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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 231 236 it is the complementary color RGB 38 24 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 231 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 231 236 shade: RGB 222 231 231 and RGB 239 249 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 231 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 231 236 shade: RGB 217 231 236, RGB 200 213 217, RGB 183 195 198, RGB 166 177 179 and RGB 149 159 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 231 236 shade: RGB 217 231 236, RGB 217 226 236, RGB 217 221 236, RGB 219 217 236 and RGB 224 217 236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 231 236 shade: RGB 217 231 236, RGB 217 226 236, RGB 217 221 236 and RGB 217 217 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 231 236 shade matches the following richer shades: RGB 217 231 236, RGB 213 233 240, RGB 208 235 245, RGB 204 237 249 and RGB 199 239 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 231 236 shade: RGB 217 231 236, RGB 222 229 231, RGB 226 227 227, RGB 231 224 222 and RGB 235 222 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 231 236 shade: RGB 217 236 230, RGB 217 236 235, RGB 217 231 236, RGB 217 226 236 and RGB 217 221 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 231 236 shade: RGB 162 196 208, RGB 190 213 222, RGB 217 231 236 and RGB 245 248 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 231 236 shade: RGB 217 231 236, RGB 226 217 236 and RGB 236 233 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 231 236 shade: RGB 217 231 236, RGB 236 217 231 and RGB 231 236 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 231 236 shade: RGB 217 231 236, RGB 226 217 236, RGB 236 222 217 and RGB 227 236 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 231 236 shade: RGB 217 231 236, RGB 231 217 236, RGB 236 222 217 and RGB 222 236 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

Complementary color

CMYK 0 / 37 / 50 / 85

HEX #261813

RGB 38 24 19

HSL 15.79, 0.33%, 0.11%

LAB 9.89, 6.2, 6.11

 

CMYK 4 / 0 / 0 / 9

HEX #DEE7E7

RGB 222 231 231

HSL 180, 0.16%, 0.89%

LAB 90.99, -2.99, -1.05

 

CMYK 4 / 0 / 0 / 2

HEX #EFF9FA

RGB 239 249 250

HSL 185.45, 0.52%, 0.96%

LAB 97.23, -3.09, -1.63

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 8 / 2 / 0 / 15

HEX #C8D5D9

RGB 200 213 217

HSL 194.12, 0.18%, 0.82%

LAB 84.42, -3.6, -3.49

 

CMYK 8 / 2 / 0 / 22

HEX #B7C3C6

RGB 183 195 198

HSL 192, 0.12%, 0.75%

LAB 77.98, -3.52, -2.93

 

CMYK 7 / 1 / 0 / 30

HEX #A6B1B3

RGB 166 177 179

HSL 189.23, 0.08%, 0.68%

LAB 71.42, -3.43, -2.35

 

CMYK 7 / 1 / 0 / 37

HEX #959FA0

RGB 149 159 160

HSL 185.45, 0.05%, 0.61%

LAB 64.74, -3.35, -1.76

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 8 / 4 / 0 / 7

HEX #D9E2EC

RGB 217 226 236

HSL 211.58, 0.33%, 0.89%

LAB 89.49, -1.11, -5.92

 

CMYK 8 / 6 / 0 / 7

HEX #D9DDEC

RGB 217 221 236

HSL 227.37, 0.33%, 0.89%

LAB 88.22, 1.48, -7.79

 

CMYK 7 / 8 / 0 / 7

HEX #DBD9EC

RGB 219 217 236

HSL 246.32, 0.33%, 0.89%

LAB 87.36, 4.22, -9.05

 

CMYK 5 / 8 / 0 / 7

HEX #E0D9EC

RGB 224 217 236

HSL 262.11, 0.33%, 0.89%

LAB 87.74, 5.86, -8.44

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 8 / 4 / 0 / 7

HEX #D9E2EC

RGB 217 226 236

HSL 211.58, 0.33%, 0.89%

LAB 89.49, -1.11, -5.92

 

CMYK 8 / 6 / 0 / 7

HEX #D9DDEC

RGB 217 221 236

HSL 227.37, 0.33%, 0.89%

LAB 88.22, 1.48, -7.79

 

CMYK 8 / 8 / 0 / 7

HEX #D9D9EC

RGB 217 217 236

HSL 240, 0.33%, 0.89%

LAB 87.21, 3.57, -9.29

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 11 / 3 / 0 / 6

HEX #D5E9F0

RGB 213 233 240

HSL 195.56, 0.47%, 0.89%

LAB 91.11, -5.22, -5.65

 

CMYK 15 / 4 / 0 / 4

HEX #D0EBF5

RGB 208 235 245

HSL 196.22, 0.65%, 0.89%

LAB 91.42, -6.81, -7.83

 

