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Color name
RGB 217 39 199

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 39 199 it is the complementary color RGB 38 216 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 39 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 39 199 shade: RGB 222 39 194, RGB 239 57 213, RGB 255 75 232, RGB 255 93 251 and RGB 255 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 39 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 39 199 shade: RGB 217 39 199, RGB 200 21 180, RGB 183 3 161, RGB 166 0 142 and RGB 149 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 39 199 shade: RGB 216 38 198, RGB 216 38 150, RGB 216 38 102, RGB 216 38 54 and RGB 216 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 39 199 shade: RGB 216 38 198, RGB 186 38 216, RGB 138 38 216, RGB 90 38 216 and RGB 42 38 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 39 199 shade matches the following richer shades: RGB 216 38 198 and RGB 237 17 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 39 199 shade: RGB 216 38 198, RGB 196 58 182, RGB 175 79 165, RGB 154 100 149 and RGB 134 120 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 39 199 shade: RGB 139 38 216, RGB 186 38 216, RGB 216 38 198, RGB 216 38 151 and RGB 216 38 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 39 199 shade: RGB 146 25 134, RGB 181 32 166, RGB 216 38 198, RGB 222 73 207 and RGB 229 108 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 39 199 shade: RGB 217 39 199, RGB 216 91 38 and RGB 38 216 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 39 199 shade: RGB 217 39 199, RGB 198 216 38 and RGB 38 198 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 39 199 shade: RGB 217 39 199, RGB 216 91 38, RGB 38 216 56 and RGB 38 163 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 39 199 shade: RGB 217 39 199, RGB 216 145 38, RGB 38 216 56 and RGB 38 109 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 8 / 15

HEX #D927C7

RGB 217 39 199

HSL 306.07, 0.7%, 0.5%

LAB 52.2, 79.61, -42.52

 

Complementary color

CMYK 82 / 0 / 74 / 15

HEX #26D838

RGB 38 216 56

HSL 126.07, 0.7%, 0.5%

LAB 75.95, -71.48, 62.7

 

CMYK 0 / 82 / 13 / 13

HEX #DE27C2

RGB 222 39 194

HSL 309.18, 0.73%, 0.51%

LAB 52.81, 79.91, -38.61

 

CMYK 0 / 76 / 11 / 6

HEX #EF39D5

RGB 239 57 213

HSL 308.57, 0.85%, 0.58%

LAB 58.11, 81.65, -40.96

 

CMYK 0 / 71 / 9 / 0

HEX #FF4BE8

RGB 255 75 232

HSL 307.67, 1%, 0.65%

LAB 63.44, 82.46, -43.1

 

CMYK 0 / 64 / 2 / 0

HEX #FF5DFB

RGB 255 93 251

HSL 301.48, 1%, 0.68%

LAB 66.56, 79.08, -48.72

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 82 / 8 / 15

HEX #D927C7

RGB 217 39 199

HSL 306.07, 0.7%, 0.5%

LAB 52.2, 79.61, -42.52

 

CMYK 0 / 90 / 10 / 22

HEX #C815B4

RGB 200 21 180

HSL 306.7, 0.81%, 0.43%

LAB 47.12, 76.94, -39.69

 

CMYK 0 / 98 / 12 / 28

HEX #B703A1

RGB 183 3 161

HSL 307.33, 0.97%, 0.36%

LAB 42.32, 73.19, -36.2

 

CMYK 0 / 100 / 14 / 35

HEX #A6008E

RGB 166 0 142

HSL 308.67, 1%, 0.33%

LAB 37.95, 67.84, -31.77

 

CMYK 0 / 100 / 17 / 42

HEX #95007B

RGB 149 0 123

HSL 310.47, 1%, 0.29%

LAB 33.6, 62.09, -27.03

 

CMYK 0 / 82 / 8 / 15

HEX #D826C6

RGB 216 38 198

HSL 306.07, 0.7%, 0.5%

LAB 51.91, 79.49, -42.42

 

