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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 240 216 it is the complementary color RGB 38 15 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 240 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 240 216 shade: RGB 222 240 211, RGB 239 255 230 and RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 240 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 240 216 shade: RGB 217 240 216, RGB 200 222 197, RGB 183 204 178, RGB 166 186 159 and RGB 149 168 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 240 216 shade: RGB 215 239 214, RGB 222 239 214, RGB 228 239 214, RGB 235 239 214 and RGB 239 236 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 240 216 shade: RGB 215 239 214, RGB 214 239 220, RGB 214 239 226, RGB 214 239 233 and RGB 214 238 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 240 216 shade matches the following richer shades: RGB 215 239 214, RGB 211 243 210, RGB 207 248 205 and RGB 203 252 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 240 216 shade: RGB 215 239 214, RGB 219 234 219, RGB 223 230 223, RGB 228 225 228 and RGB 232 221 232

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 240 216 shade: RGB 229 239 214, RGB 222 239 214, RGB 215 239 214, RGB 214 239 219 and RGB 214 239 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 240 216 shade: RGB 157 216 155, RGB 186 227 184, RGB 215 239 214 and RGB 244 250 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 240 216 shade: RGB 217 240 216, RGB 214 235 239 and RGB 239 214 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 240 216 shade: RGB 217 240 216, RGB 214 215 239 and RGB 239 214 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 240 216 shade: RGB 217 240 216, RGB 214 235 239, RGB 238 214 239 and RGB 239 218 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 240 216 shade: RGB 217 240 216, RGB 214 228 239, RGB 238 214 239 and RGB 239 225 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 10 / 6

HEX #D9F0D8

RGB 217 240 216

HSL 117.5, 0.44%, 0.89%

LAB 92.59, -11.9, 9.04

 

Complementary color

CMYK 3 / 62 / 0 / 85

HEX #260F27

RGB 38 15 39

HSL 297.5, 0.44%, 0.11%

LAB 8.13, 16.67, -11.36

 

CMYK 8 / 0 / 12 / 6

HEX #DEF0D3

RGB 222 240 211

HSL 97.24, 0.49%, 0.88%

LAB 92.82, -11.06, 12

 

CMYK 6 / 0 / 10 / 0

HEX #EFFFE6

RGB 239 255 230

HSL 98.4, 1%, 0.95%

LAB 98.27, -9.6, 10.15

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 10 / 0 / 10 / 6

HEX #D9F0D8

RGB 217 240 216

HSL 117.5, 0.44%, 0.89%

LAB 92.59, -11.9, 9.04

 

CMYK 10 / 0 / 11 / 13

HEX #C8DEC5

RGB 200 222 197

HSL 112.8, 0.27%, 0.82%

LAB 86.28, -11.91, 9.79

 

CMYK 10 / 0 / 13 / 20

HEX #B7CCB2

RGB 183 204 178

HSL 108.46, 0.2%, 0.75%

LAB 79.88, -11.93, 10.57

 

CMYK 11 / 0 / 15 / 27

HEX #A6BA9F

RGB 166 186 159

HSL 104.44, 0.16%, 0.68%

LAB 73.37, -11.95, 11.39

 

CMYK 11 / 0 / 17 / 34

HEX #95A88C

RGB 149 168 140

HSL 100.71, 0.14%, 0.6%

LAB 66.74, -11.98, 12.26

 

CMYK 10 / 0 / 10 / 6

HEX #D7EFD6

RGB 215 239 214

HSL 117.6, 0.44%, 0.89%

LAB 92.15, -12.42, 9.43

 

CMYK 7 / 0 / 10 / 6

HEX #DEEFD6

RGB 222 239 214

HSL 100.8, 0.44%, 0.89%

LAB 92.63, -10.06, 10.18

 

CMYK 5 / 0 / 10 / 6

HEX #E4EFD6

RGB 228 239 214

HSL 86.4, 0.44%, 0.89%

LAB 93.05, -8.01, 10.84

 