CMYK 18 / 5 / 0 / 2

HEX #CCEDF9

RGB 204 237 249

HSL 196, 0.79%, 0.89%

LAB 91.79, -8.24, -9.39

 

CMYK 22 / 6 / 0 / 0

HEX #C7EFFE

RGB 199 239 254

HSL 196.36, 0.96%, 0.89%

LAB 92.15, -9.7, -11.51

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 4 / 1 / 0 / 9

HEX #DEE5E7

RGB 222 229 231

HSL 193.33, 0.16%, 0.89%

LAB 90.48, -1.96, -1.8

 

CMYK 0 / 0 / 0 / 11

HEX #E2E3E3

RGB 226 227 227

HSL 180, 0.02%, 0.89%

LAB 90.16, -0.33, -0.13

 

CMYK 0 / 3 / 4 / 9

HEX #E7E0DE

RGB 231 224 222

HSL 13.33, 0.16%, 0.89%

LAB 89.66, 2.03, 1.81

 

CMYK 0 / 6 / 7 / 8

HEX #EBDEDA

RGB 235 222 218

HSL 14.12, 0.3%, 0.89%

LAB 89.38, 3.76, 3.54

 

CMYK 8 / 0 / 3 / 7

HEX #D9ECE6

RGB 217 236 230

HSL 161.05, 0.33%, 0.89%

LAB 91.89, -7.37, 0.75

 

CMYK 8 / 0 / 0 / 7

HEX #D9ECEB

RGB 217 236 235

HSL 176.84, 0.33%, 0.89%

LAB 92.02, -6.43, -1.67

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 8 / 4 / 0 / 7

HEX #D9E2EC

RGB 217 226 236

HSL 211.58, 0.33%, 0.89%

LAB 89.49, -1.11, -5.92

 

CMYK 8 / 6 / 0 / 7

HEX #D9DDEC

RGB 217 221 236

HSL 227.37, 0.33%, 0.89%

LAB 88.22, 1.48, -7.79

 

CMYK 22 / 6 / 0 / 18

HEX #A2C4D0

RGB 162 196 208

HSL 195.65, 0.33%, 0.73%

LAB 77.11, -8.7, -9.77

 

CMYK 14 / 4 / 0 / 13

HEX #BED5DE

RGB 190 213 222

HSL 196.88, 0.33%, 0.81%

LAB 83.87, -5.84, -7.04

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 2 / 1 / 0 / 2

HEX #F5F8FA

RGB 245 248 250

HSL 204, 0.33%, 0.97%

LAB 97.41, -0.63, -1.31

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 4 / 8 / 0 / 7

HEX #E2D9EC

RGB 226 217 236

HSL 268.42, 0.33%, 0.89%

LAB 87.9, 6.52, -8.19

 

CMYK 0 / 1 / 8 / 7

HEX #ECE9D9

RGB 236 233 217

HSL 50.53, 0.33%, 0.89%

LAB 92.19, -1.71, 8.12

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 0 / 8 / 2 / 7

HEX #ECD9E7

RGB 236 217 231

HSL 315.79, 0.33%, 0.89%

LAB 88.56, 8.95, -4.49

 

CMYK 2 / 0 / 8 / 7

HEX #E7ECD9

RGB 231 236 217

HSL 75.79, 0.33%, 0.89%

LAB 92.57, -4.96, 8.62

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 4 / 8 / 0 / 7

HEX #E2D9EC

RGB 226 217 236

HSL 268.42, 0.33%, 0.89%

LAB 87.9, 6.52, -8.19

 

CMYK 0 / 6 / 8 / 7

HEX #ECDED9

RGB 236 222 217

HSL 15.79, 0.33%, 0.89%

LAB 89.43, 3.94, 4.15

 

CMYK 4 / 0 / 8 / 7

HEX #E3ECD9

RGB 227 236 217

HSL 88.42, 0.33%, 0.89%

LAB 92.28, -6.33, 8.17

 

CMYK 8 / 2 / 0 / 7

HEX #D9E7EC

RGB 217 231 236

HSL 195.79, 0.33%, 0.89%

LAB 90.76, -3.69, -4.04

 

CMYK 2 / 8 / 0 / 7

HEX #E7D9EC

RGB 231 217 236

HSL 284.21, 0.33%, 0.89%

LAB 88.29, 8.17, -7.57

 

CMYK 0 / 6 / 8 / 7

HEX #ECDED9

RGB 236 222 217

HSL 15.79, 0.33%, 0.89%

LAB 89.43, 3.94, 4.15

 

CMYK 6 / 0 / 8 / 7

HEX #DEECD9

RGB 222 236 217

HSL 104.21, 0.33%, 0.89%

LAB 91.92, -8.03, 7.61

 

Description

Color code: RGB 217 231 236 | qconv.com Color code: RGB 217 231 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 231 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 231 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 2 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 2% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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