CMYK 0 / 82 / 31 / 15

HEX #D82696

RGB 216 38 150

HSL 322.25, 0.7%, 0.5%

LAB 49.72, 73.44, -17.61

 

CMYK 0 / 82 / 53 / 15

HEX #D82666

RGB 216 38 102

HSL 338.43, 0.7%, 0.5%

LAB 48.19, 69, 9.28

 

CMYK 0 / 82 / 75 / 15

HEX #D82636

RGB 216 38 54

HSL 354.61, 0.7%, 0.5%

LAB 47.3, 66.35, 37.22

 

CMYK 0 / 82 / 82 / 15

HEX #D82626

RGB 216 38 38

HSL 0, 0.7%, 0.5%

LAB 47.14, 65.85, 45.89

 

CMYK 0 / 82 / 8 / 15

HEX #D826C6

RGB 216 38 198

HSL 306.07, 0.7%, 0.5%

LAB 51.91, 79.49, -42.42

 

CMYK 14 / 82 / 0 / 15

HEX #BA26D8

RGB 186 38 216

HSL 289.89, 0.7%, 0.5%

LAB 47.99, 76.82, -59.32

 

CMYK 36 / 82 / 0 / 15

HEX #8A26D8

RGB 138 38 216

HSL 273.71, 0.7%, 0.5%

LAB 40.81, 69.25, -71.3

 

CMYK 58 / 82 / 0 / 15

HEX #5A26D8

RGB 90 38 216

HSL 257.53, 0.7%, 0.5%

LAB 35.04, 63.39, -81

 

CMYK 81 / 82 / 0 / 15

HEX #2A26D8

RGB 42 38 216

HSL 241.35, 0.7%, 0.5%

LAB 31.43, 59.88, -87.09

 

CMYK 0 / 82 / 8 / 15

HEX #D826C6

RGB 216 38 198

HSL 306.07, 0.7%, 0.5%

LAB 51.91, 79.49, -42.42

 

CMYK 0 / 93 / 9 / 7

HEX #ED11D7

RGB 237 17 215

HSL 306, 0.87%, 0.5%

LAB 55.39, 88.76, -46.42

 

CMYK 0 / 82 / 8 / 15

HEX #D826C6

RGB 216 38 198

HSL 306.07, 0.7%, 0.5%

LAB 51.91, 79.49, -42.42

 

CMYK 0 / 70 / 7 / 23

HEX #C43AB6

RGB 196 58 182

HSL 306.09, 0.54%, 0.5%

LAB 49.66, 67.39, -36.89

 

CMYK 0 / 55 / 6 / 31

HEX #AF4FA5

RGB 175 79 165

HSL 306.25, 0.38%, 0.5%

LAB 48.79, 50.5, -28.52

 

CMYK 0 / 35 / 3 / 40

HEX #9A6495

RGB 154 100 149

HSL 305.56, 0.21%, 0.5%

LAB 49.68, 29.85, -17.91

 

CMYK 0 / 10 / 1 / 47

HEX #867884

RGB 134 120 132

HSL 308.57, 0.06%, 0.5%

LAB 52.03, 7.67, -4.58

 

CMYK 36 / 82 / 0 / 15

HEX #8B26D8

RGB 139 38 216

HSL 274.04, 0.7%, 0.5%

LAB 40.95, 69.39, -71.07

 

CMYK 14 / 82 / 0 / 15

HEX #BA26D8

RGB 186 38 216

HSL 289.89, 0.7%, 0.5%

LAB 47.99, 76.82, -59.32

 

CMYK 0 / 82 / 8 / 15

HEX #D826C6

RGB 216 38 198

HSL 306.07, 0.7%, 0.5%

LAB 51.91, 79.49, -42.42

 

CMYK 0 / 82 / 30 / 15

HEX #D82697

RGB 216 38 151

HSL 321.91, 0.7%, 0.5%

LAB 49.76, 73.55, -18.15

 

