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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 26 199 it is the complementary color RGB 38 229 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 26 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 26 199 shade: RGB 222 26 194, RGB 239 44 213, RGB 255 62 232, RGB 255 80 251 and RGB 255 98 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 26 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 26 199 shade: RGB 217 26 199, RGB 200 8 180, RGB 183 0 161, RGB 166 0 142 and RGB 149 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 26 199 shade: RGB 219 25 200, RGB 219 25 148, RGB 219 25 96, RGB 219 25 44 and RGB 219 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 26 199 shade: RGB 219 25 200, RGB 185 25 219, RGB 133 25 219, RGB 80 25 219 and RGB 28 25 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 26 199 shade matches the following richer shades: RGB 219 25 200 and RGB 238 5 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 26 199 shade: RGB 219 25 200, RGB 199 45 184, RGB 179 65 168, RGB 159 85 152 and RGB 139 104 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 26 199 shade: RGB 132 25 219, RGB 183 25 219, RGB 219 25 202, RGB 219 25 151 and RGB 219 25 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 26 199 shade: RGB 145 17 133, RGB 182 21 167, RGB 219 25 200, RGB 231 54 214 and RGB 235 91 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 26 199 shade: RGB 217 26 199, RGB 219 80 25 and RGB 25 219 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 26 199 shade: RGB 217 26 199, RGB 202 219 25 and RGB 25 202 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 26 199 shade: RGB 217 26 199, RGB 219 80 25, RGB 25 219 41 and RGB 25 164 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 26 199 shade: RGB 217 26 199, RGB 219 138 25, RGB 25 219 41 and RGB 25 106 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 8 / 15

HEX #D91AC7

RGB 217 26 199

HSL 305.65, 0.79%, 0.48%

LAB 51.4, 81.97, -43.8

 

Complementary color

CMYK 83 / 0 / 76 / 10

HEX #26E538

RGB 38 229 56

HSL 125.65, 0.79%, 0.52%

LAB 80.03, -75.27, 66.75

 

CMYK 0 / 88 / 13 / 13

HEX #DE1AC2

RGB 222 26 194

HSL 308.57, 0.79%, 0.49%

LAB 52.02, 82.22, -39.86

 

CMYK 0 / 82 / 11 / 6

HEX #EF2CD5

RGB 239 44 213

HSL 308, 0.86%, 0.55%

LAB 57.03, 84.77, -42.67

 

CMYK 0 / 76 / 9 / 0

HEX #FF3EE8

RGB 255 62 232

HSL 307.15, 1%, 0.62%

LAB 62.11, 86.26, -45.2

 

CMYK 0 / 69 / 2 / 0

HEX #FF50FB

RGB 255 80 251

HSL 301.37, 1%, 0.66%

LAB 64.93, 83.66, -51.29

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 88 / 8 / 15

HEX #D91AC7

RGB 217 26 199

HSL 305.65, 0.79%, 0.48%

LAB 51.4, 81.97, -43.8

 

CMYK 0 / 96 / 10 / 22

HEX #C808B4

RGB 200 8 180

HSL 306.25, 0.92%, 0.41%

LAB 46.64, 78.35, -40.45

 

CMYK 0 / 100 / 12 / 28

HEX #B700A1

RGB 183 0 161

HSL 307.21, 1%, 0.36%

LAB 42.22, 73.48, -36.36

 

CMYK 0 / 100 / 14 / 35

HEX #A6008E

RGB 166 0 142

HSL 308.67, 1%, 0.33%

LAB 37.95, 67.84, -31.77

 

CMYK 0 / 100 / 17 / 42

HEX #95007B

RGB 149 0 123

HSL 310.47, 1%, 0.29%

LAB 33.6, 62.09, -27.03

 

CMYK 0 / 89 / 9 / 14

HEX #DB19C8

RGB 219 25 200

HSL 305.88, 0.8%, 0.48%

LAB 51.75, 82.61, -43.79

 

