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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 2 227 it is the complementary color RGB 38 253 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 2 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 2 227 shade: RGB 222 2 222, RGB 239 20 241, RGB 255 38 255, RGB 255 56 255 and RGB 255 74 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 2 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 2 227 shade: RGB 217 2 227, RGB 200 0 208, RGB 183 0 189, RGB 166 0 170 and RGB 149 0 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 2 227 shade: RGB 217 2 227, RGB 227 2 176, RGB 227 2 115, RGB 227 2 55 and RGB 227 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 2 227 shade: RGB 217 2 227, RGB 156 2 227, RGB 95 2 227, RGB 35 2 227 and RGB 2 2 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 2 227 shade matches the following richer shades: RGB 217 2 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 2 227 shade: RGB 217 2 227, RGB 200 20 208, RGB 183 39 190, RGB 166 57 171 and RGB 149 76 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 2 227 shade: RGB 96 2 227, RGB 155 2 227, RGB 215 2 227, RGB 227 2 178 and RGB 227 2 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 2 227 shade: RGB 139 1 145, RGB 178 1 186, RGB 217 2 227, RGB 242 18 252 and RGB 244 58 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 2 227 shade: RGB 217 2 227, RGB 227 36 2 and RGB 2 227 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 2 227 shade: RGB 217 2 227, RGB 227 215 2 and RGB 2 227 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 2 227 shade: RGB 217 2 227, RGB 227 36 2, RGB 13 227 2 and RGB 2 193 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 2 227 shade: RGB 217 2 227, RGB 227 103 2, RGB 13 227 2 and RGB 2 125 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

Complementary color

CMYK 85 / 0 / 89 / 1

HEX #26FD1C

RGB 38 253 28

HSL 117.33, 0.98%, 0.55%

LAB 87.36, -83.31, 80.11

 

CMYK 0 / 99 / 0 / 13

HEX #DE02DE

RGB 222 2 222

HSL 300, 0.98%, 0.44%

LAB 52.78, 88.35, -54.72

 

CMYK 1 / 92 / 0 / 5

HEX #EF14F1

RGB 239 20 241

HSL 299.46, 0.89%, 0.51%

LAB 57.27, 92.39, -58.08

 

CMYK 0 / 85 / 0 / 0

HEX #FF26FF

RGB 255 38 255

HSL 300, 1%, 0.57%

LAB 61.54, 94.66, -58.89

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 4 / 100 / 0 / 18

HEX #C800D0

RGB 200 0 208

HSL 297.69, 1%, 0.41%

LAB 48.05, 83, -54.51

 

CMYK 3 / 100 / 0 / 26

HEX #B700BD

RGB 183 0 189

HSL 298.1, 1%, 0.37%

LAB 43.86, 77.48, -50.35

 

CMYK 2 / 100 / 0 / 33

HEX #A600AA

RGB 166 0 170

HSL 298.59, 1%, 0.33%

LAB 39.6, 71.86, -46.11

 

CMYK 1 / 100 / 0 / 41

HEX #950097

RGB 149 0 151

HSL 299.21, 1%, 0.3%

LAB 35.25, 66.12, -41.77

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 0 / 99 / 22 / 11

HEX #E302B0

RGB 227 2 176

HSL 313.6, 0.98%, 0.45%

LAB 51.28, 83.25, -30.46

 

CMYK 0 / 99 / 49 / 11

HEX #E30273

RGB 227 2 115

HSL 329.87, 0.98%, 0.45%

LAB 49.02, 77.41, 2.78

 

CMYK 0 / 99 / 76 / 11

HEX #E30237

RGB 227 2 55

HSL 345.87, 0.98%, 0.45%

LAB 47.82, 74.17, 37.83

 

CMYK 0 / 99 / 99 / 11

HEX #E30202

RGB 227 2 2

HSL 0, 0.98%, 0.45%

LAB 47.47, 73.22, 60.98

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 31 / 99 / 0 / 11

HEX #9C02E3

RGB 156 2 227

HSL 281.07, 0.98%, 0.45%

LAB 42.24, 80.04, -75.15

 

CMYK 58 / 99 / 0 / 11

HEX #5F02E3

RGB 95 2 227

HSL 264.8, 0.98%, 0.45%

LAB 34.03, 74.68, -88.98

 

CMYK 85 / 99 / 0 / 11

HEX #2302E3

RGB 35 2 227

HSL 248.8, 0.98%, 0.45%

LAB 29.28, 72.49, -97.02

 

CMYK 99 / 99 / 0 / 11

HEX #0202E3

RGB 2 2 227

HSL 240, 0.98%, 0.45%

LAB 28.39, 72.18, -98.53

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 4 / 90 / 0 / 18

HEX #C814D0

RGB 200 20 208

HSL 297.45, 0.82%, 0.45%

LAB 48.68, 81.14, -53.5

 

