 0.38%, 0.51%

LAB 48.76, 44.97, -13.09

 

CMYK 0 / 34 / 13 / 39

HEX #9C6787

RGB 156 103 135

HSL 323.77, 0.21%, 0.51%

LAB 50.12, 26.29, -8.94

 

CMYK 0 / 10 / 4 / 47

HEX #887B83

RGB 136 123 131

HSL 323.08, 0.05%, 0.51%

LAB 52.99, 6.48, -2.54

 

CMYK 11 / 81 / 0 / 15

HEX #C22AD9

RGB 194 42 217

HSL 292.11, 0.7%, 0.51%

LAB 49.66, 77.41, -57.13

 

CMYK 0 / 81 / 11 / 15

HEX #D92AC2

RGB 217 42 194

HSL 307.89, 0.7%, 0.51%

LAB 52.18, 78.25, -39.67

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 81 / 54 / 15

HEX #D92A64

RGB 217 42 100

HSL 340.11, 0.7%, 0.51%

LAB 48.67, 68.15, 11.21

 

CMYK 0 / 81 / 75 / 15

HEX #D92A36

RGB 217 42 54

HSL 355.89, 0.7%, 0.51%

LAB 47.85, 65.64, 37.89

 

CMYK 0 / 83 / 33 / 41

HEX #961A65

RGB 150 26 101

HSL 323.71, 0.7%, 0.35%

LAB 34.32, 55.08, -11.93

 

CMYK 0 / 83 / 33 / 27

HEX #BA207C

RGB 186 32 124

HSL 324.16, 0.71%, 0.43%

LAB 42.65, 64.98, -13.09

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 65 / 26 / 13

HEX #DF4DA5

RGB 223 77 165

HSL 323.84, 0.7%, 0.59%

LAB 55.8, 64.83, -17.11

 

CMYK 0 / 51 / 20 / 10

HEX #E570B7

RGB 229 112 183

HSL 323.59, 0.69%, 0.67%

LAB 63.07, 53.62, -16.37

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 32 / 81 / 15

HEX #D9932A

RGB 217 147 42

HSL 36, 0.7%, 0.51%

LAB 66.36, 18.04, 61.81

 

CMYK 81 / 0 / 0 / 15

HEX #2AD9D9

RGB 42 217 217

HSL 180, 0.7%, 0.51%

LAB 79.11, -40.69, -12.06

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 32 / 0 / 81 / 15

HEX #93D92A

RGB 147 217 42

HSL 84, 0.7%, 0.51%

LAB 79.61, -46.17, 71.6

 

CMYK 81 / 32 / 0 / 15

HEX #2A93D9

RGB 42 147 217

HSL 204, 0.7%, 0.51%

LAB 58.39, -4.98, -43.93

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 32 / 81 / 15

HEX #D9932A

RGB 217 147 42

HSL 36, 0.7%, 0.51%

LAB 66.36, 18.04, 61.81

 

CMYK 81 / 0 / 48 / 15

HEX #2AD970

RGB 42 217 112

HSL 144, 0.7%, 0.51%

LAB 76.85, -64.82, 39.76

 

CMYK 81 / 48 / 0 / 15

HEX #2A70D9

RGB 42 112 217

HSL 216, 0.7%, 0.51%

LAB 48.37, 16.28, -59.91

 

CMYK 0 / 81 / 32 / 15

HEX #D92A93

RGB 217 42 147

HSL 324, 0.7%, 0.51%

LAB 50.11, 72.41, -15.2

 

CMYK 0 / 8 / 81 / 15

HEX #D9C82A

RGB 217 200 42

HSL 54.17, 0.7%, 0.51%

LAB 79.74, -9.9, 73.58

 

CMYK 81 / 0 / 48 / 15

HEX #2AD970

RGB 42 217 112

HSL 144, 0.7%, 0.51%

LAB 76.85, -64.82, 39.76

 

CMYK 81 / 72 / 0 / 15

HEX #2A3CD9

RGB 42 60 217

HSL 233.83, 0.7%, 0.51%

LAB 35.47, 48.93, -80.98

 

Description

Color code: RGB 217 42 147 | qconv.com Color code: RGB 217 42 147 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 42 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 42 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 32 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 32% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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