CMYK 0 / 82 / 52 / 15

HEX #D82667

RGB 216 38 103

HSL 338.09, 0.7%, 0.5%

LAB 48.22, 69.08, 8.7

 

CMYK 0 / 83 / 8 / 43

HEX #921986

RGB 146 25 134

HSL 305.95, 0.71%, 0.34%

LAB 35.06, 58.87, -31.65

 

CMYK 0 / 82 / 8 / 29

HEX #B520A6

RGB 181 32 166

HSL 306.04, 0.7%, 0.42%

LAB 43.67, 69.27, -37.08

 

CMYK 0 / 82 / 8 / 15

HEX #D826C6

RGB 216 38 198

HSL 306.07, 0.7%, 0.5%

LAB 51.91, 79.49, -42.42

 

CMYK 0 / 67 / 7 / 13

HEX #DE49CF

RGB 222 73 207

HSL 306.04, 0.69%, 0.58%

LAB 56.88, 71.98, -39.68

 

CMYK 0 / 53 / 6 / 10

HEX #E56CD8

RGB 229 108 216

HSL 306.45, 0.7%, 0.66%

LAB 63.62, 60.61, -34.15

 

CMYK 0 / 82 / 8 / 15

HEX #D927C7

RGB 217 39 199

HSL 306.07, 0.7%, 0.5%

LAB 52.2, 79.61, -42.52

 

CMYK 0 / 58 / 82 / 15

HEX #D85B26

RGB 216 91 38

HSL 17.87, 0.7%, 0.5%

LAB 54.26, 46.47, 52.43

 

CMYK 82 / 0 / 25 / 15

HEX #26D8A3

RGB 38 216 163

HSL 162.13, 0.7%, 0.5%

LAB 77.38, -54.79, 14.23

 

CMYK 0 / 82 / 8 / 15

HEX #D927C7

RGB 217 39 199

HSL 306.07, 0.7%, 0.5%

LAB 52.2, 79.61, -42.52

 

CMYK 8 / 0 / 82 / 15

HEX #C6D826

RGB 198 216 38

HSL 66.07, 0.7%, 0.5%

LAB 82.52, -25.93, 76.38

 

CMYK 82 / 8 / 0 / 15

HEX #26C6D8

RGB 38 198 216

HSL 186.07, 0.7%, 0.5%

LAB 73.39, -32.5, -20.16

 

CMYK 0 / 82 / 8 / 15

HEX #D927C7

RGB 217 39 199

HSL 306.07, 0.7%, 0.5%

LAB 52.2, 79.61, -42.52

 

CMYK 0 / 58 / 82 / 15

HEX #D85B26

RGB 216 91 38

HSL 17.87, 0.7%, 0.5%

LAB 54.26, 46.47, 52.43

 

CMYK 82 / 0 / 74 / 15

HEX #26D838

RGB 38 216 56

HSL 126.07, 0.7%, 0.5%

LAB 75.95, -71.48, 62.7

 

CMYK 82 / 25 / 0 / 15

HEX #26A3D8

RGB 38 163 216

HSL 197.87, 0.7%, 0.5%

LAB 62.98, -14.65, -36.17

 

CMYK 0 / 82 / 8 / 15

HEX #D927C7

RGB 217 39 199

HSL 306.07, 0.7%, 0.5%

LAB 52.2, 79.61, -42.52

 

CMYK 0 / 33 / 82 / 15

HEX #D89126

RGB 216 145 38

HSL 36.07, 0.7%, 0.5%

LAB 65.74, 18.56, 62.6

 

CMYK 82 / 0 / 74 / 15

HEX #26D838

RGB 38 216 56

HSL 126.07, 0.7%, 0.5%

LAB 75.95, -71.48, 62.7

 

CMYK 82 / 50 / 0 / 15

HEX #266DD8

RGB 38 109 216

HSL 216.07, 0.7%, 0.5%

LAB 47.37, 17.44, -60.95

 

Description

Color code: RGB 217 39 199 | qconv.com Color code: RGB 217 39 199 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 39 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 39 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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