CMYK 2 / 0 / 10 / 6

HEX #EBEFD6

RGB 235 239 214

HSL 69.6, 0.44%, 0.89%

LAB 93.56, -5.59, 11.63

 

CMYK 0 / 1 / 10 / 6

HEX #EFECD6

RGB 239 236 214

HSL 52.8, 0.44%, 0.89%

LAB 93.1, -2.68, 11.02

 

CMYK 10 / 0 / 10 / 6

HEX #D7EFD6

RGB 215 239 214

HSL 117.6, 0.44%, 0.89%

LAB 92.15, -12.42, 9.43

 

CMYK 10 / 0 / 8 / 6

HEX #D6EFDC

RGB 214 239 220

HSL 134.4, 0.44%, 0.89%

LAB 92.22, -11.69, 6.41

 

CMYK 10 / 0 / 5 / 6

HEX #D6EFE2

RGB 214 239 226

HSL 148.8, 0.44%, 0.89%

LAB 92.36, -10.6, 3.49

 

CMYK 10 / 0 / 3 / 6

HEX #D6EFE9

RGB 214 239 233

HSL 165.6, 0.44%, 0.89%

LAB 92.54, -9.3, 0.11

 

CMYK 10 / 0 / 0 / 6

HEX #D6EEEF

RGB 214 238 239

HSL 182.4, 0.44%, 0.89%

LAB 92.43, -7.64, -3.17

 

CMYK 10 / 0 / 10 / 6

HEX #D7EFD6

RGB 215 239 214

HSL 117.6, 0.44%, 0.89%

LAB 92.15, -12.42, 9.43

 

CMYK 13 / 0 / 14 / 5

HEX #D3F3D2

RGB 211 243 210

HSL 118.18, 0.58%, 0.89%

LAB 92.84, -16.43, 12.45

 

CMYK 17 / 0 / 17 / 3

HEX #CFF8CD

RGB 207 248 205

HSL 117.21, 0.75%, 0.89%

LAB 93.8, -21.06, 16.35

 

CMYK 19 / 0 / 21 / 1

HEX #CBFCC8

RGB 203 252 200

HSL 116.54, 0.9%, 0.89%

LAB 94.52, -25.14, 19.89

 

CMYK 10 / 0 / 10 / 6

HEX #D7EFD6

RGB 215 239 214

HSL 117.6, 0.44%, 0.89%

LAB 92.15, -12.42, 9.43

 

CMYK 6 / 0 / 6 / 8

HEX #DBEADB

RGB 219 234 219

HSL 120, 0.26%, 0.89%

LAB 91.24, -7.68, 5.56

 

CMYK 3 / 0 / 3 / 10

HEX #DFE6DF

RGB 223 230 223

HSL 120, 0.12%, 0.89%

LAB 90.6, -3.59, 2.58

 

CMYK 0 / 1 / 0 / 11

HEX #E4E1E4

RGB 228 225 228

HSL 300, 0.05%, 0.89%

LAB 89.83, 1.55, -1.11

 

CMYK 0 / 5 / 0 / 9

HEX #E8DDE8

RGB 232 221 232

HSL 300, 0.19%, 0.89%

LAB 89.25, 5.69, -4.04

 

CMYK 4 / 0 / 10 / 6

HEX #E5EFD6

RGB 229 239 214

HSL 84, 0.44%, 0.89%

LAB 93.12, -7.67, 10.95

 

CMYK 7 / 0 / 10 / 6

HEX #DEEFD6

RGB 222 239 214

HSL 100.8, 0.44%, 0.89%

LAB 92.63, -10.06, 10.18

 

CMYK 10 / 0 / 10 / 6

HEX #D7EFD6

RGB 215 239 214

HSL 117.6, 0.44%, 0.89%

LAB 92.15, -12.42, 9.43

 

CMYK 10 / 0 / 8 / 6

HEX #D6EFDB

RGB 214 239 219

HSL 132, 0.44%, 0.89%

LAB 92.2, -11.87, 6.89

 