CMYK 0 / 89 / 32 / 14

HEX #DB1994

RGB 219 25 148

HSL 321.96, 0.8%, 0.48%

LAB 49.37, 76.31, -16.91

 

CMYK 0 / 89 / 56 / 14

HEX #DB1960

RGB 219 25 96

HSL 338.04, 0.8%, 0.48%

LAB 47.75, 71.85, 12.45

 

CMYK 0 / 89 / 80 / 14

HEX #DB192C

RGB 219 25 44

HSL 354.12, 0.8%, 0.48%

LAB 46.89, 69.41, 42.64

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 89 / 9 / 14

HEX #DB19C8

RGB 219 25 200

HSL 305.88, 0.8%, 0.48%

LAB 51.75, 82.61, -43.79

 

CMYK 16 / 89 / 0 / 14

HEX #B919DB

RGB 185 25 219

HSL 289.48, 0.8%, 0.48%

LAB 47.14, 79.78, -62.42

 

CMYK 39 / 89 / 0 / 14

HEX #8519DB

RGB 133 25 219

HSL 273.4, 0.8%, 0.48%

LAB 39.24, 72.62, -75.64

 

CMYK 63 / 89 / 0 / 14

HEX #5019DB

RGB 80 25 219

HSL 257.01, 0.8%, 0.48%

LAB 32.95, 67.6, -86.22

 

CMYK 87 / 89 / 0 / 14

HEX #1C19DB

RGB 28 25 219

HSL 240.93, 0.8%, 0.48%

LAB 29.55, 65.24, -91.97

 

CMYK 0 / 89 / 9 / 14

HEX #DB19C8

RGB 219 25 200

HSL 305.88, 0.8%, 0.48%

LAB 51.75, 82.61, -43.79

 

CMYK 0 / 98 / 9 / 7

HEX #EE05D8

RGB 238 5 216

HSL 305.67, 0.96%, 0.48%

LAB 55.32, 89.94, -47.09

 

CMYK 0 / 89 / 9 / 14

HEX #DB19C8

RGB 219 25 200

HSL 305.88, 0.8%, 0.48%

LAB 51.75, 82.61, -43.79

 

CMYK 0 / 77 / 8 / 22

HEX #C72DB8

RGB 199 45 184

HSL 305.84, 0.63%, 0.48%

LAB 48.86, 72.37, -39.3

 

CMYK 0 / 64 / 6 / 30

HEX #B341A8

RGB 179 65 168

HSL 305.79, 0.47%, 0.48%

LAB 47.22, 58.37, -32.69

 

CMYK 0 / 47 / 4 / 38

HEX #9F5598

RGB 159 85 152

HSL 305.68, 0.3%, 0.48%

LAB 47.15, 40.34, -23.53

 

CMYK 0 / 25 / 2 / 45

HEX #8B6888

RGB 139 104 136

HSL 305.14, 0.14%, 0.48%

LAB 48.47, 19.71, -12.2

 

CMYK 40 / 89 / 0 / 14

HEX #8419DB

RGB 132 25 219

HSL 273.09, 0.8%, 0.48%

LAB 39.1, 72.5, -75.87

 

CMYK 16 / 89 / 0 / 14

HEX #B719DB

RGB 183 25 219

HSL 288.87, 0.8%, 0.48%

LAB 46.81, 79.47, -62.96

 

CMYK 0 / 89 / 8 / 14

HEX #DB19CA

RGB 219 25 202

HSL 305.26, 0.8%, 0.48%

LAB 51.86, 82.89, -44.77

 

CMYK 0 / 89 / 31 / 14

HEX #DB1997

RGB 219 25 151

HSL 321.03, 0.8%, 0.48%

LAB 49.48, 76.63, -18.52

 

CMYK 0 / 89 / 55 / 14

HEX #DB1963

RGB 219 25 99

HSL 337.11, 0.8%, 0.48%

LAB 47.82, 72.05, 10.7

 