CMYK 4 / 79 / 0 / 25

HEX #B727BE

RGB 183 39 190

HSL 297.22, 0.66%, 0.45%

LAB 45.96, 71.66, -47.58

 

CMYK 3 / 67 / 0 / 33

HEX #A639AB

RGB 166 57 171

HSL 297.37, 0.5%, 0.45%

LAB 44.19, 58.92, -39.37

 

CMYK 2 / 50 / 0 / 40

HEX #954C98

RGB 149 76 152

HSL 297.63, 0.33%, 0.45%

LAB 43.98, 42.02, -28.56

 

CMYK 58 / 99 / 0 / 11

HEX #6002E3

RGB 96 2 227

HSL 265.07, 0.98%, 0.45%

LAB 34.14, 74.74, -88.79

 

CMYK 32 / 99 / 0 / 11

HEX #9B02E3

RGB 155 2 227

HSL 280.8, 0.98%, 0.45%

LAB 42.09, 79.93, -75.41

 

CMYK 5 / 99 / 0 / 11

HEX #D702E3

RGB 215 2 227

HSL 296.8, 0.98%, 0.45%

LAB 51.88, 87.99, -59.07

 

CMYK 0 / 99 / 22 / 11

HEX #E302B2

RGB 227 2 178

HSL 313.07, 0.98%, 0.45%

LAB 51.37, 83.49, -31.49

 

CMYK 0 / 99 / 48 / 11

HEX #E30276

RGB 227 2 118

HSL 329.07, 0.98%, 0.45%

LAB 49.11, 77.64, 1.07

 

CMYK 4 / 99 / 0 / 43

HEX #8B0191

RGB 139 1 145

HSL 297.5, 0.99%, 0.29%

LAB 33.04, 63.37, -41.74

 

CMYK 4 / 99 / 0 / 27

HEX #B201BA

RGB 178 1 186

HSL 297.41, 0.99%, 0.37%

LAB 42.81, 76.13, -50.32

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 4 / 93 / 0 / 1

HEX #F212FC

RGB 242 18 252

HSL 297.44, 0.98%, 0.53%

LAB 58.36, 94.65, -62.45

 

CMYK 4 / 77 / 0 / 1

HEX #F43AFD

RGB 244 58 253

HSL 297.23, 0.98%, 0.61%

LAB 61.09, 88.25, -58.61

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 0 / 84 / 99 / 11

HEX #E32402

RGB 227 36 2

HSL 9.07, 0.98%, 0.45%

LAB 49, 68.8, 61.6

 

CMYK 99 / 0 / 45 / 11

HEX #02E37D

RGB 2 227 125

HSL 152.8, 0.98%, 0.45%

LAB 79.86, -68.29, 37.11

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 0 / 5 / 99 / 11

HEX #E3D702

RGB 227 215 2

HSL 56.8, 0.98%, 0.45%

LAB 84.45, -13.84, 84.05

 

CMYK 99 / 0 / 5 / 11

HEX #02E3D7

RGB 2 227 215

HSL 176.8, 0.98%, 0.45%

LAB 81.76, -47.44, -7.09

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 0 / 84 / 99 / 11

HEX #E32402

RGB 227 36 2

HSL 9.07, 0.98%, 0.45%

LAB 49, 68.8, 61.6

 

CMYK 94 / 0 / 99 / 11

HEX #0DE302

RGB 13 227 2

HSL 117.07, 0.98%, 0.45%

LAB 79.06, -78.45, 76.06

 

CMYK 99 / 15 / 0 / 11

HEX #02C1E3

RGB 2 193 227

HSL 189.07, 0.98%, 0.45%

LAB 72.03, -28.15, -28.23

 

CMYK 4 / 99 / 0 / 11

HEX #D902E3

RGB 217 2 227

HSL 297.33, 0.98%, 0.45%

LAB 52.22, 88.29, -58.5

 

CMYK 0 / 55 / 99 / 11

HEX #E36702

RGB 227 103 2

HSL 26.93, 0.98%, 0.45%

LAB 58.07, 44.29, 66.27

 

CMYK 94 / 0 / 99 / 11

HEX #0DE302

RGB 13 227 2

HSL 117.07, 0.98%, 0.45%

LAB 79.06, -78.45, 76.06

 

CMYK 99 / 45 / 0 / 11

HEX #027DE3

RGB 2 125 227

HSL 207.2, 0.98%, 0.45%

LAB 52.09, 9.84, -59.59

 

Description

Color code: RGB 217 2 227 | qconv.com Color code: RGB 217 2 227 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 2 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 2 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 99 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 99% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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