CMYK 10 / 0 / 5 / 6

HEX #D6EFE2

RGB 214 239 226

HSL 148.8, 0.44%, 0.89%

LAB 92.36, -10.6, 3.49

 

CMYK 27 / 0 / 28 / 15

HEX #9DD89B

RGB 157 216 155

HSL 118.03, 0.44%, 0.73%

LAB 81.1, -30.63, 24.18

 

CMYK 18 / 0 / 19 / 11

HEX #BAE3B8

RGB 186 227 184

HSL 117.21, 0.43%, 0.81%

LAB 86.42, -21.39, 16.67

 

CMYK 10 / 0 / 10 / 6

HEX #D7EFD6

RGB 215 239 214

HSL 117.6, 0.44%, 0.89%

LAB 92.15, -12.42, 9.43

 

CMYK 2 / 0 / 2 / 2

HEX #F4FAF4

RGB 244 250 244

HSL 120, 0.37%, 0.97%

LAB 97.69, -3.03, 2.17

 

CMYK 10 / 0 / 10 / 6

HEX #D9F0D8

RGB 217 240 216

HSL 117.5, 0.44%, 0.89%

LAB 92.59, -11.9, 9.04

 

CMYK 10 / 2 / 0 / 6

HEX #D6EBEF

RGB 214 235 239

HSL 189.6, 0.44%, 0.89%

LAB 91.66, -6.12, -4.3

 

CMYK 0 / 10 / 6 / 6

HEX #EFD6E1

RGB 239 214 225

HSL 333.6, 0.44%, 0.89%

LAB 87.91, 10.49, -2.25

 

CMYK 10 / 0 / 10 / 6

HEX #D9F0D8

RGB 217 240 216

HSL 117.5, 0.44%, 0.89%

LAB 92.59, -11.9, 9.04

 

CMYK 10 / 10 / 0 / 6

HEX #D6D7EF

RGB 214 215 239

HSL 237.6, 0.44%, 0.89%

LAB 86.57, 4.24, -11.85

 

CMYK 0 / 10 / 10 / 6

HEX #EFD6D7

RGB 239 214 215

HSL 357.6, 0.44%, 0.89%

LAB 87.65, 8.81, 2.66

 

CMYK 10 / 0 / 10 / 6

HEX #D9F0D8

RGB 217 240 216

HSL 117.5, 0.44%, 0.89%

LAB 92.59, -11.9, 9.04

 

CMYK 10 / 2 / 0 / 6

HEX #D6EBEF

RGB 214 235 239

HSL 189.6, 0.44%, 0.89%

LAB 91.66, -6.12, -4.3

 

CMYK 0 / 10 / 0 / 6

HEX #EED6EF

RGB 238 214 239

HSL 297.6, 0.44%, 0.89%

LAB 88.21, 12.62, -9.21

 

CMYK 0 / 9 / 10 / 6

HEX #EFDAD6

RGB 239 218 214

HSL 9.6, 0.44%, 0.89%

LAB 88.61, 6.57, 4.58

 

CMYK 10 / 0 / 10 / 6

HEX #D9F0D8

RGB 217 240 216

HSL 117.5, 0.44%, 0.89%

LAB 92.59, -11.9, 9.04

 

CMYK 10 / 5 / 0 / 6

HEX #D6E4EF

RGB 214 228 239

HSL 206.4, 0.44%, 0.89%

LAB 89.87, -2.53, -6.95

 

CMYK 0 / 10 / 0 / 6

HEX #EED6EF

RGB 238 214 239

HSL 297.6, 0.44%, 0.89%

LAB 88.21, 12.62, -9.21

 

CMYK 0 / 6 / 10 / 6

HEX #EFE1D6

RGB 239 225 214

HSL 26.4, 0.44%, 0.89%

LAB 90.35, 2.94, 7.08

 

Description

Color code: RGB 217 240 216 | qconv.com Color code: RGB 217 240 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 240 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 240 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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