CMYK 0 / 88 / 8 / 43

HEX #911185

RGB 145 17 133

HSL 305.63, 0.79%, 0.32%

LAB 34.22, 60.25, -32.37

 

CMYK 0 / 88 / 8 / 29

HEX #B615A7

RGB 182 21 167

HSL 305.59, 0.79%, 0.4%

LAB 43.17, 71.74, -38.45

 

CMYK 0 / 89 / 9 / 14

HEX #DB19C8

RGB 219 25 200

HSL 305.88, 0.8%, 0.48%

LAB 51.75, 82.61, -43.79

 

CMYK 0 / 77 / 7 / 9

HEX #E736D6

RGB 231 54 214

HSL 305.76, 0.79%, 0.56%

LAB 56.57, 80.94, -44.06

 

CMYK 0 / 61 / 6 / 8

HEX #EB5BDE

RGB 235 91 222

HSL 305.42, 0.78%, 0.64%

LAB 62.01, 70.53, -39.96

 

CMYK 0 / 88 / 8 / 15

HEX #D91AC7

RGB 217 26 199

HSL 305.65, 0.79%, 0.48%

LAB 51.4, 81.97, -43.8

 

CMYK 0 / 63 / 89 / 14

HEX #DB5019

RGB 219 80 25

HSL 17.01, 0.8%, 0.48%

LAB 52.8, 52.2, 56.6

 

CMYK 89 / 0 / 28 / 14

HEX #19DB9D

RGB 25 219 157

HSL 160.82, 0.8%, 0.48%

LAB 78.05, -58.23, 18.32

 

CMYK 0 / 88 / 8 / 15

HEX #D91AC7

RGB 217 26 199

HSL 305.65, 0.79%, 0.48%

LAB 51.4, 81.97, -43.8

 

CMYK 8 / 0 / 89 / 14

HEX #CADB19

RGB 202 219 25

HSL 65.26, 0.8%, 0.48%

LAB 83.59, -26.03, 79.98

 

CMYK 89 / 8 / 0 / 14

HEX #19CADB

RGB 25 202 219

HSL 185.26, 0.8%, 0.48%

LAB 74.55, -34.29, -20.03

 

CMYK 0 / 88 / 8 / 15

HEX #D91AC7

RGB 217 26 199

HSL 305.65, 0.79%, 0.48%

LAB 51.4, 81.97, -43.8

 

CMYK 0 / 63 / 89 / 14

HEX #DB5019

RGB 219 80 25

HSL 17.01, 0.8%, 0.48%

LAB 52.8, 52.2, 56.6

 

CMYK 89 / 0 / 81 / 14

HEX #19DB29

RGB 25 219 41

HSL 124.95, 0.8%, 0.48%

LAB 76.7, -74.43, 67.9

 

CMYK 89 / 25 / 0 / 14

HEX #19A4DB

RGB 25 164 219

HSL 197.01, 0.8%, 0.48%

LAB 63.24, -15.05, -37.45

 

CMYK 0 / 88 / 8 / 15

HEX #D91AC7

RGB 217 26 199

HSL 305.65, 0.79%, 0.48%

LAB 51.4, 81.97, -43.8

 

CMYK 0 / 37 / 89 / 14

HEX #DB8A19

RGB 219 138 25

HSL 34.95, 0.8%, 0.48%

LAB 64.41, 23.29, 65.52

 

CMYK 89 / 0 / 81 / 14

HEX #19DB29

RGB 25 219 41

HSL 124.95, 0.8%, 0.48%

LAB 76.7, -74.43, 67.9

 

CMYK 89 / 52 / 0 / 14

HEX #196ADB

RGB 25 106 219

HSL 214.95, 0.8%, 0.48%

LAB 46.48, 19.61, -64.11

 

Description

Color code: RGB 217 26 199 | qconv.com Color code: RGB 217 26 199 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 26 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 26 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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